Human Generated Data

Title

"Tween the gloamin' and the mirk when the kye come hame"

Date

1883

People

Artist: Mary Nimmo Moran, American 1842 - 1899

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Mr. and Mrs. Edward J. Holmes, M8660

Human Generated Data

Title

"Tween the gloamin' and the mirk when the kye come hame"

People

Artist: Mary Nimmo Moran, American 1842 - 1899

Date

1883

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Mr. and Mrs. Edward J. Holmes, M8660

Machine Generated Data

Tags

Clarifai
created on 2023-10-29

art 99.1
painting 98.8
wear 98.7
retro 98.2
paper 97.7
dirty 96.9
sepia 96.9
vintage 96.7
old 96.2
canvas 95.5
sepia pigment 95.4
no person 95.2
landscape 94.9
antique 93.2
empty 92.2
people 92.1
nature 91.7
illustration 91.5
sky 90
artistic 89.6

Color Analysis

Categories

Imagga

Captions

Azure OpenAI

Created on 2024-01-26

You have shared an image of a print or etching, predominantly in a monochromatic brown tone, mounted on a larger, off-white piece of paper with ample borders. This etching depicts a rustic outdoor scene, possibly set in the countryside or a rural area. The primary focus of the composition is a wooden bridge or walkway that appears dilapidated and partially broken down, leading over what could be a small stream or ditch. This pathway traverses the middle of the image, receding from the foreground toward the horizon, surrounded by a barren landscape with few details other than some grassy patches or vegetation. The sky above is overcast with dark, heavy clouds suggesting an impending storm or the aftermath of one. The light source seems diffused, resulting in a lack of strong shadows and contributes to the overall somber and desolate mood of the scene. There is little to no human presence or activity evident in the image. Below the etching, on the mounting paper, is what appears to be a handwritten signature that reads "Mielatz," possibly indicating the artist’s name. To the right, another handwritten name, "Chas. Mielatz," could be the full name of the artist or the printmaker. The image strikes a balance between meticulous detail and broad, sweeping lines, indicative of the etching process. The scene is evocative and moody, capturing a moment that seems still yet charged with the memory or anticipation of a narrative.

Anthropic Claude

Created on 2024-03-30

The image appears to be a sepia-toned etching or engraving depicting a rural landscape. In the foreground, there is a rustic wooden structure or fence, possibly a dock or pier, extending into a body of water. In the background, there is a silhouette of a small town or village with some distinctive buildings or structures visible, such as what looks like a windmill or tower. The sky has a dramatic, moody quality with dark clouds. The overall scene has a somber, atmospheric quality characteristic of this type of historic printmaking technique.