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Human Generated Data

Title

Noah's Sacrifice

Date

1569

People

Artist: Philips Galle, Netherlandish 1537 - 1612

Artist after: Maarten van Heemskerck, Netherlandish 1498 - 1574

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Kate, Maurice R., and Melvin R. Seiden Purchase Fund and Richard Norton Memorial Fund, M22170

Human Generated Data

Title

Noah's Sacrifice

People

Artist: Philips Galle, Netherlandish 1537 - 1612

Artist after: Maarten van Heemskerck, Netherlandish 1498 - 1574

Date

1569

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Kate, Maurice R., and Melvin R. Seiden Purchase Fund and Richard Norton Memorial Fund, M22170

Machine Generated Data

Tags

Amazon
created on 2019-04-08

Human 92.9
Art 89.9
Drawing 88.9
Person 82.4
Person 66.9
Painting 61.5
Doodle 56.5

Clarifai
created on 2018-02-09

print 99.8
art 99.7
people 99.5
illustration 99.4
painting 99.4
old 98
ancient 98
paper 97.8
vintage 97.6
adult 97.4
antique 96.9
Renaissance 95.9
engraving 95.8
group 95.7
retro 95.7
man 95.2
religion 95.1
cavalry 91.5
culture 91.3
manuscript 90.7

Imagga
created on 2018-02-09

arabesque 44.8
old 43.9
vintage 38.9
doormat 36.8
texture 31.3
grunge 30.7
mat 30.1
mosaic 30.1
antique 30
ancient 29.4
retro 27.1
art 25.4
tile 23.9
paper 23.5
pattern 21.2
wall 20.7
decoration 20.7
aged 19.9
covering 19
transducer 18.6
design 18.6
detail 18.5
material 16.1
style 14.8
border 14.5
money 14.5
backdrop 14
container 13.9
wallpaper 13.8
travel 13.4
historic 12.8
culture 12.8
dirty 12.7
brown 12.5
frame 12.5
ornamental 12.4
textured 12.3
ornament 12.1
cash 11.9
finance 11.8
gold 11.5
grungy 11.4
note 11
decorative 10.9
collection 10.8
currency 10.8
religion 10.8
chest 10.6
color 10.6
parchment 10.6
close 10.3
floral 10.2
box 10.2
architecture 10.2
letter 10.1
bank 9.9
history 9.8
world 9.8
decor 9.7
surface 9.7
worn 9.6
rusty 9.5
device 9.4
symbol 9.4
ornate 9.2
stamp 9
map 8.8
empty 8.6
stone 8.5
flower 8.5
religious 8.4
east 8.4
rough 8.2
backgrounds 8.1
tray 8.1
banknote 7.8
blank 7.7
geography 7.7
mark 7.7
obsolete 7.7
bill 7.6
weathered 7.6
communication 7.6
historical 7.5
structure 7.5
traditional 7.5
page 7.4
banking 7.4
business 7.3

Google
created on 2018-02-09

history 83.7
ancient history 76.4
art 57.9
artwork 56.7
antique 54.5
middle ages 52.7

Microsoft
created on 2018-02-09

text 98.8
book 90.3
old 81.5
painting 22.6

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 26-43
Gender Male, 52.9%
Confused 45.5%
Sad 45.9%
Angry 45.7%
Calm 51.3%
Happy 45.3%
Surprised 45.6%
Disgusted 45.7%

Feature analysis

Amazon

Person
Painting
Person 82.4%

Categories

Captions

Microsoft
created on 2018-02-09

a painting of a book 72.1%
a painting of an old building 72%
an old photo of a painting 71.9%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2024-12-29

This is a detailed engraved illustration depicting an ancient scene with architectural ruins, large cannons, and several figures. There is a dramatic representation of destruction and chaos, with debris scattered around and various structures, including an ornate column, crumbling. In the foreground, a figure is gesturing upward among the ruins, and there are fallen animals and people, possibly illustrating the aftermath of a catastrophic event. The sky features smoky clouds, implying fire or divine intervention. Latin text at the bottom suggests it is from a historical or religious narrative.

Created by gpt-4 on 2024-11-28

This is an intricate black and white engraving or etching that depicts a chaotic and somewhat fantastical landscape. On the left, there is a large fire with smoke billowing out, and an animal, possibly a lamb, is lying on a block in front of the fire. To the right of this is a town or city with various buildings, some intact and others in ruins. A series of arches and classical ruins fills the center and right of the illustration, with some structures resembling ancient Roman architecture. In the foreground, there are several figures engaged in what seems like a ritual or act of sacrifice around a large, ornate column or altar with carvings. Additionally, there are scattered objects, including books, urns, and instruments, strewn across the image. A Latin inscription at the bottom suggests a likely historical or religious significance to the scene.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2024-12-26

This is a historical engraving depicting a biblical scene, specifically Noah making sacrificial offerings after the flood. The artwork shows a detailed landscape with ruins, arches, and a distinctive tower in the background. In the foreground, there are figures engaged in sacrificial rituals, with animals and an altar present. The scene includes dramatic clouds and smoke rising from the sacrifice. The architectural elements combine classical and medieval styles, with detailed stonework and archways. At the bottom of the image, there's a Latin inscription that reads "Prima Noe imponit pingues holocausta per aras," which refers to Noah's first sacrifice. The engraving demonstrates typical Renaissance or Baroque-era artistic techniques with fine line work and attention to architectural detail.

Created by claude-3-haiku-20240307 on 2024-11-27

The image depicts an intricate and surreal landscape filled with various architectural elements, mythological figures, and symbolic imagery. In the center, there is a tall ornate column or tower surrounded by a complex arrangement of buildings, archways, and other structures. The scene also includes natural elements like mountains and clouds in the background. Numerous small human figures are scattered throughout the composition, some of which appear to be engaged in different activities or scenes. The overall style and attention to detail suggest this is an engraved or etched illustration from an older publication or manuscript.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-24

The image depicts a vintage illustration of a cityscape with people and animals amidst destruction. The scene is set against a backdrop of buildings, some of which are damaged or destroyed, with debris scattered throughout. In the foreground, several individuals are shown in various poses, including one person holding a large object and another lying on the ground. Additionally, there are several animals present, such as dogs and horses, which appear to be fleeing from the chaos. The illustration is rendered in a detailed and intricate style, with fine lines and shading used to create depth and texture. The overall effect is one of turmoil and upheaval, suggesting that the scene may be depicting a natural disaster or conflict. The image is presented in a sepia-toned color scheme, which adds to its vintage and nostalgic feel. At the bottom of the image, there is a caption written in an archaic language, which may provide additional context or information about the scene. However, without further analysis or translation, it is difficult to determine the exact meaning or significance of the text. Overall, the image presents a striking and thought-provoking depiction of destruction and chaos, inviting the viewer to ponder the events and circumstances that led to this scene.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-25

The image depicts a scene from the book "De Fabrica et Usu Aerialis Navi" by Johannes Kepler, published in 1619. The illustration shows a fantastical city with a large tower in the center, surrounded by various buildings and structures. In the foreground, there are several people and animals, including a man holding a torch, a woman kneeling, and a group of people lying on the ground. The background features a mountain range and a cloudy sky. The image is rendered in black and white, with intricate details and textures that give it a sense of depth and dimensionality. The overall effect is one of wonder and curiosity, inviting the viewer to explore the fantastical world depicted in the illustration. The text at the bottom of the image reads "Prima Noe imponit pingues boloansita per aras Decrefcente runda, penetravit ad athera nidor." This appears to be a quote or phrase from the book, possibly related to the theme of flight or aerial navigation. Overall, the image is a fascinating example of early modern illustration and typography, offering a glimpse into the imaginative and scientific ideas of the time.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-25

The image is an old book page featuring a detailed black-and-white illustration. The illustration depicts a chaotic scene with a mix of architectural structures, figures, and animals. At the top, there is a figure of a person flying on a cloud, possibly representing a deity or an angel. Below, there are various buildings and structures, some of which are in ruins, indicating destruction or decay. In the foreground, there are several people in different poses, some of whom are raising their hands or kneeling, suggesting a sense of urgency or distress. The image also includes animals, such as a dog and a cat, adding to the chaotic atmosphere. The illustration is accompanied by a Latin caption at the bottom, which translates to "First, Noah placed the fattened pigs on the altar." This caption provides context for the scene, possibly relating it to a biblical story or a mythological event.

Created by amazon.nova-pro-v1:0 on 2025-02-25

The image shows an old book with a black and white illustration of a city in ruins. The book is open to a page with a Latin phrase at the bottom. The illustration depicts a city with a large tower in the middle and a mountain range in the background. There are people in the foreground, and some of them are lying on the ground. The city is surrounded by a wall, and there are buildings and structures in the distance.

Text analysis

Amazon

Noe
ad
athera
pingues
nidor
aras
Prima
penetrauit
Prima Noe imponit pingues holocansea Per aras Decrefcente onda, penetrauit ad athera nidor
Decrefcente
imponit
holocansea
onda,
Per

Google

rima Noe imponit pingues holocansa per aras cente -vnda, penetrauit ad athera midor
rima
Noe
imponit
pingues
holocansa
per
aras
cente
-vnda,
penetrauit
ad
athera
midor