Human Generated Data

Title

History of the World, vol. II, p. 504

Date

c. 1991

People

Artist: Beauvais Lyons, American born 1958

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Oscar J. Gillespie, M23515

Human Generated Data

Title

History of the World, vol. II, p. 504

People

Artist: Beauvais Lyons, American born 1958

Date

c. 1991

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Oscar J. Gillespie, M23515

Machine Generated Data

Tags

Amazon
created on 2019-11-01

Text 91
Rug 89.7
Newspaper 78.4
Art 64.9
Archaeology 63.9
Clothing 58.9
Apparel 58.9

Clarifai
created on 2019-11-01

desktop 96.4
illustration 95.8
print 93.9
symbol 93.3
paper 92.9
text 91.6
people 89.7
art 89.6
retro 85.8
business 85.7
vintage 85.5
man 84.9
card 82.6
closeup 82.6
old 81.7
no person 80.5
collage 78.6
picture frame 78.6
image 76.6
abstract 74.9

Imagga
created on 2019-11-01

newspaper 37.9
money 31.4
currency 29.6
product 28.3
finance 25.3
cash 24.7
creation 22.7
bank 21.9
financial 21.4
business 20
paper 19.8
tile 17.5
banknote 17.5
banking 17.4
doormat 15.9
daily 15.6
savings 14.9
dollar 14.8
dollars 14.5
wealth 14.4
bill 14.3
note 13.8
mat 12.6
old 12.5
coins 11.6
covering 11.6
pay 11.5
shoe 11.2
economy 11.1
investment 11
banknotes 10.8
change 10.6
travel 9.8
payment 9.6
floor cover 9.6
retro 9
hundred 8.7
notes 8.6
exchange 8.6
vintage 8.3
letter 8.2
sand 8.2
economic 7.7
debt 7.7
grunge 7.7
card 7.6
coin 7.6
footwear 7.6
design 7.5
one 7.5
closeup 7.4
detail 7.2
spa 7.2
concepts 7.1
market 7.1

Google
created on 2019-11-01

Newsprint 71
Art 58.1

Microsoft
created on 2019-11-01

text 95.3
furniture 78.2
art 62.6

Color Analysis

Feature analysis

Amazon

Rug 89.7%

Categories

Imagga

interior objects 94.6%
paintings art 5.2%

Captions

Text analysis

Amazon

HISTORY
THE
OF
HISTORY OF THE WORLD. VOLL ME
WORLD.
ME
is
laly
VOLL
50
are
their
F
f
Ar
(F
ol
af
ERFYIRE
wneerm
74
ERFYIRE a
a
Il

Google

HISTORY OF THE WORLD, VOLUME II 504 and the remaining buslings within this central preeinet at Ult Ust are architeeturally far less ealing (figures 79, B0 and 21) An understanding of Aasudian architeeture would require a knowledge of relagious e auw ritual and daily life than w have at our dispsal. Formative rearch on this sbjeet is Iring eoducted y Julias Willertof the University of Pennsylvania. Two of the largest haildings are tilinar edd that sehelars refer to as temple palaces (Figures 82 and B1), A third of a A third structure is most likely a public building reaminiseent of the famou Immudas Temple diseovered in TS by the Aarudiologiral Sorirty of America. This bailding differs in several resprets, one of which is the inclusion of a small publie bath wouth-west entrance 79 80 81 the ear (fgure 83), What is not evident in these drawings r the arehitertural models fromm which they are made, i the use of hieroglyphs on the exterior acade of amany of these tructures. Charlotte Delaire's rent translations of Aagudian erglyph srt they played a an p itationsof 82 their poetry, These findings are consistent with the eommunal orientation of nat heir arehitectare, t their art. A ommon frature of Aazadian arehitestusal designs are the extensive se of proeessional ramps, platforms,courtyands and aher asperts which plare emphasis n the publie fanction of the ilding figures 85. B6 and 87) This eonceern with ceremony and rital lnds to the bu interiors, w hich are adorned with lalrate ritual seenes depicting varioas male and female deitie involed in daily activities of the people (figures ,9 ad 90). The paintings themselves, in which the eseavators deteeted traces of trae fresco 83 techni demmonstrate a remarkalde his early C mon to st Aarudian baildings are the throne rooms ins which ymlolie offering of fod were place alongsideclay fertility variety of eolors for riod vetives, Itis from these rooms that we have uncovered umeross examples of ceremonial elay whistles. Impressive fragments of ealpture were also foumd, bat the evidenee place in thr architertural deeor remains uncertain. Seholar: was sattered and their 87 86 85 84
HISTORY
OF
THE
WORLD,
VOLUME
II
504
and
the
remaining
buslings
within
this
central
preeinet
at
Ult
Ust
are
architeeturally
far
less
ealing
(figures
79,
B0
21)
An
understanding
of
Aasudian
architeeture
would
require
a
knowledge
relagious
e
auw
ritual
daily
life
than
w
have
our
dispsal.
Formative
rearch
on
sbjeet
is
Iring
eoducted
y
Julias
Willertof
University
Pennsylvania.
Two
largest
haildings
tilinar
edd
that
sehelars
refer
to
as
temple
palaces
(Figures
82
B1),
A
third
structure
most
likely
public
building
reaminiseent
famou
Immudas
Temple
diseovered
in
TS
by
Aarudiologiral
Sorirty
America.
This
bailding
differs
several
resprets,
one
which
inclusion
small
publie
bath
wouth-west
entrance
79
80
81
ear
(fgure
83),
What
not
evident
these
drawings
r
arehitertural
models
fromm
they
made,
i
use
hieroglyphs
exterior
acade
amany
tructures.
Charlotte
Delaire's
rent
translations
Aagudian
erglyph
srt
played
an
p
itationsof
their
poetry,
These
findings
consistent
with
eommunal
orientation
nat
heir
arehitectare,
t
art.
ommon
frature
Aazadian
arehitestusal
designs
extensive
se
proeessional
ramps,
platforms,courtyands
aher
asperts
plare
emphasis
n
fanction
ilding
figures
85.
B6
87)
eonceern
ceremony
rital
lnds
bu
interiors,
hich
adorned
lalrate
seenes
depicting
varioas
male
female
deitie
involed
activities
people
,9
ad
90).
The
paintings
themselves,
eseavators
deteeted
traces
trae
fresco
83
techni
demmonstrate
remarkalde
his
early
C
mon
st
Aarudian
baildings
throne
rooms
ins
ymlolie
offering
fod
were
place
alongsideclay
fertility
variety
eolors
for
riod
vetives,
Itis
from
we
uncovered
umeross
examples
ceremonial
elay
whistles.
Impressive
fragments
ealpture
also
foumd,
bat
evidenee
thr
architertural
deeor
remains
uncertain.
Seholar:
was
sattered
87
86
85
84