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Human Generated Data

Title

The Morning After

Date

1745

People

Artist: William Hogarth, British 1697 - 1764

Artist: Bernard Baron, 1700 - 1762

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G1830

Human Generated Data

Title

The Morning After

People

Artist: William Hogarth, British 1697 - 1764

Artist: Bernard Baron, 1700 - 1762

Date

1745

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G1830

Machine Generated Data

Tags

Amazon
created on 2022-01-23

Art 99.3
Human 99.3
People 61.6
Photography 61
Photo 61
Drawing 56.9
Portrait 55.7
Face 55.7

Clarifai
created on 2023-10-27

people 100
print 99.9
group 99.9
engraving 99.8
adult 99.7
art 99.5
illustration 98.9
furniture 98.6
man 98.6
woman 98
many 97.6
several 95.6
lithograph 95.5
etching 95.2
monarch 94.7
painting 94.7
home 94.6
seat 94.6
veil 92.9
royalty 92.5

Imagga
created on 2022-01-23

sculpture 48
architecture 45.1
temple 39.1
building 35.4
statue 35
monument 32.7
tourism 30.5
religion 30.5
history 30.4
landmark 29.8
art 28.8
ancient 28.5
old 27.9
travel 26.8
stone 25.5
city 25
palace 24.6
famous 24.2
historical 23.5
structure 23.3
church 20.4
historic 19.3
cathedral 19
carving 18.8
religious 18.7
altar 18.7
tourist 18.2
culture 18
god 17.2
antique 15.4
spirituality 15.4
fountain 15.3
facade 15.2
marble 15
arch 14.8
holy 12.5
column 12.4
baroque 11.7
catholic 11.7
decoration 11.6
saint 11.5
faith 11.5
house 11.5
water 11.4
throne 10.7
gold 10.7
museum 10.6
memorial 10.5
destination 10.3
town 10.2
symbol 10.1
residence 10
traditional 10
vintage 9.9
catholicism 9.8
figure 9.7
artistic 9.6
color 9.5
roman 9
chair 8.9
belief 8.8
pray 8.7
royal 8.7
wall 8.7
spiritual 8.6
chair of state 8.6
place 8.4
king 7.8
worship 7.7
prayer 7.7
attraction 7.6
ornamental 7.6
palanquin 7.4
detail 7.2
tower 7.2

Google
created on 2022-01-23

Microsoft
created on 2022-01-23

text 98.9
drawing 97.5
sketch 95.1
old 94.5
person 92.7
clothing 87.5
gallery 85
cartoon 67.3
painting 58.2
room 56.3
vintage 50.6
posing 50
picture frame 16.6

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 11-19
Gender Female, 95.2%
Calm 89.1%
Sad 4.9%
Angry 1.9%
Fear 1.1%
Surprised 1.1%
Confused 0.7%
Disgusted 0.7%
Happy 0.4%

Feature analysis

Amazon

Painting
Person

Clarifai

No features identified

AWS Rekognition

Painting 99.3%

Categories

Imagga
created on 2022-01-23

streetview architecture 52.4%
paintings art 30.9%
interior objects 11.9%
beaches seaside 1.8%
pets animals 1.3%
nature landscape 1.2%

Captions

Salesforce

Created by general-english-image-caption-blip on 2025-05-23

a photograph of a drawing of a man and woman in a room

OpenAI GPT

Created by gpt-4 on 2024-12-23

This is a black and white engraving depicting a scene from a period drama or a satirical piece, featuring characters in 18th-century clothing within an opulently decorated room. The scene shows two characters seated and one standing. The seated figure on the left sits with one leg crossed over the other, adorned in extravagant attire that includes a coat with large cuffs, a waistcoat with decorative patterns, and knee breeches, complete with a tricorne hat and a cane. A small dog sits by this figure’s feet. The standing figure is positioned toward the right side, wearing similarly lavish clothing with a long coat, waistcoat, knee breeches, and a tricorne hat held in one hand. The room is richly adorned with a patterned rug, wall decorations including paintings and curtains, and a fireplace with a decorative mantel that displays various objects.

A table near the center is covered with what appears to be grooming or cosmetic items, suggesting a domestic setting. An open book lies on the floor in the foreground, contributing to the dramatic or narrative quality of the scene. The overall impression is that of a genre scene designed to tell a story or convey a social message, consistent with certain forms of European art and satire from the 18th century. The caption "Marriage A-la-Mode (Plate II)" indicates that this engraving is part of a series, likely commenting on the customs of marriage during the depicted era.

Created by gpt-4o-2024-05-13 on 2024-12-23

This image is an engraving titled "Marriage A-la-Mode: Plate II" by William Hogarth, created in the 18th century. It depicts an elegantly furnished room with a fireplace adorned with intricate details and a mantel filled with various ornaments and figurines. There is also a framed painting above the fireplace. The scene features three people dressed in luxurious, period-appropriate clothing.

On the left, a man is seated in a relaxed posture with his legs extended, accompanied by a dog. A seated woman in the center appears to be in a state of distress or exhaustion, resting her head in her hands. On the right, a man stands with his arm raised, holding a piece of paper or a book. The background includes elaborate wall decorations with framed portraits and a chandelier hanging from the ceiling, adding to the opulent setting. The overall atmosphere of the image suggests a narrative of domestic life and perhaps tension or conflict among the characters.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-28

This is Plate II from William Hogarth's famous series "Marriage A-la-Mode," an 18th-century satirical series of engravings. The scene depicts a morning after in an aristocratic household, set in a lavishly decorated interior with ornate architectural details, including a grand fireplace and classical columns.

The room shows signs of the previous night's activities - there are cards scattered on the floor suggesting gambling, and the general disarray indicates a late-night party. A small dog can be seen near one of the chairs. The interior is richly furnished with decorative elements typical of the Georgian period, including a patterned carpet, wall paintings, and elaborate moldings.

The composition shows three figures in period dress - one lounging in a chair by the fireplace, another at a small table, and a third figure gesturing dramatically. Their poses and positioning suggest a scene of domestic discord, which was typical of Hogarth's satirical commentary on arranged marriages and the moral decay of the aristocracy.

This engraving is part of Hogarth's larger commentary on the social customs and vices of 18th-century English high society, particularly focusing on marriages of convenience among the upper classes.

Created by claude-3-haiku-20240307 on 2024-12-23

This image appears to depict a lavishly decorated interior space, possibly a palace or manor, with several people engaged in various activities. The central focus is on a woman seated at a table, dressed in an ornate gown, surrounded by other figures, some of whom appear to be servants or attendants. The room is filled with ornate furnishings, artwork, and architectural details, creating a sense of grandeur and opulence. The overall scene suggests a narrative related to a marriage or social occasion taking place in this setting.

Created by claude-3-5-sonnet-20241022 on 2024-12-23

This is "Marriage A-la-Mode (Plate II)" - a famous 18th century engraving that shows a scene from William Hogarth's series of satirical paintings. The image depicts an ornate interior of a wealthy household where a domestic scene is unfolding. The room features elaborate architectural details including a decorated fireplace, ornate columns, and wall decorations.

In the scene, there are figures in period costume - including a gentleman lounging by the fireplace with a small dog, a lady at a table, and another figure moving away towards the right side of the image. The furnishings and décor indicate this is set in an affluent home, with a patterned carpet on the floor, decorative items on the mantelpiece, and fine furniture throughout.

The scene appears to be depicting morning after activities, with signs of previous evening's entertainment scattered about. This is one plate from Hogarth's series that satirized arranged marriages among the English upper classes, showing the subsequent unhappy domestic life that often resulted from such arrangements.

The detailed engraving style captures the rich textures and elaborate interior decoration typical of wealthy 18th century English homes, while also conveying the social commentary that Hogarth was known for in his work.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-23

The image depicts a scene from the 18th century, likely from a play or novel. The title at the bottom of the image reads "Marriage à-la-mode, Plate II."

  • The room is filled with ornate furniture and decorations, indicating that it is a wealthy household.
  • There are several people in the room, including a man and woman sitting on a couch, a woman standing by a fireplace, and a man standing in the doorway.
  • The man and woman on the couch appear to be in the middle of a conversation, while the woman by the fireplace seems to be lost in thought. The man in the doorway looks like he is about to enter the room.
  • There are several objects scattered around the room, including books, papers, and a small dog.
  • The overall atmosphere of the image is one of elegance and refinement, suggesting that the characters are members of the upper class.

The image appears to be a scene from a play or novel, possibly a comedy of manners, and is likely intended to satirize the social conventions of the time.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-23

This image is a black-and-white illustration of a scene from the 18th-century play "Marriage A-la-Mode" by William Hogarth. The scene depicts a lavish room with ornate furnishings and decorations, including a fireplace, a chandelier, and a large rug.

In the foreground, a man sits in a chair, looking at a woman who is seated at a table, adjusting her hair. To the right, another man stands, holding a book and looking at the woman. The atmosphere appears to be one of elegance and refinement, with the characters engaged in a sophisticated activity.

The illustration is rendered in a detailed and realistic style, with intricate textures and shading that give the scene a sense of depth and dimensionality. The overall effect is one of opulence and luxury, capturing the essence of the play's themes of love, marriage, and social status.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-27

The black-and-white drawing depicts a scene of a man and a woman sitting on chairs, with a man standing in front of them. The man standing is holding something, possibly a book, and is looking at the man sitting, who is holding a dog. The woman is standing with her hands on her head. There is a table with a plate, and a chandelier is hanging from the ceiling.

Created by amazon.nova-lite-v1:0 on 2025-02-27

The image is a black-and-white print titled "Marriage A-la-Mode, Plate II." It depicts a scene from the 18th century, showing a room with a fireplace and a chandelier hanging from the ceiling. In the foreground, a man is sitting on a chair with a dog, and a woman is standing in front of a table. Behind them, a man is standing and talking to the woman. The room is decorated with various objects, including a statue on the fireplace mantel, a painting on the wall, and a chandelier.

Google Gemini

Created by gemini-2.0-flash on 2025-05-19

Here is a description of the image:

The image is a black and white engraving titled "Marriage A-la-Mode, Plate II". It depicts a scene set inside an ornately decorated room.

To the left, a man in a elaborate costume is lounging in a chair. He has disheveled clothing and his wig is slightly askew, and his stockings are unbuttoned. A small dog stands beside him.

To the right of the man, a woman sits at a table where there are tea cups. She has her hands on her head as if frustrated.

Further to the right, a man who appears to be a servant is standing by a pillar. He is holding up his hand as if surprised by something or someone outside the room. He has a pile of papers and a key in his hand.

In the foreground, there's an overturned chair, an open book with musical notes, and a violin case, suggesting disarray.

The room itself is luxurious, with an elaborate fireplace, paintings on the walls, and detailed moldings. The decorations and the expressions of the figures suggest a sense of chaos and dysfunction within the scene.

Created by gemini-2.0-flash-lite on 2025-05-19

Here's a description of the image:

Overall Impression:

The image is a black and white etching that depicts a scene of infidelity and societal decay, likely a critique of the upper class. It's part of William Hogarth's series, Marriage A-la-Mode. The scene is chaotic, full of details that contribute to the narrative.

Key Elements and Composition:

  • Setting: The scene unfolds in a richly decorated, yet neglected, room within a grand mansion. The space is opulent with ornate furnishings, portraits on the walls, and a large fireplace.

  • Central Figures:

    • The Husband: A dapper, young man lounging in a chair, his legs stretched out in a casual manner. He appears indifferent or unconcerned, with his dog on the chair and his sword and other items scattered on the floor.
    • The Wife: A woman is sitting at a table in distress, she is lifting her lace head covering.
    • The Accountant/Clerk: A man in the doorway, looking shocked. He is holding papers and keys, suggesting financial matters and perhaps a scandal.
  • Secondary Figures:

    • The Maid: A man in the background, is leaving.
  • Symbolism and Storytelling:

    • Objects: The scattered objects (sword, book, violin case, etc.) suggest negligence and the disruption of order. The details hint at a disregard for traditional values, and the pursuit of pleasure over responsibility. The open book points to the broken values of a marriage.

Mood and Tone:

The overall tone is satirical and critical. Hogarth's etching likely conveys themes of moral decay, marital breakdown, and the corruption of the upper class. The detailed rendering adds a sense of realism to the scene, making the critique more potent.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-04

The image is an engraving titled "Marriage A-la-Mode, (Plate II)" by William Hogarth. It is part of a series of satirical prints that comment on the societal norms and marital issues of the 18th century.

In this particular scene, we see a wealthy couple in a lavishly decorated room. The husband is seated on the left side of the image, appearing disinterested and lounging in a chair with his legs propped up on a stool. He is dressed in fine clothing, and a small dog is near his feet.

The wife, seated at a table on the right side, appears to be adjusting her hair or headdress while looking at her reflection in a mirror. She is dressed in an elaborate gown, indicative of the fashion of the time.

In the background, a man dressed in a long coat and tricorn hat is entering the room through a doorway on the right. He seems to be gesturing or speaking, possibly addressing the couple.

The room is adorned with ornate decorations, including a large fireplace with a mantelpiece that holds various objects and a portrait. The walls are decorated with paintings and mirrors, and the ceiling features intricate moldings. The floor is covered with a patterned rug, and various items are scattered around, including a book, a sword, and a discarded wig.

The scene suggests a sense of disconnect and boredom between the couple, highlighting the superficial nature of their relationship and the opulence of their lifestyle.

Qwen

Text analysis

Amazon

April
of
Mode
Marriage
DE
Parliament
(Plate II
A-la Mode (Plate II
according le ast of Parliament April The
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ast
Baren
according
H.
Engravally H. Baren
Engravally
The

Google

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