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Human Generated Data

Title

Illustration 20

Date

20th century

People

Artist: Alexander Calder, American 1898 - 1976

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Richard B. Bailey and Nanette C. Sexton in memory of Professor Frederick B. Deknatel, M21889

Copyright

© Calder Foundation, New York / Artists Rights Society (ARS), New York

Human Generated Data

Title

Illustration 20

People

Artist: Alexander Calder, American 1898 - 1976

Date

20th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Richard B. Bailey and Nanette C. Sexton in memory of Professor Frederick B. Deknatel, M21889

Copyright

© Calder Foundation, New York / Artists Rights Society (ARS), New York

Machine Generated Data

Tags

Amazon
created on 2022-01-22

Text 96.2
Page 89
Drawing 83.8
Art 83.8
Bird 73.8
Animal 73.8
Doodle 65.8
Bird 65.2
Bird 63.8
White Board 63.7
Sketch 56.9
Outdoors 56.1

Clarifai
created on 2023-10-26

vector 98.4
no person 98
retro 94.7
design 93.8
template 93.2
paper 91.8
vortex 90.9
card 90.4
calligraphy 90
leaf 89
illustration 88.9
graphic design 88.5
page 88
booklet 88
label 86.8
banner 86.7
graphic 85.5
art 85.4
ornate 84.5
elegant 84.2

Imagga
created on 2022-01-22

design 33.3
representation 28.5
menu 25.9
floral 24.7
card 23.3
reflection 22.6
art 22.6
drawing 22.4
element 22.4
retro 21.4
picture 21.3
pattern 19.9
frame 19.7
decorative 19.3
graphic 19
swirl 18.5
vintage 18.2
business 17.7
style 17.1
decoration 17
set 17
elements 16.7
paper 16.5
flower 16.2
ornate 15.6
border 15.4
creative 15
ornament 14.7
wallpaper 14.6
text 14
icon 13.5
food 13.5
sketch 13
template 12.9
creation 12.8
map 12.6
cartoon 12.5
leaf 12.5
bank 12.4
scroll 12.4
decor 12.4
symbol 12.2
facility 12.1
depository 11.6
fare 11.2
banner 11.1
silhouette 10.8
holiday 10.8
backdrop 10.7
invitation 10.6
word 10.4
blank 10.3
clip art 10.2
clean 10
collection 9.9
calligraphy 9.8
sign 9.8
curve 9.6
grunge 9.4
web 9.3
archipelago 9.3
page 9.3
wedding 9.2
amulet 8.9
shape 8.9
tag 8.6
line 8.6
curl 8.6
label 8.5
black 8.4
planet 8.4
drink 8.4
sea 8.3
artwork 8.3
book 8.3
world 8
land 7.9
spring 7.9
plant 7.8
cloud 7.8
summer 7.7
modern 7.7
old 7.7
antique 7.6
note 7.4
letter 7.4
data 7.3
office 7.2
charm 7.1

Google
created on 2022-01-22

Font 82.1
Art 75.2
Paper 70
Drawing 67.3
Paper product 66.2
Visual arts 59.2
Line art 59.2
Document 54.9
Pattern 53.6
Ink 53.5
Artwork 52.9
Illustration 51.6

Microsoft
created on 2022-01-22

text 99.6
drawing 94.8
sketch 90.3
handwriting 83.4
cartoon 83.1
illustration 72.5

Color Analysis

Feature analysis

Amazon

Bird
Bird 73.8%

Categories

Imagga

text visuals 100%

Captions

Microsoft
created on 2022-01-22

text, letter 94.4%

OpenAI GPT

Created by gpt-4 on 2024-12-23

The image is of a two-page spread from a printed book with illustrations and text. On the left page, there is a title at the top that reads "THE SHEEP" in capital letters. Below the title, there is a poem titled "SHEEP" by Robert Francis, discussing the stillness and appearance of sheep against a stony hill. Additional text includes excerpts from John Bunyan's "The Pilgrim's Progress" and a quote from William Blake. At the bottom left, there is a mention of "Wolves" associated with sheep and a reference to Giovanni Battista Porta's "Natural Magic".

On the right page, there are line drawings of seven sheep, shown in simple, stylized forms varying in orientation, with some sheep standing and others grazing. The sheep are depicted on an implied slope created by arching lines that may represent hills. The page numbers "66" and "67" are visible at the bottom corners of the respective pages.

Created by gpt-4o-2024-05-13 on 2024-12-23

The image contains two pages from a book or publication. On the left-hand side, there is a page with several pieces of text, including a poem and excerpts from various sources. The title at the top of the page is "THE SHEEP."

The first piece of text is a poem by Robert Francis titled "SHEEP," which describes sheep standing still like stones on a rocky hill and suggests they are steadfast and resilient ("weatherworn and round"), mingling with rocks and leading each other back to the ground. The poem explores a sense of permanence and unchanging nature.

Below the poem, there are three additional quotes:

  1. A passage from John Bunyan's "The Pilgrim's Progress," describing Christiana's experience taking sheep to the slaughterhouse and interpreting the sheep's quiet acceptance of its fate.
  2. A quote from William Blake posing a rhetorical question about learning peace from sheep: "Why of the sheep do you not learn peace?" The answer: "Because I don’t want you to shear my fleece."
  3. A quote from Giovanni Battista Porta's "Natural Magie," describing wolves as enemies of sheep, who cherish and maintain sheep's skins even after death as a form of adornment.

On the right-hand side of the image, there is a simple line drawing of five sheep. The drawing is minimalistic, depicting the sheep as simple, rounded figures situated among a few hills or mounds of earth. The sheep are scattered across the page, each in different postures: some are standing, grazing, or looking around.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-23

The image appears to be an illustration of several sheep in a natural landscape. The sheep are depicted in a simplistic, line drawing style, with their distinctive woolly bodies and curved horns. There are multiple sheep shown, some standing and others lying down, scattered across the background. The image also includes some text that appears to be excerpts from poems or literary works discussing or describing sheep. Overall, the image has a minimalist, artistic style that focuses on capturing the essence of these herd animals in their environment.

Created by claude-3-5-sonnet-20241022 on 2024-12-23

This appears to be a two-page spread from a book about sheep. The left page contains several text passages, including a poem titled "THE SHEEP" by Robert Francis, a quote from John Bunyan's "The Pilgrim's Progress," a brief exchange from William Blake, and a passage about wolves from Giovanni Battista Porta's "Natural Magic."

On the right page, there are simple line drawings of five sheep in a minimalist style. The sheep are depicted with fluffy, curvy outlines and appear to be scattered across the page in different positions. The illustrations are done in a basic black and white sketch style, showing the sheep's woolly texture through simple curved lines.

The layout is clean and minimalist, with page numbers 66 and 67 visible at the bottom of the spread. The overall design has an elegant, scholarly appearance typical of a literary or academic publication.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-23

The image is a page from a book, featuring a poem titled "THE SHEEP" and an illustration of sheep.

Title and Poem

  • The title "THE SHEEP" is displayed in large text at the top left of the page.
  • The poem, written by Robert Francis, consists of 16 lines and explores themes of nature, death, and the cyclical nature of life.

Illustration

  • The illustration, situated on the right side of the page, depicts five sheep in various poses.
  • The sheep are drawn in a simple, line-drawn style, with minimal details.
  • The illustration is likely intended to complement the poem, evoking a sense of rural life and the natural world.

Additional Text

  • Below the poem, there are two quotes from other authors: John Bunyan and William Blake.
  • The quotes are presented in smaller text, adding to the overall aesthetic of the page.

Page Layout

  • The page has a light beige background, which provides a clean and neutral backdrop for the text and illustration.
  • The layout is simple and easy to read, with clear headings and ample white space.

Overall, the image presents a peaceful and contemplative atmosphere, inviting the reader to reflect on the themes and imagery presented in the poem and illustration.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-23

The image is a page from a book, featuring a poem titled "THE SHEEP" and accompanied by illustrations of sheep. The poem is written in black text on the left side of the page, with the title in larger font at the top. The poem itself is divided into two stanzas, each with several lines of text.

On the right side of the page, there are five simple line drawings of sheep in various poses, including standing, walking, and lying down. The drawings are also in black ink and appear to be hand-drawn.

At the bottom of the page, there is a small number "66" in the lower-left corner, indicating that this is page 66 of the book. In the lower-right corner, there is another small number "67", which may indicate that the next page is page 67.

Overall, the image suggests that the book is a collection of poems or stories about sheep, and the illustrations add a touch of whimsy and charm to the page.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-24

This image features a page from a book with text and illustrations. The title of the page is "The Sheep," and it contains a poem about sheep. The poem is written in a cursive font and is divided into several stanzas. The poem describes the sheep's stillness and the stones against the stony hill. The poem also mentions the sheep's gray color, weatherworn and round appearance, and its two mingled flocks. The poem ends with a reference to the Babylonian face. The page also contains a drawing of a sheep in different poses, including standing, sitting, and lying down. The drawing is in black and white and appears to be a sketch.

Created by amazon.nova-pro-v1:0 on 2025-02-24

The image is a page from a book that contains both text and illustrations. The title at the top of the page reads "THE SHEEP." Below the title, there is a poem by Robert Francis that describes sheep and their characteristics. The poem is followed by a quote from John Bunyan's "The Pilgrim's Progress," which discusses the treatment of sheep and the metaphor of sheep as followers. Another quote from William Blake follows, which humorously suggests that sheep do not learn peace because they do not want to be shorn. The final quote is from Giovanni Battista Porta's "Natural Magic," which discusses the predatory nature of wolves towards sheep. On the right side of the page, there are several illustrations of sheep in different poses and positions, adding a visual element to the textual content. The page is numbered 66 on the left and 67 on the right, indicating that it is a spread from the book.

Text analysis

Amazon

Babylonian
The
sheep
and
gray
where
both
death
Leading
the
And
place
THE
said
them
ground.
took
mingled
THE SHEEP
SHEEP
Two
her
Francis
from
are
stand
Robert Francis
pray
its
Robert
still
let
Leading the eye back to the ground.
into
against
was
stirs
he
Then
back
us
From
The stones are gray
house,
As
lifts
killing
quiet,
sheep,
some
stones
From where I stand the sheep stand still
eye
to
see
weatherworn
behold,
So
death patiently. Then said the Interpreter,
And still no sheep stirs from its place
Christiana,
a
And,
As stones against the stony hill.
house, where the buteber was killing a sheep: and, behold, the sheep was quiet, and took her
had
The sheep, the rocks.
Interpreter,
Two mingled flocks-
And both are weatherworn and round,
And, sir. said Christiana, pray let us see some more. So he had them into the slaughter-
and,
Or lifts its Babylonian face.
hill.
Or
And so are they.
stony
buteber
patiently.
flocks-
slaughter-
they.
I
so
rocks.
more.
no
face.
sheep:
round,
sir.

Google

THE SHEEP SHEEP From where I stand the sheep stand still As stones against the stony hill. The stones are gray And so are they. And both are weatherworn and round, Leading the eye back to the ground. Two mingled flocks - The sheep, the rocks. And still no sheep stirs from its place Or lifts its Babylonian face. Robert Francis And, sir, said Christiana, pray let us see some more. So he had them into the slaughter- house, where the butcher was killing a sheep; and, behold, the sheep was quiet, and took her death patiently. Then said the Interpreter, You must learn of this sheep to suffer, and to put up with wrongs without murmurings and complaints. Behold how quietly she takes her death, and without objecting, she suffereth her skin to be pulled over her cars. Your King doth call you his sheep. John Bunyan, The Pilgrim's Progress Why of the sheep do you not learn peace?" "Because I don't want you to shear my fleece." William Blake Wolves are such furious and mortal enemies of the sheep, that they cherish and main- tain that antipathy even after death. For if you bang upon a tambourine fashioned of wolf- skin, in the vicinity of other tambourines fashioned of sheep-skin, these latter will be in- capable of a sound- or (as some contend) the skins thereof will burst. Giovanni Battista Porta, Natural Magic 66 67
THE
SHEEP
From
where
I
stand
the
sheep
still
As
stones
against
stony
hill.
The
are
gray
And
so
they.
both
weatherworn
and
round,
Leading
eye
back
to
ground.
Two
mingled
flocks
-
sheep,
rocks.
no
stirs
from
its
place
Or
lifts
Babylonian
face.
Robert
Francis
And,
sir,
said
Christiana,
pray
let
us
see
some
more.
So
he
had
them
into
slaughter-
house,
butcher
was
killing
a
sheep;
and,
behold,
quiet,
took
her
death
patiently.
Then
Interpreter,
You
must
learn
of
this
suffer,
put
up
with
wrongs
without
murmurings
complaints.
Behold
how
quietly
she
takes
death,
objecting,
suffereth
skin
be
pulled
over
cars.
Your
King
doth
call
you
his
sheep.
John
Bunyan,
Pilgrim's
Progress
Why
do
not
peace?"
"Because
don't
want
shear
my
fleece."
William
Blake
Wolves
such
furious
mortal
enemies
that
they
cherish
main-
tain
antipathy
even
after
death.
For
if
bang
upon
tambourine
fashioned
wolf-
skin,
in
vicinity
other
tambourines
sheep-skin,
these
latter
will
in-
capable
sound-
or
(as
contend)
skins
thereof
burst.
Giovanni
Battista
Porta,
Natural
Magic
66
67