Human Generated Data

Title

The Rake Arrested for Debt

Date

1735

People

Artist: William Hogarth, British 1697 - 1764

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G1817

Human Generated Data

Title

The Rake Arrested for Debt

People

Artist: William Hogarth, British 1697 - 1764

Date

1735

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G1817

Machine Generated Data

Tags

Amazon
created on 2022-01-23

Person 99.6
Human 99.6
Person 99.4
Painting 98.4
Art 98.4
Person 97.5
Person 92.3
Person 89.2
Person 85.1
Person 85
Drawing 59.9
Person 56.6

Clarifai
created on 2023-10-27

people 100
group 99.9
print 99.8
adult 99
engraving 98.9
child 98.3
many 98.2
art 98.2
several 97.4
man 96.8
lithograph 96.6
wear 96.3
illustration 96.2
veil 96
weapon 94.7
woman 94.1
vehicle 93.5
home 93.4
group together 93.4
leader 92.8

Imagga
created on 2022-01-23

sketch 57.3
statue 49.1
sculpture 47.3
architecture 46.9
drawing 43
representation 36.4
monument 31.8
landmark 30.7
graffito 30.5
history 30.4
building 29.8
art 28.5
tourism 28.1
famous 27.9
old 26.5
stone 26.4
decoration 25.2
city 23.3
travel 23.3
culture 22.2
ancient 21.6
religion 20.6
church 18.5
fountain 16.4
structure 16.2
historic 15.6
temple 15.4
tourist 15
palace 14.8
historical 14.1
sky 13.4
figure 13
column 12.9
carving 12.9
marble 12.6
god 12.4
religious 12.2
detail 12.1
exterior 12
facade 11.8
capital 10.4
cathedral 10.2
memorial 10.1
traditional 10
arch 9.9
statues 9.9
king 9.7
museum 9
lion 8.8
catholic 8.8
symbol 8.8
spirituality 8.6
university 8.5
destination 8.4
roman 8.1
tower 8.1
bronze 8
antique 7.9
mythology 7.9
holy 7.7
architectural 7.7
details 7.6
place 7.5
vacation 7.4
square 7.2

Google
created on 2022-01-23

Microsoft
created on 2022-01-23

text 99.8
drawing 98.8
sketch 98.6
book 97.2
old 96.5
person 89
cartoon 88.8
clothing 80.3
black 72.1
illustration 67.5
vintage 63.9
painting 51.8
posing 43.1

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 11-19
Gender Female, 99.8%
Fear 98.1%
Calm 0.8%
Surprised 0.3%
Confused 0.3%
Angry 0.2%
Sad 0.2%
Disgusted 0.1%
Happy 0.1%

AWS Rekognition

Age 21-29
Gender Male, 87.6%
Calm 83.7%
Confused 4.3%
Happy 3.7%
Fear 2.6%
Surprised 2%
Disgusted 1.8%
Sad 0.9%
Angry 0.9%

AWS Rekognition

Age 38-46
Gender Male, 92.7%
Calm 95.6%
Disgusted 1%
Surprised 0.8%
Sad 0.7%
Happy 0.5%
Confused 0.5%
Fear 0.5%
Angry 0.4%

AWS Rekognition

Age 39-47
Gender Female, 98.3%
Calm 89.5%
Angry 2.7%
Happy 2.5%
Disgusted 1.7%
Sad 1.5%
Surprised 1.5%
Fear 0.4%
Confused 0.3%

AWS Rekognition

Age 34-42
Gender Female, 75.1%
Calm 95.9%
Surprised 0.9%
Disgusted 0.8%
Angry 0.6%
Sad 0.6%
Confused 0.5%
Happy 0.4%
Fear 0.3%

Feature analysis

Amazon

Person
Painting
Person 99.6%
Person 99.4%
Person 97.5%
Person 92.3%
Person 89.2%
Person 85.1%
Person 85%
Person 56.6%
Painting 98.4%

Categories

Captions

OpenAI GPT

Created by gpt-4 on 2024-12-23

This image appears to be an 18th-century print depicting a bustling street scene. In the foreground, an individual wearing a tricorn hat and a long coat stands to the left, observing the scene. A small dog sits nearby, close to a water pump. A pair of individuals are engaged in a heated encounter, one appearing to be restrained by a staff or pole wielded by the other. Next to them, a person bent forward proffers paperwork to an individual who is responding with a gesturing hand. On the right, another figure climbs down a ladder holding a violin, with an open case below suggesting a street performance. The background is filled with facades of buildings typical of the period, some with people observing from windows. In the distant street, the crowd is gathered around what seems to be another moment of activity. Dark clouds loom overhead, adding to the dramatic effect of the lively scene.

Created by gpt-4o-2024-05-13 on 2024-12-23

The image appears to depict a detailed and bustling street scene from the 18th century, likely set in England. It illustrates various individuals engaging in different activities: a well-dressed woman interacts with a man pulling a cart, an elderly gentleman reaches out from a carriage, presumably conversing with someone, while another figure, possibly a servant or attendant, handles the baggage on top of the carriage. Nearby, another man wearing a cocked hat looks on, and a small dog sits at his feet. The background features classic architecture, with buildings lining both sides of the street, and a prominent structure in the distance, enhancing the depth and liveliness of the scene. The etching is rich in period-specific details, capturing the essence of everyday life during that era.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-23

The image appears to depict a lively scene from an earlier era, likely the 18th or 19th century. It shows a group of people in various costumes and attire, engaged in what seems to be a theatrical or social event. The central figure appears to be a woman in an elaborate dress, surrounded by a crowd of onlookers and participants. The background features buildings and structures that suggest an urban setting. The overall style and composition of the image suggest it is an engraved or etched work, possibly a historical illustration or a scene from a literary work.

Created by claude-3-5-sonnet-20241022 on 2024-12-23

This is Plate 4 from William Hogarth's famous series "A Harlot's Progress" (1732). It's a satirical engraving depicting a scene in London's Bridewell Prison, which was a house of correction at the time. The scene shows a woman in prison garb beating hemp, which was a common form of forced labor in 18th-century prisons. Around her are various characters including guards and other prisoners. The setting is distinctly urban, with buildings visible in the background including what appears to be a church or cathedral. A dog is visible in the lower left corner of the image. The artwork is rendered in the detailed engraving style typical of Hogarth's work, with careful attention to architectural details and the social conditions of the time. The scene serves as social commentary on the harsh penal system and societal attitudes toward crime and punishment in 18th-century England.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-23

The image is a black and white engraving of a scene depicting a group of people gathered around a man who is being held by two men, with one of them pulling his arm. The scene appears to be set in an urban environment, possibly in the 18th or 19th century. * The man being held is wearing a long coat and hat, and has a look of distress on his face. * The two men holding him are dressed in similar attire, with one of them pulling his arm upwards. * There are several other people in the scene, including a woman in a dress and a man with a top hat. * In the background, there are buildings and a cloudy sky. * The overall atmosphere of the scene is one of tension and drama, with the man being held appearing to be in a state of distress. The image appears to be a depiction of a scene from a novel or play, possibly a drama or tragedy. The use of black and white engraving gives the image a sense of timelessness and classicism, while the detailed depiction of the characters and setting adds to the sense of drama and tension.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-23

The image is a black-and-white illustration of a scene from the 18th century, featuring a group of people gathered around a man who appears to be being pulled away by another individual. The scene is set in front of a building with a sign that reads "MERCY LADY," and there are several other buildings visible in the background. In the foreground, the man being pulled away is dressed in a long coat and hat, and he is holding onto a woman's arm as if trying to resist being taken away. The woman is wearing a long dress and has a concerned expression on her face. There are several other people surrounding them, including a man holding a stick and another man who appears to be trying to intervene. The overall atmosphere of the image suggests that something dramatic or confrontational is happening, and the presence of the "MERCY LADY" sign in the background adds a sense of irony or contrast to the scene. The image may be depicting a moment of conflict or tension between individuals or groups, and the use of black and white tones gives it a sense of timelessness and universality.

Text analysis

Amazon

Harpy
by
Ready
left
with
Act
Reason
of
the
Thought,
Vice
back
he
poifon
After
poor
hath
Fears
&
to
Cold
dead,
And
Remains
unbard
Whom
youthfull
June
Poverty
Invented
views
Mifuse
1735
That Vice hath left of all his Gains
Gains
With
all his
lame
So
So by Mifuse to poifon Good:
Reason arvakes & views unbard
Pleafures
his guilty
Appreaching vienis the Harpy Lan Ready to serze the poor Remains Cold Penitence lame After Thought, Call back his guilty Pleafures dead,
according
Blood,
quard,
Vanity of youthfull Blood,
And Poverty with ioy Pan
betray'd
Parliament
That
Despair,
ioy
Invented Painted:Engravid by WH Hogarth & Publishide June . =6 1735 according to Act of Parliament
With Fears Despair, k Horrers fraught, Whom he hath wrong'd, kwhem betray'd
Call
serze
vienis
The saered Gates he watch'd to quard,
Appreaching
Vanity
Pan
Good:
arvakes
hath wrong'd,
Penitence
Plate.4.
Lan
Painted:Engravid
Publishide
The saered Gates
=6
watch'd
k Horrers fraught,
kwhem
.
WH Hogarth

Google

Olanty of youthfull Blood, So ty mijuse to pojon ljood: \And Poverty nith icy Pan Reason anakes,d viens unbard Ae saered gates he natchid to quard: Approaching viens the Harpy Lan Ready to seize the poor Remains lold Penitence, lame Ajier Thought, lall back his guilty Pleafures dead, That tice hath tefe of all pis Gains. With Faar, Dospair, kHorrers fraught, n Kom he hathnrongid, ke nhom betrayit. Plate. 4. Invonted Painted Engravid by Wkeparth k Pabtishd Fene y'a5 1735. Aicording to Ace of Partiameno
Olanty
of
youthfull
Blood,
So
ty
mijuse
to
pojon
ljood:
\And
Poverty
nith
icy
Pan
Reason
anakes,d
viens
unbard
Ae
saered
gates
he
natchid
quard:
Approaching
the
Harpy
Lan
Ready
seize
poor
Remains
lold
Penitence,
lame
Ajier
Thought,
lall
back
his
guilty
Pleafures
dead,
That
tice
hath
tefe
all
pis
Gains.
With
Faar,
Dospair,
kHorrers
fraught,
n
Kom
hathnrongid,
ke
nhom
betrayit.
Plate.
4.
Invonted
Painted
Engravid
by
Wkeparth
k
Pabtishd
Fene
y'a5
1735.
Aicording
Ace
Partiameno