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Human Generated Data

Title

The Rake's Levee

Date

1735

People

Artist: Louis Gérard Scotin, French 1690 - after 1745

Artist after: William Hogarth, British 1697 - 1764

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G1815

Human Generated Data

Title

The Rake's Levee

People

Artist: Louis Gérard Scotin, French 1690 - after 1745

Artist after: William Hogarth, British 1697 - 1764

Date

1735

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G1815

Machine Generated Data

Tags

Amazon
created on 2022-01-23

Person 99.8
Human 99.8
Person 99.5
Person 98.7
Painting 98.6
Art 98.6
Person 96.1
Person 92
Person 81
Person 73.6
Person 73.3
Person 71.7
Person 65.9
Drawing 64.4
Person 59.4
Person 53.2
Person 41.9

Clarifai
created on 2023-10-26

people 100
group 99.9
print 99.8
adult 99.5
leader 98.7
man 98.2
many 97.5
engraving 97.4
wear 97.3
art 96.3
woman 95.7
several 95.6
furniture 95.1
child 94.8
administration 94.5
monarch 94
outfit 93.8
royalty 93.5
military 93.1
veil 92.1

Imagga
created on 2022-01-23

newspaper 60.4
product 46.9
creation 38.4
old 30.6
sculpture 29.6
statue 25
art 24.6
architecture 24.2
ancient 23.3
vintage 21.5
history 21.5
monument 19.6
sketch 18.4
stone 18.1
religion 17.9
drawing 17.2
antique 17.2
money 17
historical 16.9
famous 16.7
dollar 15.8
daily 15.7
currency 15.2
memorial 14.9
landmark 14.4
symbol 14.1
city 14.1
religious 14
tourism 14
building 13.9
cash 13.7
aged 13.6
travel 13.4
paper 13.3
banking 12.9
god 12.4
retro 12.3
church 12
letter 11.9
finance 11.8
postmark 11.8
bank 11.7
stamp 11.6
financial 11.6
us 11.6
decoration 11.5
mail 11.5
culture 11.1
historic 11
closeup 10.8
representation 10.8
marble 10.7
structure 10.5
bill 10.5
temple 10.4
business 10.3
close 10.3
carving 10.1
envelope 9.7
holy 9.6
artistic 9.6
circa 8.9
detail 8.8
postage 8.8
postal 8.8
spirituality 8.6
exchange 8.6
capital 8.5
face 8.5
card 8.5
graffito 8.5
rich 8.4
brass 8.3
message 8.2
philately 7.9
printed 7.9
sepia 7.8
worship 7.7
cathedral 7.7
pay 7.7
loan 7.7
grunge 7.7
one 7.5
figure 7.5
savings 7.5
man 7.4
people 7.2
wealth 7.2

Google
created on 2022-01-23

Microsoft
created on 2022-01-23

old 98.8
text 98.6
person 97.3
clothing 96.3
drawing 88.1
black 87.1
sketch 73.8
white 67.7
vintage 66.7
woman 58
posing 45.4

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 20-28
Gender Female, 51.7%
Calm 48.4%
Confused 33.1%
Surprised 5.5%
Fear 4.2%
Disgusted 3.3%
Angry 2.6%
Sad 1.6%
Happy 1.4%

Feature analysis

Amazon

Person
Painting
Person 99.8%

Categories

Imagga

paintings art 76.1%
interior objects 21.3%

Captions

OpenAI GPT

Created by gpt-4 on 2024-12-23

The image depicts a scene in a room from a bygone era, likely the 18th century given the style of dress and decor. There are several individuals wearing period-appropriate attire, engaging in various activities. Some individuals appear to be dancing or preparing to dance in the center of the room, pairing up with partners and poised in elegant stances characteristic of formal dances of that period. On the left, a figure is seated at a harpsichord, suggesting that music is part of the scene. The instrument has detailed artwork on the open lid, and sheet music is visible, indicating a live performance accompanying the dance. The room is well-appointed with artworks on the walls, including framed paintings that add to the lavish setting. The architecture of the room, such as the large window and archway, also contributes to the atmosphere of wealth and refinement. To the right, a figure is presenting or showing an object to another individual who seems attentive to the explanation. The interaction suggests a conversation or an exchange of ideas that is coherent with a social gathering. Throughout the room, the attendees are positioned in a manner that suggests movement and sociable interaction, common features of social gatherings in that historical context. At the bottom of the image, there are lines of text that appear to be in an older style of font, which likely give context or commentary related to the scene depicted. However, without the accompanying text, it's difficult to discern the specific narrative or purpose behind the image.

Created by gpt-4o-2024-05-13 on 2024-12-23

This image is an engraving depicting a busy and slightly chaotic interior scene, likely from the 18th century. It shows a room filled with elegantly dressed men, with one of them playing a keyboard instrument, possibly a harpsichord or an early piano, judging from the sheet music and the positioning of his hands. An elaborate archway and several detailed paintings adorn the room, suggesting wealth and sophistication. Multiple characters are engaged in various activities, giving the impression of animated conversation and social interactions. The clothing style includes tricorn hats, waistcoats, breeches, and elaborate shoes, indicating a historical setting.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-23

This image appears to be an engraved illustration depicting a scene from the 18th century. It shows a group of people gathered in what seems to be a formal setting, possibly in an aristocratic or noble household. The central figure is a well-dressed man who appears to be the focus of attention, surrounded by other individuals in ornate clothing. In the background, there are more figures and paintings or decorative elements on the walls, creating a sense of a grand, opulent interior space. The overall style and details suggest this is a work of art from the Baroque or Rococo period.

Created by claude-3-5-sonnet-20241022 on 2024-12-23

This is a historical engraving that appears to be from the 18th century, depicting a crowded indoor scene with multiple figures dressed in period clothing including tricorn hats, knee breeches, and long coats. The scene takes place in what appears to be a music room or parlor, with a harpsichord or piano visible on the left side with a long scroll of music extending from it. The artwork shows various people engaged in animated discussion or performance, with some figures gesturing dramatically. The room is decorated with framed artworks on the walls, including what appear to be bird paintings. The architectural details include arched doorways and large windows letting in light from the left side. At the bottom of the engraving, there is text that appears to be verse or poetry, though it's not entirely legible in this reproduction. The style is typical of 18th-century satirical engravings, with careful attention to detail in the clothing and architectural elements, and the composition suggests this might be commenting on the musical or cultural life of the period.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-23

The image depicts a scene from William Hogarth's engraving "The Rake's Progress," specifically the fifth plate, titled "The Rake's Progress, Plate 5: The Rake in the Bagnio." This plate illustrates the character of Tom Rakewell, the central figure, in a brothel. Tom is shown in the center of the image, wearing a white shirt and holding a cane, while a woman in a white dress is seated on a couch behind him. The room is filled with other people, including a man playing a violin and a woman dancing. The atmosphere is lively and festive, with a sense of debauchery and excess. In the background, there are several paintings on the walls, including one of a nude woman. The overall mood of the image is one of revelry and indulgence, with Tom Rakewell at the center of the action. The engraving is a commentary on the excesses of the wealthy and the corrupting influence of power and wealth.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-23

This image is a black-and-white engraving of a scene from William Hogarth's "A Rake's Progress," specifically Plate 4, titled "The Rake at Rose Tavern." The scene depicts a lavish party in a grand room, with the rake, Tom Rakewell, at its center. He is surrounded by various characters, including musicians, dancers, and other revelers. In the foreground, Tom Rakewell is shown dancing with a woman, while another man plays the violin behind him. To the left, a musician sits at a harpsichord, playing music for the dancers. The room is filled with people enjoying themselves, and the atmosphere is one of joy and abandon. The engraving is done in a detailed and intricate style, with fine lines and shading that give the scene a sense of depth and texture. The overall effect is one of energy and movement, capturing the lively spirit of the party. At the bottom of the engraving, there is a caption that reads: "Prosperity (with Harlots, and with Musick, mirth, and Wine, the most beguiling). How soon, Sweet fee, can all thy Fears Offishmen, frantic loud, & vain. Enter the unprovided Mind. And Memory in fetters bind. Lead faith and Love with golden chain. And, sprightly, Like the Rouse, And, smooth, Lyreus, every young. Pleasure in her silver Throne. Smiling comes, nor comes alone. Venus moved with her along. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus, every young. And, smooth, Lyreus,

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-25

This image is an antique print titled "The Progress of Luxury" by William Hogarth, created in 1732. The print depicts a satirical scene of a gathering of wealthy individuals, possibly aristocrats, in a room adorned with paintings and sculptures. The central figure is a man holding a large scroll, possibly representing the progress of luxury and its consequences. The scene is filled with various characters, including a man playing the piano, a man holding a sword, and a man with a hat and a cane. The individuals are dressed in elaborate clothing, with some wearing wigs and others sporting elaborate hairstyles. The room is filled with a sense of opulence and extravagance. The print also includes a series of verses that provide commentary on the scene. The verses highlight the dangers of excessive luxury and the pursuit of wealth, warning that it can lead to moral decay and a loss of virtue. The print serves as a critique of the social and economic conditions of the time, particularly the excesses of the wealthy elite. Overall, the image is a thought-provoking and humorous commentary on the dangers of greed and the pursuit of material wealth, using satire and visual storytelling to convey its message.

Created by amazon.nova-pro-v1:0 on 2025-02-25

A black-and-white drawing of people in a room with a piano and a man playing it. The man is sitting on a chair and playing the piano. Behind him, a man is standing and holding a stick. On the right side, a man is kneeling on the floor and holding a stick. A few people are standing near the wall. A few frames are mounted on the wall.

Text analysis

Amazon

the
Brain
fashion
And
with
changing
Come
her
bind
all
Load
sprinkle
golden
smooth
and
alone
Dance
Venus
Enter
most
nor
Mind
can
Love
in
Sweet
Pleasure
Pleasure on her
their
unprovided
apish
on
faith
Publish'd
Prefs,
comes
victous
And Memory
moves
smiles
And Memory Load faith and letters Love with bind the golden chain, Venus with her along: alone
&
along:
And fashion in her changing Nest
frantick.loud
Excefs
Plate
Come apish Dance and swolen Excefs
bequiles.)
ore
Honour
And in their Train.to fill the Prefs, as
Mechani Honour victous Taste
Herlot's
Mavented Enter the unprovided Mind
Train.to fill
and sprinkle Lethe ore Brain and smooth moves Lyansever young.
vain
Mechani
Taste
Hen seen, Sweet for can all thy Train
Prosperity. (with Herlot's smiles
Imiling comics, nor comes
Mest pleasing when the most bequiles.)
chain,
Hogarth
duerding
for
15
offalsegay. frantick.loud is vain
swolen
Nest
4775
ace
when the
young.
Prosperity.
letters
Hogarth & Publish'd duerding " ace e Perisment June بو 15 4775
thy Train
(with
June
"
Lethe
offalsegay.
is
Mest pleasing
Lyansever
Perisment
Imiling comics,
بو
as
e
Hen seen,
Mavented

Google

Hogarth & Peblish decendang te ace Prosperity.(mith Horlots omiles, Enter the unprovded Mind, Mast pleasing when She most begailer) Hon seon, Tneet fve.can all thy Train ffalse gan frantick. lond vun. And Memory in fetters bind Loud faith and Love nuth golden chain, Venas moves with her along : And sprinkle Lethe ore the Brain And smooth L yaus,ever young. Pleasure on her slver Thrane Imiling comes, nor comes alone And in thear Train, to fill the Prefs, Come apish Dance,and smolen Excifs, Mechanir Henour, vietous Taste And fashion en her changing Vost.
Hogarth
&
Peblish
decendang
te
ace
Prosperity.(mith
Horlots
omiles,
Enter
the
unprovded
Mind,
Mast
pleasing
when
She
most
begailer)
Hon
seon,
Tneet
fve.can
all
thy
Train
ffalse
gan
frantick.
lond
vun.
And
Memory
in
fetters
bind
Loud
faith
and
Love
nuth
golden
chain,
Venas
moves
with
her
along
:
sprinkle
Lethe
ore
Brain
smooth
L
yaus,ever
young.
Pleasure
on
slver
Thrane
Imiling
comes,
nor
comes
alone
thear
Train,
to
fill
Prefs,
Come
apish
Dance,and
smolen
Excifs,
Mechanir
Henour,
vietous
Taste
fashion
en
changing
Vost.