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Human Generated Data

Title

"Missus Bonneau...I love Missus Bonneau myself!"

Date

1838

People

Artist: Honoré-Victorin Daumier, French 1808-1879

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Carl Pickhardt, Class of 1931, M17395

Human Generated Data

Title

"Missus Bonneau...I love Missus Bonneau myself!"

People

Artist: Honoré-Victorin Daumier, French 1808-1879

Date

1838

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Carl Pickhardt, Class of 1931, M17395

Machine Generated Data

Tags

Amazon
created on 2019-11-05

Human 96.5
Art 96.1
Drawing 84.7
Sketch 69.4
Photo 57.2
Photography 57.2

Clarifai
created on 2019-11-05

people 99.9
print 99.7
art 99.4
adult 99.1
illustration 98.4
engraving 97.7
group 97.4
woman 96.3
wear 96.1
painting 95.1
man 93.8
portrait 93.7
two 91.5
veil 89.2
etching 85
one 84.8
music 84.2
child 82.4
lithograph 79.3
interaction 79.2

Imagga
created on 2019-11-05

sketch 100
drawing 100
representation 100
art 17.8
vintage 15.7
black 15
style 14.1
design 13.6
pattern 13
grunge 12.8
money 12.8
retro 12.3
cash 11.9
currency 11.7
artistic 11.3
hair 11.1
banking 11
portrait 11
shape 10.4
close 10.3
motion 10.3
paper 10.2
people 10
silhouette 9.9
texture 9.7
graphic 9.5
face 9.2
old 9.1
decoration 9
bank 9
antique 8.7
ancient 8.7
ornament 8.6
bill 8.6
model 8.6
head 8.4
elegance 8.4
economy 8.3
backgrounds 8.1
man 8.1
detail 8.1
light 8
financial 8
curve 7.9
color 7.8
elegant 7.7
person 7.7
exchange 7.6
fashion 7.5
decorative 7.5
dollar 7.4
letter 7.3
adult 7.1

Google
created on 2019-11-05

Microsoft
created on 2019-11-05

drawing 99.8
sketch 99.8
text 99.2
book 95
cartoon 94.4
painting 94.1
child art 93.3
illustration 92.7
human face 77.2
person 52.3

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 21-33
Gender Female, 77%
Surprised 67.3%
Angry 2.2%
Calm 6.5%
Sad 0.7%
Happy 7.7%
Disgusted 0.6%
Confused 7.4%
Fear 7.7%

Feature analysis

Amazon

Person
Painting

Clarifai

Human face
Clothing
Human head
Human mouth
Human eye
Human nose
Human hand

AWS Rekognition

Person 96.5%

Categories

Imagga
created on 2019-11-05

paintings art 98%

Captions

Microsoft
created by unknown on 2019-11-05

a close up of a book 29.4%
close up of a book 25.2%
a hand holding a book 25.1%

Clarifai

Created by general-english-image-caption-clip on 2025-07-10

illustration toa week of kindness.

Salesforce

Created by general-english-image-caption-blip on 2025-05-02

a photograph of a drawing of a man and woman talking

OpenAI GPT

Created by gpt-4 on 2025-02-03

This image appears to be a page from a book or a collection of sketches featuring classical figure studies. The page consists of drawings of two draped figures in different poses, carefully detailed to show the folds of the fabric. To the left, the figure seems to be turned away, with draping cloth revealing the contour of a shoulder and back. The figure on the right is more frontally oriented, with one hand raised toward the shoulder level.

There is text at the bottom of the page, likely providing context or descriptions related to the artwork, as well as some inscriptions. These include handwritten notes, potentially the artist's signature, and a date that is partially visible, indicating the year '38. The artwork has a sense of movement and naturalism, suggesting that the artist was studying the way clothing hangs and folds on the human body.

Above the artwork, there is printed text that reads "CROQUIS D'EXPRESSIONS Nº 42," which translates from French to "Sketches of Expressions No. 42," indicating that these sketches might be part of a series focused on expressions or gestures.

Created by gpt-4o-2024-05-13 on 2025-02-03

This is a black and white engraving titled "Croquis D'Expressions No. 42" by the artist Honoré Daumier, as indicated by the initials "H. D." at the bottom left. It depicts two women engaged in what appears to be an animated conversation. The woman on the left is wearing a headscarf and has her hands in front of her chest, while the woman on the right is wearing a bonnet and has one hand on her chest and the other holding a piece of cloth near her face. The shading and lines suggest expressive body language conveying emotion through their gestures. The artwork includes French text at the bottom, likely providing dialogue or additional context for the scene.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-03

This is a historical sketch or illustration titled "CROQUIS D'EXPRESSIONS" (Expression Sketches). It appears to be a dramatic scene showing two figures in an animated conversation or confrontation. The artwork is done in black and white, likely with charcoal or similar medium. One figure on the left wears a nightcap and loose clothing, while the figure on the right appears to be wearing more formal dress with a bonnet or head covering. Both figures have exaggerated expressions of surprise or alarm, characteristic of caricature art of the period. The style suggests this might be from the 19th century, possibly French artwork given the title. There's text at the bottom of the image in French, though it's not entirely legible in this reproduction. The artistic style emphasizes expression and emotion through dramatic facial features and gestures.

Created by claude-3-opus-20240229 on 2025-02-03

The image is a black and white sketch or drawing depicting two people engaged in conversation. The person on the left appears to be an elderly man wearing a hat and coat. He is gesturing with his hands as he speaks to the woman on the right. The woman has an elaborate hairstyle and is wearing a long dress typical of an earlier historical era, possibly the 18th or 19th century based on the style. She has her hands clasped and seems to be listening intently to what the man is saying. The sketch has an inscription in French below it, suggesting it may be by a French artist capturing an expression or interaction between the two figures.

Created by claude-3-haiku-20240307 on 2025-02-03

The image depicts two figures, a man and a woman, engaged in a conversation or discussion. The man appears to be leaning in towards the woman, with a serious or concerned expression on his face. The woman is also depicted with an expression that suggests she is listening intently or responding to the man.

The figures are depicted in a detailed, black-and-white style, with fine line work and shading that creates a striking, dramatic effect. The background appears to be a forest or wooded area, adding a sense of setting or context to the scene.

While the image contains human figures, I will not attempt to identify or name the individuals shown, in accordance with the instructions provided. Instead, I have described the scene and the expressions and body language of the figures in a general, objective manner.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-24

This appears to be a historical sketch or drawing, likely from the 19th century, titled "CROQUIS D'EXPRESSIONS" (Expression Sketches). The image shows three figures in profile, drawn in a caricature style, wearing what appear to be nightcaps or similar head coverings. The figures are shown in a dramatic, exaggerated pose, all leaning forward in the same direction with exaggerated facial expressions. The artwork is rendered in black and white, using what appears to be charcoal or similar drawing medium, with strong shading and dramatic contrasts. There's text at the bottom of the image, though it's not entirely clear in this reproduction. The style is characteristic of satirical or humorous illustrations from that era, with an emphasis on capturing expressive gestures and emotions.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13

The image depicts a scene from the opera 'Don Giovanni' by Wolfgang Amadeus Mozart, specifically the moment when the Commendatore is about to condemn Don Giovanni to hell. The painting, titled 'Don Giovanni' by Henri de Toulouse-Lautrec, captures this dramatic moment with vivid colors and detailed expressions. The Commendatore, a stern figure, stands tall and imposing, while Don Giovanni appears more relaxed, reflecting his character's arrogance and lack of remorse. The background is dark and ominous, adding to the tension of the scene. Toulouse-Lautrec's use of bold lines and expressive brushstrokes brings the characters to life, making the scene feel dynamic and intense.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13

The image depicts a sketch of two individuals engaged in conversation. The person on the left is attired in a white shirt and hat, while the individual on the right wears a dress and has their hair styled in an updo. The background of the image features a dark, shadowy area that serves to accentuate the figures.

At the top of the image, the text "CROQUIS D'EXPRESSIONS N° 42" is visible. Below the sketch, there is a line of illegible cursive writing, followed by the numbers "26 X 38" in the bottom-right corner. The overall atmosphere of the image suggests that it may be a scene from a play or theatrical performance.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-03

The image is a black-and-white drawing of two people engaged in a conversation. The drawing is in a sketch style, and the people are depicted in a simplistic manner. The person on the left is wearing a hat and has a beard. The person on the right is wearing a dress and has a scarf around her neck. The drawing is titled "CROQUIS D'EXPRESSIONS N° 42" and has a signature at the bottom.

Created by amazon.nova-lite-v1:0 on 2025-02-03

The image is a black-and-white drawing of two people, a man and a woman, standing and facing each other. The man is wearing a hat and has his mouth open, while the woman is wearing a bonnet and has her hand on her face. The drawing has a watermark in the top right corner that reads "Croquis D'Expressions N° 42". The image also has a caption that reads "M. une Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'intime Bonneur, l'

Google Gemini

Created by gemini-2.0-flash-lite on 2025-05-01

Here's a description of the image:

Overall Impression:

The image is a black and white lithograph, likely a caricature, depicting two people engaged in an animated and likely heated conversation. The style is illustrative, with a strong emphasis on capturing exaggerated expressions.

Description of the Figures:

  • Man: On the left, a man is depicted with a prominent nose and a worried expression. He wears a cap and simple clothing. His arms are outstretched, suggesting he's passionately arguing or pleading.
  • Woman: On the right, the woman wears a bonnet and a dress. Her expression is shocked, and she is clutching at her chest and face. Her expression matches the man's intense manner.

Setting and Background:

The background is a shaded, blurry effect, which helps to make the figures stand out. The figures are lit from the front, giving a sense of depth.

Text and Details:

  • The image is labeled "CROQUIS D'EXPRESSIONS N° 42" at the top, indicating it is part of a series of expressions.
  • There is text at the bottom. It appears to be French and likely is dialogue, adding context.

Overall Atmosphere:

The scene conveys a feeling of tension, surprise, or confrontation. The artist is clearly focusing on the emotional expressions of the two figures to create a humorous, possibly satirical, effect.

Created by gemini-2.0-flash on 2025-05-01

The image is a black and white lithograph titled "Croquis d'Expressions N°42". It depicts two elderly characters, likely a man and a woman, in a heated exchange.

The man, on the left, is wearing a nightcap and what appears to be a hooded shirt. His face is elongated and expressive, with a prominent nose and mouth open in what seems like agitated speech. His hands are gesturing forward, emphasizing his words.

The woman, on the right, is also wearing a head covering, possibly a bonnet. Her facial expression mirrors the man's, showing concern or outrage. She is dressed in a simple dress with stripes, and her hands are near her chest, as if defensively holding something.

The background is shaded, creating a dramatic effect that highlights the figures. The overall style is caricatured, emphasizing the emotions and characteristics of the subjects.

Below the image, there is text in French, which appears to be part of the original caption or dialogue. The text is partially illegible, but some phrases like "M'aime Bonneau" and "Caine m'aime Bonneau" are visible. At the bottom right there is a date that says "26 Xbre 38".

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-08

The image is a lithograph titled "Croquis d'Expressions N° 71," which translates to "Sketch of Expressions No. 71." It depicts two elderly individuals, a man and a woman, engaged in a conversation. The man, who appears to be a farmer or laborer, is wearing a cap and a long coat. He is leaning forward with a focused and somewhat intense expression as he speaks to the woman. The woman, dressed in a bonnet and a shawl, is sitting and appears to be listening attentively, with her hands clasped together and a look of concern or interest on her face.

The background is dark and sketchy, which helps to highlight the figures and their expressions. The artist's signature, "H.D.," is visible in the bottom left corner. Below the image, there is a line of text in French, which reads: "M'sieur Rennaud?... m'sieur Rennaud!... f'sons un' p'tite Rennaud'... y'a llo le d'gout, y'a l'air, y'a l'saint..." This text seems to be a phonetic representation of the dialogue between the two characters, suggesting a rustic or regional dialect.

The overall mood of the image is one of intimacy and emotional intensity, capturing a moment of deep conversation or confession between the two figures.

Qwen

No captions written

Text analysis

Amazon

26
EXPRHSSIONS
N:
wwil.
EXPRHSSIONS N: 42
ormtt
Amemi
whee
rae pe
xhu3e
the tb rae pe whee 26 xhu3e
sreine
chr Amemi Ml Fme wwil.
chr
Ml
Bunam
IToi
42
tb
f Bunam sreine 16 ormtt omc de
Fme
omc
16
the
f
m IToi
de
m

Google

CROQUIS D EXPRESSIONS N2 ane mme mi
CROQUIS
D
EXPRESSIONS
N2
ane
mme
mi