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Human Generated Data

Title

The Calumny of Apelles

Date

15th-16th century

People

Artist: Girolamo Mocetto, Italian before 1458 - after 1531

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Professor H. W. Woodward, M2217

Human Generated Data

Title

The Calumny of Apelles

People

Artist: Girolamo Mocetto, Italian before 1458 - after 1531

Date

15th-16th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Professor H. W. Woodward, M2217

Machine Generated Data

Tags

Amazon
created on 2022-02-26

Person 99.6
Human 99.6
Person 99.3
Person 98.9
Person 97.2
Person 96.7
Painting 95.7
Art 95.7
Person 91.1
Person 72.4
Drawing 66
Person 61.1
Sketch 58.3
Archaeology 55
Person 47.4

Clarifai
created on 2023-10-28

people 99.9
group 99.8
print 99.7
art 99.5
adult 99.2
man 98.6
illustration 97.5
many 97.2
engraving 97
sepia pigment 95.4
wear 95.3
veil 93.7
several 92.9
administration 92.7
Renaissance 90.7
religion 89.4
painting 89
interaction 88.8
two 88.1
etching 87.8

Imagga
created on 2022-02-26

sketch 100
drawing 100
representation 100
art 27.3
vintage 26.5
old 24.4
paper 24.3
ancient 23.4
grunge 22.2
retro 22.1
history 19.7
money 18.7
currency 18
antique 17.3
design 15.8
dollar 14.9
finance 14.4
architecture 13.3
style 12.6
frame 12.5
business 12.2
black 12
letter 11.9
texture 11.8
pattern 11.6
us 11.6
artistic 11.3
wealth 10.8
stamp 10.6
historical 10.4
culture 10.3
rich 10.2
symbol 10.1
cash 10.1
house 10
decoration 10
travel 9.9
financial 9.8
dollars 9.7
building 9.5
banking 9.2
historic 9.2
bank 9
postmark 8.9
man 8.7
mail 8.6
construction 8.6
savings 8.4
page 8.4
decorative 8.4
economy 8.3
clip art 8.3
sign 8.3
note 8.3
painting 8.1
idea 8
creative 7.9
postage 7.9
postal 7.9
wall 7.7
loan 7.7
sculpture 7.7
bill 7.6
temple 7.6
capital 7.6
grungy 7.6
plan 7.6
traditional 7.5
city 7.5
ornate 7.3
graphic 7.3
detail 7.2
aged 7.2
dirty 7.2
religion 7.2
textured 7

Google
created on 2022-02-26

Microsoft
created on 2022-02-26

text 99.7
drawing 99.4
sketch 99.4
book 95.4
illustration 89.4
cartoon 88.7
person 82.6
clothing 75.3
engraving 69.7

Color Analysis

Face analysis

Amazon

Microsoft

AWS Rekognition

Age 51-59
Gender Male, 77.7%
Calm 94%
Sad 1.7%
Surprised 1.3%
Disgusted 0.7%
Angry 0.6%
Happy 0.6%
Confused 0.5%
Fear 0.5%

Feature analysis

Amazon

Person
Painting
Person 99.6%

Categories

Imagga

paintings art 100%

Captions

Microsoft
created on 2022-02-26

a close up of a book 31.2%
close up of a book 26.6%
a hand holding a book 26.5%

OpenAI GPT

Created by gpt-4 on 2025-01-29

This is an image of an etching or engraving, featuring a group of allegorical figures, likely representing various virtues and vices, situated in an outdoor setting that resembles a classical or Renaissance courtyard with architectural structures. There's a notable presence of inscriptions on the image; below the figures are written words such as "SOSPITONE," "IGNORANTIA," among others, which seem to signify the allegorical nature of the illustration, linking each figure to a concept or characteristic. The background includes buildings with arched windows, domes, and statues, reminiscent of an Italian plaza, indicating that the piece might be influenced by the artistic styles of the Renaissance period. The technique of the etching shows a high level of detail, indicating skilled craftsmanship.

Created by gpt-4o-2024-05-13 on 2025-01-29

The image depicts an intricately detailed engraving with various human figures positioned in an architectural setting. The characters in the scene are labeled with names such as "Sospitione" (Suspicion), "Invidia" (Envy), "Calumnia" (Calumny), "Innocentia" (Innocence), "Penitentia" (Repentance), and "Verita" (Truth), suggesting an allegorical representation. In the background, a figure stands on a pedestal next to a building labeled "Ignorantia" (Ignorance). The architecture consists of classical-style buildings and a church-like structure with a dome and prominent arched windows. The engraving captures themes of morality, justice, and human virtues and vices.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-29

This is a medieval or Renaissance-era engraving depicting an allegorical scene. The image shows several figures in classical dress arranged across a architectural setting with a church or cathedral in the background. The figures represent different moral concepts, as indicated by Latin text labels beneath them, including "Invidia" (Envy), "Calumnia" (Calumny/Slander), "Innocentia" (Innocence), "Penitentia" (Penitence), and "Veritas" (Truth). The composition shows a narrative scene where these personified virtues and vices interact. The figures wear flowing robes and tunics typical of classical artistic representation. In the background, there's detailed architectural elements including a domed building, arched windows, and columns. There's also a statue on a pedestal visible in the middle distance. The artwork appears to be an engraving or etching, executed with fine linear detail characteristic of this medium. The scene is likely inspired by moral allegories that were popular in medieval and Renaissance art, used to teach moral lessons through visual storytelling. The word "Ignorantia" (Ignorance) can be seen written on one of the buildings in the background, adding to the allegorical nature of the scene.

Created by claude-3-opus-20240229 on 2025-01-29

The image depicts a detailed sketch or engraving showing a group of allegorical female figures representing various virtues or ideals. The figures are labeled as Invidia, Cadenia Dapple, Inocentia, Penitentia, and Verita. They are dressed in flowing classical robes and posed in front of an architectural backdrop featuring columns, arches, and a dome. The Latin labels suggest this is an allegorical representation of moral or philosophical concepts personified as women, a common artistic motif from earlier eras. The detailed linework and shading give the illustration an aged, antique quality.

Created by claude-3-haiku-20240307 on 2025-01-29

This image appears to be an engraving or etching depicting a scene from classical or allegorical imagery. The central focus is a group of female figures, each labeled with a different personification or allegorical representation such as Invidia (Envy), Carumnia dipelle (Repel Slander), Innocentia (Innocence), Pentientia (Repentance), and Veritas (Truth). The figures are arranged on steps in front of a grand, ornate architectural structure, with various other elements in the background, including statues, buildings, and other details. The overall style and composition suggest this is a work of Renaissance or Baroque art, though I cannot identify any specific individuals or confirm the exact source or origin of the image.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-14

The image depicts a scene from the Renaissance period, specifically a drawing by Albrecht Dürer. The artwork showcases a group of women in flowing robes, with one woman kneeling and another standing behind her, possibly in a moment of supplication or prayer. The background features a cityscape with buildings and a statue of a man on horseback, adding context to the scene. In the foreground, the women are the main focus, with their clothing and postures conveying a sense of reverence and devotion. The kneeling woman may be seeking forgiveness or guidance, while the standing woman behind her could be offering support or intercession. The cityscape in the background provides a sense of time and place, grounding the scene in the Renaissance era. The overall mood of the image is one of contemplation and reverence, inviting the viewer to reflect on the themes of faith and devotion. The use of muted colors and the focus on the figures in the foreground create a sense of intimacy and solemnity, drawing the viewer into the scene. The image is a testament to Albrecht Dürer's skill as an artist, capturing the essence of the Renaissance period and the human experience with precision and emotion. The scene is likely inspired by biblical or mythological themes, adding depth and meaning to the artwork. In conclusion, the image is a beautiful and thought-provoking representation of the Renaissance era, showcasing Albrecht Dürer's mastery of drawing and his ability to convey complex emotions and themes through his art.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-14

The image depicts a vintage illustration of women in classical attire, set against the backdrop of a cityscape. The scene is rendered in sepia tones, with the women positioned in various poses and interactions. In the foreground, a group of women are engaged in different activities. Some are standing, while others are kneeling or sitting. They are all dressed in flowing robes, which are draped elegantly around their bodies. The women's faces are serene and calm, conveying a sense of tranquility. Behind the women, a cityscape unfolds, featuring buildings with domed roofs and arched windows. The architecture appears to be inspired by ancient Greek or Roman styles, adding to the overall classical ambiance of the scene. At the bottom of the image, several words are inscribed in Latin, including "SOSPITIO," "INVIDIA," "CALVMNIA DAPELE," "INOCENTIA," "PENITENTIA," and "VERITA." These words may represent virtues or vices, but their exact meaning is unclear without further context. Overall, the image presents a captivating blend of classical artistry and architectural detail, inviting the viewer to ponder the story behind this serene yet enigmatic scene.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-29

The image is a black-and-white drawing of a group of women in a city. The women are dressed in long gowns, and some of them are wearing headpieces. They are gathered in front of a building. There are buildings and a statue of a man on a horse in the background. The drawing is done in a style that is reminiscent of the Renaissance period.

Created by amazon.nova-lite-v1:0 on 2025-01-29

The image is a drawing that depicts a scene with several women and a man in a setting that appears to be a city square or a public space. The drawing is in black and white, giving it an old-fashioned or antique appearance. The women are standing in a line, and they seem to be engaged in a conversation or a discussion. The man is sitting on a stone bench, and he is looking at the women. The women are wearing long dresses and headpieces, and some of them have crowns or wreaths on their heads. The background of the drawing shows a building with a dome-shaped roof and a statue on top of it. The drawing has a label that reads "Penitentia" at the bottom right corner.

Text analysis

Amazon

CALVMNIA
INVIDIA
CALVMNIA DAPELE
PENITENTIA
DAPELE
VERITA
INOCENTIA
SOSPITIONE
INSIDIA
ADIPTIONE
IGNORANTIA
sal.
Ant. sal. EXC
Ant.
EXC

Google

INSIDIA IGNORANTIA INVIDIA CALVMNIA DAPELE INOCENTIA PENITENTIA VERITA SOSPITIONE Ant, Sal, ext.
INSIDIA
IGNORANTIA
INVIDIA
CALVMNIA
DAPELE
INOCENTIA
PENITENTIA
VERITA
SOSPITIONE
Ant,
Sal,
ext.