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Human Generated Data

Title

Canto XIV. Circle 7 (Round 3) / The Violent Against God; The Burning Sand

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5272

Human Generated Data

Title

Canto XIV. Circle 7 (Round 3) / The Violent Against God; The Burning Sand

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5272

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.8
Newspaper 99.2
Page 95
Paper 69.9
Advertisement 59.8
Poster 58.6

Clarifai
created on 2019-11-03

page 99.2
paper 97.7
document 97.4
vintage 97
text 96.1
old 94.1
book bindings 93.8
picture frame 93.4
retro 92
template 91.9
blank 91.7
desktop 91.1
illustration 91.1
print 89.9
antique 89.8
manuscript 88.4
texture 87.4
art 86.2
design 85.2
cover 82.7

Imagga
created on 2019-11-03

cloud 46.6
definition 40.3
association 38.5
artwork 35.8
creative 35.4
advertising 34.6
book 34.5
cover 34.3
advertisement 33.9
brass 33.4
decorative 32.7
associated 32.6
brochure 32.2
carpet 32.2
advertise 32.2
composition 32.1
newspaper 32
collection 31.6
backdrop 31.4
idea 31.2
design 30.5
conceptual 30.1
art 29.5
decor 29.3
element 29
product 28.6
graphic 28.5
daily 28.3
memorial 26.6
decoration 26.1
business 25.6
text 25.4
creation 24.8
information 24
letter 23.9
old 23.1
data 22
binding 20.8
continuity 20.8
drapery 20.7
fabric 19.8
menu 19.6
word 18.9
keywords 18.8
structure 18.4
antique 18.4
religion 18
copy 17.7
bible 17.7
page 17.7
detail 16.9
fare 16.3
religious 16
paper 15.7
prayer 14.5
holy 14.5
read 14.5
journal 14.4
faith 14.4
print 14.2
god 13.4
open 12.6
collage 12.6
spiritual 12.5
ancient 12.1
church 12.1
map 11.9
communication 11.8
document 11.2
energy 11
testament 10.9
gospel 10.9
pages 10.8
development 10.5
education 10.4
study 10.3
life 10.2
chapter 9.9
history 9.9
words 9.8
new 9.7
black 9.6
writing 9.4
money 9.4
city 9.2
texture 9.1
scripture 8.9
passage 8.9
analysis 8.8
king 8.8
ink 8.7
mix 8.7
cross 8.5
company 8.4
health 8.4
vintage 8.3
food 8.1
close 8
rosary 7.9
language 7.9
more 7.8
mosaic 7.8
belief 7.8
best 7.8
saint 7.7
book jacket 7.6
human 7.5
symbol 7.4
global 7.3
world 7.1
day 7.1
modern 7

Google
created on 2019-11-03

Text 97.6
Paper 89.5
Newsprint 80.4
Paper product 75.7
Font 68.6
Document 68.5

Microsoft
created on 2019-11-03

text 100
letter 89.8
book 65.8
plaque 21

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image depicts a page from an early printed book, specifically an incunabulum. The text is in Italian and is structured in a column format with a clear, readable font. The content is related to Dante Alighieri's "Inferno," as indicated by the heading at the top of the page. The text is divided into several sections, each beginning with large, ornate initial letters. Prominent among them is the decorated initial "O," which introduces one of the sections. The main body of the text appears to be a detailed commentary or exposition on a specific canto of Dante's work, possibly Canto XIII. To the right, there is a large, intricate woodcut illustration. This illustration depicts a forest scene with various figures interacting in a dramatic and possibly allegorical manner, which aligns with the thematic content of Dante's "Inferno." The illustration is detailed, showing expressive human figures and a dense arrangement of trees and foliage. At the bottom left of the page, a hand-drawn pointing finger adorns the margin. This is a common feature in historical texts, known as a "manicule" or "index," used to draw attention to specific parts of the text. Overall, the page combines both text and illustration to convey the literary and visual storytelling of Dante's "Inferno."

Created by gpt-4 on 2025-01-31

The image you've provided features a page from a printed book, which appears to be quite old given the typeface and paper quality. The text is written in an older form of Italian, and the heading at the top of the page says "INFERNO," indicating that this is likely from Dante Alighieri's "Divine Comedy," specifically from the section concerning Hell (Inferno). The typeface includes Gothic elements, common in European print from the time when movable type was first used. On the upper right side of the page, there is a boxed illustration that depicts several figures in what appears to be a forest or group of trees. The trees have human-like faces, suggesting a scene from Dante's "Inferno" where the suicides are transformed into gnarled trees. This is based on Dante's imaginative punishments in the afterlife, where those who commit suicide are denied human form even in death. The text layout has two columns. The main column, which occupies most of the page, contains the body of the text in a dense, uniformly spaced layout. The smaller column on the left appears to have commentaries or notes related to the main text. This kind of layout is typical of scholarly or educational editions of classical texts from the era. At the bottom of the main text column, there is a decorative flourish, which is a common feature in books from this period to mark the end of a section or add an aesthetic touch to the page. This page is a rich historical artifact, likely part of an early printed edition of "The Divine Comedy," featuring both Dante's original text and additional scholarly commentary.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from an early printed edition of Dante's Inferno, likely from the late 15th or early 16th century. The page features both text and an illustrative woodcut engraving. The text is laid out in a typical medieval manuscript style, with dense blocks of text and decorated capital letters. The woodcut illustration depicts a scene from the Inferno, showing multiple figures in what appears to be one of the circles of Hell. The artwork has a characteristic medieval style with simplified figures and scenes shown in a flattened perspective. The text appears to be in Italian, and the overall layout and printing quality is consistent with early printing techniques. This kind of illustrated edition would have been an important early example of combining text and images in printed books.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows a page from an old book or manuscript, likely Dante's Inferno based on the title at the top. The text is in Italian and appears to be printed using an early printing press, as evidenced by the uneven spacing and imperfect letterforms. On the right side of the page is an intricate woodcut illustration depicting a scene with figures gathered in a forest or wooded area. The figures are drawn in a detailed, stylized manner typical of early printed illustrations. The combination of the Italian text describing Dante's descent into Hell and the detailed illustration suggests this is a page from an early printed edition of Dante's Divine Comedy, one of the most famous works of Italian literature. The aged appearance of the paper and printing reflects the historical nature of this early example of book printing and illustration.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from an old text or publication, featuring text written in Italian as well as an illustration. The text appears to be discussing or describing the "Inferno", likely referring to the first part of Dante's famous work, the Divine Comedy. The illustration depicts a scene with various figures in a detailed, stylized manner characteristic of medieval or Renaissance-era artistic styles. While the text mentions specific names and details, I will refrain from identifying any individuals shown in the illustration, as per the instructions provided.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image presents a page from an old book, featuring a title at the top that reads "INFERNO" in bold, black font. Below the title, the text is written in Latin and appears to be from the Divine Comedy by Dante Alighieri. The page is divided into two columns of text, with the left column containing a small illustration of a leafy branch and the right column featuring a larger illustration of a group of people gathered around a table. The text is written in a formal, cursive script, with the words "CANTO.XIII.DELA PRIMA CANTICA DI DANTE" appearing prominently at the top of the page. The background of the page is a light beige color, with a subtle border around the edges. The overall design of the page suggests that it is a reproduction or facsimile of an original manuscript from the 15th century. The use of Latin and the formal script suggests that the book is a scholarly or literary work, possibly intended for an audience of educated readers. The inclusion of illustrations adds a visual element to the text, which may have been used to enhance the reader's understanding of the material. Overall, the image provides a glimpse into the design and layout of a historical book, highlighting the attention to detail and craftsmanship that went into creating it.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image depicts a page from an old book, likely from the Renaissance period. The page is written in Italian and features a woodcut illustration of a scene from Dante's Inferno. **Key Features:** * **Text:** The text is written in a formal, cursive script and appears to be a passage from Dante's Divine Comedy. * **Woodcut Illustration:** The illustration depicts a scene from Dante's Inferno, showing a group of figures in a hellish landscape. * **Page Layout:** The page is laid out with the text on the left side and the illustration on the right side. * **Paper:** The paper appears to be aged and yellowed, suggesting that it is an old book. * **Border:** The page has a decorative border around the edges, which adds to its aesthetic appeal. **Overall Impression:** The image suggests that the book is a rare and valuable edition of Dante's Divine Comedy, possibly from the 15th or 16th century. The woodcut illustration and formal script add to the book's historical significance and artistic value.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image depicts a page from an old book. The page is filled with text written in an ancient style of Latin, which is the primary language of the book. The text is written in black ink on a cream-colored paper, and it is divided into two columns. The left column contains the main text, while the right column has a smaller font and appears to be a commentary or footnote. At the top of the page, there is a decorative illustration that features a person holding a book and a scroll. The illustration is in black and white and has a vintage style. The page also has a decorative border around the edges, which adds to the overall aesthetic of the book. Overall, the image conveys a sense of history and tradition, as it represents a page from an old book that was likely used for scholarly or religious purposes.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image is of a page from an old book, featuring a combination of text and illustrations. The text is written in an old style of Italian, which is evident from the use of archaic spellings and words. The page is divided into two main sections. The upper section contains a detailed illustration of a scene from Dante's "Inferno," specifically depicting the punishments of the damned souls in Hell. The lower section contains the text of Dante's "Divine Comedy," with the first canto of the "Inferno" being the focus. The text is written in a cursive, flowing style typical of old manuscripts, and it is accompanied by small illustrations that correspond to the text. The page appears to be from a well-preserved manuscript, with the paper showing signs of aging but no significant damage.

Text analysis

Amazon

INFERNO
petime
richeze
CANTICA
icala
molte
ragunaile
miftrinfe
Giouanni Boccacio
cho
alchuni
fimpiccio
fio
PRIMA
fugir
dela
nelacitta doue doue fimpiccio
dhauerdato
doue
nelacitta
fue
ndiuenimo
CANTO. DELA PRIMA CANTICA IDANTE.
fappicco.
Aduiquefece
plicio.
dhauerdato fentetia fua fappicco. Mifer Giouanni Boccacio
FuM. alchuni intedadimifer fue richeze molte
fimpicco.
intedadimifer
per
uarier fugir ftenti dela fimpicco. intedono per petime
Mifer
fua
quegli
IDANTE.
DELA
icala fua. Jubetto
imolti
intedono
Jubetto
lo
CANTO.
acolui
Dichelacaritadelnatio lo
ndiuenimo alfiue
fentetia
plicio. Aduiquefece iubetto ifuorche. chicoftui
Dichelacaritadelnatio
quegli imolti fufi.
ftenti
chicoftui
uarier
alfiue
iubetto
fua.
ifuorche.
fufi.
FuM.

Google

INFERNO
icala
nelacitta
de
parigi
e
econdénati
a
tale
fupli
plicio.Aduque
feceiubetto
dele
fue
cafe:cioene
feciluoghodi
fuorche.Neexpreffaméte
ponechicoftui
di
Rocco
mozzi:elquale
le
dela
pouerta
elquale
per
pétimé
fentetia
falla:con
la
INFERNO icala fun.lubetto nelacitta de parigi e logo doue fono le forche:e doue fimpiccão econdénati a tale fupli plicio.Aduque feceiubetto dele fue cafe:cioene feciluoghodi fuorche.Neexpreffaméte ponechicoftui Fuffi.Maalchuni uoglono che intéda di miffer Rocco de mozzi:elquale confumate le fue richeze molte &uariep fugir li ftenti dela pouerta fimpicco.Altri intédono miffer Lottode glagli: elquale per pétimé todhauer dato una fentetia falla:con la propria fua dorata cintola fappicco. Mifler Giouanni Boccacio dice che in quegli tépi molti fiorétini fimpiccorono:&pquefto dáthe lafcia in abiguo chicoftui fuffi. CANTO.XIII.DELA PRIMA CANTICA DIDANTE. Oiche la caritadel natio lo miftrinfe ragunaile frondefparte ictrédeleacoluicheragia fio' Indiuenimo al fiuc ouefip lofecodo gyro dal terzo & doue te fiuede diuftitia horribelarte. co cho Nquefto quartodecimocáto tracta el poe i tade fupplicii digli iqli háno ufatouiol tiacotroa dio.Dimoftracb ftretto da la ca rita del natio loco cioe dela patria:pcb lui era fio rétino raguo le fronde fparteda le nere cagne: come lofpirito lhauea pregato:8 rédelle a lui:el quale nemolti laméti era gia fiocho.Etptrafito dimoftra qto debba effer ftretto eluículodique uioleh optia fictionedi dáthe.Iuphoch fe pla di miffer Rocchodmozzipche lui haueuaufata ujolétia nela pfona debitaméte lo fece prio.Et pche áchoranela roba benemerito lo fecce laniare da le cagne. Et dipoiueneno acofiniche diuidono quefto fecodo gyrone dal terzo:doue fono puniti quegli che fono fta ti impii inuerfo dio. Olendo máfeftare el terzo gyroe: dico ch arriua uamo a una láda:cioe a una pianura arenofach co fifignifica.lada & lama che rimoue dafe ogni piá ta pche nonuinafce ne herbane albero. LA dolorofa lelua che gyrláda:cioe circuda & attornia.COMe el tri fto foffo:cioe el fiume di phlegetonte attornia epfa fel ua:delale diréo difotto. LO SPAzoerauna rena:dice chlofpazo diqfta pianura era dital rena:qle qlad dier Alben manifeftarele cofenuoue dico che arriuauamo a una landa che dal fuolecto ogni piáta rimoue La dolorofa felualeghyrlanda intorno comel foffo trifto ad efa quiuifermamoepaffi aranda aranda Lofpazo era una arena arida& fpefa non daltrafogia fatta che colei che fudapiedicaton giafoppreffa ti delalybiaarčofa plaqle.M.Catone dopo la rotta di theffagla:&dopolamorte di popeio conduxe i egypto le reliquie de glexerciti popeiai pcogiugnerfiiafricaco iuba rede numidi:elquale feguitaua le pte popeiáe.Me ritamête pone qfto luogho aréofo & faza alchúa piáta Impochecoe larena neffuno fructo pduce:&fepreefterile:cofieel peccato che econtro a dio: &contra natura oltra a quello che uccide laia eáchora fenza alchio fructo outilita alcorpo. Pioueui la fiamma dal cielo:pche neffuno & deneffuna specie de peccato fa piu fcédere dalcielo la infiámata ira di dio.preterea eoffefo idio:cofa altiffima.Aduque el piu alto eleméto e la péa.pretereano puo effere maggior accélioe difupbiffima péa che ufarla contro a dio.Ne piu ardéte libidieche ufarla cotranatura.Ne puaccefa cupi ditadauaritia cheufarlacotro a larte.E áchoracoueniétecheglipunifca col fuoco:pche tal péa ueggiamo che apparechio idio a Sodogma & gomorra. Ediaaréa circudata dala felua riceptaculo de le fiere pche taluitionoha alcúa fpeciedhianita i fema etutto beftiale.Etcõelafelua e obícura: cofilaméte dicofto roealtutto priuata del luede la ragione.In qfto luogho fermorono e paffi aráda:cioe rafete ilche fignifi cachepniete meffono el pie ne lardéte aréa.Mauilaccoftorono ğtofi potea-a dinotare che pfpeculare qftouitio dobbião daprefo examiarlo:main neffun mouidobbião mettere epiedi:cioe la cogitatione. Impoche e cofa horréda &umaméte abhominabile:no folaméte comittere talpeccato.ma penfarui. o VENdetta di dio:luftitia diciamo effer conftáte:la quale conftante & perpetua uolonta tribuifce a cia chaduno la fua ragione qto feglicouiene. Etquefta fi d uide irelig one:inocétia:pace.cacordia pieta: integrita &uédicatoe.&uédicatione:ouerouédetta qdo efpecie O Ouendetta didioquanto tu dei effer temuta da ciafchun chelegge cio che fumanifefto aglocchimci
fun.lubetto
logo
doue
fono
forche:e
fimpiccão
Fuffi.Maalchuni
uoglono
che
intéda
miffer
confumate
richeze
molte
&uariep
fugir
li
ftenti
fimpicco.Altri
intédono
Lottode
glagli:
todhauer
dato
una
propria
fua
dorata
cintola
fappicco.
Mifler
Giouanni
Boccacio
dice
in
quegli
tépi
molti
fiorétini
fimpiccorono:&pquefto
dáthe
lafcia
abiguo
chicoftui
fuffi.
CANTO.XIII.DELA
PRIMA
CANTICA
DIDANTE.
Oiche
caritadel
natio
lo
miftrinfe
ragunaile
frondefparte
ictrédeleacoluicheragia
fio'
Indiuenimo
al
fiuc
ouefip
lofecodo
gyro
dal
terzo
&
te
fiuede
diuftitia
horribelarte.
co
cho
Nquefto
quartodecimocáto
tracta
el
poe
i
tade
fupplicii
digli
iqli
háno
ufatouiol
tiacotroa
dio.Dimoftracb
ftretto
da
ca
rita
del
loco
cioe
patria:pcb
lui
era
fio
rétino
raguo
fronde
fparteda
nere
cagne:
come
lofpirito
lhauea
pregato:8
rédelle
lui:el
quale
nemolti
laméti
gia
fiocho.Etptrafito
dimoftra
qto
debba
effer
eluículodique
uioleh
optia
fictionedi
dáthe.Iuphoch
fe
pla
Rocchodmozzipche
haueuaufata
ujolétia
nela
pfona
debitaméte
fece
prio.Et
pche
áchoranela
roba
benemerito
fecce
laniare
cagne.
Et
dipoiueneno
acofiniche
diuidono
quefto
fecodo
gyrone
terzo:doue
puniti
fta
ti
impii
inuerfo
dio.
Olendo
máfeftare
gyroe:
dico
ch
arriua
uamo
láda:cioe
pianura
arenofach
fifignifica.lada
lama
rimoue
dafe
ogni
piá
ta
nonuinafce
ne
herbane
albero.
LA
dolorofa
lelua
gyrláda:cioe
circuda
attornia.COMe
tri
fto
foffo:cioe
fiume
phlegetonte
attornia
epfa
fel
ua:delale
diréo
difotto.
LO
SPAzoerauna
rena:dice
chlofpazo
diqfta
dital
rena:qle
qlad
dier
Alben
manifeftarele
cofenuoue
arriuauamo
landa
fuolecto
piáta
La
felualeghyrlanda
intorno
comel
foffo
trifto
ad
efa
quiuifermamoepaffi
aranda
Lofpazo
arena
arida&
fpefa
non
daltrafogia
fatta
colei
fudapiedicaton
giafoppreffa
delalybiaarčofa
plaqle.M.Catone
dopo
rotta
theffagla:&dopolamorte
popeio
conduxe
egypto
reliquie
glexerciti
popeiai
pcogiugnerfiiafricaco
iuba
rede
numidi:elquale
feguitaua
pte
popeiáe.Me
ritamête
pone
qfto
luogho
aréofo
faza
alchúa
Impochecoe
larena
neffuno
fructo
pduce:&fepreefterile:cofieel
peccato
econtro
dio:
&contra
natura
oltra
quello
uccide
laia
eáchora
fenza
alchio
outilita
alcorpo.
Pioueui
fiamma
cielo:pche
deneffuna
specie
fa
piu
fcédere
dalcielo
infiámata
ira
dio.preterea
eoffefo
idio:cofa
altiffima.Aduque
alto
eleméto
péa.pretereano
puo
effere
maggior
accélioe
difupbiffima
péa
ufarla
contro
dio.Ne
ardéte
libidieche
cotranatura.Ne
puaccefa
cupi
ditadauaritia
cheufarlacotro
larte.E
áchoracoueniétecheglipunifca
col
fuoco:pche
tal
ueggiamo
apparechio
idio
Sodogma
gomorra.
Ediaaréa
circudata
dala
felua
riceptaculo
fiere
taluitionoha
alcúa
fpeciedhianita
fema
etutto
beftiale.Etcõelafelua
obícura:
cofilaméte
dicofto
roealtutto
priuata
luede
ragione.In
fermorono
paffi
aráda:cioe
rafete
ilche
fignifi
cachepniete
meffono
pie
lardéte
aréa.Mauilaccoftorono
ğtofi
potea-a
dinotare
pfpeculare
qftouitio
dobbião
daprefo
examiarlo:main
neffun
mouidobbião
mettere
epiedi:cioe
cogitatione.
Impoche
cofa
horréda
&umaméte
abhominabile:no
folaméte
comittere
talpeccato.ma
penfarui.
o
VENdetta
dio:luftitia
diciamo
conftáte:la
conftante
perpetua
uolonta
tribuifce
cia
chaduno
ragione
feglicouiene.
Etquefta
fi
d
uide
irelig
one:inocétia:pace.cacordia
pieta:
integrita
&uédicatoe.&uédicatione:ouerouédetta
qdo
efpecie
O
Ouendetta
didioquanto
tu
dei
temuta
ciafchun
chelegge
cio
fumanifefto
aglocchimci