Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon

AWS Rekognition
Age | 31-41 |
Gender | Male, 82.7% |
Calm | 79.3% |
Sad | 14.3% |
Surprised | 6.8% |
Fear | 6% |
Confused | 3.1% |
Angry | 1.1% |
Disgusted | 0.7% |
Happy | 0.2% |

AWS Rekognition
Age | 20-28 |
Gender | Male, 100% |
Calm | 98.4% |
Surprised | 6.4% |
Fear | 5.9% |
Sad | 2.2% |
Confused | 0.3% |
Angry | 0.3% |
Disgusted | 0.2% |
Happy | 0.2% |
Feature analysis
Categories
Imagga
created on 2019-02-19
paintings art | 98.2% | |
text visuals | 1.1% | |
Captions
Microsoft
created by unknown on 2019-02-19
a close up of text on a white surface | 57.2% | |
a screenshot of a cell phone screen with text | 48.7% | |
a close up of text on a white background | 48.6% | |
Clarifai
No captions written
Salesforce
Created by general-english-image-caption-blip on 2025-05-06
a photograph of a man sitting at a table with a woman
OpenAI GPT
Created by gpt-4o-2024-05-13 on 2025-02-06
The image depicts a black-and-white illustration of two men in a room. One man is seated at a small table with a white tablecloth, a glass, and a bottle of wine, holding a cigarette or a small object in his hand. He is dressed in formal attire and appears to be in a relaxed posture. The other man is standing near a doorway, leaning against the door frame with his hands in his pockets. He is dressed in more casual attire. The room has a simple, understated décor, with minimal furnishings and decoration. There is text below the image in French that appears to be a letter or a note related to the scene depicted. The illustration is attributed to Gavarni and published by Bauger in Paris.
Created by gpt-4 on 2025-02-06
The image shows a vintage print, likely from a book or periodical, with classic lithograph illustrations. The scene depicted is set in a room with a table where one figure appears seated and another standing. The room contains details typical of an interior from a past century: a draped window, a fringed curtain, and simple furniture including chairs and a table adorned with at least one glass and what looks like a sheet of paper or napkin.
The print includes text in French both below the illustration and in a panel at the bottom, indicating that the page is likely from a French publication. The text uses an older style of font, suggesting that the material could be from the 19th or early 20th century.
The title, "FOURBERIES DE FEMMES," implies that the content involves women's deceit or trickery, and the subtext under the title appears to list authors or contributors involved in the work. There's a reference to "Cheit Burgess" and "Gavarni," suggesting that at least one of these names may be the artist of the illustration.
At the bottom of the page is a block of French text laid out like a script or a letter, with a signature at the end. This layout commonly indicates the text might be part of a story, a play, or a series of anecdotes. The signature "General, Baron Coquardeau" could be a pseudonym, a character within the story, or a humorous alias used by the author.
Anthropic Claude
Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-29
This is a historical lithograph or drawing titled "FOURBERIES DE FEMMES" (Women's Deceptions) by Gavarni. The scene depicts a dining room or restaurant setting, specifically mentioned as "cabinet de la Poissonnerie" (a private dining room at a fish restaurant). The image shows two figures - one seated at a table covered with a white tablecloth, and another figure standing in what appears to be a doorway. The seated person is dressed in formal 19th-century attire, while the standing figure appears to be a waiter or server. The artwork includes French text below the image that appears to be dialogue or commentary related to the scene. The style is characteristic of 19th-century French satirical illustrations, with detailed line work and shading typical of the period.
Created by claude-3-5-sonnet-20241022 on 2025-02-06
This is a historical lithograph or drawing titled "FOURBERIES DE FEMMES" (Women's Deceits) by Gavarni. The scene depicts a restaurant or dining establishment setting, specifically mentioned as "cabinet de la Poissonnerie" (a private dining room at La Poissonnerie). In the image, there are two figures: one seated at a table covered with a white tablecloth, and a server or waiter standing in the doorway. The seated person appears to be well-dressed in the fashion of the period, likely mid-19th century, wearing formal attire. The scene includes table settings with glasses. Below the image is French text that appears to be a dialogue or commentary related to the scene. The artwork has a sketchy, lithographic quality typical of 19th-century illustrations.
Created by claude-3-opus-20240229 on 2025-02-06
The image depicts two 19th century gentlemen seated at a dining table in an illustration from the publication "Fourberies de Femmes". One gentleman is seated and facing forward, while the other is standing and seems to be attending to or conversing with the seated man. The table has a white tablecloth and is set with plates, glasses, and bottles, suggesting they are dining or having drinks together. The room has simple furnishings and the men are dressed formally in typical attire of the time period, such as tailcoats and cravats. Below the illustration is a French caption providing more context about the scene and publication.
Created by claude-3-haiku-20240307 on 2025-02-06
The image appears to be an engraved illustration depicting two men in a room or office setting. One man is seated at a table, while the other stands beside him. The caption below the image refers to "Monsieur Anatole" and mentions a "cabinet de la Poissonnerie", suggesting the scene is related to some kind of business or professional context. The illustration has a formal, somewhat serious tone, with the men shown in attire typical of the period.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13
The image depicts a scene from a French newspaper, specifically an illustration from the "Fourberies de Femmes" series. The title, "Fourberies de Femmes," is prominently displayed at the top of the page, with the subtitle "En malice et en vertu" written below it.
In the foreground, two men are seated at a table, engaged in conversation. The man on the left is dressed in formal attire, including a dark jacket, white shirt, and bow tie, and is holding a piece of paper in his hand. He appears to be speaking to the man on the right, who is wearing a military uniform and has his hands on his hips. The table is set with a white tablecloth, a glass, and a plate, suggesting that the men may be enjoying a meal together.
The background of the image is a plain white wall, with a door visible behind the men. The overall atmosphere of the image is one of sophistication and elegance, with the formal attire and refined setting evoking a sense of refinement and culture.
The text below the illustration provides additional context and information about the scene, although it is written in French and may not be easily translatable. However, based on the illustration alone, it appears to be a humorous or satirical take on the lives of women, with the title "Fourberies de Femmes" suggesting that the series may poke fun at the supposed cunning and deceitfulness of women.
Overall, the image presents a charming and witty depiction of two men enjoying a meal together, set against a backdrop of refinement and culture. The inclusion of the text below the illustration adds an extra layer of depth and meaning to the image, inviting the viewer to consider the themes and ideas being explored in the "Fourberies de Femmes" series.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13
The image is a page from a French book, featuring an illustration of two men in a room. The title at the top reads "FOURBERIES DE FEMMES" in black text, with smaller text below it that is too small to read.
The illustration depicts two men sitting at a table with a white tablecloth. One man is seated on a couch or chair, wearing a dark jacket and pants, while the other stands behind him, also dressed in dark attire. The room has a door and a window, and the overall atmosphere appears to be one of conversation or discussion.
Below the illustration, there is a block of text in French that provides context for the scene. The text is written in a formal font and appears to be a passage from a story or novel. The background of the page is off-white, with a slight yellow tint that suggests the book is old or vintage.
Overall, the image presents a charming and intriguing scene that invites the viewer to explore the story and characters further.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-02-06
The image is a black-and-white drawing of two men in a room. The man on the left is sitting on a chair and holding a piece of paper. The man on the right is standing and looking at the man on the left. There is a table in the middle of the room with a tablecloth and two wine glasses. There is a chair next to the table. There is a watermark on the bottom left of the image.
Created by amazon.nova-lite-v1:0 on 2025-02-06
The image is a black-and-white drawing of two men in a room. The man on the left is sitting on a chair and appears to be writing. He is wearing a suit and tie. The man on the right is standing and appears to be looking at the man on the left. He is wearing a hat and a long coat. The room has a table with a white tablecloth and two wine glasses on it. The drawing is titled "Fourberies de Femmes" and has a date of 1841.
Google Gemini
Created by gemini-2.0-flash-lite on 2025-05-07
Here's a description of the image:
Overall Impression:
The image is a black and white lithograph, likely from a 19th-century French publication. It appears to be a satirical or humorous illustration, possibly from a series. The style suggests it's a social commentary, depicting a scene with characters and dialogue.
Scene:
- Setting: The scene seems to be a private dining room or a similar interior space, possibly in a restaurant. There's a table set for dining, and the background shows a door and details of the walls.
- Characters: Two main figures are present:
- A man, dressed in a suit and tie, is seated at the table. He's looking at a piece of paper and seems to be reading or writing. He has a beard and dark hair. He is the focal point.
- Standing in the background, near a door, is another man. He has a more serious expression, with his hands on his hips, appearing to be watching the seated man. He may be a waiter or someone involved in the situation.
- Details:
- The table is covered with a tablecloth and set with glasses and a plate.
- The lighting suggests a subdued indoor environment.
Text and Context:
- There is a title "FOURBERIES DE FEMMES" (Deceits of Women) "En matiere de sentiment" (In matters of feeling) 2nd Series (suggesting this is part of a larger collection).
- The text below the image contains dialogue, indicating a conversation or commentary related to the scene. It also includes a title with the name "Anatole" in it.
- The text at the bottom mentions names: "Gavarni", "Banger & du Census", "General, Baron Coquarde au"
Possible Interpretation:
Based on the title and the scene, this could be a satirical depiction of a clandestine meeting or a situation involving infidelity or social complications. The illustration likely aims to humorously portray a specific situation or societal behavior. The text seems to contain the conversation of the man, "Anatole", who is the main focal point, while being at the "Poissonnerie" (fish store) and waiting.
Overall, the image is a well-composed illustration with detailed characters, a suggestive setting, and text that provides context. It appears to be a piece of social commentary that is focused on the subject of relationships and social life.
Created by gemini-2.0-flash on 2025-05-07
Here is a description of the image you sent:
The image is a black and white illustration titled "FOURBERIES DE FEMMES," with the subtitle "En matière de sentiment" and labelled as "2e Serie" (2nd Series). It is a print, likely from the 19th century.
The scene depicts two men in what appears to be a private dining room or "cabinet" of a restaurant called "Poissonnerie." A man, identified as "monsieur Anatole," is seated at a table. He has dark hair, a beard, and is wearing a suit. He is leaning back slightly and holding a letter in his hand, with an expression that seems bored or contemplative. There are glasses and plates on the table, suggesting he has been waiting for some time.
Behind the table, near a doorway, stands another man with his hands on his hips. He is also wearing a suit or a jacket and vest, and his expression is one of seriousness or concern.
The setting is suggested through simple lines and shading, indicating paneled walls, a door, and some decorative elements like a clock on the wall. The table is covered with a white cloth, and the light is focused on the figures.
The caption below the image starts with "A un monsieur Anatole qui attend dans un cabinet de la Poissonnerie," and the text continues to describe a scene of infidelity and lighthearted disregard, according to the narrator in the written text.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-09
The image is a vintage lithograph illustration titled "Fourberies de Femmes" (Women's Trickeries) and is labeled "La malice et sensiblerie" (Malice and Sentimentality). The illustration appears to be from a series by the artist Henry Monnier, known for his satirical and humorous depictions of social life in 19th-century France.
The scene shows two men in a private dining room or cabinet at a restaurant called "La Poissonnerie." The man on the left is seated at a table, looking displeased or bored, while the man on the right, who appears to be a waiter or attendant, stands by the table. The seated man is dressed in a formal suit with a vest and bow tie, while the standing man is wearing a more casual, possibly work-related attire.
The caption at the bottom reads:
"À un monsieur Anatole qui, attendant dans un cabinet de la Poissonnerie, d'un cabinet chez Pétrus.
Monsieur
Dans la pièce voisine de celle où je dîne ici avec mon épouse, une voix de femme s'adressant à de joyeux convives s'est écriée: «et mon Anatole ingénu qui m'attend à la Poissonnerie!» et après des rires indécents la même voix a ajouté attendris attendent mon petit!» Je m'empresse Monsieur de vous faire part de ces propos trop léger. Croyez à toute ma sympathie pour des chagrins bien naturels quoique assez souvent permis tels moi de vous le dire souvent mérités dans des attachements illégitimes. Général Baron Coquardt du."
This text translates to:
"To a gentleman Anatole who, waiting in a private room at the Poissonnerie, from a room at Pétrus.
Sir,
In the room next to the one where I am dining with my wife, a woman's voice addressing joyful guests exclaimed: 'and my naive Anatole who is waiting for me at the Poissonnerie!' and after indecent laughter the same voice added tenderly 'waiting for my little one!' I hasten, Sir, to inform you of these too light remarks. Believe in all my sympathy for your quite natural sorrows, although often allowed, such as I dare to tell you often deserved in illegitimate attachments. General Baron Coquardt du."
The illustration and text together convey a scene of social commentary and humor, highlighting the complexities and ironies of relationships and social interactions in that era.
Qwen
No captions written