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Human Generated Data

Title

Illustration 3

Date

20th century

People

Artist: Alexander Calder, American 1898 - 1976

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Richard B. Bailey and Nanette C. Sexton in memory of Professor Frederick B. Deknatel, M21872

Copyright

© Calder Foundation, New York / Artists Rights Society (ARS), New York

Human Generated Data

Title

Illustration 3

People

Artist: Alexander Calder, American 1898 - 1976

Date

20th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Richard B. Bailey and Nanette C. Sexton in memory of Professor Frederick B. Deknatel, M21872

Copyright

© Calder Foundation, New York / Artists Rights Society (ARS), New York

Machine Generated Data

Tags

Amazon
created on 2022-01-22

Text 90.2
Page 86
Bird 81.2
Animal 81.2
Poster 73.6
Advertisement 73.6
Paper 63.9
Outdoors 60.3
Flyer 59.2
Brochure 59.2
Duel 55.5

Clarifai
created on 2023-10-26

no person 98.3
template 98.2
page 97.6
vector 97.1
booklet 96
layout 95.6
paper 95
presentation 93.9
retro 93.5
stripe 91.8
navigation 91
banner 90.9
calligraphy 88.4
steps 87.9
card 87.4
graphic design 87.4
label 87.2
design 86.6
business 86.5
form 84.8

Imagga
created on 2022-01-22

design 30.5
representation 27.1
facility 26.1
business 25
drawing 21.4
reflection 21
decorative 20.9
picture 20.5
art 20
paper 19.7
menu 19.4
graphic 19
style 18.6
creative 18.6
retro 18.1
depository 17.8
icon 16.7
map 16.3
page 15.8
document 15.8
template 15.6
ornate 15.6
cloud 15.5
line 15.5
frame 15.5
vintage 14.9
element 14.9
floral 14.5
text 14
card 13.8
border 13.6
sign 13.6
bank 13.5
decoration 13.5
treasury 13.3
symbol 12.8
creation 12.7
idea 12.5
pattern 12.3
gymnasium 12.3
banner 12
modern 11.9
web 11.9
communication 11.8
tag 11.5
elements 11.2
swirl 11.1
money 11.1
data 11
antique 10.8
button 10.6
archipelago 10.6
ornament 10.4
web site 10.2
book 10.1
clean 10
collection 9.9
athletic facility 9.8
definition 9.8
land 9.7
office 9.7
scroll 9.6
blank 9.5
word 9.5
set 9.4
artwork 9.2
journal 9.1
old 9.1
new 8.9
information 8.9
education 8.7
draw 8.6
food 8.5
stock 8.4
black 8.4
company 8.4
global 8.2
detail 8.1
financial 8
world 8
terms 7.9
association 7.9
day 7.9
diary 7.8
layout 7.8
calendar 7.8
invitation 7.7
sketch 7.7
finance 7.6
wagon 7.6
label 7.5
fare 7.4
wedding 7.4
year 7.3
computer 7.2
date 7.1
leaf 7

Google
created on 2022-01-22

Font 83
Sleeve 82.1
Parallel 76.7
Paper 67.4
Paper product 66.4
Document 61.4
Pattern 59.9
Diagram 58.9
Drawing 56.5
Art 56.5
Illustration 56
Screenshot 52.3
Line art 51.6

Microsoft
created on 2022-01-22

text 99.9
letter 89.5
handwriting 87.1
drawing 73.3
cartoon 65.8
screenshot 56.2
sketch 53.1

Color Analysis

Feature analysis

Amazon

Bird
Bird 81.2%

Categories

Imagga

text visuals 100%

Captions

Microsoft
created on 2022-01-22

text 94.7%

OpenAI GPT

Created by gpt-4 on 2024-12-23

This image shows an open book or a two-page spread with both text and illustration. On the left page, there is a title "THE FLY" followed by a poem and a paragraph of text. The poem is by William Blake and it is short, eight lines long, discussing the nature of a fly and philosophical questions regarding existence. Below the poem is a paragraph that seems to be a passage from another text discussing insects, with a reference to W. H. Hudson's "Nature in Downland." On the right page, there is a simple ink drawing that depicts a naked man sitting side-on at a desk or table, pointing or gesturing towards something in the air, which is not shown in the drawing. He seems to be slightly leaning forward in his chair. On the desk, there are a few items that look like a plate, a fork, and perhaps a knife or a spoon. Below the illustration, there is a quote from Laurence Sterne's "Tristram Shandy," describing an incident involving Uncle Toby and a fly. The text following the quote discusses Toby's gentle nature and his reluctance to harm a fly that has been bothering him. The way text and illustration are separated suggests the content is meant to be reflective or meditative, perhaps drawing a connection between the narrative and the themes of the poem. The style of the illustration is minimalistic and evocative rather than detailed or realistic.

Created by gpt-4o-2024-05-13 on 2024-12-23

The image features a two-page spread layout from a printed publication about "The Fly." On the left page: 1. The title "THE FLY" is at the top. 2. There is a short poem by William Blake, consisting of five stanzas, discussing the nature of a fly and the similarities between the fly and humans in terms of life's fragility and transience. 3. There is an excerpt from W. H. Hudson's "Nature in Downland" that discusses the behavior and characteristics of flies. On the right page: 1. There is a drawing of a nude human figure sitting in a chair, depicted in a simple and somewhat humorous style. The figure is leaning forward with one arm extended and holding something, presumably attempting to catch a fly. 2. There is a table with a knife and fork in the background of the drawing. 3. Below the drawing, there is a textual excerpt from Laurence Sterne's "Tristram Shandy," describing a scene involving Uncle Toby and his reaction to a fly, emphasizing how he dealt with it philosophically and humanely. The layout visually combines poetry, prose, and an illustrative drawing to engage the reader on the theme of flies and their interactions with humans.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-23

The image appears to be an illustration accompanying a poem titled "The Fly" by William Blake. The illustration depicts a human figure, likely the speaker of the poem, gesturing animatedly as they observe or interact with a fly on a table in front of them. The poem's text discusses the fly's seemingly carefree existence and its relationship to the human's own thoughts and mortality. The illustration captures a moment of this contemplation or interaction between the human and the fly.

Created by claude-3-5-sonnet-20241022 on 2024-12-23

This appears to be a page spread from a book about flies. The left page features a poem titled "THE FLY" by William Blake, followed by a prose passage about insects. On the right page, there's a simple line drawing of a figure sitting in a chair, apparently trying to swat a fly, with a table shown to the right. The illustration has a minimalist, sketch-like quality. Below the drawing is another text excerpt, which appears to be from "Tristram Shandy" by Laurence Sterne. The overall layout is clean and academic in style, with the text and illustration working together to explore the theme of flies and human interaction with these insects.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-23

The image is a page from a book or magazine, featuring a poem titled "THE FLY" by William Blake. The poem is accompanied by an illustration of a man sitting at a table, holding a fly in his hand. * **Poem** + Title: "THE FLY" + Author: William Blake + Text: The poem is written in a formal, old-fashioned style and describes the speaker's fascination with a fly. + Length: 16 lines * **Illustration** + Location: Right side of the page + Description: A simple line drawing of a man sitting at a table, holding a fly in his hand. + Style: Minimalist and abstract * **Text below the poem** + Quote: "My uncle Toby was a man patient of injuries... [he] had scarce a heart to retaliate upon a fly." + Author: Laurence Sterne, Tristram Shandy The image presents a unique combination of poetry and illustration, with the poem exploring themes of fascination and mortality, and the illustration adding a visual element to the page.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-23

The image presents a page from a book, featuring a poem titled "THE FLY" accompanied by an illustration of a man sitting at a table. The poem is attributed to William Blake and consists of 16 lines, divided into four stanzas. It explores the themes of life, death, and the fleeting nature of human existence. Adjacent to the poem is a simple line drawing of a man seated at a table, with his right arm extended and his left hand holding a fly. The man's facial expression appears to be one of surprise or alarm. The illustration is unsigned but is likely the work of Laurence Sterne, whose name appears below the poem. The background of the page is a light beige color, providing a subtle contrast to the black text and illustration. Overall, the image effectively conveys the themes of mortality and the transience of human life, inviting the viewer to reflect on the significance of their own existence.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-27

The image shows a page from a book. The page contains a poem titled "The Fly" by William Blake, along with a drawing of a fly and a person. The drawing shows a person sitting at a table with a fly on their hand. The poem describes the fly as a symbol of life and death and suggests that the fly's brief existence is a reminder of the fleeting nature of life. The drawing adds a visual element to the poem, emphasizing the contrast between the small, insignificant fly and the larger, more complex human world.

Created by amazon.nova-lite-v1:0 on 2025-02-27

The image is a page from a book, featuring a poem titled "The Fly" by William Blake. The poem is printed in a cursive font and is accompanied by a drawing of a human figure sitting on a chair, gesturing with one hand and holding a fly in the other. The drawing is in black and white and appears to be a pencil sketch. The page also includes a quote from W. H. Hudson, "Nature in Downland," and a story about a man named Toby who spares a fly's life. The text is printed on a white background, and the page has a gray border.

Text analysis

Amazon

Shall
And
Till
thrust
hand
play
Little
William
William Blake
Blake
the
me?
FLY
not
like
THE FLY
thought
THE
strength
that
Thy
my
Then
themselves
My
Am
am
overlook
Till some blind hand
And the want
conduct
fly
want
Shall brush my wing.
My thoughtless hand
brush'd
For
these
live
insects
Thy summer's play
brush
To
thoughtless
of
blind
Or art not thou
happy
Has
to
sing,
impossible
thou
Or
thee?
Little Fly,
our
return
A fly like thee?
If thought is life
art
some
on
Of
life
is
creatures
If
most
Then am I
in
wing.
A
Am I not
And drink, & sing,
And strength & breath,
summer's
&
Fly,
it
A mar like me?
To return to the insects of the downs. Of these flier thrust themselves most on our
drink,
I
Of thought is death:
dance,
breath,
attention: it is, in fact. impossible to overlook creatures that conduct themselves in
is,
Has brush'd away.
A happy fly,
For I dance,
mar
If I live
death:
flier
If I
attention:
Or if die.
fly,
fact.
away.
die.
if
downs.

Google

THE FLY Little Fly, Thy summer's play My thoughtless hand Has brush'd away. If thought is life And strength & breath, And the want Of thought is death; Am I not Then am I A fly like thee? Or art not thou A happy fly, If I live A man like me? Or if I die. William Blake For I dance, And drink, & sing. Till some blind hand Shall brush my wing. To return to the insects of the downs. Of these flies thrust themselves most on our attention; it is, in fact, impossible to overlook creatures that conduct themselves in so wildly eccentric a manner. One big yellow fly like a honey-bee comes directly at you with a loud hostile hum or buzz, hovers for a few moments, dashes away in a straight line, turns off at a tangent, and, rushing back again, proceeds with extraordinary velocity to deseribe curves and cireles, parallel lines, angles, and other geometrie figures, in the air; and finally drops down within a few inches of you, to remain motionless as a fly carved out of a yellow pebble until the impulse sends him off again. What his motives are, what it all means, we are unable to guess; we can only conclude in our ignorance, judging from appearances, that he is mad.... Somewhat of this light-headedness is, I imagine, seen in most of the flies, from the burliest bluebottle to the small gilded variety. What would it be, I wonder, if these minute creatures grew to the size of ducks and geese? Our whole time would be spent in watching their amaz- ing, meaningless anties; nothing else would be talked of or even thought about in the world. In the end, we should become strictly noeturnal, in order to be out of their way, or else we should ourselves go mad in their company. My uncle Toby was a man patient of injuries...[he] had scarce a heart to retaliate upon a fly. - Go- says he, one day at dinner, to an over-grown one which had buzzed about his nose, and tormented him cruelly all dinner-time, - and which after infinite attempts, he had caught at last, as it flew by him; - I'll not hurt thee, says my unele Toby, rising from his chair, and going across the room, with the fly in his hand,- I'll not hurt a hair of thy head: - Go, says he, lifting up the sash, and opening his hand as he spoke, to let it escape;- go, poor devil, get thee gone, why should I hurt thee? - This world surely is wide enough to hold both thee and me. W. H. Hudson, Nature in Downland Laurence Sterne, Tristram Shandy
THE
FLY
Little
Fly,
Thy
summer's
play
My
thoughtless
hand
Has
brush'd
away.
If
thought
is
life
And
strength
&
breath,
the
want
Of
death;
Am
I
not
Then
am
A
fly
like
thee?
Or
art
thou
happy
fly,
live
man
me?
if
die.
William
Blake
For
dance,
drink,
sing.
Till
some
blind
Shall
brush
my
wing.
To
return
to
insects
of
downs.
these
flies
thrust
themselves
most
on
our
attention;
it
is,
in
fact,
impossible
overlook
creatures
that
conduct
so
wildly
eccentric
a
manner.
One
big
yellow
honey-bee
comes
directly
at
you
with
loud
hostile
hum
or
buzz,
hovers
for
few
moments,
dashes
away
straight
line,
turns
off
tangent,
and,
rushing
back
again,
proceeds
extraordinary
velocity
deseribe
curves
and
cireles,
parallel
lines,
angles,
other
geometrie
figures,
air;
finally
drops
down
within
inches
you,
remain
motionless
as
carved
out
pebble
until
impulse
sends
him
again.
What
his
motives
are,
what
all
means,
we
are
unable
guess;
can
only
conclude
ignorance,
judging
from
appearances,
he
mad....
Somewhat
this
light-headedness
imagine,
seen
flies,
burliest
bluebottle
small
gilded
variety.
would
be,
wonder,
minute
grew
size
ducks
geese?
Our
whole
time
be
spent
watching
their
amaz-
ing,
meaningless
anties;
nothing
else
talked
even
about
world.
In
end,
should
become
strictly
noeturnal,
order
way,
ourselves
go
mad
company.
uncle
Toby
was
patient
injuries...[he]
had
scarce
heart
retaliate
upon
fly.
-
Go-
says
he,
one
day
dinner,
an
over-grown
which
buzzed
nose,
tormented
cruelly
dinner-time,
after
infinite
attempts,
caught
last,
flew
by
him;
I'll
hurt
thee,
unele
Toby,
rising
chair,
going
across
room,
hand,-
hair
thy
head:
Go,
lifting
up
sash,
opening
spoke,
let
escape;-
go,
poor
devil,
get
thee
gone,
why
This
world
surely
wide
enough
hold
both
me.
W.
H.
Hudson,
Nature
Downland
Laurence
Sterne,
Tristram
Shandy