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Human Generated Data

Title

The Consequences of a Horsemeat Dinner

Date

1865

People

Artist: Honoré-Victorin Daumier, French 1808-1879

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Bequest of Frances L. Hofer, M20930

Human Generated Data

Title

The Consequences of a Horsemeat Dinner

People

Artist: Honoré-Victorin Daumier, French 1808-1879

Date

1865

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Bequest of Frances L. Hofer, M20930

Machine Generated Data

Tags

Clarifai
created on 2019-11-07

people 99.4
print 98.9
illustration 98
portrait 97.6
art 97.4
adult 97.2
one 96.4
group 96.2
man 95.4
engraving 93.2
lithograph 93
text 91.1
painting 88.3
paper 88.3
no person 85.9
picture frame 84.4
administration 83.9
old 83.6
vintage 83.3
woman 82.6

Imagga
created on 2019-11-07

newspaper 43.5
money 42.6
product 38.7
currency 37.7
paper 37.7
cash 36.6
dollar 33.4
creation 32.4
business 32.2
finance 30.4
daily 30.1
financial 29.4
wealth 28.7
book jacket 28.4
dollars 27.1
bank 26.9
bill 26.6
banking 23.9
jacket 22.1
close 20.6
hundred 20.3
old 20.2
franklin 19.7
us 19.3
savings 17.7
vintage 17.4
one 17.2
closeup 16.9
wrapping 16.8
pay 16.3
banknotes 15.7
rich 14.9
retro 14.8
finances 14.5
treasury 14
economy 13.9
bills 13.6
notes 13.4
exchange 13.4
antique 13.1
brass 13.1
book 13
investment 12.8
commerce 12.1
note 12
banknote 11.7
prayer 11.6
loan 11.5
covering 11.4
letter 11
bible 10.8
religion 10.8
art 10.7
stamp 10.6
states 10.6
mail 10.5
profit 10.5
text 10.5
ancient 10.4
memorial 10.3
religious 10.3
number 10.3
document 10.2
page 10.2
design 10.1
funds 9.8
detail 9.7
holy 9.6
depository 9.6
god 9.6
capital 9.5
magazine 9.4
sign 9
history 8.9
philately 8.9
postmark 8.9
postage 8.8
president 8.8
bookmark 8.7
payment 8.7
read 8.7
faith 8.6
face 8.5
card 8.5
print 8.5
symbol 8.1
success 8.1
market 8
envelope 8
drawing 7.9
twenty 7.9
postal 7.9
income 7.8
value 7.8
price 7.7
spiritual 7.7
international 7.6
post 7.6
stock 7.5
comic book 7.4
facility 7.3
new 7.3
aged 7.2
portrait 7.1
concepts 7.1

Google
created on 2019-11-07

Microsoft
created on 2019-11-07

text 100
drawing 95.9
sketch 94
person 86.6
cartoon 77.9
man 70.4
newspaper 65.9
clothing 63.9
illustration 57.9

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 52-70
Gender Male, 50.8%
Fear 52.8%
Happy 45.1%
Disgusted 45.1%
Surprised 46.6%
Calm 45.3%
Confused 45%
Sad 45%
Angry 45.1%

Categories

Imagga
created on 2019-11-07

paintings art 81.5%
streetview architecture 9.3%
text visuals 9.1%

Captions

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-05-25

a photograph of a man and a woman sitting on a boat

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-03

This image features a lithograph by the artist Honoré Daumier. It is part of the "Croquis Parisiens" series and depicts a satirical scene titled "Les suites d'un diner hippophagique," which translates to "The consequences of a horse-meat dinner." The illustration shows two men engaging in a conversation, with the older man on the left looking up with a disgruntled expression while the younger man on the right listens intently. The background is filled with sketchy, indistinct human and animal figures that add a chaotic atmosphere to the scene.

The caption below the lithograph humorously states, "Je t'avais bien dit de ne pas accepter l'invitation d'aller manger du cheval," meaning "I told you not to accept the invitation to go eat horse meat." The artwork is a commentary on horse-meat consumption, a controversial topic during Daumier's time. Below the illustration is a page-long text, presumably providing further context or satire related to the image.

Created by gpt-4 on 2025-02-03

This image appears to be a page from a publication with an illustration and text. The top third of the page features an illustration with the caption "CROQUIS PARISIENS par DAUMIER." The image shows two men having an animated conversation. The man on the left is bent forward with his hands on his knees, facing the younger man on the right who is seated and looking attentively at him. The facial expressions suggest a serious or intense discussion. The setting appears to be indoors or in an enclosed space with a shadowy background, and several indistinct figures are seen behind them.

The bottom two-thirds of the page contain blocks of text in French arranged in two columns. The text above the illustration, also in French, reads "LES SUITES D'UN DÎNER PHILOLOGIQUE" followed by a quote, indicating this might be a narrative or satirical commentary likely related to the illustration. Below the illustration's caption is the title "CROQUIS PARISIENS par DAUMIER" in larger font, suggesting the name of the series or publication and the artist, Honoré Daumier, a French printmaker, caricaturist, painter, and sculptor.

The page is numbered "1" in the top right corner, which suggests it is the beginning of a series or the first page of a section. The printed text likely provides context or a story related to the artwork, which often accompanies such illustrations in 19th-century French publications. Honoré Daumier was known for his social and political commentary through his art, so this image may be dealing with a contemporary issue of its time.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-03

This is a "Croquis Parisiens" (Parisian Sketch) by Daumier, a French artist known for his satirical lithographs. The image shows two figures engaged in what appears to be conversation or observation, with one leaning forward toward the other. The artwork is titled "LES SUITES D'UN DINER HIPPODRAMIQUE" (The Consequences of a Horse Drama Dinner).

Below the image is a substantial amount of French text, which appears to be dialogue or commentary related to the scene. The lithograph has a sketchy, expressive quality typical of Daumier's style, with strong use of light and shadow. The scene appears to be capturing a moment of social commentary or satire, which was characteristic of Daumier's work in 19th century France.

The composition is simple but effective, with the two figures positioned against a somewhat abstract background. The artwork is numbered and includes the artist's signature or initials.

Created by claude-3-opus-20240229 on 2025-02-03

This black and white illustration depicts a humorous scene with an older man and a younger boy sitting together and talking. The man has an exaggerated, caricatured appearance with wild hair and a distressed expression. He seems to be passionately explaining or complaining about something to the unimpressed looking boy, who has his arms crossed. The two figures are seated on what looks like a small wall or ledge outdoors, with some bare trees and shrubbery visible behind them.

Below the illustration is French text that appears to be a dialogue between the man and boy characters, though I cannot translate the specifics of what is written. The illustration has a printed title "Les Suites d'un Diner Hippophagique" and is labeled as part of a series called "Croquis Parisiens par Daumier".

The drawing style has the characteristic loose, sketchy linework and satirical tone of Honoré Daumier's famous 19th century caricatures and social commentaries. Overall, it humorously portrays an animated interaction between a ranting old man and a skeptical young listener.

Created by claude-3-haiku-20240307 on 2025-02-03

The image depicts a scene from a satirical publication called "Croquis Parisiens" by Daumier. It shows a group of people, likely upper-class individuals, seated together and engaged in conversation. The central figures appear to be two men, one of whom is gesturing expressively, while the others around them seem to be listening intently. The scene is set against a landscape background with some trees visible. The overall style of the image is reminiscent of 19th-century French caricature or political satire.

Meta Llama

No captions written

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-03

The image is a black-and-white drawing of a man and a woman sitting together in a dimly lit room. The man is seated, and the woman is standing beside him. The man is bald and has a serious expression, while the woman has a shocked or surprised look on her face. The drawing is surrounded by a frame with a title at the top that reads "CROQUIS PARISIENS par DAUMIER." Below the drawing, there is text in French, which appears to be a dialogue between the two characters. The text is divided into two columns, with the left column containing the man's dialogue and the right column containing the woman's dialogue. The drawing is a caricature, and the characters are exaggerated to emphasize their emotions and personalities. The man appears to be stern and serious, while the woman is shocked and surprised. The drawing is a commentary on the social and political issues of the time, and the text provides context for the characters' dialogue.

Created by amazon.nova-lite-v1:0 on 2025-02-03

The image is a black-and-white illustration titled "Croquis Parisiens par Daumier" with the number "1" in the top right corner. The image depicts a scene of a man and a woman sitting in front of a table, with the man looking at the woman, who is looking down. The man has a serious expression, while the woman appears to be sad. The illustration is accompanied by a French text, which is a poem by Louis Leroy.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-05-22

Here's a description of the image:

Overall Impression:

The image is a satirical illustration, likely from a French publication like Le Charivari, judging by the style and subject matter. It depicts a scene at what seems to be a musical performance, possibly a concert. The focus is on the reactions and conversations of the attendees, particularly the disapproving reactions to the music.

Scene and Characters:

  • Foreground: Two figures dominate the foreground:
    • A man (likely of a higher social class), is looking very unhappy with a frown.
    • A woman, in an elegant hat, and her expression is difficult to read,
  • Background: Other figures, partially visible, suggest a crowded audience.
  • Setting: The setting is likely a concert hall or opera house. The composition suggests a box or a section of seats.

Details and Actions:

  • The main characters are engaged in a conversation. The man's body language and facial expression clearly signal displeasure, possibly at the performance itself or some aspect of it.
  • The background figures may be reacting to the music or the unfolding drama.

Style and Context:

  • The illustration uses a caricaturist style, common in satirical publications. Characters have exaggerated features, and the overall impression is meant to be humorous and critical.
  • Based on the title "LES SUITES D'UN DINER HIPPOPHAGIQUE - Jet'avais bien dit de ne pas accepter l'invitation d'aller manger du cheval," likely refers to a critique of upper-class society.

Overall, the image captures a scene of social satire, possibly ridiculing the pretensions or snobbery of concertgoers, and their reactions to some aspect of a performance.

Created by gemini-2.0-flash on 2025-05-22

Here is a description of the image:

The image is a black-and-white print titled "LES SUITES D'UN DINER HIPPOPHAGIQUE - Je t'avais bien dit de ne pas accepter l'invitation d'aller manger du cheval." by Daumier. The print depicts an indoor scene, presumably in a theater or concert hall.

In the foreground, a man with prominent features and a concerned expression is seated, leaning forward and talking to a woman next to him. The woman, wearing a bonnet, looks up at him with a worried expression. They are surrounded by other patrons, partially visible in the background, suggesting a crowded setting.

The style is characteristic of Daumier's satirical prints, with exaggerated features and expressive gestures. The overall tone suggests a commentary on social interactions and perhaps the pretentiousness of attending such events. The text surrounding the image appears to be excerpts from a conversation, possibly adding context to the scene depicted.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-27

The image is a lithograph by Honoré Daumier, a French artist known for his caricatures and satirical works. The title of the piece is "Les Suites d'un Dîner Hippophagique," which translates to "The Consequences of a Hippophagic Dinner." The caption below the image reads, "Je l'avais bien dit de ne pas accepter l'invitation d'aller manger du cheval," meaning "I told you so, I said not to accept the invitation to go eat horse meat."

The lithograph depicts a scene where several people appear to be suffering from indigestion or illness, likely due to having consumed horse meat. The characters are shown in various states of discomfort, with some leaning over a balcony, seemingly about to vomit. The setting appears to be a balcony overlooking a river, with the characters dressed in formal attire, suggesting they have just come from a dinner event.

The text below the image is a dialogue in French, which adds to the satirical nature of the piece. The dialogue includes comments and complaints about the meal and its aftermath, further emphasizing the humor and critique of the situation.

Overall, the lithograph is a commentary on the social and culinary trends of the time, using exaggeration and humor to convey its message.

Qwen

No captions written

Text analysis

Amazon

DINEH
SUITES
DAUMIER
PARISTENS
LES
manper
dit
CHOOIS PARISTENS par DAUMIER
acrepler
pas
CHOOIS
par
invilalion
ie
avais
LES SUITES D'UN DINEH HIPPOPIINGTOE
3430
avais bien dit de ne pas acrepler invilalion d aller manper dui cheval
d
de ne
pont-neaf
ehaleur
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aller
part
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allais le Deethoren.
trop
fait
a
Deethoren.
bien
D'UN
le
ehaleur fait ie satg enfrer lourna a pont-neaf
je
maistenamt?
dui
elforts
premiere
41
Asis eriait-on de
S.B
satg
enfrer
de e ca. maistenamt? softie pou I premiere
lourna
e ca.
softie
pou I

Google

CROQUIS PARISIENS par DAUMIER Martnet 173 r Re 41 ane LES SUITES D IN DINER HIPPOPIIAGIQUE Jet avais bien dit de ne pas accepter linviation d aller manger du cheval. 430 -Lisez le prozramme, lisez le programme! Comment, que je lise le programme ? -Yous y verrez qu'on est prie de ne pas eatrer pendant l'exécution des morceaux -Mais il n'est pas defenda de sortir, dit Etienne que ertte altercation amusait, or tout ee qui n'est pas defetda est permis. Cest une profanation ! assis, assis! criait-on de toute part; mais le motsieur persistait Entin la partie la moins féroce des abonnés se laissa tou- eher, et le speelateur qui Ireait tant à s'en aller put le taire non sans use satisfaction très-visible. On eomprend trop Beethoven Tant mieux. Mais jallais beaucoup mieas; e'est I'abominable ehaleur qui regne ici qui me fait monter le sang à la gorge Es-tu sår de ne plus tousser maistenant? -J he prut pas te promettre ca Alons, va-t'en, vafen thi ie ne demande pas mieux. Etienne se leva et se disposa à fuir, lorsqoe Tintrodoc- tion des saisos de Haydn fit entendre ses premières nodes Bargeau tira immétiatentent le fuyard par les pans de sa redingote et le força à se rasseoir. Voila que tu ine retirss maintenant? -Piaisantes-tu? Est-ce que l'on sort pendant l'exécu- tion d'on morceau. Tu n'arriverais pas entier à la porte. -Les locataires de la maison de Boethoven sont ra- geurs lls serairet dans fear droit. -Cest singulier comme ia musique adoocit les mours. ien qu avant en lira à voix basse, ce dialogue attira l'attention d'un gros dilettante qui 1cha un chut! à toute таренг. Aumoment le plus intéressant de la symphonie, un cer- tain mouvement eut lieu à l'entrée du couloir, au grand scandale des habitoes. aest-ce que cela? dit Etienne en proitant de la prioccupation geoirale poor tousser à son aise Je vois un monsieur debout -Assis! assis vociferait le gros diletlante. Le monsicur, tris påle. tres emu, it entendre quelques mots pour demander ia permission de sortir. Nont non! Mais cepetdant, messieurs, je vous supplie de me laisser pasuer -Je vous reconnais, cria le paissant dilettante, vous 8tes coutumier du fait; c'est la seconde fois que vous in Berrompez le concert dennis se eommeneement de la ialson Je vous demande eo grace de me laisser passer Panlon; sa musitee tourne au pont-neaf -Ah! quel piradose -Quatid on nous l'a servi pour la première fois, si voas aviez vu notre air effane, nos efforts pour comprendre, crla vous aurait vivement interessee; tandis qae mainte nant on entre dans ses combinaisons harmoniques aussi facilement que dans celles de Fautear des Drur Acregles On le comprend trop, comtesse, oa le comprend trop. Deux daines tres eegantes -Jai cru que ce concert ne finirait pas -Ab! que dites-vous la, - e lanca bots de sa Yous vous des amusée, vous -Ce n'est pas précisément le mot. -La mode de venir iei ne changera done jamais. mansarde avee un plaisir sans melange. -Comme le temps a passé vite ! dit Bargeau Je ne trouve pas, repondit Etienne: il me semble que ie viens de monter une garde. Tu ne veax pas en coavenir, mais ta t'es extrémement amusé -Si to y tiens, j'en conviendrai Parblru! et si tu reviens encore deux fois to ne pour- ras plus manquer un seul concert. Cest si agréable, nous noas connaissons tous. -Mais tu n'as parlé à personne dans notre mansande Cest à cause de tot -Bah -Oui, ta tous indisposait trop mes volsins et l'on de- vait m'en vouloir de l'avoir amene, No nous en allons pas, restons pour voir ia sortie et écouter les conversations. Un irux baron donnant le beas à une jeune comtesse -Ah1 comtesse, ces conoerts sont bien degénéres Mais je ne troove pas, moi, -Jen ai pear. 1 faut se nesigner. A dimanche, chère madame. La femme d'un hanguier à son marit -Vous avez boile d'ane fagoa des plas compromet- tantes . Vous eroyez qu'on m'a vu -Jn suis sure daeDimanche prochain, à déjeuner, je prendra cafe plus fort Ftienne souriten entendant ces menus propos. Tu vois, dit-il à Bargeau, je ne suis pas in sul qoi soit reste frod Tous ces grts-li me fout Feliet d'avoir pris du plaisir à pe- tite dose. Birbare, vaI tu mériterais d'Vtre déporté à l'Alcazar pour la vie. Voyons, ne te lche pas : je tassure que le concert nous a charmes egalemest; nous ne différoas que sur le moaent: moi jai eté eathousiasmé en sortant. -Cet orchestre est toujours un des premiers du monde. i -Autrefois nous disions le premier! Et pais aujour dhui il ya qurique chose qui me taine. Quoi donct LOEIS LEBOY
CROQUIS
PARISIENS
par
DAUMIER
Martnet
173
r
Re
41
ane
LES
SUITES
D
IN
DINER
HIPPOPIIAGIQUE
Jet
avais
bien
dit
de
ne
pas
accepter
linviation
d
aller
manger
du
cheval.
430
-Lisez
le
prozramme,
lisez
programme!
Comment,
que
je
lise
programme
?
-Yous
y
verrez
qu'on
est
prie
eatrer
pendant
l'exécution
des
morceaux
-Mais
il
n'est
defenda
sortir,
Etienne
ertte
altercation
amusait,
or
tout
ee
qui
defetda
permis.
Cest
une
profanation
!
assis,
assis!
criait-on
toute
part;
mais
motsieur
persistait
Entin
la
partie
moins
féroce
abonnés
se
laissa
tou-
eher,
et
speelateur
Ireait
tant
à
s'en
put
taire
non
sans
use
satisfaction
très-visible.
On
eomprend
trop
Beethoven
Tant
mieux.
Mais
jallais
beaucoup
mieas;
e'est
I'abominable
ehaleur
regne
ici
me
fait
monter
sang
gorge
Es-tu
sår
plus
tousser
maistenant?
-J
he
prut
te
promettre
ca
Alons,
va-t'en,
vafen
thi
ie
demande
leva
disposa
fuir,
lorsqoe
Tintrodoc-
tion
saisos
Haydn
fit
entendre
ses
premières
nodes
Bargeau
tira
immétiatentent
fuyard
les
pans
sa
redingote
força
rasseoir.
Voila
tu
ine
retirss
maintenant?
-Piaisantes-tu?
Est-ce
l'on
sort
l'exécu-
d'on
morceau.
Tu
n'arriverais
entier
porte.
-Les
locataires
maison
Boethoven
sont
ra-
geurs
lls
serairet
dans
fear
droit.
-Cest
singulier
comme
ia
musique
adoocit
mours.
ien
qu
avant
en
lira
voix
basse,
ce
dialogue
attira
l'attention
d'un
gros
dilettante
1cha
un
chut!
таренг.
Aumoment
intéressant
symphonie,
cer-
tain
mouvement
eut
lieu
l'entrée
couloir,
au
grand
scandale
habitoes.
aest-ce
cela?
proitant
prioccupation
geoirale
poor
son
aise
Je
vois
monsieur
debout
-Assis!
assis
vociferait
diletlante.
Le
monsicur,
tris
påle.
tres
emu,
it
quelques
mots
pour
demander
permission
sortir.
Nont
non!
cepetdant,
messieurs,
vous
supplie
laisser
pasuer
-Je
reconnais,
cria
paissant
dilettante,
8tes
coutumier
fait;
c'est
seconde
fois
in
Berrompez
concert
dennis
eommeneement
ialson
eo
grace
passer
Panlon;
musitee
tourne
pont-neaf
-Ah!
quel
piradose
-Quatid
on
nous
l'a
servi
première
fois,
si
voas
aviez
vu
notre
air
effane,
nos
efforts
comprendre,
crla
aurait
vivement
interessee;
tandis
qae
mainte
nant
entre
combinaisons
harmoniques
aussi
facilement
celles
Fautear
Drur
Acregles
comprend
trop,
comtesse,
oa
trop.
Deux
daines
eegantes
-Jai
cru
finirait
-Ab!
dites-vous
la,
-
e
lanca
bots
Yous
amusée,
-Ce
précisément
mot.
-La
mode
venir
iei
changera
done
jamais.
mansarde
avee
plaisir
melange.
-Comme
temps
a
passé
vite
trouve
pas,
repondit
Etienne:
semble
viens
garde.
veax
coavenir,
ta
t'es
extrémement
amusé
-Si
to
tiens,
j'en
conviendrai
Parblru!
reviens
encore
deux
pour-
ras
manquer
seul
concert.
agréable,
noas
connaissons
tous.
n'as
parlé
personne
mansande
cause
tot
-Bah
-Oui,
tous
indisposait
mes
volsins
de-
vait
m'en
vouloir
l'avoir
amene,
No
allons
restons
voir
sortie
écouter
conversations.
Un
irux
baron
donnant
beas
jeune
comtesse
-Ah1
ces
conoerts
degénéres
troove
moi,
-Jen
ai
pear.
1
faut
nesigner.
A
dimanche,
chère
madame.
La
femme
hanguier
marit
-Vous
avez
boile
d'ane
fagoa
plas
compromet-
tantes
.
Vous
eroyez
m'a
-Jn
suis
sure
daeDimanche
prochain,
déjeuner,
prendra
cafe
fort
Ftienne
souriten
entendant
menus
propos.
vois,
dit-il
Bargeau,
sul
qoi
soit
reste
frod
Tous
grts-li
fout
Feliet
d'avoir
pris
pe-
tite
dose.
Birbare,
vaI
mériterais
d'Vtre
déporté
l'Alcazar
vie.
Voyons,
lche
:
tassure
charmes
egalemest;
différoas
sur
moaent:
moi
jai
eté
eathousiasmé
sortant.
-Cet
orchestre
toujours
premiers
monde.
i
-Autrefois
disions
premier!
Et
pais
aujour
dhui
ya
qurique
chose
taine.
Quoi
donct
LOEIS
LEBOY