Unable to open [object Object]: HTTP 0 attempting to load TileSource

Human Generated Data

Title

Illustration I

Date

1491

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M3992

Human Generated Data

Title

Illustration I

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

1491

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M3992

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.8
Newspaper 99.6
Page 98.8
Paper 65.3

Clarifai
created on 2019-11-03

page 98.9
document 98
paper 97.8
text 97.4
book bindings 96.9
vintage 96
old 96
print 95.7
antique 94
retro 93.7
manuscript 93.7
desktop 93.5
no person 91.2
illustration 91.1
picture frame 90.3
texture 88.8
blank 88.6
poetry 88.2
art 87.4
book 85.6

Imagga
created on 2019-11-03

newspaper 56.9
product 54.3
cloud 44.9
creation 43.6
book 43.2
definition 39.3
association 38.5
cover 36.2
artwork 35.8
advertising 35.6
creative 35.4
associated 34.6
brochure 34.2
carpet 34.1
advertise 34.1
composition 34
advertisement 33.9
collection 33.4
brass 33.1
decorative 32.7
backdrop 32.2
conceptual 31.8
idea 31.2
decor 31
element 30.7
art 30.7
design 30.5
graphic 29.3
decoration 28.3
information 27.5
daily 27.3
data 26.5
memorial 25.8
letter 24.8
business 24.4
text 22.8
keywords 20.7
copy 20.4
old 20.3
fabric 19.8
religion 19.8
bible 19.7
continuity 18.8
drapery 18.8
menu 18.4
structure 18
page 16.8
collage 16.4
religious 16
prayer 15.5
binding 15.5
holy 15.5
fare 15.3
word 15.1
antique 14.8
detail 14.5
faith 14.4
god 14.4
paper 14.2
read 12.5
ancient 12.1
church 12.1
black 12
testament 11.9
open 11.7
bookmark 11.6
spiritual 11.6
development 11.4
print 11.3
energy 11
communication 10.9
gospel 10.9
mix 10.6
cross 10.4
chapter 9.9
more 9.8
mosaic 9.8
texture 9.7
money 9.4
history 9
rosary 8.9
words 8.8
pages 8.8
analysis 8.8
education 8.7
life 8.6
writing 8.5
modern 8.4
study 8.4
document 8.4
vintage 8.3
scripture 7.9
passage 7.9
belief 7.8
best 7.8
catholic 7.8
king 7.8
pray 7.8
food 7.6
pattern 7.5
commercial 7.5
company 7.5
close 7.4
new 7.3
activity 7.2
journal 7.2

Google
created on 2019-11-03

Text 97.4
Paper 89.8
Paper product 76.3
Document 73
Newsprint 72
Vellum 51.5

Microsoft
created on 2019-11-03

text 100
letter 89.1
book 83.7
newspaper 58.1
plaque 18.1

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image depicts a page from an old, likely medieval or Renaissance-era book, featuring a combination of text and an illustration. The text appears to be written in Italian and is formatted in two columns with a decorative initial at the beginning of the first paragraph. The page is labeled with "CANTO" and "Q. VINTO" (possibly signifying "Canto V"), and has the title "CANTO QUINTO DELLA PRIMA CANTICA DI DANTHE" (possibly referring to the fifth canto of the first canticle of Dante's Divine Comedy). The page number, "XXXII," is present at the top right corner. The illustration is a detailed black and white woodcut positioned near the top left of the page. It depicts a scene with several figures, seemingly humans and possibly mythological or allegorical characters, in a dramatic or tumultuous setting. This could potentially illustrate a scene from Dante's Inferno, given the context. The text below the illustration is dense and closely packed, suggesting it is a prose explanation or commentary on the illustration or the canto itself. Alongside the main text, there is a marginal note section to the far right, featuring condensed lines of text, likely serving as annotations or glosses related to the main content.

Created by gpt-4 on 2025-01-31

This image depicts a page from an old book or manuscript. It features a block of text in a format typical of the early printing era, with a narrow typeface and justified alignment. The language appears to be an early form of Italian, reflecting the orthography and typesetting of the time, suggesting this might be a historical document or literary work. At the very top of the page, there is a header that reads "CANTO Q.VINTO" which likely indicates this is the fifth canto of a larger work. Below the header, but above the main body of text, is an illustration in a woodcut style. The illustration shows a number of figures, which looks to be of a classical or mythological nature, filled with expressive pose and detail consistent with Renaissance or earlier art styles. To the right side of the page, outside of the main block of text, there are marginal annotations. These annotations seem to list names and could be references or commentary related to the text. The page has been numbered XXXII at the top right corner, indicating it is page 32 of the work. The actual content of the text is not discernible from the image alone without a closer examination and understanding of the language and context. However, the style and features suggest that this might be an early printed edition of a work from the Italian Renaissance, quite possibly a section from Dante Alighieri's "Divine Comedy," specifically from the "Inferno," judging by the title which reads, "CANTO QUINTO..." which means "Fifth Canto" in Italian, and may refer to a section of that particular canto.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from an early printed edition of Dante's Divine Comedy, specifically Canto V of the Inferno (marked as "CANTO QVINTO"). The page features a woodcut illustration at the top showing figures in a classical scene, followed by text in Italian that includes both verse and prose commentary. The layout is typical of early Renaissance printing, with the main text in a larger font and commentary in smaller text surrounding it. The page appears aged, with some yellowing of the paper visible. The woodcut illustration depicts multiple figures in a dramatic scene, consistent with the narrative of the Fifth Canto which deals with the circle of lust in Hell. The text is laid out in a clear, organized manner with distinct sections for the main text and scholarly annotations.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows a page from an old book or manuscript, likely from the 15th or 16th century based on the typography and page layout. The text is in Italian and is printed in a classic serif typeface common during that time period. The page number "XXXII" is visible at the top, indicating this is page 32 of the book. The text is justified and fills most of the page, with an illuminated decorative initial capital "D" marking the start of a new section or chapter. This decorative letter features floral and organic motifs common in illuminated manuscripts of the late medieval and early Renaissance periods. The page has some signs of aging, with slight discoloration and staining visible on the paper. This antique printed page provides an interesting glimpse into early book printing and typography from several centuries ago in Italy.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be an antique page from what looks like a medieval or renaissance text. It contains intricate illustrations and dense, complex text in an old-fashioned script. The text is in Italian, and the illustrations depict various figures and scenes, but I cannot identify any specific individuals. The overall style and content suggest this is an illuminated manuscript or similar historical document.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-14

The image presents a page from an old book, featuring a mix of text and illustrations. The page is divided into two main sections: the left side contains a woodcut illustration accompanied by text, while the right side is filled with dense text in Latin. **Left Side:** * A woodcut illustration occupies the top-left corner of the page. * The illustration depicts a scene with multiple figures, although the details are not clear due to the low resolution of the image. * Below the illustration, there is a block of text in Latin, which appears to be a heading or title for the illustration. **Right Side:** * The majority of the page is dedicated to a dense block of text in Latin. * The text is written in a formal, cursive script and is divided into paragraphs. * The text is likely a passage from a literary or historical work, but the specific content is unclear due to the language barrier. **Overall:** * The page has a yellowed appearance, suggesting that it is an old document. * The text and illustration are both in black ink, which contrasts with the yellowed background. * The image provides a glimpse into the layout and design of an old book, showcasing the use of woodcuts and formal typography.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-14

The image depicts a page from an ancient book, featuring a combination of text and illustrations. The page is divided into two sections: the left side contains a detailed illustration, while the right side is filled with text written in Italian. **Illustration:** * The illustration on the left side of the page is rendered in black ink and features a scene with multiple figures. * The figures are depicted in various poses, some standing, others sitting or lying down. * The illustration appears to be a woodcut or engraving, given its level of detail and the use of bold lines. **Text:** * The text on the right side of the page is written in Italian and appears to be a passage from a literary work. * The text is divided into paragraphs, with each paragraph indented slightly from the left margin. * The font used for the text is ornate and decorative, suggesting that the book was intended for a wealthy or educated audience. **Page Layout:** * The page has a yellowed background, which suggests that it is an old document. * The edges of the page are rough and uneven, indicating that it may have been torn from a larger book. * The page number "XXXII" is printed at the top right corner of the page, suggesting that this is page 32 of the book. Overall, the image presents a fascinating glimpse into the past, offering insights into the artistic and literary styles of a bygone era.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image shows a page from an old book, likely printed in the 16th or 17th century. The page is filled with text written in a foreign language, possibly Latin or Italian. The text is printed in a black font on a white background, with a decorative border on the left side of the page. The border features a series of intricate designs, including a shield, a crown, and a sword. The page also includes a small illustration in the upper left corner, depicting a man holding a shield and a sword. The illustration is surrounded by a decorative frame, which adds to the overall aesthetic of the page. Overall, the image conveys a sense of elegance and sophistication, typical of books from this era.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image is a page from a book titled "Canto" by Dante Alighieri. The page features a title at the top that reads "Canto Quino Della Prima Cantica Di Dante," indicating it is the fifth canto of the first cantica, or section, of Dante's "Divine Comedy." The text is written in an old-fashioned, ornate style, with a mix of uppercase and lowercase letters, and is accompanied by a decorative border. The text is divided into two columns, with the left column containing the main text and the right column containing a smaller, italicized text that appears to be commentary or notes. The page also includes a small illustration or woodcut in the left margin, depicting a scene from the canto.

Text analysis

Amazon

CANTO
XXXII
Cerehio
fecudo
giu
primaio
che
QVINTO
nel fecudo che
rchio
lonfernoincerchiEnecelfaro fecondola di Cerehio pri
ACANTICADIDANTHE.
ellentiale.
nel
mo
PRIMA ACANTICADIDANTHE.
lonfernoincerchiEnecelfaro fecondola di
PRIMA
pri
quato
Quato a
me
graue
cielo
Hof difcelidel rchio primaio MEN
parte mo dipec
ellentiale. mortale
morale.
dipec
Elpeccatof
difcelidel
fac
MEN
poeta
dadio:
profondo
difcenfione
profondo Elpeccatof lhuomo
Adunque
cerchio
parte
eldelidto Quato a
chehauedo poeta
mortale
tache
lon
ul.
quato graue Adunque lon 1o morale.
lhuomo
chehauedo
Hof
fac catime gra
delmado:
eel cerchio ul.
eldelidto
codo
catime gra
eel
quitopjulroaalsfogriorr.et phc eluogho
1o
wicmno

Google

Q VINTO CANTO XXXII CANTO QUINTODELLA PRIMA CANTICA DIDANTHE lcemo di fopra che hauédo el poeta diftindo lonferno incerchi Eneceflario fecondo la di Cerehio pri menfione del corpofpericho:perche fi parte mo di pec daila circúferentia:&appocho appocho fac cofta al profondo che e el cétro:che fempre el cerchio inferiore fiaminoreche el fuperiore.Et pche elluogho quáto piu faccofta al profondo:& piufi parte dal cielo pue apto alla pena:pero lordinedi quefta difcenfione fache el prícipiofiada peccati mengraui:&poifi fegua digradandofempreapiugraui.Etquefto quanto al ito delmodo:&allinferno ellentiale. Et quáto al mortale eelmedefimo ordine.Imperoche folo eldelicto equel Quáto al fe locheci priuadi dio:&dellanoftra felicita. Adunque fo morale. quáto mengraue eel peccato táto fa lhuomo men fon tanoda dio &quato piue graue táto piu lo fa uicino al Elpeccato fa profondo.llperche ecoueniente chofache eflendo nel huomo lo primocerchio gli fpiritigiadecti debbino in quefto fe codo punirfi elmengraue peccato:& quefto e la luxu cati mé gra u. tan dadio: Hoffidifcefidel c:rchio primaio ria.Emanifefto perche diffe:CCHEMEN luogho ci giu nel fecudo che melogo cigia ghia: cioecigne. CETTANTO pu dolor che pugne In infermo e & tato piu dolor che puge aguaio. Stanui Minos horibilmete &righia focheglifa guaire:cioe lamétare.STANVIMinos.bile. Cxaminale colpe nellentrata giudicha &mada fecudo chauighia fipricipi finghono chedoppo lamorte loro fuftino fa Mios eacho Dico che quando lanima mal nata gliuien dinanzitutta ficonfefla: &quelconofcitor de le peccata Vede qualloco dinferno e da effa cignefficon la coda tante uolte quatuqgradi uol chegiu fia meffa: mezodi Er Cydonia collocata a ponéte.Ité dccte le leg Sempredinázialui ne ftáno molte: giacretéficleqtaccio che fuffino dimaggiore auctori Gefti dimi uanoa uiceda ciafchuna al giudicio unacertafpeloncha:&dimoftraua hauer colloquio co dicon & odono & poifogiu uolte. qllo.Strabonedice che lu imito in qftoun certo Rha aguaio:pche oltra al dolor della'méte:elquale fentono dolore me Furono igrecia tre re.Minos. Eacho: 8&Rhadamanto Tre re greci figliuoli di Gioue:Eqliepoeti pche fiurono moito giu 8 giufti. cigiudici dellinferno:eq haueflino a examinare lani me:&di poi punirle fecondo che meritaflino elor delito. ci.Madi Rhadamanto:&Eacho direnmoialtrolocho. Minos fu figliuolo di Gioue & deuropa Regnonelifo ladicreta hoggidecta Candia:Et fecodo Diodoro ficu Creta cidia loiglla hedifico piucitta.Ma le piunobili furono tre: Gnofo pofto inuerfo Afia. Phefto pofto dalle parte di & radama ta fingeua hauerle hauute da Gioue.Etipeffo entraua i nos. damantho:noelfratello:maunaltro:elql fu molti feco liinanzi.Fuel primo fecondo Plinio che fece battaglie nauali:& molte isole:& terremaritime acquifto. Strabone. Etmolti popoliglifurono obediéti mofli piu dalla giuftitia fua che dalle forze.Dáthe adug imita gliáti Plinio. chi poeti:&maxime Virgilio:elqlefcriue.Quafitor minosurnámouetille filentu:Conciniguocat un Imitation di tas:&crimia difcit:Ne e altrominos ch el giudicio dla cofciétia Dellagle diremo pocodifotto.Quefto tirgilio. eda Virgiliodifcripto í forma dho: Ma Dathe locofiguracoe beftia dadoghi lacoda:& el righio che p Moralita di prio di cane:Manoefaza cagioe pche itéde pminos lacofciénadelhodánatocioecb hagia facto habito minos. duitipchecoftoro fon rimorfi dalla cofciéna:laqle noe piu hopcb tale rimordimétonogli rimutadal Caciétia in male opař Impocb háno fpéto i loro ellume dila ragióe:plaqlefiamo hoi:Mafolaméte gli timola:&fa damnatiče glidiuetaf furiofi.Onde fipuo dif chla cofciétia ne dánati:&iqgliche háno facto habito de uiti fia una e crudelifli crudeliflima fiera.Præterea pone cheolacoda dinota elloghodouedebaeffer meffo el peccatof:Laco ma fiera. dae lultía pte di corpodlla fiera.Ondepqfta figifica chqftitali hoinofétono mai rimorio dla'colciétia hnuenalis.. fenonella fine:&gdo hánacomeffo elpeccato.Etcertanméte qito folo eqllogiudice:elqle neflun puo Cofcientia e fugire.Onde louéale:Pría hecéultioqd fe iudice nemonocés:Abfoluifiproba quáquá Gfa fallacis pre maior inm tabile&no fi pte:Madl cotinuo qito giudice inoi fa fua refidétia.Needamarauiglarficbfemios e elrimordiméto fiparte. dlacociétia:Et ogi pecato arreca tale rimordiméto:pchelpoeta nopofemios nelpriocerchio oue e al Dubitatio e chúa fpetie di pecato Perchiqlcerchio fonooculifimi-eqlifopuitinophauef facto:Mapnohauer fa refpofta. to:&pqftonopoteronohauer rimorfo noconofcédo ğto mal fuffi no far bene.Ouifono egénli: eqli Cofcéta fe uixonoco tali urtu chneflüacólciétia gli rimordeua:&dibaptefimonohebono fciétia. HORRIBIL prerinor MENTErighia:Nefiachofa ech piu horibilméte righi:&ahbai & minacichlacofcia:la qledi &nocte de. Riola chi hacomeffo el delicto.Tre chofefalacolcía:Priacirimorde:& rode dl pecato comelo.Onde Trecofe fala confciétia: torisuicerit urná.STAIVIminos.Noimerito dice ftaiui:pche lacofciètia e feprenellaionro:ne mai
Q
CANTO
PRIMA
DIDANTHE
fopra
che
pri
menfione
del
corpofpericho:perche
fi
parte
mo
di
pec
daila
circúferentia:&appocho
appocho
fac
cofta
fiaminoreche
fuperiore.Et
pche
elluogho
quáto
pue
apto
pena:pero
quefta
peccati
mengraui:&poifi
fegua
digradandofempreapiugraui.Etquefto
quanto
al
ito
delmodo:&allinferno
ellentiale.
Et
mortale
ordine.Imperoche
eldelicto
Quáto
fe
locheci
priuadi
dio:&dellanoftra
felicita.
Adunque
fo
morale.
lhuomo
fon
tanoda
dio
piue
táto
lo
fa
chofache
nel
huomo
fpiritigiadecti
debbino
in
quefto
codo
elmengraue
peccato:&
luxu
cati
gra
u.
tan
dadio:
Hoffidifcefidel
primaio
diffe:CCHEMEN
luogho
cigia
ghia:
cioecigne.
CETTANTO
e
Stanui
Minos
guaire:cioe
giudicha
&mada
fecudo
chauighia
fipricipi
finghono
chedoppo
lamorte
loro
&quelconofcitor
la
coda
uolte
quatuqgradi
fia
mezodi
Er
collocata
a
le
leg
Sempredinázialui
ne
ftáno
molte:
uiceda
ciafchuna
unacertafpeloncha:&dimoftraua
hauer
colloquio
dicon
odono
poifogiu
qllo.Strabonedice
lu
qftoun
certo
aguaio:pche
Furono
igrecia
tre
re.Minos.
Eacho:
8&Rhadamanto
Tre
re
Gioue:Eqliepoeti
giu
giufti.
elor
ci.Madi
Rhadamanto:&Eacho
direnmoialtrolocho.
Gioue
&
deuropa
ficu
Gnofo
pofto
inuerfo
dalle
ta
entraua
nos.
damantho:noelfratello:maunaltro:elql
fu
feco
liinanzi.Fuel
primo
fecondo
battaglie
nauali:&
molte
isole:&
terremaritime
acquifto.
Strabone.
Etmolti
popoliglifurono
obediéti
mofli
piu
dalla
giuftitia
fua
forze.Dáthe
adug
imita
gliáti
Plinio.
chi
poeti:&maxime
Virgilio:elqlefcriue.Quafitor
minosurnámouetille
filentu:Conciniguocat
un
Imitation
tas:&crimia
difcit:Ne
altrominos
ch
el
giudicio
dla
cofciétia
Dellagle
diremo
pocodifotto.Quefto
tirgilio.
eda
Virgiliodifcripto
í
forma
dho:
Ma
Dathe
locofiguracoe
beftia
dadoghi
lacoda:&
righio
p
Moralita
prio
cane:Manoefaza
cagioe
itéde
pminos
lacofciénadelhodánatocioecb
hagia
facto
habito
minos.
duitipchecoftoro
rimorfi
cofciéna:laqle
noe
hopcb
tale
rimordimétonogli
rimutadal
Caciétia
male
opař
Impocb
háno
fpéto
i
dila
ragióe:plaqlefiamo
hoi:Mafolaméte
glidiuetaf
furiofi.Onde
dánati:&iqgliche
pone
cheolacoda
dinota
elloghodouedebaeffer
meffo
peccatof:Laco
dae
figifica
chqftitali
hnuenalis..
fine:&gdo
elpeccato.Etcertanméte
Cofcientia
fugire.Onde
louéale:Pría
hecéultioqd
iudice
nemonocés:Abfoluifiproba
quáquá
fallacis
inm
tabile&no
qito
giudice
refidétia.Needamarauiglarficbfemios
fiparte.
dlacociétia:Et
ogi
pecato
rimordiméto:pchelpoeta
nopofemios
Dubitatio
fpetie
noconofcédo
mal
fuffi
no
egénli:
eqli
urtu
gli
MENTErighia:Nefiachofa
horibilméte
minacichlacofcia:la
qledi
&nocte
de.
hacomeffo
delicto.Tre
chofefalacolcía:Priacirimorde:&
rode
dl
Trecofe
confciétia:
torisuicerit
urná.STAIVIminos.Noimerito
lacofciètia
mai
VINTO
XXXII
QUINTODELLA
CANTICA
lcemo
hauédo
poeta
diftindo
lonferno
incerchi
Eneceflario
Cerehio
profondo
cétro:che
fempre
cerchio
inferiore
faccofta
profondo:&
piufi
dal
cielo
alla
lordinedi
difcenfione
fache
prícipiofiada
eelmedefimo
folo
equel
mengraue
eel
peccato
men
&quato
graue
uicino
Elpeccato
profondo.llperche
ecoueniente
eflendo
primocerchio
punirfi
c:rchio
ria.Emanifefto
perche
ci
melogo
pu
dolor
pugne
In
infermo
tato
puge
aguaio.
horibilmete
&righia
focheglifa
lamétare.STANVIMinos.bile.
Cxaminale
colpe
nellentrata
fuftino
Mios
eacho
Dico
quando
lanima
nata
gliuien
dinanzitutta
ficonfefla:
de
peccata
Vede
qualloco
dinferno
da
effa
cignefficon
tante
uol
chegiu
meffa:
Cydonia
ponéte.Ité
dccte
giacretéficleqtaccio
fuffino
dimaggiore
auctori
Gefti
dimi
uanoa
co
uolte.
imito
Rha
oltra
della'méte:elquale
fentono
dolore
me
greci
figliuoli
fiurono
moito
8
cigiudici
dellinferno:eq
haueflino
examinare
lani
me:&di
poi
punirle
meritaflino
delito.
figliuolo
Regnonelifo
ladicreta
hoggidecta
Candia:Et
fecodo
Diodoro
Creta
cidia
loiglla
hedifico
piucitta.Ma
piunobili
furono
tre:
Afia.
Phefto
radama
fingeua
hauerle
hauute
Gioue.Etipeffo
molti
Plinio
fece
ellume
timola:&fa
damnatiče
fipuo
dif
chla
uiti
una
crudelifli
crudeliflima
fiera.Præterea
ma
fiera.
lultía
pte
corpodlla
fiera.Ondepqfta
hoinofétono
rimorio
dla'colciétia
fenonella
hánacomeffo
eqllogiudice:elqle
neflun
puo
Gfa
pre
maior
pte:Madl
cotinuo
inoi
elrimordiméto
arreca
nelpriocerchio
oue
chúa
Perchiqlcerchio
fonooculifimi-eqlifopuitinophauef
facto:Mapnohauer
refpofta.
to:&pqftonopoteronohauer
rimorfo
ğto
far
bene.Ouifono
Cofcéta
uixonoco
tali
chneflüacólciétia
rimordeua:&dibaptefimonohebono
fciétia.
HORRIBIL
prerinor
ech
righi:&ahbai
Riola
comelo.Onde
fala
dice
ftaiui:pche
feprenellaionro:ne