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Human Generated Data

Title

M. Prudhomme: "Hooray for the third class carriages, where you can be asphyxiated but never assassinated!"

Date

1864

People

Artist: Honoré-Victorin Daumier, French 1808-1879

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, The Program for Harvard College, M13797

Human Generated Data

Title

M. Prudhomme: "Hooray for the third class carriages, where you can be asphyxiated but never assassinated!"

People

Artist: Honoré-Victorin Daumier, French 1808-1879

Date

1864

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, The Program for Harvard College, M13797

Machine Generated Data

Tags

Amazon
created on 2019-11-07

Human 99
Art 97.1
Painting 94.2
Advertisement 75.5
Drawing 69.2
Text 59.9

Clarifai
created on 2019-11-07

people 100
engraving 99.9
print 99.8
art 99.6
group 99.5
portrait 99.3
illustration 98.9
adult 98.2
man 97.7
leader 96.6
antique 95.2
etching 95.1
facial hair 92.8
lithograph 91.6
furniture 90.5
old 89.9
painting 88.9
famous 88.5
wear 88.5
vintage 88.2

Imagga
created on 2019-11-07

brass 34.9
memorial 33.4
money 28.9
dollar 26.9
art 26.8
sketch 25.9
cash 25.6
structure 25.3
currency 25.1
sculpture 24.2
culture 23.9
architecture 22.3
drawing 22.1
banking 21.2
old 20.9
paper 20.4
finance 20.3
ancient 19.9
history 19.7
financial 19.6
one 18.7
us 18.3
bank 18.3
business 18.2
bill 18.1
savings 17.7
representation 17.1
wealth 17.1
close 16.6
vintage 16.6
hundred 15.5
monument 15
stone 14.9
rich 14.9
window 14.6
dollars 14.5
loan 14.4
statue 14
treasury 13.9
banknotes 13.7
museum 13.6
antique 13.6
religion 13.5
famous 13
historic 12.8
finances 12.5
exchange 12.4
historical 12.2
closeup 12.1
letter 11.9
masterpiece 11.9
known 11.8
postmark 11.8
postage 11.8
postal 11.8
landmark 11.7
envelope 11.7
stamp 11.6
mail 11.5
symbol 11.5
church 11.1
franklin 10.8
printed 10.8
renaissance 10.8
depository 10.7
face 10.7
pay 10.6
god 10.5
painted 10.5
post 10.5
unique 10.4
carving 10.4
economy 10.2
temple 10
column 9.9
painter 9.9
building 9.9
funds 9.8
paintings 9.8
bills 9.7
banknote 9.7
detail 9.7
fine 9.5
capital 9.5
decoration 9.3
post mail 8.9
zigzag 8.9
fame 8.9
shows 8.9
delivery 8.8
icon 8.7
cutting 8.7
price 8.7
notes 8.6
communications 8.6
travel 8.5
black 8.4
facility 8.4
investment 8.3
tourism 8.3
global 8.2
design 8
market 8
circa 7.9
framework 7.8
artistic 7.8
economic 7.8
letters 7.7
debt 7.7
holy 7.7
payment 7.7
pattern 7.5
decorative 7.5
city 7.5
commerce 7.5
office 7.4
stencil 7.3
facade 7.3
paint 7.2
marble 7.1

Google
created on 2019-11-07

Illustration 75.9
Art 70.9
Drawing 55.8
History 54.1
Picture frame 50.2

Microsoft
created on 2019-11-07

text 99.9
sketch 99.6
drawing 99.5
illustration 93.4
cartoon 92.8
person 91.9
clothing 87
man 84.3
book 76.6
human face 75.8

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 29-45
Gender Female, 69.4%
Surprised 12.4%
Calm 22.6%
Angry 7.5%
Confused 1.3%
Happy 2%
Sad 3.4%
Disgusted 1.5%
Fear 49.3%

Feature analysis

Amazon

Person
Poster

Clarifai

Clothing
Human face
Picture frame
Man

AWS Rekognition

Person 99%

Categories

Imagga
created on 2019-11-07

paintings art 99.8%

Captions

Microsoft
created by unknown on 2019-11-07

a close up of a book 40.3%
close up of a book 34.9%
a photo of a book 34.8%

Clarifai

Created by general-english-image-caption-clip on 2025-07-14

illustration of a group of men.

Salesforce

Created by general-english-image-caption-blip on 2025-05-25

a photograph of a drawing of a man in a suit and tie

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-03

This image appears to be a historical, monochromatic illustration of passengers sitting inside a train car. The passengers are dressed in 19th-century attire, including hats and suits, which suggests the scene is from that time period. The seats are compact, indicating this might be a third-class section of the train. The caption at the bottom, in French, reads "M. PRUD'HOMME. – Vive les wagons de troisième classe on peut y être asphyxié mais jamais assassiné," which roughly translates to "M. PRUD'HOMME. – Long live third-class carriages, one can suffocate here but never be assassinated." This suggests a commentary on the conditions of third-class travel. The windows of the train car show a glimpse of the outside landscape. The overall mood of the image indicates cramped and possibly uncomfortable conditions for the travelers.

Created by gpt-4 on 2025-02-03

This image shows an etching or lithograph depicting a group of individuals seated inside a compartment of a train, suggestive of a third-class carriage given the crowded conditions and attire of the passengers. The passengers appear to be in close quarters, wearing hats and coats indicative of a bygone era, hinting at historical train travel conditions. At the bottom of the artwork, there is text in French that translates to: "Long live the third-class wagons where you can hardly breathe but are never murdered." This statement could be satirical, commenting on the conditions of the time.

The upper part of the image includes the caption "EN CHEMIN DE FER," which is French for "On the railway." The date and signature on the bottom left corner indicate the piece was made in 1862. The script on the bottom right is likely a signature or mark from the printer or publisher.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-03

This is a historical French lithograph titled "EN CHEMIN DE FER" (On the Railway), created in 1879. It shows passengers crowded together in what appears to be a third-class railway carriage. The artwork depicts several people wearing hats and formal 19th-century attire, sitting close together in what seems to be a cramped compartment with windows visible in the background. The style is characteristic of caricature art from that period, with expressive faces and dramatic shading. The caption in French reads "M. PRUD'HOMME - Vive les wagons de troisième classe on peut y être asphyxié mais jamais assassiné" (Long live third-class carriages where one might be asphyxiated but never assassinated). This satirical piece comments on the conditions of third-class rail travel in 19th century France, using dark humor to highlight the overcrowded conditions passengers endured.

Created by claude-3-opus-20240229 on 2025-02-03

The image is a black and white sketch or engraving depicting a group of men crowded together in a train car or carriage. The men are wearing hats and coats and have exaggerated, almost caricature-like facial features. They appear to be sitting close together, hunched over with glum or uncomfortable expressions. The confined space of the train car and the postures and faces of the men give the scene a claustrophobic, unpleasant atmosphere. The French caption at the bottom translates to "Long live the third class wagons, but never more than ever assassinated", suggesting a satirical commentary on the poor conditions of third class train travel.

Created by claude-3-haiku-20240307 on 2025-02-03

The image appears to be a black and white illustration depicting a group of people, all with exaggerated or distorted facial features, sitting together on what looks like a train or rail car. The text below the image suggests that the illustration is commenting on the conditions or treatment of third-class passengers on a train. The overall tone of the image seems critical or satirical in nature, conveying a sense of social commentary or critique.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-29

This is a historical lithograph titled "EN CHEMIN DE FER" (On the Railway) from 1859. It's a satirical artwork showing passengers crowded in what appears to be a third-class railway carriage. The drawing style is characteristic of 19th-century caricature art, with exaggerated expressions and dark, sketchy shading. The passengers are wearing typical mid-19th century attire including top hats and coats.

The caption in French reads "M. PRUD'HOMME - Vive les wagons de troisième classe on peut y être asphyxié mais jamais assassiné" which roughly translates to "Long live third-class carriages where one might be asphyxiated but never assassinated" - a humorous commentary on the conditions of third-class train travel in that era.

The artwork effectively captures the cramped, uncomfortable conditions of third-class train travel in the 19th century, with the dark interior and small windows adding to the claustrophobic atmosphere. It's a wonderful example of period social commentary through art.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15

The image depicts a scene from "En Chemin de Fer" (On the Railroad), a painting by the French artist Honore Daumier. The painting shows a crowded train car with passengers, including a man in the foreground who appears to be looking out the window. The atmosphere is one of chaos and disarray, with people packed tightly together and some looking uncomfortable or annoyed. The painting is a commentary on the social ills of the time, including overcrowding and poor living conditions.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15

This image depicts a black-and-white drawing of a crowded train car, with the title "EN CHEMIN DE FER" at the top. The scene is set in a dimly lit compartment, where several men are seated, some wearing hats and coats. The atmosphere appears tense, with one man in the center looking anxious or frightened.

The drawing is rendered in a detailed and expressive style, with bold lines and shading that convey a sense of movement and energy. The overall mood of the image is one of unease and discomfort, as if the passengers are trapped in a confined space with no escape.

At the bottom of the image, there is a caption in French that reads: "M. PRUD'HOMME - Vive les wagons de troisième classe on peut y être asphyxié mais jamais assassiné." This translates to "Mr. Prud'homme - Long live the third-class carriages, where one can be asphyxiated but never murdered." The caption adds a layer of irony and humor to the image, suggesting that even in the midst of discomfort and danger, there is a sense of resilience and determination among the passengers.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-03

The image is a black-and-white illustration titled "EN CHEMIN DE FER." It depicts a scene inside a train carriage. The illustration is rich in detail, showing a group of people seated in the compartment. The passengers are dressed in 19th-century attire, with hats and long coats, suggesting a historical setting. The central figure is an elderly man with a prominent nose and mustache, who appears to be smiling or laughing. The expressions and postures of the other passengers vary, with some looking down or engaged in conversation. The background of the carriage includes windows and a ceiling with visible beams, adding to the authenticity of the scene. The illustration is framed within a rectangle, and there are text annotations at the top and bottom of the frame, which seem to be in French, providing context or a caption for the image.

Created by amazon.nova-lite-v1:0 on 2025-02-03

The image is a black-and-white drawing titled "En Chemin de Fer" by M. Prud'homme. It depicts a scene inside a crowded third-class railway carriage. The passengers are shown in various poses, some seated and others standing, all wearing hats and long coats, typical of the 19th-century attire. The drawing captures the discomfort and congestion of the carriage, with people closely packed together. The title and the artist's signature are at the top and bottom of the image, respectively. The drawing is part of a series and is dated 1829.

Google Gemini

Created by gemini-2.0-flash on 2025-06-03

Here is a description of the image you sent:

General Description:

The image is a black and white lithograph titled "En Chemin de Fer" (On the Railway), suggesting a scene set within a train carriage. It appears to be a satirical or humorous piece, judging by the exaggerated features of the characters. The artwork is likely from the 19th century.

Visual Elements:

  • Characters: The foreground features three prominent figures seated in a train compartment. An older woman is seated on the left, her hands clasped in her lap. To her right is a man with a wide grin, rotund figure, and hands clasped near his chest. On the right is another man wearing a hat, his face obscured by the hat's shadow. Behind them are glimpses of other passengers, creating a sense of a crowded space.

  • Setting: The background shows the interior of the train carriage. Windows can be seen, offering a blurry view of the outside. The overall atmosphere is cramped and dimly lit.

  • Line Work and Style: The artist employs a sketch-like style with visible lines and shading. The features of the characters are exaggerated and caricatured, likely for comedic or satirical effect.

Textual Elements:

  • Title: "EN CHEMIN DE FER" at the top.
  • Attribution: "M Martinet 172.r. Rivoli et 412 Vivienne" and "Lith Destouches 28,r Paradis Pre" indicating the publisher and lithographer.
  • Caption: "M.PRUD'HOMME Vive les wagons de troisième classe on peuty étre asphyxié mais jamais assassiné.
    L.D.3299" suggesting that the image is a satirical portrayal of a character's comment regarding the safety and conditions of third-class train carriages.

Overall Impression:

The image appears to be a satirical commentary on the conditions of travel, particularly in third-class railway carriages, during the 19th century. The title and caption, combined with the exaggerated expressions of the characters, suggest a critique of the discomfort and potential dangers of crowded train travel. The artist has used caricature and satire to make a social or political point.

Created by gemini-2.0-flash-lite on 2025-06-03

The image is a black and white lithograph depicting a scene inside a crowded third-class train carriage. The composition is dominated by several seated passengers, likely men, closely packed together in the confined space. The overall atmosphere suggests a sense of stuffiness or discomfort, enhanced by the cramped seating and the somber expressions of some of the figures.

The individuals are rendered with a caricatured style. The central figure has a large belly and is holding his hands in front of himself. The person to his left, a man with a hat, seems to be frowning, which is echoed in the features of some of the other passengers, who appear to be looking downward or away from the viewer. The style is reminiscent of 19th-century political satire or social commentary.

The title "EN CHEMIN DE FER" ("On the Railway") and the caption "M. PRUD'HOMME... Vive les wagons de troisième classe on peut y être asphyxié mais jamais assassiné" ("M. PRUD'HOMME... Long live the third-class carriages, you can be asphyxiated but never assassinated") suggest the piece is a satirical comment on the conditions of travel for the working class during that era. The implied danger of suffocation in the crowded third-class carriages is ironically preferred to the danger of assassination, highlighting the perceived safety of the working class compared to the wealthy.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-09

The image is a black-and-white lithograph titled "En Chemin de Fer," which translates to "On the Railway" in English. It depicts a crowded third-class railway carriage filled with people. The scene is somber and claustrophobic, showing a group of individuals packed closely together in a confined space. The passengers appear to be from various walks of life, including laborers and working-class people, some of whom are wearing hats and heavy clothing. The expressions on their faces convey a sense of fatigue and discomfort.

The caption at the bottom of the image reads: "M. PHUD'HOMME. - Vive les wagons de troisième classe on peut y être asphyxié mais jamais assassiné." This translates to "Mr. Prudhomme. - Long live the third-class carriages, one can be asphyxiated in them but never assassinated." This statement is a satirical commentary on the conditions of third-class railway travel, highlighting the poor ventilation and overcrowding but suggesting that despite these hardships, there is a sense of safety from violence.

The artwork is signed by the artist, Honoré Daumier, and dated 1858. Daumier was known for his caricatures and lithographs that often critiqued social and political issues of his time.

Qwen

No captions written

Text analysis

Amazon

CHEMIN
FER
DE
EN CHEMIN DE FER
les
classe
troisieme
de
wagons
EN
mais
on
jamais
assassine.
M PRUD'HOMME_ViVE les wagons de troisieme classe on peuty elre asphyxie mais jamais assassine.
peuty
asphyxie
M
artinet
elre
Vmvenne
1..3299
PRUD'HOMME_ViVE
28r
28r Paredisf
artinet 172 r Rvolt et 41F Vmvenne
Paredisf
172 r
41F
Rvolt et

Google

EN CHEMIN DE FER Latk Destouches 28r Paradis P Martinet 172,r Riroh et 41r Vivienne M.PRUD HOMMEVive les wagons de troisième classe on peuty étre asphyxié mais jamais assassiné. L.D.2299
EN
CHEMIN
DE
FER
Latk
Destouches
28r
Paradis
P
Martinet
172,r
Riroh
et
41r
Vivienne
M.PRUD
HOMMEVive
les
wagons
de
troisième
classe
on
peuty
étre
asphyxié
mais
jamais
assassiné.
L.D.2299