Human Generated Data

Title

Analysis of Beauty, Plate 2

Date

1753

People

Artist: William Hogarth, British 1697 - 1764

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Bequest of Frances L. Hofer, M19886

Human Generated Data

Title

Analysis of Beauty, Plate 2

People

Artist: William Hogarth, British 1697 - 1764

Date

1753

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Bequest of Frances L. Hofer, M19886

Machine Generated Data

Tags

Amazon
created on 2021-09-24

Person 97.1
Human 97.1
Person 92.4
Art 88.2
Person 84.3
Person 82.9
Person 77.5
Text 76.3
Person 76.2
Painting 74.1
Person 71.9
Drawing 58
Person 56.5

Clarifai
created on 2023-10-13

people 100
group 99.9
print 99.7
adult 99.2
art 98.9
many 98.9
illustration 98.8
engraving 97.3
man 95.5
leader 94.9
administration 92.4
painting 91.9
etching 91.6
several 90.9
woman 89.8
home 89.2
cavalry 87.7
veil 87.3
wear 87.3
commerce 85.7

Imagga
created on 2021-09-24

sketch 51.1
drawing 43.1
architecture 32.6
representation 32.5
building 29.7
art 28.6
old 27.2
sculpture 26.5
structure 24.6
landmark 24.4
history 24.2
ancient 22.5
currency 20.7
money 20.4
historic 20.2
paper 19.6
cash 19.2
vintage 19
monument 18.7
tourism 18.2
bill 18.1
finance 17.8
famous 17.7
memorial 17.1
stone 16.8
statue 16.3
bank 16.2
travel 16.2
dollar 15.8
religion 15.2
historical 15.1
city 15
antique 14.6
us 14.5
pay 14.4
temple 14.4
financial 14.3
marble 13.8
culture 13.7
retro 13.1
banking 12.9
arch 12.9
business 12.8
cathedral 12.8
facade 12.3
decoration 12.1
rich 12.1
church 12
baroque 11.7
altar 11.5
column 11.5
god 11.5
wealth 10.8
architectural 10.6
exchange 10.5
letter 10.1
house 9.8
banknotes 9.8
hundred 9.7
loan 9.6
artistic 9.6
capital 9.5
symbol 9.4
grunge 9.4
savings 9.3
classic 9.3
ornate 9.2
close 9.1
tourist 9.1
one 9
carving 8.8
closeup 8.8
bills 8.7
economic 8.7
dollars 8.7
profit 8.6
brass 8.6
destination 8.4
gold 8.2
mosque 8
postmark 7.9
franklin 7.9
postage 7.9
stamp 7.7
finances 7.7
payment 7.7
medieval 7.7
mail 7.7
palace 7.7
attraction 7.6
commerce 7.5
treasury 7.4
wall 7.4
economy 7.4
style 7.4
street 7.4
success 7.2
sky 7

Google
created on 2021-09-24

Microsoft
created on 2021-09-24

text 99.9
drawing 98.7
sketch 96
illustration 93.8
cartoon 87.2
engraving 81.5
book 78.5
handwriting 77.5
plaque 17.7

Color Analysis

Face analysis

Amazon

Microsoft

AWS Rekognition

Age 22-34
Gender Female, 99.5%
Sad 90.2%
Fear 6.3%
Calm 2.1%
Angry 0.5%
Happy 0.4%
Surprised 0.2%
Confused 0.2%
Disgusted 0.2%

AWS Rekognition

Age 34-50
Gender Male, 91%
Disgusted 83.5%
Angry 4.7%
Confused 4%
Fear 2.8%
Calm 1.8%
Sad 1.4%
Surprised 1.2%
Happy 0.6%

AWS Rekognition

Age 21-33
Gender Female, 98.1%
Sad 84.8%
Calm 10.7%
Angry 1.4%
Fear 1.2%
Surprised 1.1%
Confused 0.6%
Disgusted 0.2%
Happy 0.1%

AWS Rekognition

Age 24-38
Gender Male, 67.7%
Confused 44.2%
Fear 25.2%
Surprised 9.7%
Sad 7.4%
Disgusted 6%
Angry 3.9%
Calm 2.4%
Happy 1.1%

AWS Rekognition

Age 21-33
Gender Female, 92.7%
Fear 21.6%
Calm 20.5%
Sad 18.8%
Angry 18.3%
Surprised 13%
Confused 3.8%
Disgusted 2.3%
Happy 1.7%

AWS Rekognition

Age 22-34
Gender Male, 96.3%
Happy 86.4%
Calm 12.6%
Sad 0.3%
Surprised 0.2%
Angry 0.2%
Fear 0.1%
Confused 0.1%
Disgusted 0.1%

AWS Rekognition

Age 23-35
Gender Female, 67.9%
Calm 56.3%
Surprised 15.4%
Sad 13.8%
Angry 10%
Confused 1.7%
Fear 1.4%
Happy 0.9%
Disgusted 0.5%

AWS Rekognition

Age 48-66
Gender Female, 85.9%
Sad 41.3%
Disgusted 28.8%
Calm 10.4%
Fear 6.7%
Angry 6.2%
Confused 3.6%
Surprised 2.1%
Happy 0.9%

AWS Rekognition

Age 7-17
Gender Female, 87.4%
Calm 92.9%
Happy 5.6%
Sad 0.8%
Angry 0.2%
Surprised 0.2%
Fear 0.2%
Disgusted 0.1%
Confused 0%

AWS Rekognition

Age 1-5
Gender Female, 99.6%
Calm 83.9%
Surprised 10.2%
Angry 1.7%
Disgusted 1.3%
Fear 1.1%
Sad 0.9%
Happy 0.7%
Confused 0.3%

AWS Rekognition

Age 24-38
Gender Male, 95.7%
Calm 90.1%
Fear 3.7%
Angry 3.3%
Sad 1.8%
Happy 0.5%
Surprised 0.3%
Disgusted 0.2%
Confused 0.1%

AWS Rekognition

Age 1-7
Gender Female, 97%
Surprised 43.4%
Calm 31.3%
Sad 9.8%
Fear 7.6%
Confused 4.2%
Angry 1.7%
Disgusted 1.1%
Happy 1%

AWS Rekognition

Age 22-34
Gender Female, 56.5%
Calm 93.6%
Happy 2.7%
Sad 2.2%
Angry 1.1%
Fear 0.2%
Surprised 0.1%
Disgusted 0.1%
Confused 0.1%

AWS Rekognition

Age 22-34
Gender Female, 69%
Calm 97.4%
Sad 1%
Happy 0.7%
Angry 0.5%
Disgusted 0.2%
Surprised 0.1%
Fear 0.1%
Confused 0%

AWS Rekognition

Age 23-35
Gender Male, 93.1%
Fear 80.9%
Calm 5.6%
Surprised 4.8%
Angry 4.7%
Sad 2.4%
Happy 0.8%
Disgusted 0.6%
Confused 0.2%

AWS Rekognition

Age 51-69
Gender Male, 97.3%
Calm 99.9%
Sad 0.1%
Happy 0%
Angry 0%
Confused 0%
Disgusted 0%
Surprised 0%
Fear 0%

AWS Rekognition

Age 24-38
Gender Female, 69.7%
Calm 38.1%
Fear 27.1%
Angry 11%
Surprised 7.4%
Confused 6.6%
Disgusted 3.7%
Sad 3.4%
Happy 2.7%

AWS Rekognition

Age 22-34
Gender Female, 50.4%
Calm 93.6%
Sad 4.2%
Happy 1.4%
Angry 0.2%
Fear 0.2%
Surprised 0.2%
Disgusted 0.1%
Confused 0.1%

AWS Rekognition

Age 35-51
Gender Male, 60.9%
Calm 73.1%
Sad 23.3%
Fear 1.7%
Angry 0.7%
Happy 0.5%
Surprised 0.3%
Confused 0.3%
Disgusted 0.1%

Microsoft Cognitive Services

Age 14
Gender Male

Microsoft Cognitive Services

Age 31
Gender Male

Microsoft Cognitive Services

Age 24
Gender Female

Microsoft Cognitive Services

Age 23
Gender Female

Microsoft Cognitive Services

Age 3
Gender Female

Microsoft Cognitive Services

Age 41
Gender Male

Microsoft Cognitive Services

Age 31
Gender Female

Feature analysis

Amazon

Person 97.1%
Painting 74.1%

Categories

Captions

Microsoft
created on 2021-09-24

engineering drawing 37.3%

Azure OpenAI

Created by gpt-4 on 2024-11-16

This image is an intricate etching or engraving that appears to depict a scene from a bygone era, characterized by detailed attire reminiscent of 17th or 18th-century European fashion. The central scene shows a large group of individuals in an opulent room engaged in various activities suggestive of a social gathering or dance, with some individuals appearing to be in motion as if dancing. Surrounding the central narrative are numerous smaller illustrations and symbols, arranged in a grid-like fashion, some of which bear numbers. These smaller images include geometric shapes, diagrams, and sculptural figures, as well as depictions of facial features and other body parts. This layout suggests the image may be educational or scientific in nature, potentially examining concepts of beauty or proportions, as it has a systematic and analytical composition. The words "Analysis of Beauty" can be discerned, indicating a connection to aesthetic theories. Additionally, the image incorporates ornamental elements in the border and corners, as well as within the main depiction, such as chandeliers and architectural details that enhance its grandeur. Given the attire and the setting, this artwork could be from the Enlightenment period when there was a strong focus on rational analysis, and the arts often intersected with science and philosophy.

Anthropic Claude

Created on 2024-11-14

The image appears to be an engraved illustration depicting a lively social scene in an ornate, high-ceilinged room. The room is filled with numerous people in formal dress, including men and women engaged in conversation and social activities. The walls are decorated with paintings and architectural features, and a chandelier hangs from the ceiling. Surrounding the central image are various smaller illustrations and diagrams, which appear to be an "Analysis of Beauty" related to the human form and artistic elements.

Meta Llama

Created on 2024-11-22

The image is a plate from William Hogarth's series "Analysis of Beauty," published in 1753. The plate is titled "Analysis of Beauty, Plate II" and features a large engraving of a room filled with people, surrounded by various illustrations of different types of beauty, such as faces, bodies, and objects. **Main Image:** * The main image depicts a room with high ceilings and ornate decorations, including paintings, mirrors, and candelabras. * The room is filled with people, some of whom are dancing, while others are standing or sitting. * The people are dressed in 18th-century clothing, with men wearing wigs and women wearing elaborate dresses. * In the center of the room, there is a large archway that leads to another room. * The walls of the room are adorned with paintings and mirrors, which reflect the light and add to the sense of grandeur. **Surrounding Illustrations:** * Surrounding the main image are various illustrations of different types of beauty, including: + Faces: There are several illustrations of faces, each with a different expression or feature. + Bodies: There are illustrations of bodies, including full-body portraits and close-ups of specific parts, such as hands or feet. + Objects: There are illustrations of objects, such as flowers, fruits, and other decorative items. * Each illustration is labeled with a number, which corresponds to a key or legend at the bottom of the plate. * The illustrations are arranged in a grid-like pattern, with some sections overlapping or extending beyond the edges of the plate. **Key or Legend:** * At the bottom of the plate, there is a key or legend that explains the meaning of each illustration. * The key lists the numbers corresponding to each illustration, along with a brief description of what each illustration represents. * The key also includes some additional notes and explanations, such as the fact that the illustrations are meant to represent different aspects of beauty, such as proportion, symmetry, and expression. **Overall:** * The plate is a detailed and intricate work of art that showcases Hogarth's skill as an engraver and his interest in the study of beauty. * The combination of the main image and the surrounding illustrations creates a rich and complex visual experience that invites the viewer to explore and analyze the different elements of beauty presented.

Text analysis

Amazon

BEAUTY
ANALYSIS
Plate
ANALYSIS of BEAUTY Plate II.
of
Designed,
95
76
75
58
II.
A
Designed, Publishib by Heganth,
Publishib by
Heganth,
DD

Google

110
111
Dasigned,
Cngraved,
and
1753,acording
focAotof
Parliament,
ANALY SIS of T BEAUTY. Plate I. 94 77 2oP体Re 89 83 80 85 123) 81 84 76 92 95 78 86 122 93 96 to 108 69 109 70 120 119 75 74 121 64 116 5 8 59 56 57 117 118 114 110 111 113 Dasigned, Cngraved, and Pablishid by W"Hogarth, March 1753,acording focAotof Parliament, .........---*
ANALY
SIS
of
T
BEAUTY.
Plate
I.
94
77
2oP
Re
89
83
80
85
123)
81
84
76
92
95
78
86
122
93
96
to
108
69
109
70
120
119
75
74
121
64
116
5
8
59
56
57
117
118
114
113
Pablishid
by
W"Hogarth,
March
.........---*