Unable to open [object Object]: HTTP 0 attempting to load TileSource

Human Generated Data

Title

Illustration IV

Date

1491

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5359

Human Generated Data

Title

Illustration IV

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

1491

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5359

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.8
Newspaper 99.7
Page 93.8

Clarifai
created on 2019-11-03

page 99.5
paper 98.2
document 97.9
text 96.8
old 94.5
number 93.7
vintage 93.4
book bindings 93.1
retro 89.1
antique 88.9
template 88.8
no person 88.1
blank 86.9
desktop 85.8
manuscript 85.6
print 84.8
picture frame 84.6
education 83.6
ancient 83.3
form 83.1

Imagga
created on 2019-11-03

newspaper 66.2
daily 53.9
product 53.5
cloud 47.5
creation 44.4
definition 40.3
association 39.5
artwork 36.7
creative 36.3
advertising 34.6
cover 34.3
advertisement 33.9
decorative 33.5
associated 32.6
brochure 32.2
backdrop 32.2
carpet 32.2
advertise 32.2
idea 32.1
composition 32.1
collection 31.6
design 31.6
art 30.8
book 30.7
conceptual 30.1
graphic 30
decor 29.3
element 29
decoration 26.8
business 25
information 24.9
text 24.5
menu 23.9
old 23.1
letter 23
data 22.9
continuity 20.8
drapery 20.7
fare 19.9
fabric 18.9
keywords 18.8
religion 18
copy 17.7
bible 17.7
antique 17.5
page 16.7
prayer 16.5
word 16.1
religious 16
paper 15.7
detail 14.5
holy 14.5
faith 14.4
read 13.5
god 13.4
brass 12.6
communication 12.6
open 12.6
collage 12.6
spiritual 12.5
document 12.1
energy 11.8
development 11.4
print 11.3
ancient 11.3
church 11.1
testament 10.9
gospel 10.9
history 10.8
new 10.6
life 10.2
food 9.9
pages 9.8
best 9.8
ink 9.7
black 9.6
education 9.5
study 9.4
memorial 9.3
vintage 9.1
chapter 8.9
scripture 8.9
words 8.8
analysis 8.8
mix 8.7
day 8.7
binding 8.6
money 8.5
writing 8.5
company 8.4
health 8.4
city 8.3
human 8.3
global 8.2
mosaic 7.9
map 7.9
passage 7.9
more 7.8
belief 7.8
king 7.8
drawing 7.8
marketing 7.7
texture 7.7
cross 7.6
good 7.5
close 7.4
connection 7.3
world 7.1
structure 7.1
modern 7

Google
created on 2019-11-03

Text 97.3
Paper 90
Newsprint 85.9
Paper product 74.3
Document 70.5

Microsoft
created on 2019-11-03

text 100
newspaper 85
letter 72.8
book 58.6
plaque 17.1

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-17

The image is of a historical printed page from an old book, likely from the Renaissance period or earlier, judging by the style of typography and illustrations. The page contains multiple columns of text, which are in Italian. The text is formatted with the main body in a block of justified type, surrounded by marginal notes printed in a smaller font.

At the top of the page, there is a heading in Latin that reads "CANTO DECIMO," indicating the tenth canto or section of a work. Underneath, in slightly smaller print, the top lines include additional text detailing the canto, possibly a subtitle or a brief summary.

In the central portion of the page, there is an illustration in a woodcut style. The illustration appears to depict a scene involving several figures, possibly religious or historical in nature, as the attire resembles that worn in medieval or early Renaissance periods. The characters in the illustration seem to be involved in a narrative scene, possibly a biblical or literary event.

Below the illustration, the body of the text in Italian resumes and it is annotated with letters, most likely serving as reference points or footnotes, adding explanations or interpretations in the marginalia.

The page number "LVII" is situated in the upper right corner, indicating this is page 57 of the book. The overall appearance of the page is formal, with a structure typical of scholarly or ecclesiastical works from the time when printed books were emerging as a prominent medium for literature and documentation.

Created by gpt-4 on 2025-02-17

This image depicts a page from an old book, more specifically an incunable, which refers to books that were printed (not hand-written) before the year 1501 in Europe. The page consists of two columns of printed text with marginalia on three sides. At the top, there is the heading "CANTO" with "DECIMO" below, indicating it's the tenth canto. The text is written in an early typeface reminiscent of handwritten script, and it features several instances of enlarged or decorated capital letters at the beginning of certain passages.

On the lower left side of the page, there is an intricate illustration. The woodcut image appears to depict a scene with several human figures, both male and female, and architectural elements such as buildings or structures in the background. The scene may be narrating a particular event or story that is being referenced in the text.

The language of the text is possibly Italian, given the words and phrasing, as well as the designation "DEL CANTO" and "PRIMA CANTICA." This presentation and language strongly suggest that the text could be from an early edition of Dante Alighieri's "Divine Comedy," specifically from the "Inferno," given the mention of "CANTO DECIMO" which translates to "Tenth Canto."

The outer margins contain notes and commentary, likely to aid the reader in understanding the text. This was a common practice in the publication of scholarly, religious, and literary works during the Renaissance. The page is numbered "LVII" at the top right corner, which stands for 57 in Roman numerals.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-17

This appears to be a page from a historical text or manuscript, likely an early printed edition of Dante's Divine Comedy. The page contains both text and a woodcut illustration. The text is in Italian, with "CANTO DECIMO" (Tenth Canto) clearly visible at the top. The woodcut illustration shows several figures in a medieval scene, with architectural elements like walls and buildings in the background. The layout is typical of early printed books, with dense text surrounding and following the illustration. The page appears aged, with some slight discoloration characteristic of old paper. The text layout suggests this is a commentary or annotated edition, with explanatory notes accompanying the main text. The overall design and printing style appears to be from the late 15th or early 16th century.

Created by claude-3-opus-20240229 on 2025-02-17

The image shows a page from an old book or manuscript, likely of the Divine Comedy by Dante Alighieri. The text is in Italian and is accompanied by an illustration depicting a scene with two figures, possibly Dante and Virgil, in a landscape with a walled city or castle in the background. The text appears to be printed, but the illustration seems to be a woodcut or engraving typical of early printed books from the 15th or 16th century. The page has a aged, yellowed appearance suggesting it is quite old.

Created by claude-3-haiku-20240307 on 2025-02-17

The image appears to be a page from an old book or manuscript. It contains text written in an ornate, historic script, as well as an illustration depicting several figures. The illustration shows various people, some dressed in robes or other traditional attire, arranged in a formal or ceremonial scene. The overall appearance of the image suggests it is from a historic, likely religious or literary, text or document.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15

The image presents a page from an antique book, featuring a mix of text and illustrations. The page is written in Latin, with the title "CANTO DECIMO DELLA PRIMA CANTICA DIDANTHE" at the top. The text is divided into two columns, with the left column containing a paragraph of text accompanied by an illustration of a man standing in front of a table, holding a scroll. The right column features a larger block of text.

Key Features:

  • Title: "CANTO DECIMO DELLA PRIMA CANTICA DIDANTHE"
  • Text: Written in Latin, divided into two columns
  • Illustration: A man standing in front of a table, holding a scroll
  • Page Layout: The page has a beige background with a darker beige border around the edges

Language:

  • Script: The text is written in an old-fashioned script, likely from the 15th or 16th century.

Content:

  • Subject Matter: The content of the page appears to be related to music or poetry, given the title and the presence of an illustration of a man holding a scroll.
  • Style: The style of the text and illustration suggests that the page may be from a rare or historical book.

Overall:

  • Historical Significance: The page is likely from a rare or historical book, given its age and the style of the text and illustration.
  • Cultural Importance: The page may hold cultural or historical significance, providing insight into the beliefs and values of the time period in which it was created.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15

This image is a page from an old book, likely written in Italian. The page features two columns of text, with the left column containing a woodcut illustration and the right column having a decorative initial letter "A" at the top.

The text appears to be a passage from a religious or philosophical work, possibly from the Renaissance period. The language used is formal and poetic, suggesting that it may be a literary or theological text.

The woodcut illustration on the left side of the page depicts a scene with several figures, including a woman holding a child, a man standing behind her, and another figure in the background. The illustration is simple yet evocative, adding visual interest to the page.

The decorative initial letter "A" at the top of the right column is intricately designed, featuring floral patterns and other ornaments. This suggests that the book was printed using high-quality materials and techniques, indicating its importance and value.

Overall, this image provides a glimpse into the aesthetic and intellectual values of the time period in which it was created. It showcases the beauty of handwritten text and the artistry of woodcut illustrations, as well as the importance of religious and philosophical texts in shaping cultural and intellectual discourse.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-17

The image is a page from an old book, possibly a religious or philosophical text. The page is numbered XVI, indicating it is the sixteenth page of the book. The text is written in a cursive script, which is characteristic of older manuscripts and books. The text is written in a foreign language, possibly Latin or another ancient language.

The page is divided into two columns. The left column contains a series of numbers and letters, possibly indicating the page number and the section of the text. The right column contains the main text of the page, which appears to be a discussion of philosophical or religious concepts.

The page also contains several illustrations, including a depiction of a man and a woman standing next to each other. The man is holding a book, while the woman is holding a scroll. The illustrations are simple and stylized, with a black-and-white color scheme.

Overall, the image appears to be a page from an old book that contains philosophical or religious text, along with illustrations that help to explain the concepts discussed in the text.

Created by amazon.nova-lite-v1:0 on 2025-02-17

The image appears to be a page from an old book or manuscript. The text is written in a cursive, old-fashioned style, and the page contains both text and illustrations. The text is in a foreign language, possibly Italian or Latin. The illustrations depict scenes from the story being told in the text, with figures and scenes that seem to correspond to the narrative.

The page has a decorative border around the edges, with intricate patterns and designs. The text is arranged in columns, with the illustrations interspersed between the columns of text. The illustrations appear to be woodcuts or engravings, with a simple, stylized style.

Overall, the image gives the impression of an old, historical document or book, possibly from the Renaissance or Baroque period. The use of cursive text, decorative borders, and woodcut illustrations are all characteristic of that era. The subject matter of the text and illustrations is difficult to determine without further context, but it appears to be a story or narrative of some kind.

Text analysis

Amazon

DECIMO
CANTO DECIMO LVII
CANTO
LVII
DIDANTHE.
CANTO DECIMO DELLA PRIMA CANTICA DIDANTHE.
DELLA
CANTICA
fono
PRIMA
dextra:
fpaldo
hauer
uocabolono
ftimonii:
D
Tal
.Aduquefapi
per
fattochon
entemete
punifce
andauono
diconoche
Martirii.
morti
uiaggio prefe man dextra: andauono per hauer cogni>
man
uolfe
cogni>
tionede
la
grecafono
in
Ma
loperatione
prefe
Inghtocanto
tionede Ma uolfe finutra
chriftiana
ni:M equali la chriftiana religioe ftimonii:
loperatione lfuggettoc .Aduquefapi
equali
religioe
entemete finiftroc hingua grecafono celtimo Martirii.
cet Tal uocabolono
finutra
celtimo
Chofi
hingua
uiaggio
lfuggettoc
ni:M
finiftroc
no>
cet

Google

CANTO DECIMO LVII uiaggiouolfe afiniftra.ilche dinotache eluiaggio prefeaman dextra: pche andauono per hauer cogni tione del peccato:&nocoinquinarfene.Mapurgarfene laquale actione e uirtuola.Poi uolfe alla finutra Adinotareche béche loperatione fiauirtuola:Niétediméo lamateria & el fuggetto euitio.Adúque fapi enteméte préde el uiaggio finiftroda man dextra.EMARTYRI:Martiresilinguagreca fono teftimo Martiri.i. te nii Mapche quegli equali háno uoluto piu tofto patire pena & morteche rinegare la chriftiana religióe ftimoni fono ftatioptimi teftimonii quella effer uera pero fono ftati chiamatimartyri:cioe teftimoniidella no e ftra uera fede.quefta e la propria fignificatióe deluocabolo. Ma pche tale teftimoniázaháno fatto chon grauitorméti& afpre morti-pqftofpeffeuolte pigliáo martyrio:ppena & torméto:& chofi qui: Chofi el petrarcha quádodiffe.Brieue focorfo afi lighi martyri.ET GLIALTRIfpaidi.Tal uocabolo noe i molto trito ne a molti noto.Ondealchuni dicono fpaldi fignificare le mura.Altri diconoche fpaldo in l oi linguaromagnuola fignifica quellochenoidiciamolofpazo:& elatini dicono pauimento. o o CANTO DECIMO DELLA PRIMA CANTICA DIDANTHE. Sfaimen didifficulta cotiene qfto decimo ca Inqftocanto to che el nono:pche pochi luoghici fono:che punifce he riceuino altra allegoriache lagia decta: &grá parte fenecofuma ihiftoria.Tracta deglhere tici:&apparechiafi alcédere nel feptio cerchio: Troua Farinata Vberti:Et caualcáte caualcáti caualieri fiorétir ni:&da Farinata ode le chofe future:&intéde lacagise perlaquale epofti nellőferno poffon preuedere el fuu ro.CHORA SEN VA:Haueadimof.roche Virgilio lomenauatra martyri:Horafequitádo põeche la uia p laquale menaua Danthe era tralmurodela terra.CET reia Limartyri:cioe le flepulturedoue eráo emartyri: A dio Allegorica f tare che qft fepolchri erono apreffo ale mura.lche fi gnificatioe gnifica ladureza 8obftinatioe deglheretici. Poffiamo anchora intédere:che choe chi e apreffo alle mura dela cittae quifi fuoridıqlla.Chofi lheretico báche fia chri fiano.Nictediméo pladeprauata fuareligioee qi fuo ridel chriftiáonome.Eefimilméte diota:che fimili huo mini fano loro congreghe in luoghi feperati &rinoti. ECHALLE fignifica Hia no publica mia ftrecta:& fac tral muro della terra &limartyri ta dal callofo pie delle beftic.Adinotareche molta ftrec eta h Crafen ua per un fecreto calle: Calleuia ftre lo mio macftro:8& io dapolefpalle tauia eqllache fra lherefie guida bene:Etcerto ediffici Edifficil co Ouirtu fomma che peglimpi gvri: letra táti fali trouaf eluero.Ordia el textochofi el mio maeftrofeneua horapun fecreto calle:cioe uia:laquale miuoluicomiciai chomeate piace: dera tral muro della terra emartyri.(ET IO DO fa tra tanti falfi huomi nitrouar el parlami & fatiffammia mici defiri. Lagentecheper lifepolchri iace potrebbefiuedergia fon leuati tuticcoperchi &neffuguardia face. PO LE SPALLE:pche la fenfualita fepre fe non uuole uero errarecouiene chelequiti el fuo maeftro Virgilio: cioe le forze dellontellecto: & dipoifequita.COVIRTV SOMMA:O Virgilio elqual fe di fomauirtu.ECHE rk MI VOLVIelquale mi rnuolgichome ti piace.TPER GLIMPIGiri:Cioe percerchi impicioe doue fono gli pii:&difpietatipeccatoriimperocheno puo efere maggiore impieta:che no hauer buona opinione di dio.Alchuni tefti háno ampi:cioe larghiadinotare lacopia de peccatori.PARLAMI ET fatiffami cioe parlami in formachefatiffacia amiei difiri allamia uoglia:quefto elordine del texto:Ma ricordiáci ilchechome edecto altreuolte fépre gliepitheti equalilauctore da a Virgilio fono accomodati alluogho Apitetiaco doue gli pone:aduque qui lochiama fomauirtu:perche Virgilio cioe lotellecto ha cinque uirtu intelli modatifi mi: gentia circa a principii:Scientia circa alle chofe che fequitano da principi. Sapiétia laquale abbracciádo ledue gia decte.Nietedimenonoealchunadi quelle:mauna terza uirtu oltre alle due: Prudétia laquale Litellecto ha ci uirtu:i telligétia fa piétia feien patifce la capacita della mente humana.Etnofenzacagionediffemi uoluichome ate piace. Perche bé tia pruden cheitute le cognitioi fia neceffario che la ragioe iferiore & el fenfo fi lafci uolgere &guidare allontelec tia &arte to,Niétediméoiqto maxiaméte bifogna.Et faoptio procmioaquefta brieue oratioe:pche prima cap Brieue ofo ne&lexpo fitioe digl erefta guida nelle actione particulari & uita ciuile:Et arte laquale echofa nota.Diquefte cinque la piu excellente e la fapiétia:pche e cognitione delle chofe no folo humanema diuine:aduque nolo poteua menare faluo trale heretiche fallita feno con la fapientia:laquale haueracognitióe della diuina quanto tabéinolétiachiamádolo foma uirtu:Et plemedefime parole dimoftra qllo di chi lo dimáda effergli fa cile effédo i luifoma uirtu.Puo aduque farlo.Dipoidimoftrache debba farlo:pche richiede lequita che la: auiffacciáo allauoglia dichi altutto fi danel noftro arbitrio.LA GENTE.Haiinoa qui dimoftro & hi
CANTO
DECIMO
LVII
uiaggiouolfe
afiniftra.ilche
dinotache
eluiaggio
prefeaman
dextra:
pche
andauono
per
hauer
cogni
tione
del
peccato:&nocoinquinarfene.Mapurgarfene
laquale
actione
e
uirtuola.Poi
uolfe
alla
finutra
Adinotareche
béche
loperatione
fiauirtuola:Niétediméo
lamateria
&
el
fuggetto
euitio.Adúque
fapi
enteméte
préde
uiaggio
finiftroda
man
dextra.EMARTYRI:Martiresilinguagreca
fono
teftimo
Martiri.i.
te
nii
Mapche
quegli
equali
háno
uoluto
piu
tofto
patire
pena
morteche
rinegare
la
chriftiana
religióe
ftimoni
ftatioptimi
teftimonii
quella
effer
uera
pero
ftati
chiamatimartyri:cioe
teftimoniidella
no
ftra
fede.quefta
propria
fignificatióe
deluocabolo.
Ma
tale
teftimoniázaháno
fatto
chon
grauitorméti&
afpre
morti-pqftofpeffeuolte
pigliáo
martyrio:ppena
torméto:&
chofi
qui:
Chofi
petrarcha
quádodiffe.Brieue
focorfo
afi
lighi
martyri.ET
GLIALTRIfpaidi.Tal
uocabolo
noe
i
molto
trito
ne
a
molti
noto.Ondealchuni
dicono
fpaldi
fignificare
le
mura.Altri
diconoche
fpaldo
in
l
oi
linguaromagnuola
fignifica
quellochenoidiciamolofpazo:&
elatini
pauimento.
o
DELLA
PRIMA
CANTICA
DIDANTHE.
Sfaimen
didifficulta
cotiene
qfto
decimo
ca
Inqftocanto
to
che
nono:pche
pochi
luoghici
fono:che
punifce
he
riceuino
altra
allegoriache
lagia
decta:
&grá
parte
fenecofuma
ihiftoria.Tracta
deglhere
tici:&apparechiafi
alcédere
nel
feptio
cerchio:
Troua
Farinata
Vberti:Et
caualcáte
caualcáti
caualieri
fiorétir
ni:&da
ode
chofe
future:&intéde
lacagise
perlaquale
epofti
nellőferno
poffon
preuedere
fuu
ro.CHORA
SEN
VA:Haueadimof.roche
Virgilio
lomenauatra
martyri:Horafequitádo
põeche
tralmurodela
eráo
A
qft
erono
ale
fi
gnifica
8obftinatioe
Poffiamo
intédere:che
chi
apreffo
mura
cittae
quifi
fuoridıqlla.Chofi
lheretico
chri
pladeprauata
ridel
chriftiáonome.Eefimilméte
fimili
huo
congreghe
luoghi
feperati
ECHALLE
Hia
publica
ftrecta:&
tral
della
dal
uia
p
menaua
Danthe
era
terra.CET
reia
Limartyri:cioe
flepulturedoue
emartyri:
dio
Allegorica
f
tare
fepolchri
mura.lche
gnificatioe
ladureza
deglheretici.
anchora
choe
alle
dela
báche
fia
fiano.Nictediméo
fuareligioee
qi
fuo
diota:che
mini
fano
loro
&rinoti.
mia
fac
muro
terra
&limartyri
ta
callofo
pie
delle
beftic.Adinotareche
molta
ftrec
eta
h
Crafen
ua
un
fecreto
calle:
Calleuia
ftre
lo
mio
macftro:8&
io
dapolefpalle
tauia
eqllache
fra
lherefie
guida
bene:Etcerto
ediffici
Edifficil
co
Ouirtu
fomma
peglimpi
gvri:
letra
táti
fali
trouaf
eluero.Ordia
textochofi
maeftrofeneua
horapun
calle:cioe
uia:laquale
miuoluicomiciai
chomeate
piace:
dera
emartyri.(ET
IO
DO
fa
tra
tanti
falfi
huomi
nitrouar
parlami
fatiffammia
mici
defiri.
Lagentecheper
lifepolchri
iace
potrebbefiuedergia
fon
leuati
tuticcoperchi
&neffuguardia
face.
PO
LE
SPALLE:pche
fenfualita
fepre
fe
non
uuole
uero
errarecouiene
chelequiti
maeftro
Virgilio:
cioe
forze
dellontellecto:
dipoifequita.COVIRTV
SOMMA:O
elqual
di
fomauirtu.ECHE
rk
MI
VOLVIelquale
mi
rnuolgichome
ti
piace.TPER
GLIMPIGiri:Cioe
percerchi
impicioe
doue
gli
pii:&difpietatipeccatoriimperocheno
puo
efere
maggiore
impieta:che
buona
opinione
dio.Alchuni
tefti
ampi:cioe
larghiadinotare
lacopia
de
peccatori.PARLAMI
ET
fatiffami
formachefatiffacia
amiei
difiri
allamia
uoglia:quefto
elordine
texto:Ma
ricordiáci
ilchechome
edecto
altreuolte
fépre
gliepitheti
equalilauctore
da
accomodati
alluogho
Apitetiaco
pone:aduque
qui
lochiama
fomauirtu:perche
lotellecto
ha
cinque
uirtu
intelli
modatifi
mi:
gentia
circa
principii:Scientia
fequitano
principi.
Sapiétia
abbracciádo
ledue
gia
decte.Nietedimenonoealchunadi
quelle:mauna
terza
oltre
due:
Prudétia
Litellecto
ci
uirtu:i
telligétia
piétia
feien
patifce
capacita
mente
humana.Etnofenzacagionediffemi
uoluichome
ate
piace.
Perche
tia
pruden
cheitute
cognitioi
neceffario
ragioe
iferiore
fenfo
lafci
uolgere
&guidare
allontelec
&arte
to,Niétediméoiqto
maxiaméte
bifogna.Et
faoptio
procmioaquefta
brieue
oratioe:pche
prima
cap
Brieue
ofo
ne&lexpo
fitioe
digl
erefta
nelle
particulari
uita
ciuile:Et
arte
echofa
nota.Diquefte
excellente
fapiétia:pche
cognitione
folo
humanema
diuine:aduque
nolo
poteua
menare
faluo
trale
heretiche
fallita
feno
con
fapientia:laquale
haueracognitióe
diuina
quanto
tabéinolétiachiamádolo
foma
uirtu:Et
plemedefime
parole
dimoftra
qllo
dimáda
effergli
cile
effédo
luifoma
uirtu.Puo
aduque
farlo.Dipoidimoftrache
debba
farlo:pche
richiede
lequita
la:
auiffacciáo
allauoglia
dichi
altutto
danel
noftro
arbitrio.LA
GENTE.Haiinoa
dimoftro
hi