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Human Generated Data

Title

Genii of the Arts

Date

16th century

People

Artist: Ambrosius Holbein, German c. 1494 - c. 1520

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M6275

Human Generated Data

Title

Genii of the Arts

People

Artist: Ambrosius Holbein, German c. 1494 - c. 1520

Date

16th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M6275

Machine Generated Data

Tags

Amazon
created on 2019-08-06

Book 100
Text 99.9
Newspaper 99.6
Page 94.9
Rug 76.8
Human 67.4
Person 67.4
Paper 58

Clarifai
created on 2019-08-06

desktop 97.3
pattern 95.7
paper 94.7
decoration 93.9
old 92.2
picture frame 91.6
text 90.5
vintage 90.2
art 90
texture 89.9
illustration 89.5
document 88.7
design 88.7
ornate 87.6
antique 87.4
symbol 85
retro 84.3
closeup 82.1
ancient 81.9
margin 80.5

Imagga
created on 2019-08-06

brass 59.6
cloud 52.6
memorial 48.3
backdrop 44.6
advertising 41.4
cover 40.8
decor 40.8
associated 39.5
association 39.5
definition 39.3
brochure 39.1
carpet 39
advertise 39
element 38.9
collection 38.8
advertisement 38.7
creative 38
composition 37.8
artwork 37.6
design 37.2
structure 37.1
conceptual 36.2
decorative 36
arabesque 35.6
decoration 35.5
art 33.6
book 32.1
idea 31.2
graphic 28.5
letter 27.6
fabric 26.6
information 25.7
data 25.6
old 23.7
keywords 23.7
copy 23
business 22.5
continuity 21.8
drapery 21.7
collage 18.3
product 18.3
antique 16.8
texture 16.7
newspaper 16.1
creation 16.1
pattern 15.8
text 15.7
vintage 14.9
ancient 14.7
binding 14.7
black 13.9
modern 13.3
word 13.2
page 13
bible 12.8
paper 12.6
religion 12.6
development 12.4
energy 11.8
mix 11.5
mosaic 11.1
more 10.8
textured 10.5
detail 10.5
religious 10.3
life 10.2
aged 10
history 9.9
retro 9.9
prayer 9.7
faith 9.6
ornament 9.5
grunge 9.4
communication 9.3
city 9.2
material 8.9
analysis 8.8
best 8.8
holy 8.7
god 8.6
journal 8.6
bookmark 8.2
daily 8
tile 8
surface 8
spiritual 7.7
fashion 7.6
commercial 7.5
company 7.5
style 7.4
church 7.4
new 7.3
activity 7.2
day 7.1

Google
created on 2019-08-06

Text 95.6
Paper 85.9
Paper product 68.5
History 60.4

Microsoft
created on 2019-08-06

nintendo 100
text 99.8
letter 90.6
book 76.1
manuscript 61.2
plaque 25.4

Color Analysis

Feature analysis

Amazon

Book
Rug
Person
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-08

The image is a historical printed page featuring a combination of text and intricate illustrations. The heading reads "MAXIMI TYRII PHILO," indicating the text is written by Maximus of Tyre, a Greek philosopher. Below the heading, additional Latin text mentions that the discourses are interpreted by Cosmo Paccio, and it is written in Latin. The decorative initial capital 'Q' features an illustration of a man holding a staff or rod, surrounded by ornate detailing. The text of the discourse follows beneath this adorned letter. At the top of the page, above the main heading, there is a border with decorative motifs, including cherubs or winged figures, floral patterns, and a sun-like face at the center, suggesting celestial or divine themes. On the left and right margins of the page are additional decorative borders, enclosing the main text with intricate designs and possibly symbolic or allegorical figures. At the bottom of the page, below the main body of the text, is an illustration featuring a group of people engaged in various activities. The scene appears to be a communal or scholarly setting, with several individuals making gestures, which could imply a discussion or teaching session. There are also detailed elements like architectural features and possibly instruments or tools. Overall, the page is richly decorated, combining textual and visual elements common in historical and scholarly works from the Renaissance period.

Created by gpt-4 on 2025-02-08

The image you've presented appears to be a photograph of an old printed page from a book, written in Latin. This is a page from a classical text, which seems to consist of a dialogue or discourse on a philosophical topic. The header in a larger font size reads "MAXIMI TYRII PHILO" which seems to be the truncated name of Maximus of Tyre, a Greek philosopher, indicating this could be one of his works. There are ornate borders around the text, featuring decorative elements such as human figures, animals, vines, and floral patterns, which are typical of Renaissance printing style. The text on the page starts with "QUID SIT DEVS, SECUNDVM PLATONEM, SERMO PRIMVS." This could be interpreted as an introduction to a discourse on the nature of God according to Plato. Below the introductory Latin phrases, there's the body of text arranged in a justified alignment, containing dense Latin text typical for scholarly works of the past. Given its appearance and language, it is likely a page from an early printed book, possibly dating from the 15th to the 17th century. The style of the print and the handcrafted decorative border suggest that it comes from an era when printing was an art form, meticulously created by skilled artisans and printers.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-08

This is a page from what appears to be a Renaissance-era philosophical text, specifically the first sermon of Maximus of Tyre's "Philosophical Orations" (Sermones), as indicated by the title "MAXIMI TYRII PHILOSOPHI PLATONICI SERMONES." The page is beautifully decorated with ornate woodcut borders featuring cherubs, mythological figures, and decorative patterns. The main text begins with an illuminated capital "C" containing a decorative scene. The text appears to be in Latin and discusses Platonic philosophy, specifically addressing the question "What is God, according to Plato" (QVID SIT DEVS, SECVNDVM PLATONEM). The page layout is typical of high-quality printed books from this period, with careful attention to margins, typography, and decorative elements. The border illustrations show various figures engaged in different activities, creating a frame around the main text block.

Created by claude-3-opus-20240229 on 2025-02-08

This image depicts the title page of a philosophical or religious text titled "Maximi Tyrii Philo", which appears to be written or compiled by some ancient figures named Cosmo Paccio and someone with the title "Interprete". The page is framed with ornate illustrations featuring various allegorical or mythological figures, cherubs, and decorative flourishes. The text is in Latin and the overall style suggests this is a reproduction of an old printed book or manuscript from the Renaissance era or earlier.

Created by claude-3-haiku-20240307 on 2025-02-08

The image appears to be an ornate title page or frontispiece from a historical publication. It features an elaborate decorative border surrounding the title "MAXIMI TYRII PHILOSOPHI SERMONES", which seems to refer to the works of a philosopher named Maximus Tyrius. The border contains various mythological and allegorical figures, as well as architectural elements. The central portion of the image shows a seated figure, presumably the philosopher, surrounded by other figures and symbols. The overall design and style suggest this is an ornate, historical illustration from a scholarly work.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-11

The image is a page from an old book, featuring a title at the top that reads "MAXIMI TYRII PHLO" in large letters. The title is followed by a subtitle that reads "SOPHI PLATONICI SERMONES, COSMO PACCO INTERPRETE." Below the title, there is a paragraph of text written in Latin, which appears to be a dedication or introduction to the book. In the center of the page, there is a small illustration of a man sitting in a circle, surrounded by leaves and vines. The illustration is rendered in a detailed and intricate style, with fine lines and shading that give it a sense of depth and texture. At the bottom of the page, there is another illustration that depicts a group of people gathered around a table, engaged in conversation and activity. The illustration is also rendered in a detailed and intricate style, with fine lines and shading that give it a sense of depth and texture. The background of the page is a light beige color, with a subtle texture that gives it a sense of age and wear. The overall design of the page is ornate and decorative, with intricate borders and flourishes that add to its sense of elegance and sophistication. Overall, the image suggests that the book is a rare and valuable volume, possibly a collector's item or a historical artifact. The use of Latin and the ornate design elements suggest that the book may be a work of classical literature or a scholarly treatise.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-11

This image presents a page from an ancient book, likely a philosophical or theological text. The title, "MAXIMI TYRII PHILO," is prominently displayed at the top, accompanied by the subtitle "SOPHI PLATONICI SERMONES, COSMO PACCIO INTERPRETE." The text is written in Latin and features a mix of uppercase and lowercase letters, with some words and phrases in italics. The page is adorned with intricate illustrations and borders, showcasing various scenes and figures. The illustrations appear to be woodcuts or engravings, adding to the page's aesthetic appeal. The overall design and layout suggest that this page is from a rare and valuable book, possibly a first edition or a limited print run. The use of Latin and the inclusion of illustrations and borders indicate that this book was intended for a scholarly or academic audience. The text itself appears to be a philosophical or theological treatise, with the author discussing various topics and ideas. The inclusion of the subtitle "COSMO PACCIO INTERPRETE" suggests that the book may have been translated or interpreted by Cosmo Paccio, a scholar or philosopher of the time. Overall, this image provides a glimpse into the world of ancient scholarship and learning, highlighting the importance of books and texts in the dissemination of knowledge and ideas. The page's beauty and rarity make it a valuable artifact for historians, scholars, and collectors alike.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-08

The image depicts a page from a book with a title "MAXIMI TYRRII PHILO-SOPHI PLATONICI SERMONES, COSMO PACCIO INTERPRETE". The text is written in a foreign language, possibly Latin, and is printed on a white page. The text is surrounded by intricate designs, including a frame with a decorative border, a floral design, and a human figure. The page also features a small illustration of a man holding a book and a globe.

Created by amazon.nova-lite-v1:0 on 2025-02-08

The image is a page from a historical book, featuring an ornate title and decorative borders. The title reads "MAXIMI TYRI PHILO- SOPH PLATONICI SERMONES, COSMA PACCIO INTERPRETE." The page is divided into two main sections: the upper section contains the title and a decorative border, while the lower section features the text of the book in a black and white format. The text is written in a cursive, old-fashioned style, and the page appears to be from a book published in the 16th century. The decorative borders include intricate designs, including angels, cherubs, and other figures.

Text analysis

Amazon

PHILO
PLATONICI
SOPHI
PLATONEM,
INTERPRETE.
PACCIO INTERPRETE.
SIT
PACCIO
SERMONES,
agere
MAXIMI
SOPHI PLATONICI SERMONES, COSMO
DEVS,
SERMO
dubi
MAXIMI TYRII PHILO
iple
Neq
TQVID SIT DEVS, SECVNDVM PLATONEM,
peccare
SERMO PRIMVS.
SECVNDVM
TYRII
damonum
PRIMVS.
grauiter
COSMO
enim
cenfuerim,
fecum
etiam agere infolenter, qui in eam fecum iple dubi
aduerlus
Neq enim aut grauiter eum peccare cenfuerim, aut
aduerlfantes
natura,
etiam
re.tum
eum
tationem,aut
qui
facile
ambigitur
tationem,aut aduerlus difputationem
eam
fubltinea.
in
de
aut
TQVID
aufim, aduerlfantes facile fubltinea.
re.tum iple .tum
difputationem
VM damonum ambigitur natura, differere de ea
infolenter,
VM
.tum
ea
aufim,
differere

Google

MAXIMI TYRII PHILO SOPHI PLATONICI SERMONES, COSMO PACCIO INTERPRETE TOVID SIT DEVS, SECVNDVM PLATONEM, SERMO PRIMVS. VM de damonum ambigitur natura,differere de ca re,tum ipfe aufim,tum aducrfantes facile fubftincã. Neq enim aut grauiter eum peccare cenfuerim, aut etiam agere infolenter,qui in eam fecum ipfe dubi tationem,aut aduerfus aliqué difputationem ingre diatur,fit ne penitus dæmonum natura, ac fi ea eft, quid nam maxime,aut quata fit, quandoquidé cer- tum eft nomen,tametfi latet fubftántia, potentiáq in ambiguo uerfatur.Nuncuero cum de deo dictu- rus fim,qualem ipfeme faciam, cuiufmodí uerborum me elegantia muniero Autunde fatis claras appellationes coparabo:Quam praæterea electi cantus co cinnem harmoniam,ut aut mihi ipfe,aut alijs oftendereualea quod quaritur. Sienim eloquetiffimus omnium Plato(quáuis ipfum Homero comparaueris) haud aliàs unquam,neq etia in prafentia fatis dignus eft, qui de deo loquens, fibi uindicet fidé fed aliquod nihilominus defyderiu habet, aliunde fue opinio nis pernofcédae.fruftra id dicere aggrediatur is,qui angufto ingenio utatur: nif forte cuipiam ueheméter fitienti,præfentemg habenti lympidum amnem,qui copiofus aquaru fimul delectaret afpectum fimul comode præberet potum,foe cundifliméq; nutriret, nos alicude ex inopi fonte,caeteraq; inferiori haurientes, fufficienté potum afferre poffe, arbitremur. Qualem fimilitudinem uidere licet in noctua, cuius cum interdiu in clariffima folis luce caliget afpectus,noctu ta men igniculi faculã aucupatur.Si quis enim in Platonis incidens fermones,me liores alios defyderat, putetáp in co micate luce.exilemadmodu effe,minimecs claram: hic nung aut exorienté folem,aut refulgenté lunam, aut hefperu occi dentem,aut luciferum præueniente afpexcrit.Sed mane amabo,iam iam enim meditor fenfim, que fit huius uis orationis, uenitcg in menté,eius imagine rci in metallorum fofforibus uideri poffe, qui cum terram ipfi cædant,atqp aurum effodiant
MAXIMI
TYRII
PHILO
SOPHI
PLATONICI
SERMONES,
COSMO
PACCIO
INTERPRETE
TOVID
SIT
DEVS,
SECVNDVM
PLATONEM,
SERMO
PRIMVS.
VM
de
damonum
ambigitur
natura,differere
ca
re,tum
ipfe
aufim,tum
aducrfantes
facile
fubftincã.
Neq
enim
aut
grauiter
eum
peccare
cenfuerim,
etiam
agere
infolenter,qui
in
eam
fecum
dubi
tationem,aut
aduerfus
aliqué
difputationem
ingre
diatur,fit
ne
penitus
dæmonum
natura,
ac
fi
ea
eft,
quid
nam
maxime,aut
quata
fit,
quandoquidé
cer-
tum
eft
nomen,tametfi
latet
fubftántia,
potentiáq
ambiguo
uerfatur.Nuncuero
cum
deo
dictu-
rus
fim,qualem
ipfeme
faciam,
cuiufmodí
uerborum
me
elegantia
muniero
Autunde
fatis
claras
appellationes
coparabo:Quam
praæterea
electi
cantus
co
cinnem
harmoniam,ut
mihi
ipfe,aut
alijs
oftendereualea
quod
quaritur.
Sienim
eloquetiffimus
omnium
Plato(quáuis
ipfum
Homero
comparaueris)
haud
aliàs
unquam,neq
etia
prafentia
dignus
qui
loquens,
fibi
uindicet
fidé
fed
aliquod
nihilominus
defyderiu
habet,
aliunde
fue
opinio
nis
pernofcédae.fruftra
id
dicere
aggrediatur
is,qui
angufto
ingenio
utatur:
nif
forte
cuipiam
ueheméter
fitienti,præfentemg
habenti
lympidum
amnem,qui
copiofus
aquaru
fimul
delectaret
afpectum
comode
præberet
potum,foe
cundifliméq;
nutriret,
nos
alicude
ex
inopi
fonte,caeteraq;
inferiori
haurientes,
fufficienté
potum
afferre
poffe,
arbitremur.
Qualem
fimilitudinem
uidere
licet
noctua,
cuius
interdiu
clariffima
folis
luce
caliget
afpectus,noctu
ta
men
igniculi
faculã
aucupatur.Si
quis
Platonis
incidens
fermones,me
liores
alios
defyderat,
putetáp
micate
luce.exilemadmodu
effe,minimecs
claram:
hic
nung
exorienté
folem,aut
refulgenté
lunam,
hefperu
occi
dentem,aut
luciferum
præueniente
afpexcrit.Sed
mane
amabo,iam
iam
meditor
fenfim,
que
fit
huius
uis
orationis,
uenitcg
menté,eius
imagine
rci
metallorum
fofforibus
uideri
terram
ipfi
cædant,atqp
aurum
effodiant