Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon

AWS Rekognition
Age | 3-11 |
Gender | Male, 52.6% |
Calm | 54.9% |
Fear | 45% |
Angry | 45% |
Disgusted | 45% |
Sad | 45.1% |
Confused | 45% |
Surprised | 45% |
Happy | 45% |
Feature analysis
Amazon

Book | 100% | |
Categories
Imagga
text visuals | 83.2% | |
paintings art | 16.5% | |
Captions
Microsoft
created on 2019-11-04
a close up of text on a white background | 73.7% | |
a close up of text on a white surface | 72.3% | |
a close up of text on a black background | 66.6% | |
OpenAI GPT
Created by gpt-4 on 2025-02-01
This image is an old, detailed etching reminiscent of historical documentary artwork. It's a compilation of two parts: a series of individual caricature-like portraits in circular frames positioned along the top and bottom edges, and a central narrative scene depicted in two parts.
The top central depiction is a dynamic battle scene showing figures in military garb, some on horseback and others on foot, engaged in some kind of confrontation. There is a sense of movement and chaotic interaction among the characters.
Below the central battle scene, there is a descriptive text followed by two columns of names with corresponding numbers. These likely refer to the individuals portrayed in the small circular frames, providing identification for each figure. The text describes the painting, mentioning "The Victory of the Garrison" and acts of humanity displayed; it tells of a triumph, deplores the fate of the garrison, and refers to specifics such as the evening of September 13th and meetings with Generals De La Motte and Green, indicating historical military references.
Flanking the main text are two larger circular portraits—on the left, a figure labeled "EARL HOWE" and on the right, "ADMIRAL BARRINGTON." These seem to be significant personalities, perhaps leaders or figures of note pertaining to the depicted events.
The etching has signs of aging, with discoloration and a worn lower right corner, suggesting it is an artifact from an earlier period. Such illustrations often served to document and commemorate significant historical incidents, typically military or nationalistic in theme.
Created by gpt-4o-2024-05-13 on 2025-02-01
The image appears to be an old printed illustration with text, likely from a historical document or a book. It is divided into two main sections: an upper section with several drawings and captions and a lower section with written descriptions and names.
Upper Section:
- The upper part contains detailed sketches of various figures. On the left, there is a portrait labeled "Sir Roger Curtis, Commanding Officer afloat."
- To the right of Curtis's portrait is "Captain Bradshaw Smith, of the Navy," depicted in another small drawing.
- The rest of the upper section is filled with a larger scene showing numerous figures in a chaotic battle setting. Each figure is numbered, corresponding to names and descriptions in the text below.
- Key figures include soldiers in the heat of battle, with some riding horses, and others appearing injured or in various poses of combat.
Lower Section:
- This section contains detailed text describing the painting's content.
- It mentions that the painting is 25 feet wide and 22 feet high, divided into two compartments. The top part shows the victory of the garrison, and the moment of triumph, while the lower part illustrates the aftermath and display of humanity.
- The description elaborates on various British and Hanoverian officers depicted in the painting, including their actions during the battle.
- A numbered list accompanies the text, identifying 23 figures in the painting. For instance:
- "The Rt. Hon. Gen. Lord Heathfield, K. B. Governor" (number 5)
- "Lieut. Gen. Sir Robert Boyd, K. B. Lieut. Governor" (number 4)
- "Col. Trigge, 12th Regiment" (number 12)
- "Major Brown, 58th Regiment" (number 16)
- On the far left and right sides of the lower section, there are circular portraits of "Earl Howe" and "Admiral Barrington," likely important figures related to the battle or historical context of the document.
Overall, the image is a highly detailed historical depiction of a military battle, with numerous figures and a comprehensive description, providing an insightful look into the event's participants and actions.
Anthropic Claude
Created by claude-3-5-sonnet-20241022 on 2025-02-01
This appears to be a historical document describing a painting of a military scene, particularly focused on the Victory of the Garrison at Gibraltar. The image shows a sketch or outline drawing across the top, featuring military figures on horseback addressing troops, with text below explaining the details of the painting and listing the names of important military figures depicted.
The document indicates that the original painting was 25 feet wide by 22.5 feet high and was divided into two parts. It includes a detailed description of three major groups in the composition, including scenes of British forces, Spanish ships, and military operations. The text mentions several key military figures and their roles, including various officers and commanders involved in the battle.
At the bottom of the document is a list titled "NAMES of PORTRAITS" which includes various military personnel, their ranks, and regiments. The document appears to be authored by "ROGER CURTIS" and appears to reference "Captain BRADSHAW SMITH of the Navy" at the top.
The document provides valuable historical context about what seems to be a significant military engagement at Gibraltar, including details about fleet movements and military maneuvers during the battle.
Created by claude-3-opus-20240229 on 2025-02-01
The image appears to be an old engraving or print depicting a historical event. The title at the top reads "Capt. BLAGSHAW SMITH, of the Navy". The image shows a large group of people on horseback, some pointing or gesturing. Based on the text below the image, it seems to portray the Battle of Gibraltar, where British forces under the command of Earl Howe defended Gibraltar against Spanish and French forces.
On the right side of the image, there is a numbered list of "NAMES of PORTRAITS", presumably identifying some of the key figures shown in the scene. The print is described as being made from a sketch by an eyewitness, Roger Curtis, who was on the flagship with Earl Howe at the time.
The aged paper and drawing style suggests this is an antique print, likely from the late 18th or early 19th century, memorializing this naval event that took place in 1782 during the American Revolutionary War.
Created by claude-3-haiku-20240307 on 2025-02-01
This image appears to be an engraved illustration depicting a naval scene. The central focus is a woman in an ornate robe who is pointing towards a crowd of men, likely sailors or other naval personnel. The image is divided into two main sections, with the upper portion depicting this central scene and the lower portion containing text identifying various figures and providing additional context about the image. While the text mentions specific individuals, I will refrain from identifying or naming them, as the instructions indicate I should not do so when the image contains human faces. Overall, the image seems to be a historical illustration related to naval or military affairs.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15
The image presents a vintage document featuring a painting and a list of names of portraits, with the following key elements:
Painting:
The painting is divided into two compartments, depicting the upper defeating the Victory of the Garrision and the moment of their triumph. The painting is accompanied by three large groups of portraits of the principal British and Hanoverian Officers, who are assembled on the Rampart to view the dreadful scene which unfolded from the battering ships being set on fire.
List of Names of Portraits:
The list includes the following names:
- The Rt. Hon. Gen. Lord Heathfield, K.B.
- Lieut.-Gen. Sir Robert Boyd, K.B.
- Major General De La Motte, commanding the Hanoverian Brigade
- Major General Sir William Green, Bart. Chief Engineer
- Col. Duchenhauten, Redan's Hanoverian Regiment
- Col. Hogg, Sydow's, late Hardenberg's
- Col. Schleppergrell, De la Motte's Artillery
- Colonel Lewis, Commandant of Gibraltar
- Major General Picton
- Lieut. Holloway, A.M. de Camp to Chief Engineer
- Major Perrin, 13th Regt.
- Col. Trigge, 12th Regiment
- Lieut.-Col. Vaughan, 29th Regiment
- Col. Craig, 56th Regiment
- Hon. Lieut.-Col. Lindsay, late 2d Battalion, 73rd Regiment
- Lieut. Col. Hardy, Quarter Master General
- Major Vallotton, Governor's first Aide Camp
- Major Wallot, Governor's first Aide Camp
- Lieut. Holloway, A.M. de Camp to Chief Engineer
- Major Perrin, 13th Regt.
- Capt. Drinkwater, late 2d, Author of the History of the Siege of Gibraltar
Additional Information:
The document provides additional information about the painting, including the size of the painting (25 feet wide, by 21 feet high) and the location of the painting (at a distance is a view of the Bay of Gibraltar, and the combined Fleets of France and Spain appear at anchor). The document also mentions that the portraits of Earl Howe and Admiral Barrington are placed on the files of this compartment.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15
This image is a vintage document featuring a painting of British and Hanoverian officers, accompanied by a list of names and descriptions. The painting, titled "Captain Bradshaw Smith, of the Navy," depicts 23 feet wide by 22 feet high, divided into two compartments. The upper compartment shows the Victory of the Garrison, while the lower compartment displays a display of humanity, highly exalting the British character.
The painting is composed of three large groups, each containing portraits of principal British and Hanoverian Officers, of the size of life, who are assembled on the Rampart (the action being over) to view the dreadful scene which ensued from the battering Ships being set on fire. Lord Heathfield, early on the morning of the 14th of September, is seen mounted on a white horse, (agreeably to historical fact,) in conversation with Generals Boyd, De la Motte and Green; pointing to Sir Roger Curtis, and a detachment of British seamen, who, at the hazard of their own lives, are rescuing their vanquished enemies from destruction. Several of the Spaniards are seen at the flem of one of the battering Ships, striking the Spanish Ensign; whilst others generously relieve a number of the unfortunate Spaniards from a sinking wreck: these form a second group, on the left. The third group occupy the centre, where a number of the enemy are represented in extreme distress, endeavouring to escape from a floating battery that is enveloped in flames. At a distance is a view of the Camp of the allied Army, and the head quarters of the Duke de Crillon. In the under Compartment is represented the Relief of Gibraltar, by the British Fleet, under the command of Earl Howe; on the right is seen the Rock of Gibraltar, and a number of Store-ships entering the Bay, protected by a Detachment of the Fleet, which extends itself through the Picture, to the left.
At a distance is a view of the Bay of Gibraltar; and the combined Fleets of France and Spain appear at anchor. The Spanish Craft terminates the view. Portraits of Earl Howe and Admiral Barrington are placed on the files of this Compartment.
The list of names includes:
- The Rt. Hon. Gen. Lord Heathfield, A. B. Governor
- Lieut. Gen. Sir Robert Boyd, K. B.
- Major General De la Motte, commanding the Hanoverian Brigade
- Bart. Chief Engineer
- Major General Sir William Green
- Col. Dachenhausen, Reden's Hanoverian Regiment
- Col. Hugo, Sydow's, late Hardenberg's
- Col. Schleppergrell, De la Motte's
- Colonel Lewis, Commandant of Artillery
- Col. Trigge, 12th Regiment
- Lieut.-Col. Vaughan, 39th Regt.
- Col. Craig, 56th Regiment
- Major Brown, 58th Regiment
- Hon. Lieut.-Col. Lindsay, late ad Battalion, 73d Regiment
- Lieut. Col. Hardy, Quarter Master General
- Major Vallotton, Governor's first Aid de Camp
- Lieut. Holloway, Aid de Camp to Chief Engineer
- Major Porryn, 12th Regt.
- Capt. Drinkwater, late 73d, Author of the History of the Siege of Gibraltar
The document also features two circular portraits, one of Earl Howe and the other of Admiral Barrington.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-02-01
The image is of a page of an old book or newspaper. It is divided into two sections. The left section has a painting of a battle scene with a man in a military uniform standing in front of a crowd. The right section has a list of names of people in the painting. The painting is 25 feet wide and 22 feet high. The names of the people in the painting are listed in the right section.
Created by amazon.nova-lite-v1:0 on 2025-02-01
The image appears to be a page from an old book or document, featuring an illustration and accompanying text. The illustration depicts a battle scene with soldiers and officers in historical military uniforms, along with ships and other elements related to the event being described. The text provides details about the painting, its dimensions, and the various groups and individuals represented within it.
The text describes the painting as being 25 feet wide and 22 feet high, divided into two compartments. The upper compartment depicts the "Victory of the Garrison," while the lower compartment shows the "Relief of Gibraltar" by the British Fleet. The painting is composed of three large groups, with portraits of principal British and Hanoverian officers on the right, and a detachment of British seamen conversing with generals on the left.
The text also provides a list of names and ranks of the individuals portrayed in the painting, including officers, generals, and other military personnel. The names are arranged in a structured format, with numbers and abbreviations indicating their respective positions within the painting.
Overall, the image appears to be a historical document or illustration depicting a significant military event, likely related to the British victory at the Siege of Gibraltar during the Napoleonic Wars. The detailed description and accompanying illustration provide insight into the composition and content of the painting, as well as the individuals and events it portrays.