Human Generated Data

Title

Saints Peter and John Healing the Cripple

Date

1547

People

Artist: Giulio Bonasone, Italian c. 1510 - after 1576

Artist after: Perino del Vaga, Italian 1501 - 1547

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Ian Woodner, M20404

Human Generated Data

Title

Saints Peter and John Healing the Cripple

People

Artist: Giulio Bonasone, Italian c. 1510 - after 1576

Artist after: Perino del Vaga, Italian 1501 - 1547

Date

1547

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Ian Woodner, M20404

Machine Generated Data

Tags

Amazon
created on 2019-11-04

Human 97.7
Person 97.7
Person 97.2
Art 97.1
Painting 97.1
Angel 83.6
Archangel 83.6
Archaeology 69

Clarifai
created on 2019-11-04

art 99.9
people 99.4
Renaissance 98.3
saint 98.2
illustration 97.7
print 97.1
religion 95.8
painting 95.5
book 93.8
adult 93.8
baroque 93.6
man 93.5
one 91.8
Apostle 91.8
allegory 91.3
god 91.1
facial hair 90.4
veil 89.4
aura 89.2
two 89.1

Imagga
created on 2019-11-04

sculpture 97.1
statue 69
carving 66.9
column 56.6
architecture 49.2
art 44.5
sketch 42.3
monument 35.6
landmark 35.3
ancient 32.9
history 32.3
stone 32.2
drawing 30.5
building 30.3
plastic art 30.1
famous 28
religion 27.8
travel 27.5
city 27.5
representation 27.3
tourism 26.4
marble 26.1
temple 25.3
old 25.1
culture 24
historic 21.1
figure 20.8
historical 20.7
god 19.2
religious 18.8
detail 18.5
arch 16.4
tourist 16.3
facade 14.7
palace 14.6
heritage 14.5
roman 14.3
fountain 13.9
catholic 13.6
worship 13.6
spirituality 13.5
attraction 13.4
statues 12.8
baroque 12.7
symbol 12.1
bronze 11.9
museum 11.8
spiritual 11.5
church 11.1
exterior 11.1
sculptures 10.9
cathedral 10.8
holy 10.6
structure 10.3
decoration 10.2
carved 9.8
antique 9.8
sightseeing 9.8
saint 9.6
faith 9.6
golden 9.5
face 9.2
gold 9.1
angel 8.8
grand 8.7
holiday 8.6
capital 8.6
details 8.5
support 8.5
destination 8.4
memorial 8.1
carvings 7.9
artistic 7.8
king 7.8
ornament 7.8
prayer 7.7
architectural 7.7
medieval 7.7
east 7.5
ornate 7.3
design 7.3
sky 7

Google
created on 2019-11-04

Painting 89.9
Art 87
Illustration 74.9
Stock photography 72.2
Visual arts 68.6
Prophet 62.1
History 60.4
Mythology 58.4
Artwork 55.2
Drawing 53.7

Microsoft
created on 2019-11-04

text 100
book 100
drawing 99.4
sketch 99.2
painting 96.1
art 93.1
person 78.5
cartoon 64.4
museum 51.8

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 21-33
Gender Male, 94%
Fear 0.9%
Surprised 1%
Happy 0.8%
Confused 0.3%
Calm 88.2%
Disgusted 0.1%
Angry 2.7%
Sad 6%

Feature analysis

Amazon

Person
Painting
Person 97.7%

Categories

Captions

Microsoft
created on 2019-11-04

a person sitting on a book 28.1%
a close up of a book 28%
a person holding a book 27.9%

OpenAI GPT

Created by gpt-4 on 2025-02-01

This is an image of an engraving or print, depicting two figures in a classical setting. The picture is rendered in black and white with fine lines that illustrate shading and texture, indicative of an old printmaking technique. On the left, there is a bearded figure wearing flowing robes and a halo, indicating that this character is likely of religious or divine importance. The figure is reaching out towards the right, towards the sky, pointing at something above with the right hand, while holding what appears to be a book in the left hand. An architectural structure with pillars and an arched doorway can be seen behind this figure, giving a sense of grandeur and classical antiquity. On the right side of the image, there is a kneeling figure, presumably a warrior based on the attire—wearing a helmet with a crest, armor, and holding a spear. This figure is looking up towards the other character, possibly in a gesture of supplication, admiration, or receiving guidance. The warrior seems to be in a moment of communication or interaction with the robed figure. Above the archway, there's an inscription on the building, but it's not clearly legible in the image provided. This could potentially give further context to the subject matter of the print. The overall style and subject matter suggest that this could be a scene from a religious or mythological narrative, common in European art from the Renaissance through the Baroque periods.

Created by gpt-4o-2024-05-13 on 2025-02-01

This image is a detailed illustration depicting a biblical scene, likely from the Christian tradition. In the foreground, there are three figures: one standing and pointing towards the left, another standing in the center with a halo around his head and gesturing towards the door, and a third figure sitting on the ground holding a staff and extending his hand upwards. The central figure with the halo is likely Jesus Christ, indicated by the halo, a common attribute in religious art. The scene appears to be set at the entrance of a building, which is characterized by classical architectural elements such as columns and an arched doorway. Above the doorway, there is an inscribed plaque with the text "REGNO DEI CAELI. IANVA VITA" which translates from Latin to "Kingdom of Heaven. Door of Life". This inscription reinforces the religious context of the image. The illustration is rich with fine lines and shading, typical of engravings or etchings from the Renaissance or Baroque period. The clothing of the figures, consisting of flowing robes, and the architectural style give a sense of the historical and cultural setting of the artwork.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-01

This appears to be a classical engraving or etching depicting a dramatic scene with multiple figures in flowing robes. The central figure is shown in dramatic movement, wearing billowing garments and appears to be wielding something overhead. The scene takes place in what looks like a classical architectural setting with columns and an arched doorway or entrance. There is another figure shown in a reclining or fallen position in the lower right of the composition. The artwork demonstrates typical characteristics of Renaissance or Baroque-era printmaking, with fine linear details and dramatic shading achieved through cross-hatching techniques. The composition is framed by decorative curved borders at the corners of the image.

Created by claude-3-opus-20240229 on 2025-02-01

The image depicts an etching or engraving showing two classical-style sculptures in an architectural setting. The sculptures appear to be of male figures, one standing and gesturing with his arm raised, while the other is seated and leaning on a staff or cane. The architecture has arched openings and classical details like columns and pediments. The overall style evokes Italian Renaissance or Baroque art and architecture.

Created by claude-3-haiku-20240307 on 2025-02-01

The image depicts an allegorical scene featuring two male figures. The central figure appears to be an elderly, bearded man wearing robes and holding a staff or scepter. He is reaching down to assist a younger, naked male figure who is seated on the ground and appears to be in a state of distress or despair. The scene is set within an ornate architectural setting with columns and arched structures in the background. The overall tone of the image is somber and contemplative.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The image depicts a scene from the Bible, specifically the story of Jesus healing the blind man. The scene is set in front of a building with columns and an archway, and features three figures: Jesus, the blind man, and another man who is likely a bystander. Jesus is shown standing in the center of the image, wearing a robe and holding his right hand out towards the blind man. He has long hair and a beard, and is looking down at the blind man with a compassionate expression. The blind man is kneeling on the ground, holding his crutches in one hand and reaching out to Jesus with the other. He is wearing a tunic and has a look of hope and expectation on his face. The bystander is standing to the left of Jesus, watching the scene unfold. He is dressed in a similar style to Jesus and the blind man, and has a neutral expression on his face. In the background, there is a building with columns and an archway. The building appears to be some kind of temple or church, and the archway may represent a doorway or entrance. Above the archway, there is a sign that reads "PRINCIPE DEL MONDO" in Latin, which translates to "Prince of the World". This may refer to Jesus' title as the Son of God or his role as the ruler of the world. Overall, the image conveys a sense of hope and healing, as Jesus reaches out to the blind man and offers him a new life. The scene is depicted in a realistic style, with detailed rendering of the figures and their surroundings. The use of light and shadow adds depth and dimension to the image, creating a sense of drama and tension.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

This image is a vintage illustration of three men in front of a building. The man in the center is wearing a long robe and has his right arm raised, while the man on the left is also wearing a long robe and has his right arm raised. The man on the right is kneeling and holding a staff in his right hand. The background of the image features a building with columns and an archway, and there is a sign above the archway that reads "PRIMO DEL" in small letters. The overall atmosphere of the image suggests a sense of reverence or worship, as the men appear to be engaged in some sort of religious or spiritual activity.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-01

The image depicts a scene of three people in an old architectural structure. The person in the center is wearing a hat and holding a book, while the person on the left is holding his hand and looking at him. The person on the right is sitting on the floor with a stick and a cup in his hands. The structure has a door and a few pillars.

Created by amazon.nova-lite-v1:0 on 2025-02-01

The image depicts a scene from a historical or biblical context, likely from a book or a print. It features three figures in a classical architectural setting. The central figure, a man, is standing and appears to be engaged in a conversation or argument with another man to his left. This man on the left is gesturing with his hand, possibly emphasizing a point or expressing frustration. The third figure, a man with a beard, is seated on the ground, holding a staff and looking towards the central figure. The architectural background includes a grand entrance with columns and a decorative arch, suggesting a formal or important setting. The image is monochromatic, adding to its historical or classical feel.

Text analysis

Amazon

PRINO
VENOR
PRINO DET
DET
IVLTOSRT

Google

PIRINO DEL VAG A IVENTOP IViao.RE
PIRINO
DEL
VAG
A
IVENTOP
IViao.RE