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Human Generated Data

Title

Border Composed of Four Blocks; Initial E

Date

16th century

People

Artist: Urs Graf, Swiss c. 1485 - 1527/28

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Paul J. Sachs, M1021

Human Generated Data

Title

Border Composed of Four Blocks; Initial E

People

Artist: Urs Graf, Swiss c. 1485 - 1527/28

Date

16th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Paul J. Sachs, M1021

Machine Generated Data

Tags

Amazon
created on 2019-08-06

Text 98.9
Rug 83
Page 77.4
Newspaper 65.7
Scroll 64.6
Person 60.5
Human 60.5
Person 57.5
Person 44.8

Clarifai
created on 2019-08-06

art 97.6
decoration 97.5
ornate 97.5
illustration 96.8
antique 96.2
pattern 93.8
design 92.9
picture frame 92.9
retro 92.8
desktop 92
print 92
text 91.8
vintage 90.8
engraving 90.7
old 90.1
religion 90
ancient 89.2
symbol 89.1
no person 86.7
architecture 86.1

Imagga
created on 2019-08-06

arabesque 93
antique 46.8
prayer rug 45
decoration 42
design 41.1
frame 40.6
art 39
old 38.4
vintage 38.1
decor 36.3
rug 35.9
decorative 35.1
retro 32
ornate 28.4
texture 27.1
floor cover 27
furnishing 26.9
pattern 26.7
grunge 26.4
backdrop 26.4
blank 25.7
ornament 25
gold 24.7
border 24.5
cloud 22.4
element 21.5
artwork 20.2
cover 19.4
covering 19.1
fabric 19
collection 18.9
empty 18.9
style 18.6
ancient 18.2
paper 18.1
creative 16.8
aged 16.3
textured 15.8
deco 15.7
carpet 15.6
golden 15.5
advertising 15.4
graphic 15.3
composition 15.1
wood 15
associated 14.8
association 14.8
definition 14.7
brochure 14.6
advertise 14.6
advertisement 14.5
ornamental 14.3
conceptual 14.1
painting 13.6
rustic 13.5
carving 12.7
museum 12.6
wall 12
continuity 11.8
drapery 11.8
dirty 11.8
carved 11.8
old fashioned 11.4
floral 11.1
object 11
traditional 10.8
exhibition 10.8
framework 10.8
baroque 10.8
rectangle 10.7
wallpaper 10.7
idea 10.7
home 10.6
wooden 10.6
classical 10.5
antiquity 10.5
brown 10.3
letter 10.1
square 10
gilded 9.9
gallery 9.8
modern 9.8
interior 9.7
brass 9.6
rusty 9.5
book 9.3
classic 9.3
page 9.3
black 9
detail 8.9
tile 8.9
surface 8.8
edge 8.7
decorate 8.6
space 8.5
structure 8.3
material 8
business 7.9
card 7.8
binding 7.8
leaf 7.8
decorating 7.8
culture 7.7
parchment 7.7
craft 7.6
scroll 7.6
textile 7.6
grungy 7.6
memorial 7.3
rough 7.3
photograph 7.3
portrait 7.1

Google
created on 2019-08-06

Text 90.8
Paper 80.8
Paper product 66
Miniature 50.6
Art 50.2

Microsoft
created on 2019-08-06

text 99.7
manuscript 65.2
stone 3.7

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 38-57
Gender Male, 54.3%
Disgusted 45%
Calm 51.8%
Sad 47.7%
Surprised 45.1%
Happy 45.1%
Angry 45.2%
Confused 45.1%

Feature analysis

Amazon

Rug
Person
Rug 83%

Categories

Captions

OpenAI GPT

Created by gpt-4 on 2025-02-08

This image depicts an intricately decorated page from what appears to be an old book or manuscript. The page is framed with ornate borders featuring a variety of designs, including floral patterns, grotesques, and other decorative motifs that are characteristic of Renaissance or Baroque design. At the top, the page is titled with the words "NATVRAE PRINCIPI" in large, bold lettering, and there are additional Latin texts that follow, arranged in neat, justified columns. The text is most likely an introduction or a dedication and is written in a font style that suggests the piece is from a period when elaborate typography was common, possibly during the printing revolution of the 15th to 17th centuries. On each side of the page, the borders incorporate vertical arrangements of circular medallions with figures inside, which may represent allegorical or mythological scenes. Above and below the main text area, there are horizontal bands with more figures and designs. The decoration suggests that the book was intended to be a prestigious work, perhaps a scholarly or religious text, intended for an educated readership. The craftsmanship involved in creating such a page indicates a high level of artisanship and attention to detail in book production of the time.

Created by gpt-4o-2024-05-13 on 2025-02-08

This image appears to be an old printed or engraved text with an ornate border. The borders on the left and right feature intricate designs including cherubs, decorative scrollwork, and figures holding objects, likely symbolizing various themes from mythology, religion, or philosophy. At the top, there is a title in large capital letters reading, "NATVRAE PRINCIPI." Below the title, there is an introductory text, possibly a preface or a dedication, laid out in a neat, block format with Latin script. The text includes several decorative letters and ornaments. At the bottom center, there is a coat of arms, flanked by two small figures holding it up. The entire piece exudes a classical, Renaissance-era aesthetic, suggesting it could be a page from a historical scholarly book or a work of art.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-08

This is a beautifully decorated title page from what appears to be a Renaissance-era book. The main text is in Latin, with the primary title "NATURAE PRINCIPI" (Principles of Nature) at the top. The page features elaborate ornamental borders with decorative elements including: - Cherubs or putti (winged baby-like figures) in the margins - Intricate floral and scroll-work patterns - Ornamental vases or urns - A heraldic shield or coat of arms at the bottom featuring what appears to be a star and crescent moon - Architectural elements integrated into the border design The text appears to be from a philosophical or scientific work by Lodovici Caelii Rhodigini about ancient readings ("Antiquarum Lectionum"). The typography and layout are characteristic of high-quality Renaissance printing, with a large decorative initial 'E' at the beginning of the main text block. The overall design demonstrates the sophisticated book arts of the period, combining classical learning with elegant decorative elements in a harmonious composition. The print quality and detail of the engraving work is quite impressive, showing the high level of craftsmanship typical of Renaissance book production.

Created by claude-3-opus-20240229 on 2025-02-08

This image shows the title page of a book titled "Naturae Principi", which appears to be a philosophical or scholarly text written in Latin. The page is intricately decorated with ornate borders featuring various mythological and angelic figures, animals, and decorative patterns. In the center of the page is a coat of arms or heraldic shield. The detailed borders include depictions of cherubs, a man with a long beard, winged figures that could represent angels or mythological characters, fantastical hybrid creatures, lions, birds and vegetation motifs woven throughout the ornamental design. The level of artistry and embellishment suggests this title page is from an important book, likely published in the 16th-17th century based on the Renaissance styling of the artwork and typography. Overall, it is an exquisite example of the elaborate frontispieces and graphic design used in notable works from that era.

Created by claude-3-haiku-20240307 on 2025-02-08

The image appears to be an ornately decorated title page for a work called "Naturae Principi", which seems to be about intellectual and spiritual wisdom. The page features intricate border designs with winged figures, flowers, and other decorative elements. At the center is the title text along with additional Latin text describing the work. There are also small figures and designs in the margins surrounding the main text. Overall, the image has a very ornate, Renaissance-style aesthetic.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The image presents a page from an old book, featuring a title in Latin and ornate illustrations. The title, "NATVRAE PRINCIPI," is prominently displayed at the top of the page, accompanied by a subtitle that reads, "AC INTELLECTVALI SAPIENTIAE, NEC NON AMORI SACRVM SPIRITALI." The text is written in Latin and appears to be a dedication or introduction to the book. The page is surrounded by intricate illustrations, including cherubs, vases, and other decorative elements. These illustrations are rendered in a detailed and ornate style, suggesting that the book is a high-quality publication from a bygone era. At the bottom of the page, there is a large illustration of a shield with a star and crescent moon on it, surrounded by cherubs. This image may represent the author's or publisher's emblem, or it could be a symbol of the book's content or themes. Overall, the image suggests that the book is a rare and valuable artifact from the past, possibly a collector's item or a historical document. The use of Latin and the ornate illustrations imply that the book is a work of significance, perhaps a treatise on philosophy, science, or spirituality.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

The image is a page from an old book, featuring a title and text in Latin. The page is divided into three sections: the left and right sides have decorative borders with various figures, while the center section contains the title and text. **Title:** The title, "NATVRAE PRINCIPI," is written in large letters at the top of the page, followed by smaller text that reads "AC INTELLECTVALI SAPIENTIAE, NEC NON AMORI SACRVM SPIRITALI." The title is surrounded by decorative elements, including a border of leaves and flowers. **Text:** The text is written in Latin and appears to be a passage from a philosophical or scientific work. It is divided into paragraphs, with each paragraph indented and separated by a blank line. The text is written in a formal, ornate style, with many words and phrases underlined or emphasized with bold letters. **Decorative Borders:** The left and right sides of the page feature decorative borders with various figures, including: * A mermaid-like creature on the left side, holding a shell and surrounded by seaweed. * A putto (a small, winged child) on the right side, holding a torch and standing on a pedestal. * A series of cherubs and other mythological creatures along the bottom of the page, including a lion, a dragon, and a phoenix. **Overall:** The image appears to be a page from an old book, possibly a rare or valuable edition. The decorative borders and formal text suggest that the book was intended for a scholarly or intellectual audience. The use of Latin and the ornate style of the text and illustrations suggest that the book was written during the Renaissance or Baroque period.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-08

The image is of a page from an old book. The page has Latin text on it. The text is written in a serif font and is surrounded by decorative borders. The borders have intricate designs, including floral patterns, geometric shapes, and mythical creatures. The top of the page has a large letter "P" with a decorative border around it. The letter "P" is surrounded by a circle of smaller letters and symbols. The bottom of the page has a decorative border with a large letter "N" in the center. The letter "N" is surrounded by a circle of smaller letters and symbols.

Created by amazon.nova-lite-v1:0 on 2025-02-08

The image is a page from a book titled "NATVRÆ PRINCIPI" by Lodovici Caelii Rhodigin. The page has a decorative border with intricate designs, including cherubs and other mythical creatures. The text is written in Latin and appears to be a philosophical treatise on the principles of nature and intellectual wisdom. The page also includes a coat of arms with a shield and a banner, as well as a decorative border with a wreath and a ribbon. The image has a vintage look and feel, suggesting that it is from an old book or manuscript.

Text analysis

Amazon

AMORI
NON
SAPIENTIAE,
LODOVICI
SPIRITALI,
NATVRAE
AC
INTELLECTVA
NON AMORI SACRVM SPIRITALI,
NATVRAE PRINCIP
PRINCIP
NEC
bono
RVM
ANTIQVA
SACRVM
AC INTELLECTVA ALI SAPIENTIAE,
ani
uitam
condita
Principiu
Corpori
quorum
CAELII
uberius,
nobis
LODOVICI CAELII RHODIGINI IN LIBROS ANTIQVA
ftudioforum
IN
AfHatu
fcuti
Animae
lumen
intellectui
ui
LIBROS
AfHatu quorum trino,8 noalpirante uberius, cpublico ftudioforum bono
noalpirante
forma,
RHODIGINI
ALI
cpublico
condita nobis ,Nami fcuti imateriae: actum exhiber forma, Corpori uitam ani
ma,s notum, Animae uirturer Principiu intellectui actu ui
notum,
exhiber
talem. ,intellectualemg, ac lumen inenartabile.
inenartabile.
ac
talem.
trino,8
imateriae:
,intellectualemg,
uirturer
actu
actum
ma,s
,Nami

Google

NATVRAE PRINCIPI AC INTELLECTVALI SAPIENTIAE, NEC NON AMORI SACRVM SPIRITALI, AfHatu quorum trino,& uno afpirahte uberius,Hacpublico ftudioforum bono condita nobis fit,Nami ficuti materíae actum exhibet forma, Corpori uitam ani ma,& notum, Itidem Anime uirtutem intellectus,Principiu intellectui actu ui talem,intellectualemq, ac lumen incharrabile. LODOVICI CAELII RHODIGINI IN LIBROS ANTIQVA RVM LECTIONVM AD BONARVM LITERARVM STVDIO SOS OMNIS PRAEFATIO PICVRVMPhlofoplium uno uoluptatis noie plerifa infame,fape uero etia grauiffimu,dicere foliti accepim,col/ latu beneficiu accepto no pulchri modo, & fpeciofius uideri fed iucudius quogacmira quada rone fuaui,quado, xagae ovd oirogonuy pyg gi, ideft Gaudij hil acp ferakeft ac Gratia.Proinde multo fapietiae lumíne pilluftris,ceferi po/ teft, & debet, quí omnii princeps eam Gratiaru excogitafle nomeclatura uidet,ut una diceret Aglaia,Euphrofyne fecunda ac poftremoTha liam,uelut in benefica natura puri,ampliusq foecuditate præfigní progerminet gaudiu,exuberetqp. Quibus de caufis cuite pro innato captu folcrtiae curriculu totu (nam,quod dícíf,nec puero quide feria) ad pcincturemis,ueliśq dum te/ dím,in literaru,&interioru utiqs,ftudijs trafmiferim,nulla fubijt pride grauior cura,nullí eminetius ingeflit fe ppofitu,c,ut maturius,quatu hoc noie principi natura primu,hoc eft diuinae,debeamus,teftatiffimu toto terraru orbe facerem quippe ab incharrabíli,acinfinita femoti,abíuncticg,dementia unu modo,& uíx íd quoqs,fcimus,nihil nos fcire prorfum,aut pofle. Mox uero,ut quicqd tot no/ ctium euigilati labores, &haufta lucernaru fuligines,Dicrugs fudor nobis pepe riflent,in albu publico captantiu ingenij cultu botho promere pgeremus, In huc etenim ufum durifima fum ppeffi, ut quod diuino ex forite in nos eft pductu, benigne in alios itidemi corriuarem,reijectis omnino inaufpícatis nefcio qbus, in arcana protínus, quicqd eft illis paulo acríiore ftudio compatu,intrudentibus, immo etia cotumulantibus.Mihi fanctariu exquifitius nullu fucrit,g artiu boha rum ingeniía candidata.Quib fumma hilaritate,uelut in Platonis diuini Remp: tranfcript,quod mihi eft,impertior.Argumentü huius ftomachí mei habebunt erudíti omnes,quod eos,quib'exploratius coperta hæc medítatáq: funt,peculia rius appellare operís initio,no ab re eft uifum, non ut fluentis largiffimis aridus iple aquas ingeram,fed indidem potius ut deriuem,quo retorrida rigenf inuen ta.Immo uero,ne ii forte,ut aflolet, pralidibus nullis in aciem prodicrínt, tand aiTOndana ut Ariftotelico utamur dicendi more,id eft rudia, impolitáqs, nec unguibus
NATVRAE
PRINCIPI
AC
INTELLECTVALI
SAPIENTIAE,
NEC
NON
AMORI
SACRVM
SPIRITALI,
AfHatu
quorum
trino,&
uno
afpirahte
uberius,Hacpublico
ftudioforum
bono
condita
nobis
fit,Nami
ficuti
materíae
actum
exhibet
forma,
Corpori
uitam
ani
ma,&
notum,
Itidem
Anime
uirtutem
intellectus,Principiu
intellectui
actu
ui
talem,intellectualemq,
ac
lumen
incharrabile.
LODOVICI
CAELII
RHODIGINI
IN
LIBROS
ANTIQVA
RVM
LECTIONVM
AD
BONARVM
LITERARVM
STVDIO
SOS
OMNIS
PRAEFATIO
PICVRVMPhlofoplium
uoluptatis
noie
plerifa
infame,fape
uero
etia
grauiffimu,dicere
foliti
accepim,col/
latu
beneficiu
accepto
no
pulchri
modo,
&
fpeciofius
uideri
fed
iucudius
quogacmira
quada
rone
fuaui,quado,
xagae
ovd
oirogonuy
pyg
gi,
ideft
Gaudij
hil
acp
ferakeft
Gratia.Proinde
multo
fapietiae
lumíne
pilluftris,ceferi
po/
teft,
debet,
quí
omnii
princeps
eam
Gratiaru
excogitafle
nomeclatura
uidet,ut
una
diceret
Aglaia,Euphrofyne
fecunda
poftremoTha
liam,uelut
in
benefica
natura
puri,ampliusq
foecuditate
præfigní
progerminet
gaudiu,exuberetqp.
Quibus
de
caufis
cuite
pro
innato
captu
folcrtiae
curriculu
totu
(nam,quod
dícíf,nec
puero
quide
feria)
ad
pcincturemis,ueliśq
dum
te/
dím,in
literaru,&interioru
utiqs,ftudijs
trafmiferim,nulla
fubijt
pride
grauior
cura,nullí
eminetius
ingeflit
fe
ppofitu,c,ut
maturius,quatu
hoc
principi
primu,hoc
eft
diuinae,debeamus,teftatiffimu
toto
terraru
orbe
facerem
quippe
ab
incharrabíli,acinfinita
femoti,abíuncticg,dementia
unu
modo,&
uíx
íd
quoqs,fcimus,nihil
nos
fcire
prorfum,aut
pofle.
Mox
uero,ut
quicqd
tot
no/
ctium
euigilati
labores,
&haufta
lucernaru
fuligines,Dicrugs
fudor
pepe
riflent,in
albu
publico
captantiu
ingenij
cultu
botho
promere
pgeremus,
In
huc
etenim
ufum
durifima
fum
ppeffi,
ut
quod
diuino
ex
forite
pductu,
benigne
alios
itidemi
corriuarem,reijectis
omnino
inaufpícatis
nefcio
qbus,
arcana
protínus,
illis
paulo
acríiore
ftudio
compatu,intrudentibus,
immo
cotumulantibus.Mihi
fanctariu
exquifitius
nullu
fucrit,g
artiu
boha
rum
ingeniía
candidata.Quib
fumma
hilaritate,uelut
Platonis
diuini
Remp:
tranfcript,quod
mihi
eft,impertior.Argumentü
huius
ftomachí
mei
habebunt
erudíti
omnes,quod
eos,quib'exploratius
coperta
hæc
medítatáq:
funt,peculia
rius
appellare
operís
initio,no
re
uifum,
non
fluentis
largiffimis
aridus
iple
aquas
ingeram,fed
indidem
potius
deriuem,quo
retorrida
rigenf
inuen
ta.Immo
uero,ne
ii
forte,ut
aflolet,
pralidibus
nullis
aciem
prodicrínt,
tand
aiTOndana
Ariftotelico
utamur
dicendi
more,id
rudia,
impolitáqs,
nec
unguibus