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Human Generated Data

Title

Canto XV. Circle 7 (Round 3) / The Violent Against Nature

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5273

Human Generated Data

Title

Canto XV. Circle 7 (Round 3) / The Violent Against Nature

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5273

Machine Generated Data

Tags

Imagga
created on 2023-08-10

cloud 50.9
journal 44.3
definition 41.3
backdrop 40.5
association 40.4
creative 38.9
artwork 38.5
advertising 38.5
design 38.4
decorative 36.8
decor 36.3
collection 36.1
advertisement 35.8
associated 35.6
cover 35.2
brochure 35.2
carpet 35.1
advertise 35.1
composition 34.9
element 34
conceptual 33.6
art 33.6
decoration 33.5
graphic 32.2
idea 31.2
business 26.2
fabric 25.3
information 24.9
data 24.7
letter 23
book 22
copy 21.3
continuity 20.8
keywords 20.7
drapery 20.7
creation 19.4
arabesque 19.2
old 16.8
text 16.6
paper 15.7
antique 15.7
collage 15.4
product 15.2
pattern 13.7
texture 12.5
word 12.3
representation 12.1
black 12
reflection 12
energy 11.8
communication 11.8
detail 11.3
education 11.3
newspaper 11.2
modern 11.2
page 11.2
document 11.2
picture 10.9
vintage 10.8
development 10.5
mosaic 9.9
analysis 9.8
textured 9.7
mix 9.6
life 9.4
map 9.4
retro 9
drawing 9
new 8.9
more 8.8
best 8.8
ink 8.7
ancient 8.7
ornament 8.6
menu 8.6
print 8.5
company 8.4
health 8.4
city 8.3
ornate 8.3
global 8.2
style 8.2
daily 8.2
holiday 7.9
binder 7.7
commercial 7.5
magazine 7.4
binding 7.4
tile 7.4
connection 7.3
computer 7.2
bookmark 7.2
open 7.2
religion 7.2
history 7.2
surface 7.1
day 7.1

Google
created on 2023-08-10

Font 82.9
Paper 72.2
Parallel 71.6
Paper product 69.8
Document 65
Book 62.1
History 60.4
Handwriting 51.1
Newsprint 50.5

Microsoft
created on 2023-08-10

text 100
letter 71.1

Color Analysis

Categories

Imagga

text visuals 98.9%

Captions

Microsoft
created on 2023-08-10

text 100%

OpenAI GPT

Created by gpt-4 on 2024-12-06

The image is a scanned page from an old book, featuring Renaissance-era typesetting. At the top, you can see that it's the 15th section (this could be a chapter, canto, or part of the book), as indicated by the Roman numeral "XV." The page is about a specific canto, as indicated by the large word "CANTO" at the top. The left margin features a decorative, botanical woodcut border, creating a frame for the text. The text on the page is set in a dense block with justified alignment. It's written in an early typeface reminiscent of the types used during the spread of printing in Europe, possibly Italian due to the language characteristics, with the use of the Latin alphabet. Several words at the beginning of the paragraphs are enlarged for emphasis, and capital letters are used sporadically, formatted differently than the lowercase text. There is handwritten text in the margins in ink, which appears to be notes or commentary, possibly made by a previous owner or annotator of the book. These annotations are written in a different script from the printed text, suggesting personal interaction with the content. The page number is visible at the top right corner as "55" and the bottom right corner has what appears to be a signature or mark, possibly of the printer or a signatory associated with the book's creation or ownership.

Created by gpt-4o-2024-05-13 on 2024-12-06

This image is a page from an old book, specifically from Canto XV. The page is marked with the number "85" at the top right. The text appears to be in Italian and is organized into two columns of dense paragraphs. At the top left, within a decorative border, there is an illustration depicting a scene with human figures in a natural setting. A robed figure appears to be leading or interacting with other figures. There are sketch-like elements of hills, plants, and possibly animals in the background. The text starts with an ornamental initial "O" at the beginning of the first word. There are also some handwritten notes in the margins on the right side of the page. The overall style suggests that this is a historical or literary manuscript, potentially a classic work.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-06

The image appears to be an illuminated page from an old Italian text, likely a literary work. It features a detailed illustration of a scene with several figures in a landscape, accompanied by text written in an ornate calligraphic style. The text is in Italian, and the illustration seems to depict a narrative or allegorical scene. The overall style and presentation suggest this is a historical or culturally significant work.

Created by claude-3-5-sonnet-20241022 on 2024-12-06

This is a page from what appears to be an early printed book, likely an Italian edition of Dante's Divine Comedy. The page is numbered "Canto XV" (15) at the top. It features both text and illustration - there's a woodcut illustration in the top left corner showing robed figures walking along what seems to be a riverbank or path, with flames or smoke in the background. The main body of the page contains dense Italian text in a Gothic typeface. The layout is typical of early Renaissance printing, with an ornate decorated initial capital letter "O" beginning the text. The page appears to be well-preserved, though aged, with some handwritten annotations visible in the margins. The combination of illustration and text was common in early printed editions of Dante's work, as the visual elements helped readers follow the narrative of the poet's journey through the afterlife.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-06

The image presents a page from an old book, featuring a woodcut illustration of a group of people gathered around a fire, accompanied by text in Latin. The page is divided into two sections: the left side contains the illustration, while the right side comprises the text. **Illustration:** * The woodcut illustration depicts a group of people standing around a fire, with some individuals holding objects or engaging in activities. * The scene appears to be set in a natural environment, possibly outdoors, given the presence of trees and foliage in the background. * The illustration is rendered in a detailed and intricate style, characteristic of woodcuts from the Renaissance period. **Text:** * The text on the right side of the page is written in Latin and appears to be a passage from a literary or historical work. * The font is ornate and decorative, with intricate lettering and flourishes. * The text is divided into paragraphs, with each paragraph separated by a line break. * The text is written in a formal, cursive script, which was common during the Renaissance period. **Page Layout:** * The page is designed to accommodate both the illustration and the text, with the illustration taking up the majority of the left side and the text occupying the right side. * The page is likely from a book printed during the Renaissance period, given the style of the illustration and the font used for the text. * The page may be a rare or unique example of Renaissance printing, given its age and the quality of the illustration and text. **Overall:** * The image provides a glimpse into the aesthetic and literary standards of the Renaissance period. * The combination of the detailed illustration and the ornate text creates a visually striking page that showcases the artistic and literary talents of the time. * The page may be of interest to historians, art enthusiasts, and collectors of rare books and manuscripts.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-06

The image depicts a page from an old book, featuring a woodcut illustration and text in Italian. The page is divided into two sections: the top-left corner contains the woodcut, while the rest of the page is filled with text. **Woodcut Illustration:** * The woodcut is situated in the top-left corner of the page. * It features a scene with multiple figures, possibly depicting a biblical or mythological event. * The figures are dressed in robes and appear to be engaged in some form of activity or discussion. * The background of the woodcut is not clearly defined, but it may represent a landscape or architectural setting. **Text:** * The text on the page is written in Italian and appears to be a passage from a literary work. * The text is arranged in a single column, with the title "CANTO" at the top of the page. * The text is written in a formal, poetic style, suggesting that it may be a passage from a Renaissance-era work of literature. * The text includes several annotations and corrections, indicating that the page may have been used as a working copy or draft. **Page Layout:** * The page is laid out in a traditional format, with the woodcut illustration at the top and the text below. * The page has a clear margin around the edges, providing space for annotations and corrections. * The paper is yellowed and worn, suggesting that the page is old and may have been handled extensively over time. Overall, the image provides a glimpse into the artistic and literary traditions of the Renaissance era, showcasing the use of woodcut illustrations and formal poetic language in literary works.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-27

The image is a page from an old book, likely a literary or historical text. The page features a combination of text and illustrations. The text is written in a cursive script and appears to be in a foreign language, possibly Italian or another Romance language. The page has a decorative border with intricate designs and floral motifs. The text is divided into paragraphs, with some paragraphs containing illustrations. The illustrations depict scenes from nature, such as trees, plants, and animals, as well as human figures in various poses. The illustrations are rendered in a detailed and realistic style, with careful attention to anatomical details and shading. The page appears to be from an old manuscript or printed book, possibly from the Renaissance or Baroque period. The overall aesthetic of the page is elegant and sophisticated, with a focus on the beauty of nature and the human form.

Created by amazon.nova-pro-v1:0 on 2025-02-27

The image depicts a page from an old book, likely from the Renaissance or early modern period, based on the style of the text and illustrations. The page is divided into two main sections: the left side contains an illustration, and the right side contains text. On the left side, there is a woodcut illustration that appears to depict a scene from everyday life or a historical event. The illustration shows several figures engaged in various activities, possibly related to agriculture or manual labor. The figures are dressed in period clothing, and the scene is set in a rural or semi-rural environment. The illustration is enclosed within a decorative border, which adds to the aesthetic appeal of the page. On the right side, there is a block of text written in a cursive, italicized font that is characteristic of the period. The text is in a language that appears to be Latin or an early form of Italian. The text is dense and covers the entire right side of the page, with no visible breaks or paragraphs. The font size is consistent throughout, and the text appears to be a continuous narrative or exposition. At the top of the page, there is a decorative header that contains the word "CANTO" on the left and the number "XV" on the right. This suggests that the page is from a larger work, possibly a book of poetry or a literary text, and that the illustration and text are part of the fifteenth canto or section of the work. The overall impression of the page is one of historical and cultural significance, with the illustration and text providing a glimpse into the past and the way of life during the period in which the book was created. The decorative elements, such as the border around the illustration and the header at the top of the page, add to the aesthetic appeal and suggest that the book was intended for a discerning audience.

Text analysis

Amazon

aduggia
CANTO
fiche dal foco falua lacqua & largini
margini
el fumo del rufcel difopra
Oracenportalun de duri
XV.
55

Google

CANTO To XV. $5 Oracenporta lun de duri margini el fumo del rufcel difopra 園 jaduggia fiche dal foco falua lacqua & largini Quale e fiamigi fra guizate &brugia temédo el fioto che uer lor fauuenta fanno lo ſchermo pchel mar fi fugia. Et quale e padoani lungho la brenta per diffender lor uille & lor caftella anziche chiarentana el caldo fenta A tali imagini eron fatti quelli tutto che non fi alti ne fi groffi qualche fi fuffi lo macftro felli i Nqfto quitodecimo cato ifieme col fexto decimo tracta el poeta de uioléti contro a natura: Et nel pricipio defcriueqi fuffe el camino fuo.& lanime che trouo. Et pria fa métione di fer Bru netto latini. Andauono aduque fu puno de due margini:cioe delle due ripe del fiume.DVRI.pche eron di pietra. Et dimoftra che era táto el bollore di qllo rufcello che ne furgeua fu táto fumo che gli addugia/ ua:cioe adobraua laria difopra.Et era fi folto.che fpegneua le fiame che pioueuão. Et qfto e naturale che el fumo fpéga la fiama.Imphoche ponédo una cadela fopra el fumo fi fpegne. Et quefto iteruiene chel fu mo caccia laria:fanza laqle non uiue la fiáma:pche non ha la fua exalatione.Aduque poteuono paffare fal ui non piouédo fiáme i fugliargini. Ilpche fara uero fecondo la ragione phifica chel fumo fpéga le fiame Ma áchora ferue a la allegoria. Doue ci ricorderemo che fépre:& iqfto poeta & i Virgilio habbiamo po fto lacqua plappetito.Ilpche ponédo iqfto luoco el fiume plappetito non del peccatore:ma del contépla tore della maluagia natura del peccato e cofa conueniéte che da tale acqua furga el uapore che fpégile fiá me.Imphochecõe ne lacque furge uapof fredo & humido elâle genera nuuoli che ci fano umbra contro al caldo del fole.& fano pioua che fpegne el fuoco.cofi de lappetito dello fpeculatore del uitio: perche fe quita la ragione:nafce obftacolo contro a glardori della concupifcétia i forma che el fiume: cioe epfo ap petito & gliargini duri.cioe el fermo ppofito non fono offefi da tali fiame. QuALEFIAminghi tra gui zate & bruggia.Quefte fono due citta í fiádra pofte ne liti del mare oceano:che e tra linghilterra & la fia dra.Et loceano i agli luoghi due uolte í uétequattro hore fi muoue de leuante iuerfo ponéte:& altre táte torna í drieto:& nel fuo mouiméto efce del luogho fuo:& entra infra terra.Pone alberto magno nel li bro de caufis pprietatu elemétoru.che béche tutti e pianeti pduchino fuoi effecti ne corpi iferiori. Nien tedimeno el fole & la luna fono piu potéti.Et pla quátita del lume.& pla ppinquita della luna a la terra. Onde regge lhumidita di corpi iferiori.&pla conaturalita della terra & de lacqua muoue tutte le coſe ne leqli fignoreggia la terra & lacque.Et el fole pche e fonte di calore uiuificante fa ribollire glhumori.pche Ihumore naturalmete euapora iuerfo el caldo eleuatefi.Onde glegyptii dixono chel fole tiraua lhumido paliméto delle ftelle. Niétedimeno emari háno differéti moti.Et alchuni no fi muouono cõee el mare B pifano & genoefe. Alcuni creſcono dal nouilunio ifino al plenilunio:& da qllo infino al nouilunio ſcema no. Alcunii ciaſcuno di cioe i fpatio di uêtequatro hore due uolte crefceno & due uolte fcemano:come el golfo pfico & mare ido:& di tutte lifole tra qfti.Et el mare che e tra conftátinopoli &uenetia: & qllo che e tra linghilterra & la fiádra:& la magna:béche molti fieno differéti í effere piu itéfi & piu remiffi. Sono aduque quattro fiti nel cielo.Luno e lorizõte oriétale quádo la ftella nafce:& furge funel noftro hemiſpe rio.Laltro quádo e mõtato a mezo el cielo al cenith de noftri capi: & chiamafi lágulo del mezo del cielo. El terzo quádo e arriuata a lorizõte occidétale:& fcéde ne laltro hemifpio. El qrto quando e a loppofito del noftro cenith:& elágulo del mezo della terra & della notte. Aduque quádo la luna arriua al leuate el mare alza.quádo e a mezo del cielo fcema & ritorna.Quádo e a ponéte dinuouo crefce & alza. Quádo arriua al angulo del mezo della terra fcema Adúque efiaminghi háno fatto argini che ritégono el fiotto che non fi diftéda piu auáti. Fiotto chiamano enauigati tale mouiméto qfi flucto. Et dice alberto magno che con longho fpatio di tépo tali argini hano fatto difcoftare el mare da bruggia. LO SCHERMO.el riparo.ET Quale e padoani longho la bréta.Bréta e un fiume dentro a padoua:elquale nafce í chiarenta na montagna pofta ne glalpiche diuidono italia da la magna luoghi fredi & neuofi: & nequali le neue no fi rifoluono fe non quando uiene el caldo: & allhora crefce marauigliofaméte la brenta. & quando arriua a la pianura allagherebbe affai paefi fe non fuffino eripari de glargini. Et quefto fanno. ANZI che la chia Liis BrentNe padsan. & pecting me brenta
CANTO
To
XV
.
$
5
Oracenporta
lun
de
duri
margini
el
fumo
del
rufcel
difopra
jaduggia
fiche
dal
foco
falua
lacqua
&
largini
Quale
e
fiamigi
fra
guizate
brugia
temédo
fioto
che
uer
lor
fauuenta
fanno
lo
ſchermo
pchel
mar
fi
fugia
Et
quale
padoani
lungho
la
brenta
per
diffender
uille
caftella
anziche
chiarentana
caldo
fenta
A
tali
imagini
eron
fatti
quelli
tutto
non
alti
ne
groffi
qualche
fuffi
macftro
felli
i
Nqfto
quitodecimo
cato
ifieme
col
fexto
decimo
tracta
poeta
uioléti
contro
a
natura
:
nel
pricipio
defcriueqi
fuffe
camino
fuo
lanime
trouo
pria
fa
métione
di
fer
Bru
netto
latini
Andauono
aduque
fu
puno
due
cioe
delle
ripe
fiume.DVRI.pche
pietra
dimoftra
era
táto
bollore
qllo
rufcello
furgeua
gli
addugia
/
ua
adobraua
laria
difopra.Et
folto.che
fpegneua
le
fiame
pioueuão
qfto
naturale
fpéga
fiama.Imphoche
ponédo
una
cadela
fopra
fpegne
quefto
iteruiene
chel
mo
caccia
fanza
laqle
uiue
fiáma
pche
ha
fua
exalatione.Aduque
poteuono
paffare
fal
ui
piouédo
fiáme
fugliargini
Ilpche
fara
uero
fecondo
ragione
phifica
Ma
áchora
ferue
allegoria
Doue
ci
ricorderemo
fépre
iqfto
Virgilio
habbiamo
po
fto
plappetito.Ilpche
luoco
fiume
plappetito
peccatore
ma
contépla
tore
della
maluagia
peccato
cofa
conueniéte
da
tale
acqua
furga
uapore
fpégile
fiá
me.Imphochecõe
lacque
furge
uapof
fredo
humido
elâle
genera
nuuoli
fano
umbra
al
fole
pioua
fuoco.cofi
lappetito
dello
fpeculatore
uitio
perche
fe
quita
nafce
obftacolo
glardori
concupifcétia
forma
epfo
ap
petito
gliargini
duri.cioe
fermo
ppofito
fono
offefi
QuALEFIAminghi
tra
gui
zate
bruggia.Quefte
citta
í
fiádra
pofte
liti
mare
oceano
linghilterra
fia
dra.Et
loceano
agli
luoghi
uolte
uétequattro
hore
muoue
leuante
iuerfo
ponéte
altre
táte
torna
drieto
mouiméto
efce
luogho
entra
infra
terra.Pone
alberto
magno
li
bro
caufis
pprietatu
elemétoru.che
béche
tutti
pianeti
pduchino
fuoi
effecti
corpi
iferiori
Nien
tedimeno
luna
piu
potéti.Et
pla
quátita
lume
ppinquita
terra
Onde
regge
lhumidita
conaturalita
tutte
coſe
leqli
fignoreggia
lacque.Et
fonte
calore
uiuificante
ribollire
glhumori.pche
Ihumore
naturalmete
euapora
eleuatefi.Onde
glegyptii
dixono
tiraua
lhumido
paliméto
ftelle
Niétedimeno
emari
háno
differéti
moti.Et
alchuni
no
muouono
cõee
B
pifano
genoefe
Alcuni
creſcono
nouilunio
ifino
plenilunio
infino
ſcema
Alcunii
ciaſcuno
fpatio
uêtequatro
crefceno
fcemano
come
golfo
pfico
ido
lifole
qfti.Et
conftátinopoli
uenetia
magna
molti
fieno
effere
itéfi
remiffi
Sono
quattro
fiti
cielo.Luno
lorizõte
oriétale
quádo
ftella
funel
noftro
hemiſpe
rio.Laltro
mõtato
mezo
cielo
cenith
noftri
capi
chiamafi
lágulo
El
terzo
arriuata
occidétale
fcéde
laltro
hemifpio
qrto
quando
loppofito
elágulo
notte
Aduque
arriua
leuate
alza.quádo
fcema
ritorna.Quádo
dinuouo
crefce
alza
Quádo
angulo
Adúque
efiaminghi
fatto
argini
ritégono
fiotto
diftéda
auáti
Fiotto
chiamano
enauigati
qfi
flucto
dice
con
longho
tépo
hano
difcoftare
bruggia
LO
SCHERMO.el
riparo.ET
bréta.Bréta
un
dentro
padoua
elquale
chiarenta
na
montagna
pofta
glalpiche
diuidono
italia
fredi
neuofi
nequali
neue
rifoluono
uiene
allhora
marauigliofaméte
pianura
allagherebbe
affai
paefi
fuffino
eripari
glargini
ANZI
chia
Liis
BrentNe
padsan
pecting
me