Human Generated Data

Title

Illustration 5

Date

20th century

People

Artist: Alexander Calder, American 1898 - 1976

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Richard B. Bailey and Nanette C. Sexton in memory of Professor Frederick B. Deknatel, M21874

Copyright

© Calder Foundation, New York / Artists Rights Society (ARS), New York

Human Generated Data

Title

Illustration 5

People

Artist: Alexander Calder, American 1898 - 1976

Date

20th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Richard B. Bailey and Nanette C. Sexton in memory of Professor Frederick B. Deknatel, M21874

Copyright

© Calder Foundation, New York / Artists Rights Society (ARS), New York

Machine Generated Data

Tags

Amazon
created on 2022-01-22

Text 94.1
Page 86.7
Outdoors 72.6
Nature 69.7
Face 69.5
Advertisement 68.3
Poster 66.1
Dog 65.7
Mammal 65.7
Animal 65.7
Canine 65.7
Pet 65.7
Paper 64.4
Flyer 60.8
Brochure 60.8
Female 59.8
Word 58.9
Clothing 56.7
Apparel 56.7

Clarifai
created on 2023-10-26

vector 98.7
template 98.4
booklet 98.3
no person 98.1
layout 97
page 96.2
presentation 95
stripe 94.5
retro 94.2
navigation 93.4
stepping 93
steps 91.7
banner 91.5
design 91.4
paper 90.1
graphic design 90.1
label 88.1
card 87.8
one 86.1
wallpaper 85.8

Imagga
created on 2022-01-22

facility 33.7
reflection 29.6
representation 28.9
picture 28.9
business 28
design 26
paper 24.4
depository 24.3
bank 23.5
menu 20.7
document 18.6
drawing 17
creation 17
creative 16.8
text 16.6
decorative 15.9
art 15.7
office 15.3
retro 14.8
cloud 14.7
graphic 14.6
vintage 14.1
page 14
template 13.8
treasury 13.2
frame 13.2
pattern 13
card 12.9
style 12.7
map 12.2
sign 12.1
money 11.9
communication 11.8
idea 11.6
black 11.5
journal 11.4
decoration 11.3
blank 11.2
icon 11.1
web 11
antique 10.9
web site 10.8
symbol 10.8
tag 10.6
old 10.5
gymnasium 10.5
line 10.3
finance 10.2
year 10.1
border 10
financial 9.8
diary 9.8
new 9.7
calendar 9.7
button 9.7
draw 9.5
plan 9.5
pen 9.5
word 9.5
floral 9.4
fare 9.3
swirl 9.2
ornate 9.2
book 9.2
data 9.2
element 9.1
terms 8.9
date 8.9
definition 8.8
month 8.8
income 8.8
ink 8.7
day 8.7
scroll 8.6
stock 8.5
modern 8.4
company 8.4
athletic facility 8.4
clean 8.4
elements 8.4
note 8.3
banner 8.3
letter 8.3
food 8.2
detail 8.1
world 8
planner 7.9
week 7.9
organizer 7.8
daily 7.8
education 7.8
planning 7.7
profit 7.7
form 7.4
artwork 7.3
cash 7.3
time 7.3
global 7.3
market 7.1

Google
created on 2022-01-22

Human body 88.4
Sleeve 86.3
Gesture 83.6
Font 83.4
Paper 70.6
Parallel 69.2
Paper product 68.2
Pattern 66.4
Document 63.7
Illustration 62.5
Art 61.4
Drawing 61.1
Line art 60.2
Book 56
Visual arts 55.8
Diagram 55.7
Elbow 54.3
History 50.9
Letter 50.8

Microsoft
created on 2022-01-22

text 99.9
letter 82.6
screenshot 82.2
design 76.5
handwriting 74.6
cartoon 73.4
drawing 65
abstract 60.3
document 15.9

Color Analysis

Feature analysis

Amazon

Dog
Dog 65.7%

Categories

Imagga

text visuals 100%

Captions

Microsoft
created on 2022-01-22

text, letter 99.4%

OpenAI GPT

Created by gpt-4 on 2024-12-23

This image shows a two-page spread from a book with the heading "THE CAMEL" at the top. On the left page, there is a whimsical illustration of a camel anthropomorphically seated in a chair, wearing a suit jacket, clutching a briefcase in one hand, and holding a lantern in the other hand. The camel is wearing trousers which end at the knee, exposing its lower legs and feet, and it has a content expression on its face. Both pages contain text; the left page begins with an excerpt credited to Robert Chester, from Love's Martyr, followed by another excerpt from T.E. Lawrence's Seven Pillars of Wisdom. The right page also includes text, beginning with an assertion about the camel’s reputation in different languages and cultures and a reference to Hermes. This is followed by another excerpt titled "Secrets of Alberta Magna." At the bottom of the right page, there is a section titled "THE MORAL" with text that references Aesop, adapted by Sir Roger L'Estrange. The overall tone of the text and illustration suggests a humorous or light-hearted treatment of the subject matter. The page numbers 14 and 15 are visible at the bottoms of the left and right pages, respectively.

Created by gpt-4o-2024-05-13 on 2024-12-23

The image depicts two pages of a book, spread open. The pages, 14 and 15, feature texts about camels. On the left page, the section titled "The Camel" includes a poem by Robert Chester and a passage by T.E. Lawrence from "Seven Pillars of Wisdom." Below these texts is a piece titled "A Camel at First Sight" attributed to Aesop according to Sir Roger L'Estrange. On the right-hand page, in the upper right section, there is an illustration of an anthropomorphic camel sitting on a chair, holding a lantern in its right hand, posed as if resting or contemplating. Below this illustration is a passage titled "Secrets of Albertus Magnus," which describes various attributes of camels and folklore associated with them. The layout is clean and minimalist, focusing on text with a single illustrative drawing to complement the writing.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-23

The image depicts a camel, which is described in the text as "the child of nature frugile" and a creature that is known to be gentle and patient. The image itself shows a detailed illustration of a camel, with a caption that provides additional information about the camel's characteristics and qualities. The text also includes a poem by Robert Chester that further elaborates on the camel's nature and symbolism.

Created by claude-3-5-sonnet-20241022 on 2024-12-23

This appears to be a page spread from a book about camels. On the left page, there are several text passages, including a poem titled "THE CAMEL" by Robert Chester and excerpts from T.E. Lawrence's "Seven Pillars of Wisdom" and other sources discussing camel behavior and human reactions to camels. On the right page, there's a simple line drawing illustration showing a somewhat anthropomorphized camel figure standing upright and holding what appears to be a lantern. The text mentions that the camel is known as Cirus in Greek. The page numbers show 14 and 15. The overall design is clean and minimal, with black text on white paper and the simple line art illustration.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-23

The image is a page from a book, featuring a poem titled "The Camel" and an illustration of a camel. * The poem "The Camel" is written in black text on the left side of the page. + It is divided into three sections, each with its own title. + The first section is titled "THE CAMEL" and describes the camel's nature as flexible and gentle. + The second section is titled "A CAMEL AT FIRST SIGHT" and describes how people react to seeing a camel for the first time. + The third section is titled "THE MORAL" and concludes that the camel is a symbol of ignorance and custom. * The illustration of a camel is located on the right side of the page. + It is a simple line drawing of a camel sitting on a chair, holding a lantern in its hand. + The camel appears to be relaxed and content, with a gentle expression on its face. * The background of the page is a light beige color, which provides a clean and neutral backdrop for the poem and illustration. * The overall design of the page is simple and elegant, with a focus on showcasing the poem and illustration in a clear and readable format. In summary, the image is a page from a book that features a poem about camels and an accompanying illustration. The poem is divided into three sections, each with its own title, and describes the camel's nature, how people react to seeing a camel, and the moral of the story. The illustration of a camel is a simple line drawing that adds a touch of whimsy to the page. Overall, the design of the page is clean and elegant, making it easy to read and appreciate the poem and illustration.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-23

This image presents a page from a book, featuring a poem titled "THE CAMEL" accompanied by an illustration of a camel-like creature. The poem is attributed to Robert Chester and is followed by a passage from T.E. Lawrence's "Seven Pillars of Wisdom." A subsequent section, "A CAMEL AT FIRST SIGHT," is also included. The illustration depicts a camel-like creature with a human-like body, seated on a chair and holding a lantern. The background of the page is beige, providing a neutral backdrop for the text and illustration. Overall, the image appears to be a page from a literary work or anthology, showcasing a unique blend of poetry and prose.

Text analysis

Amazon

why
then
THE
drew
THE CAMEL
while
backe
CAMEL
nature
them
make
the
Robert
my
For
The
and
gentle,
upon
soggy
first
burden
is
ground:
as
They
best
tapping
on
hesitation,
timed
Chester,
without
To
The Camell is of nature flexible,
it
when
off
to
beasts'
thick
knelt
in
Suffering
of
camel-riders
put
knowne
his
Love's
They knelt without a noise: and I timed it in my memory: first the hesitation, as the
flexible,
kneeleth
strained
labourer,
seemes
Camell
man
downe
To ease the labourer, he is knowne most gentle,
canes
a
tapping of canes on the thick of the beasts' neeks to make them kneel.
camels,
Robert Chester, Love's Martyr
bound.
most
memory:
I strained my ears....A pause, while the camel-riders drew upo and then the soggy
he
For why be kneeleth downe upon the ground:
For when a burden on his backe is bound.
on,
ease
noise:
I
As it seemes best in his discretion.
neeks
Suffering the man to put it off S on,
ears....A
discretion.
Martyr
upo
pause,
kneel.
As
be
S

Google

THE CAMEL The Camell is of nature flexible, For when a burden on his backe is bound, To ease the labourer, he is knowne most gentle, For why he kneeleth downe upon the ground: Suffering the man to put it off or on, As it seemes best in his discretion. Robert Chester, Love's Martyr I strained my ears.... A pause, while the camel-riders drew up: and then the soggy tapping of canes on the thick of the beasts' necks to make them kneel. They knelt without a noise: and I timed it in my memory: first the hesitation, as the camels, looking down, felt the soil with one foot for a soft place; then the muffled thud and the sudden loosening of breath as they dropped on their fore-legs, since this party had come far and were tired; then the shuffle as the hind legs were folded in, and the rocking as they tossed from side to side thrusting outward with their knees to bury them in the cooler subsoil below the burning flints, while the riders, with a quick soft patter of bare feet, like birds over the ground, were led off tacitly either to the coffee hearth or to Abdulla's tent, according to their business. The camels would rest there, uneasily switching their tails across the shingle till their masters were free and looked to their stabling. T.E. Lawrence, Seven Pillars of Windom A CAMEL AT FIRST SIGHT Upon the first sight of a camel, all people ran away from't, in amazement at so monstrous a bulk. Upon the second sight, finding that it did them no hurt, they took heart upon't, went up to't, and view'd it. But when they came, upon further experience, to take notice, how stupid a beast it was, they ty'd it up, bridled it, loaded it with packs and burdens; set boys upon the back on't, and treated it with the last degree of contempt. The Camel is an animal sufficiently well known; in Chaldean he is called Civoi; in Greek Iphim. If his blood be poured into the skin of a tarantula, or stellion, while the stars are shin- ing, one will think to see a giant, whose head will seem to touch the heavens. Hermes asserts that he has performed this experiment personally. Should anyone by chance eat of the camel, he will shortly afterward become mad: & if one lights a lamp which has previously been rubbed with camel-blood, it will appear that all present have the heads of camels, provided, however, that there are no other lighted lamps in the room. THE MORAL Novelty surprises us, and we have naturally a horror for uncouth misshapen monsters; but 'tis our ignorance that staggers us, for upon custom and experience, all these buggs grow familiar, and easy to us. Acsop, according to Sir Roger L'Estrange Secreta of Albertus Magnus 14 15
THE
CAMEL
The
Camell
is
of
nature
flexible,
For
when
a
burden
on
his
backe
bound,
To
ease
the
labourer,
he
knowne
most
gentle,
why
kneeleth
downe
upon
ground:
Suffering
man
to
put
it
off
or
on,
As
seemes
best
in
discretion.
Robert
Chester,
Love's
Martyr
I
strained
my
ears....
A
pause,
while
camel-riders
drew
up:
and
then
soggy
tapping
canes
thick
beasts'
necks
make
them
kneel.
They
knelt
without
noise:
timed
memory:
first
hesitation,
as
camels,
looking
down,
felt
soil
with
one
foot
for
soft
place;
muffled
thud
sudden
loosening
breath
they
dropped
their
fore-legs,
since
this
party
had
come
far
were
tired;
shuffle
hind
legs
folded
in,
rocking
tossed
from
side
thrusting
outward
knees
bury
cooler
subsoil
below
burning
flints,
riders,
quick
patter
bare
feet,
like
birds
over
ground,
led
tacitly
either
coffee
hearth
Abdulla's
tent,
according
business.
camels
would
rest
there,
uneasily
switching
tails
across
shingle
till
masters
free
looked
stabling.
T.E.
Lawrence,
Seven
Pillars
Windom
AT
FIRST
SIGHT
Upon
sight
camel,
all
people
ran
away
from't,
amazement
at
so
monstrous
bulk.
second
sight,
finding
that
did
no
hurt,
took
heart
upon't,
went
up
to't,
view'd
it.
But
came,
further
experience,
take
notice,
how
stupid
beast
was,
ty'd
up,
bridled
it,
loaded
packs
burdens;
set
boys
back
on't,
treated
last
degree
contempt.
Camel
an
animal
sufficiently
well
known;
Chaldean
called
Civoi;
Greek
Iphim.
If
blood
be
poured
into
skin
tarantula,
stellion,
stars
are
shin-
ing,
will
think
see
giant,
whose
head
seem
touch
heavens.
Hermes
asserts
has
performed
experiment
personally.
Should
anyone
by
chance
eat
shortly
afterward
become
mad:
&
if
lights
lamp
which
previously
been
rubbed
camel-blood,
appear
present
have
heads
provided,
however,
there
other
lighted
lamps
room.
MORAL
Novelty
surprises
us,
we
naturally
horror
uncouth
misshapen
monsters;
but
'tis
our
ignorance
staggers
custom
these
buggs
grow
familiar,
easy
us.
Acsop,
Sir
Roger
L'Estrange
Secreta
Albertus
Magnus
14
15