Human Generated Data

Title

Illustration III

Date

1491

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5358

Human Generated Data

Title

Illustration III

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

1491

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5358

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Text 99.9
Newspaper 99.9
Page 99.3
Paper 68.9

Clarifai
created on 2019-11-03

page 99.8
document 99.1
paper 99
text 98.8
print 98
book bindings 97.8
manuscript 97.7
poetry 96.7
vintage 96.5
old 95.8
book 94.4
holy 93
antique 92.3
scripture 92.1
illustration 91
no person 90.9
retro 90.8
ancient 89.4
desktop 89.1
religion 89

Imagga
created on 2019-11-03

newspaper 77.4
product 61.8
daily 56.2
creation 50.8
book 35.7
cloud 34.6
definition 31.5
association 29.6
artwork 27.6
creative 27.4
text 27.2
decorative 26
design 25.4
advertising 24.1
old 23.8
art 23.5
cover 23.2
page 22.3
backdrop 22.3
advertisement 22.3
graphic 22
collection 21.7
idea 21.4
business 21.3
composition 20.8
associated 20.8
brochure 20.5
carpet 20.5
advertise 20.5
paper 20.5
element 19.9
decor 19.5
conceptual 19.5
decoration 18.9
continuity 18.8
drapery 18.8
bible 18.7
information 18.7
religion 18
word 18
antique 17.5
fabric 17
detail 16.9
religious 16.9
letter 16.6
prayer 16.5
print 16.1
document 15.8
holy 15.5
data 14.7
faith 14.4
god 14.4
read 13.5
menu 12.8
open 12.6
spiritual 12.5
vintage 12.4
journal 12.1
testament 11.9
communication 11.8
new 11.4
ancient 11.3
gospel 10.9
words 10.8
pages 10.8
ink 10.6
education 10.4
writing 10.4
study 10.3
church 10.2
fare 9.8
drawing 9.5
company 9.3
history 9
chapter 8.9
emphasize 8.9
scripture 8.9
felt 8.9
fluorescent 8.9
copy 8.9
dye 8.9
sepia 8.8
close 8.6
development 8.6
draw 8.6
money 8.5
cross 8.5
binding 8.2
symbol 8.1
financial 8
highlight 7.9
passage 7.9
important 7.9
language 7.9
belief 7.8
best 7.8
king 7.8
pray 7.8
corporate 7.8
texture 7.7
map 7.7
capital 7.6
energy 7.6
connection 7.3
highlighter 7.2
bright 7.2
life 7.1

Google
created on 2019-11-03

Text 97.4
Paper 89.1
Newsprint 85.7
Paper product 73.6
Document 66.3
Newspaper 56.4

Microsoft
created on 2019-11-03

text 100
newspaper 87.6
letter 84.4
book 81.5

Color Analysis

Feature analysis

Amazon

Book

Clarifai

Book
Clothing

AWS Rekognition

Book 100%

Clarifai

Book 94.3%

Clarifai

Clothing 50.7%

Categories

Imagga
created on 2019-11-03

text visuals 92.8%
streetview architecture 6.5%

Captions

Clarifai

Created by general-english-image-caption-clip on 2025-07-11

page from the edition of book.

Salesforce

Created by general-english-image-caption-blip on 2025-05-25

a photograph of a book with a picture of a man on it

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image is a scanned page from an old printed book, possibly a medieval or early Renaissance manuscript. The text is in Italian and printed in a serif typeface with a block of text making up the majority of the page. At the top, the heading reads "CANTO SEPTIMO," which translates to "Seventh Canto," indicating this is a section from a larger literary work, likely an epic poem or similar narrative.

There is an illustration beneath the first block of text, depicting several figures engaged in what appears to be a dramatic or allegorical scene. The image is rendered in a woodcut style, typical of early printed illustrations. It portrays multiple characters, including a central figure gesturing dramatically and other figures in states of distress or action. This could be an illustration of a scene from Dante Alighieri's "Divine Comedy," which is known for its vivid depictions of Hell and does have a seventh canto in its "Inferno" section.

In addition to the illustration, there are marginal notes on the right side of the page. These notes are shorter and in smaller type than the main body of the text. They seem to provide commentary or additional context, perhaps akin to footnotes or annotations.

The overall condition of the page shows some signs of aging, such as slight discoloration, which suggests it could be several centuries old.

Created by gpt-4 on 2025-01-31

The image shows a page from an old book printed in a style consistent with materials from the 15th to 17th centuries. The text appears to be in Italian, and judging from the layout and font style, this could be a page from an early print edition of Dante Alighieri's "Divine Comedy," particularly the "Inferno," which describes Dante's journey through Hell, guided by the poet Virgil.

In the middle-left portion of the page, there's an illustration depicting a scene from the narrative. The illustration is in the same style as those commonly found in Renaissance texts and may represent one of the various punishments or characters described in the epic poem.

The large capital letters at the beginning of the sections are typical of the period's typesetting style. The text is arranged in two columns, with marginal annotations and commentary typical of scholarly work of the time, which suggests this is an edition intended for study or for readers who wished to contemplate the moral and theological implications of the text.

Roman numerals appear at the top right, likely indicating the canto or chapter number (XXX, which is 30). The word "CANTO" is also clearly printed in a larger font at the top left of the page, further suggesting this is a structure of the poem.

Annotations in smaller font size snake around the page, providing commentary or clarification on the text of the canto itself. These annotations indicate that readers were encouraged to engage with the text critically and thoughtfully. The substance of these annotations would dictate whether they are historical context, literary analysis, or theological interpretation.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-26

This appears to be a page from an early printed edition of Dante's Divine Comedy, specifically from Canto Septimo (Seventh Canto). The page features both text and a woodcut illustration. The illustration is divided into scenes showing figures in various poses and interactions. The text is printed in what appears to be an early Renaissance Italian typeface, with a clear header marking "CANTO SEPTIMO." The layout is typical of early printed books, with dense text blocks and integrated illustrations. The paper appears aged, with some slight discoloration typical of centuries-old documents. The woodcut illustration shows multiple figures in various scenes, depicted in the medieval artistic style common to early printed book illustrations.

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from an early printed edition of Dante's work, likely from the 15th century. The page contains both text and a woodcut illustration. The text is in Italian and includes the header "CANTO SEPTIMO" (Seventh Canto). The woodcut illustration shows several figures in a medieval scene, with what appears to be different levels or terraces depicted, characteristic of Dante's Divine Comedy's depiction of Hell or Purgatory. The page layout is typical of early printed books, with dense text blocks and integrated illustrations. The paper appears aged, with some yellowing, but the text and illustration remain clear and well-preserved. The illustration style is characteristic of medieval woodcut prints, with bold lines and relatively simple yet expressive figures.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows a page from an old printed book, likely from the 15th or 16th century based on the typography and woodcut illustrations. The text is in Italian or Latin.

The page is divided into two columns. The left column contains a large woodcut illustration depicting a scene with several figures, possibly from a religious or mythological story. The illustration shows a man riding a horse, while another figure sits on the ground in front of him.

The right column is filled with printed text. There are headers at the top labeled "CANTO", "SEPTIMO" and a Roman numeral that appears to be "XXXX". This suggests the page is from a longer work divided into sections or cantos.

The typography uses an old-style serif font with many ligatures and abbreviations typical of early printed books from this time period. The edges of the page appear worn and have some staining and discoloration from age.

Overall, it is an intriguing glimpse of an early printed work, with the detailed illustration and classic typography reflecting the craftsmanship of the era's book publishing.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be an old, handwritten or printed text accompanied by an illustration. The text is written in what looks like Italian and discusses various topics, including references to "Pluto" and "Saturno". The illustration depicts a landscape with a dramatic sky and some figures, possibly allegorical or mythological in nature. The overall style and presentation suggest this is a page from an ancient or historical text or document, though I cannot identify any specific individuals or make further interpretations about the content.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15

The image presents a page from an old book, featuring a mix of text and illustrations in Latin. The page is divided into two columns of text, with the left column containing a heading that reads "CANTO" and the right column displaying the page number "XXXX". Below the heading, there is a paragraph of text followed by a small illustration of a man holding a staff, accompanied by a caption that reads "CANTO SEPTIMO DELAPRIMA CANTICA DIDANTHE".

The main body of the text is written in Latin, with the first column containing a poem or song, while the second column appears to be a commentary or explanation of the poem. The text is written in a formal, cursive script, with some words and phrases underlined or highlighted.

At the bottom of the page, there is a section of text that reads "Apc fata nape fatan aleppe comicio Pluto cola uoce chia & qud fauo geol che tuto lepe:", which seems to be a continuation of the poem or song from the first column. The text is surrounded by decorative borders and flourishes, adding to the overall aesthetic of the page.

Overall, the image provides a glimpse into the layout and design of an old book, showcasing the use of Latin text, illustrations, and decorative elements. The page appears to be a page from a religious or literary work, possibly from the Renaissance period.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15

The image presents a page from an old book, featuring a mix of text and illustrations. The page is divided into two main sections: the top section contains text in Italian, while the bottom section features a woodcut illustration accompanied by additional text.

Top Section:

  • The text is written in Italian and appears to be a passage from a literary work.
  • The font is serif, with varying sizes and styles used throughout the section.
  • The text is arranged in paragraphs, with some lines indented to create a sense of hierarchy.
  • The language is formal and poetic, suggesting that the passage may be from a classical or Renaissance-era work.

Bottom Section:

  • The woodcut illustration depicts a scene from ancient mythology or literature.
  • The illustration is rendered in black and white, with bold lines and simple shading.
  • The scene appears to show a group of figures gathered around a central figure, possibly a king or hero.
  • The text accompanying the illustration is also in Italian and provides context for the scene depicted.

Overall:

  • The page is printed on aged paper with a yellowish tint, suggesting that it may be a reproduction of an original page from an old book.
  • The layout and design of the page are typical of Renaissance-era books, with ornate typography and illustrations used to enhance the text.
  • The content of the page suggests that it may be from a literary or historical work, possibly a translation of a classical text or a commentary on a famous author's work.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image appears to be a page from an old book or manuscript. The page contains both text and illustrations. Here is a detailed description of the image:

Text:
The text on the page is written in an old, ornate script. It appears to be in a foreign language, possibly Latin or Italian. The text is organized into several paragraphs, with some paragraphs having indentations to indicate new sections.

Illustrations:
The page contains two illustrations. The first illustration is located at the top of the page and depicts a scene with several figures. The figures appear to be engaged in some sort of ritual or ceremony, with one figure holding a staff or scepter. The second illustration is located below the text and depicts a landscape scene with trees, mountains, and a river.

Layout:
The page has a traditional layout, with the text arranged in columns and the illustrations placed within the text or at the top or bottom of the page. The page has a decorative border around the edges, with intricate patterns and designs.

Overall, the image appears to be a page from an old book or manuscript, possibly related to religious or mythological themes based on the illustrations and text. The ornate script and decorative border suggest that it may be from a special edition or illuminated manuscript.

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image depicts a page from an old book, likely from the 15th or 16th century. The page is filled with text in Latin, suggesting it is a scholarly or religious work. The text is organized into paragraphs and is printed in a black, serif font that is characteristic of early printed books. The page number "XXXV" is visible in the top right corner, indicating it is the 35th page of the book.

At the top of the page, there is a decorative woodcut illustration. The illustration depicts a scene with several figures, possibly allegorical or symbolic in nature. The figures are dressed in period clothing, and the scene appears to be set in a landscape with trees and a distant castle or building. The illustration is framed by decorative borders, which are typical of the printing style of the time.

The text on the page is dense and appears to be a continuous passage, without any breaks or headings. The content seems to be philosophical or theological in nature, discussing concepts such as virtue, vice, and the nature of the human soul. The language is formal and academic, using Latin terminology and phrases that would have been familiar to scholars of the time.

Overall, the image provides a glimpse into the world of early printed books and the intellectual and cultural milieu of the Renaissance period. The combination of text and illustration reflects the integration of visual and textual elements that was characteristic of this era, as well as the importance of Latin as the language of scholarship and learning.

Google Gemini

Created by gemini-2.0-flash on 2025-05-27

Here's a description of the image:

The image is a scan of a page from an old book, likely printed in the 15th or 16th century. The page is printed in black ink on paper that has yellowed with age. The text is in Latin or an early form of Italian, organized into columns and sections. There are two major components to the text:

  1. Text Sections: There are paragraphs with explanations, commentary, and other forms of prose discussing philosophical and moral subjects. The print style is typical of early printing, with some variation in letterforms and density.

  2. A Woodcut Illustration: On the left side of the page, there's a small, detailed woodcut illustration. The woodcut depicts several figures in classical or allegorical attire. It seems to be related to the text's themes, perhaps visualizing characters or concepts discussed.

Some parts of the page are slightly blurred or faded, which adds to the antique appearance of the document. There is some minor damage/blemishes around the edges of the book.

Created by gemini-2.0-flash-lite on 2025-05-27

Here's a description of the image:

Overall Impression:
The image is a page from a very old book, likely a Renaissance-era printed text. It is written in Latin and features a mix of text and a woodcut illustration. The paper is aged, showing signs of wear and some discoloration.

Textual Elements:

  • Headers: The top of the page has headers with titles such as "CANTO" and "SEPTIMO," indicating that it is a section of a longer work.
  • Body Text: The majority of the page is filled with densely packed text. The font is a distinctive, slightly archaic style typical of early printed books.
  • Sections & Paragraphs: The text is organized into paragraphs. There may be larger sections marked with initial capital letters.
  • Marginalia: It might contain annotations or marginal notes that are relevant to the text.

Illustration:

  • Subject: The illustration is a woodcut, a relief printing technique, depicting several people and a circle, perhaps a scene from a narrative or allegorical context.
  • Style: The style of the illustration is characteristic of the period, with simplified figures, and a strong emphasis on lines and shapes.

Overall Composition and Style:
The page demonstrates the layout and typography of the time. The use of capital letters for emphasis, the text and illustration are organized to engage the reader.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-08

The image is a page from an old printed book, likely a historical or literary work. The text appears to be in Italian, and it is printed in a Gothic or Blackletter typeface, which was common in early European printing. The page is part of a larger work, possibly a poem or a narrative, and it is labeled as "Canto Settimo" (Seventh Song) of "La Prima Cantica di Dante," indicating it is from Dante Alighieri's "Divina Commedia" (Divine Comedy).

Key features of the page include:

  1. Header Information:

    • The top of the page has the label "CANTO SETTIMO" (Seventh Song) and "XXX" which likely refers to the page number or a section number.
  2. Text Layout:

    • The text is arranged in two columns, which is typical of early printed books to maximize the use of space.
    • The text is dense and continuous, with occasional capital letters and punctuation marks.
  3. Illustration:

    • There is an illustration in the left column, depicting a scene that seems to be related to the narrative. The illustration shows several figures, possibly in a mythological or religious context, with one figure appearing to be in a position of authority or guidance.
  4. Decorative Elements:

    • The page includes a decorative initial letter "P" at the beginning of the text in the left column. This letter is larger and more ornate than the rest of the text, a common feature in medieval and Renaissance manuscripts and early printed books.
  5. Content:

    • The text discusses themes related to virtue, morality, and the nature of human actions. It mentions figures like Pluto and references moral and philosophical concepts, which are characteristic of Dante's work.

Overall, the page is a well-preserved example of early printing, showcasing the typographic and illustrative styles of the period.

Qwen

No captions written

Text analysis

Amazon

CANTO
SEPTIMO
uenimo
Moralita.
Agilita
non
de
Sottihita.
TVT
di
tanto
QUESTA
uenimo doue hino quatro doni. Agilita Sottihita.
ua
quatro
gente perfcetione non ua
TO
ITROVAM
tanto dice
nimico
doue
Clarita.
quatoilpec
parti
fobgiugne. QUESTA
Nieredmeno
che quatoilpec
gente
piudi
hino
uiuitrouimo Plouclidigrada nimico Clarita. habbiamodif de
de.
che
Nieredmeno perfecta di
iuera
fcendealbaflo:&' piufallontanadalciclo.d
dice
perfcetione
fcendealbaflo:&' piufallontanadalciclo.d ITROVAM grauc:ait
cioebenche
fobgiugne.
pfecone:cioe
da. fluati: TVT
doni.
habbiamodif
nela
grauc:ait
uiuitrouimo Plouclidigrada
perfecta
da.
XXxx
fluati:
catoeptur
QuVEST
no
nela trle parti
TO cioebenche I QuVEST iuera pfecone:cioe
pIU piudi catoeptur
pIU
trle
I

Google

O SEPTIMO CANTO XXXX uenimo al puncto doue fidigrada Q uiuitrouamo Pluto clgranimico faglorificatione háno quatro doni. Agilita Sottilita. Clarita.&ipaffibilita :dequali habbiamo di fopra de cto:Et pero fobgiugne.CIVTTO CHEQUESTA gente maladecta in uera perfectione gia mai non ua da.Perchechoe ho decto qfta pfectionefopranaturale e folo de faluati:&ordina el texto chofli TVT TOCIoeben che.QuVESTA gétemaledecta:cioe dannata.ENON uadi maiiuera pfectione: cioe in quella fopranaturale: che cotiene equatro giadecti doni. Niétedimeno afpecta effere piu perfecta di ild la:cioedopo elgiudicio.perche almancho hara quella naturale.CHEDIQUA:cioeinnanzi al giudi ciodoue non ha nela naturale nela fopranaturale. Dipoi conchiude elcapitolo Dimoftrando:che parti tida ciaccho fequitorono laftrada laquale era circulare:& tonda Et circuirono tutto qlluogho doue ero no punitiegolofi.lche fignifica moralmente:che inquefto uitio contemplorono diligentemente eltuto Moralita. da ogni parte CVENIMMO AL puncto Doue fidigrada:cioedoue fidifcende.Imperoche finge che quáto ilpec fempre del piu larghocerchio fi cenda nel piu ftrecto.Et in uero quanto piugraue eel uitio tanto piu di cato e piu fcende al baffo:&piu fallontana dal cielo. IVI:Cioe nel pricipio dellaltrocerchio.TTROVAM graue:tito MOPLVTO elgran nimico:Delqualediremonel fequente capitolo. tanto diicé nbe de. El grto cer CANTO SEPTIMODELAPRIMA CANTICA DIDANTHE. N quefto feptimo capitulo pone lautof cl cho doue quarto cerchio:& queftodiuide i due par punitce ia ti:Et nela prima pone le pene deglauar:& uarita &p de prodigi:&nella fecóda quellede glhracu digalita. di:&accidiofi.Et nellentrata delcerchio finge effere Plutone demonio quaficuftode: & figroredi quefto cerchio.Laqual fictione accioche megho fipofia iter pretare cirricorderemochome gliantichi poeti diflo no Plutone effere figluolo di Saturno: &Rhea: &re Plutone de dellinferno.Furono quattro figluoli di Saturno: che moio &fi dinotano quattro eleméti.loue il fuoco:lunone lara. gholodi Sa Neptumo lacqua.Plutone la terra.Per Saturno nten turno. dono el tépo:& fingonoche fimágiaffi tutighaltri fu quatrofigho chola cofuma exceptoche glelerche el tepo ogni lidi Satur Adonque enen no:fignii oi figlholiexceptiquefti do Pluto ne per lo eleméto della terra Vogliono che anchora fiadiodele riccheze:perche cioche glhuomi nicerchonodi richeze fono ofotto terra:chome ueg caqtio ele menn. Apefatan pape fatan aleppe giamo og ni manieradimetalli:&ogni caua di pietre P comício Pluto co la uocechiocia preciofe.Oueraméte nafcano dela terra:chome fono biade fructi & animali: Et per la medefimaragione lo &qud fauio getil che tuto fepc: fano dio delonferno:pche la terra e la pu bafia parte delmodo:&plutone.i.lericheze fempre tirono lan ol mo humano allechofe uilli:& baffe Et uogliono che habbi in inferno la fua cita chiamata Ditte: nella q Dittecittadi le fecudo Virgilio nopuo entraf huomogiufto:pche no puo effergiuftochie cupido di richeze.Neme plutone. icognito:che Plutone fi piglia anchora imolte altre fignificationi:&maximeplauirtu:che el fole ifon Virglio dedentro alla terra:plaqualnofolamétechome pone tutte lherbe:8glalberi.Ma anchora lamedefima Nelinferno uirtu crea nella terra oroargéto:&tuttiglhaltri metali &gioie.lpche anchora pqfta cagione e idio del le richeze.Cčuenienteméte aduque el poeta noftro lo preponealluogho doue fono puniti glauari. Per traf homo che auaritia no ealtro:che imoderata cupidita di poffeder.Nefanza cagion lo chiamonellafine del pre giufto. cedéte cáto gran nimico.Perche fanza fallo troppoinfefta:&nmolefta la generatice humana. Lauaritia Auaritia ei fufcita:&comouedifcordia tracogiuntidi fangue damicitia:&di patria.Lauaritia produce igiuftitia:dal moderata leqie fexcitano tumulti.fedicioni:&guerre ciunh.Lauaritia e cagiče delle guerre externe.Lauaritia ré cupidita pieelmare di pyrate:& di corfali & le ftrade di ladroni.Lauaritia produce nella cita Furti.homicidit. ue Eficcius aua leni-piuri.falfi teftmonii.iudicii corropti.Finalmére fa elpadredella famiglia crudele inimico alla mo gle:8a figluoli:8a femedefimo:pche ppaura dinocofumare el ragunatodefrauda delle chofe necefa riefe &tutta la famiglha Vnde le leggi emagiftrati.Vnde la pudicitia:& lacaftita.lpche e gráde inimico Plutone.Etcerto farebbe gráde traquilita neglhuomini.&e uiuerebbeiíppetua pace fe ciafchio ftefi Pluto fignor cotéto al fuo:& aquito cidomáda el naturale bifogno: elqle e pocho:& fanza difficulta fagfta. Significá delle rche doadique Plutocle richeze meritaméte lopoe elpocta fignor di luoghosdoue fi púnfcono:glauari &ep zi digiseqidue uitninoháno altro finggetto:che lericheze.Eeldiauolodiql lhogo Plutoc ciocqgh eqt fo qui puniti hano prccato nelle riccheze.Lúotenédole tropo.Laitrofpargédole tropo.licheaccioche fin Inche cofifte tédameglho ricordiácichtute leuirtumoralicofiftanonofolaméte nel retofapernma piunel recto ado laueraur perarImpochc noe giuftochi fa che cofa fia iuftitia:Machinelladmiftratióe dilecoleulagiuftitia.Prete tu nmorale. no puom ritie
O
SEPTIMO
CANTO
XXXX
uenimo
al
puncto
doue
fidigrada
Q
uiuitrouamo
Pluto
clgranimico
faglorificatione
háno
quatro
doni.
Agilita
Sottilita.
Clarita.&ipaffibilita
:dequali
habbiamo
di
fopra
de
cto:Et
pero
fobgiugne.CIVTTO
CHEQUESTA
gente
maladecta
in
uera
perfectione
gia
mai
non
ua
da.Perchechoe
ho
decto
qfta
pfectionefopranaturale
e
folo
faluati:&ordina
el
texto
chofli
TVT
TOCIoeben
che.QuVESTA
gétemaledecta:cioe
dannata.ENON
uadi
maiiuera
pfectione:
cioe
quella
fopranaturale:
che
cotiene
equatro
giadecti
Niétedimeno
afpecta
effere
piu
perfecta
ild
la:cioedopo
elgiudicio.perche
almancho
hara
naturale.CHEDIQUA:cioeinnanzi
giudi
ciodoue
ha
nela
naturale
fopranaturale.
Dipoi
conchiude
elcapitolo
Dimoftrando:che
parti
tida
ciaccho
fequitorono
laftrada
laquale
era
circulare:&
tonda
Et
circuirono
tutto
qlluogho
ero
no
punitiegolofi.lche
fignifica
moralmente:che
inquefto
uitio
contemplorono
diligentemente
eltuto
Moralita.
da
ogni
parte
CVENIMMO
AL
Doue
fidigrada:cioedoue
fidifcende.Imperoche
finge
quáto
ilpec
fempre
del
larghocerchio
fi
cenda
nel
ftrecto.Et
uero
quanto
piugraue
eel
tanto
cato
fcende
baffo:&piu
fallontana
dal
cielo.
IVI:Cioe
pricipio
dellaltrocerchio.TTROVAM
graue:tito
MOPLVTO
elgran
nimico:Delqualediremonel
fequente
capitolo.
diicé
nbe
de.
El
grto
cer
SEPTIMODELAPRIMA
CANTICA
DIDANTHE.
N
quefto
feptimo
capitulo
pone
lautof
cl
cho
quarto
cerchio:&
queftodiuide
i
due
par
punitce
ia
ti:Et
prima
le
pene
deglauar:&
uarita
&p
prodigi:&nella
fecóda
quellede
glhracu
digalita.
di:&accidiofi.Et
nellentrata
delcerchio
Plutone
demonio
quaficuftode:
&
figroredi
cerchio.Laqual
fictione
accioche
megho
fipofia
iter
pretare
cirricorderemochome
gliantichi
poeti
diflo
figluolo
Saturno:
&Rhea:
&re
dellinferno.Furono
quattro
figluoli
moio
&fi
dinotano
eleméti.loue
il
fuoco:lunone
lara.
gholodi
Sa
Neptumo
lacqua.Plutone
la
terra.Per
Saturno
nten
turno.
dono
tépo:&
fingonoche
fimágiaffi
tutighaltri
fu
quatrofigho
chola
cofuma
exceptoche
glelerche
tepo
lidi
Satur
Adonque
enen
no:fignii
oi
figlholiexceptiquefti
do
ne
per
lo
eleméto
della
terra
Vogliono
anchora
fiadiodele
riccheze:perche
cioche
glhuomi
nicerchonodi
richeze
fono
ofotto
terra:chome
ueg
caqtio
ele
menn.
Apefatan
pape
fatan
aleppe
giamo
og
ni
manieradimetalli:&ogni
caua
pietre
P
comício
co
uocechiocia
preciofe.Oueraméte
nafcano
dela
biade
fructi
animali:
medefimaragione
&qud
fauio
getil
tuto
fepc:
fano
dio
delonferno:pche
pu
bafia
delmodo:&plutone.i.lericheze
tirono
lan
ol
mo
humano
allechofe
uilli:&
baffe
uogliono
habbi
inferno
fua
cita
chiamata
Ditte:
nella
q
Dittecittadi
fecudo
Virgilio
nopuo
entraf
huomogiufto:pche
puo
effergiuftochie
cupido
richeze.Neme
plutone.
icognito:che
piglia
imolte
altre
fignificationi:&maximeplauirtu:che
fole
ifon
Virglio
dedentro
alla
terra:plaqualnofolamétechome
tutte
lherbe:8glalberi.Ma
lamedefima
Nelinferno
uirtu
crea
oroargéto:&tuttiglhaltri
metali
&gioie.lpche
pqfta
cagione
idio
richeze.Cčuenienteméte
aduque
poeta
noftro
preponealluogho
puniti
glauari.
Per
traf
homo
auaritia
ealtro:che
imoderata
cupidita
poffeder.Nefanza
cagion
chiamonellafine
pre
giufto.
cedéte
cáto
gran
nimico.Perche
fanza
fallo
troppoinfefta:&nmolefta
generatice
humana.
Lauaritia
Auaritia
ei
fufcita:&comouedifcordia
tracogiuntidi
fangue
damicitia:&di
patria.Lauaritia
produce
igiuftitia:dal
moderata
leqie
fexcitano
tumulti.fedicioni:&guerre
ciunh.Lauaritia
cagiče
delle
guerre
externe.Lauaritia
pieelmare
pyrate:&
corfali
ftrade
ladroni.Lauaritia
Furti.homicidit.
ue
Eficcius
aua
leni-piuri.falfi
teftmonii.iudicii
corropti.Finalmére
fa
elpadredella
famiglia
crudele
inimico
gle:8a
figluoli:8a
femedefimo:pche
ppaura
dinocofumare
ragunatodefrauda
chofe
necefa
riefe
&tutta
famiglha
Vnde
leggi
emagiftrati.Vnde
pudicitia:&
lacaftita.lpche
gráde
Plutone.Etcerto
farebbe
traquilita
neglhuomini.&e
uiuerebbeiíppetua
pace
fe
ciafchio
ftefi
fignor
cotéto
fuo:&
aquito
cidomáda
bifogno:
elqle
pocho:&
difficulta
fagfta.
Significá
rche
doadique
Plutocle
meritaméte
lopoe
elpocta
luoghosdoue
púnfcono:glauari
&ep
zi
digiseqidue
uitninoháno
altro
finggetto:che
lericheze.Eeldiauolodiql
lhogo
Plutoc
ciocqgh
eqt
fo
qui
hano
prccato
nelle
riccheze.Lúotenédole
tropo.Laitrofpargédole
tropo.licheaccioche
fin
Inche
cofifte
tédameglho
ricordiácichtute
leuirtumoralicofiftanonofolaméte
retofapernma
piunel
recto
ado
laueraur
perarImpochc
noe
giuftochi
cofa
fia
iuftitia:Machinelladmiftratióe
dilecoleulagiuftitia.Prete
tu
nmorale.
puom
ritie