Human Generated Data

Title

Canto VII. Circle 4 / The Hoarders and the Wasters; Circle 5 - The Wrathful and the Sullen

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5265

Human Generated Data

Title

Canto VII. Circle 4 / The Hoarders and the Wasters; Circle 5 - The Wrathful and the Sullen

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5265

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Text 99.6
Newspaper 97.5
Page 95.8
Paper 76.4
Advertisement 59.9
Letter 56.7
Poster 56.5

Clarifai
created on 2019-11-03

page 97.8
text 96.7
paper 96.6
vintage 94.9
print 94.6
document 94.4
old 93.3
book bindings 92.8
illustration 92.4
retro 91.6
art 89.9
desktop 89
manuscript 88.3
no person 87.5
picture frame 86.4
antique 86.2
texture 85
bill 84.1
blank 83.9
design 81.4

Imagga
created on 2019-11-03

brass 100
memorial 95.8
structure 66.2
cloud 46.6
book 36.1
backdrop 35.5
definition 35.4
cover 35.2
advertising 34.6
association 34.5
decor 33.7
associated 33.6
brochure 33.2
carpet 33.2
advertise 33.2
artwork 33
advertisement 32.9
creative 32.7
design 32.7
composition 32.1
collection 31.6
element 31.5
conceptual 30.9
decorative 30.1
binding 29.6
art 29.3
idea 28.5
decoration 27.6
old 27.2
graphic 27.1
fabric 22.7
antique 22.6
letter 22.1
text 21.9
continuity 21.8
drapery 21.7
information 21.3
bible 19.6
data 19.2
word 18.9
business 18.9
keywords 18.8
religion 18
page 17.7
copy 16.8
product 15.7
holy 15.4
faith 15.3
religious 15
ancient 14.7
texture 14.6
prayer 14.5
detail 14.5
creation 13.5
god 13.4
paper 13.4
newspaper 12.7
collage 12.5
read 12.5
spiritual 12.5
vintage 12.4
development 12.4
church 12.1
testament 11.9
pattern 11.6
energy 11
chapter 10.9
gospel 10.9
open 10.8
history 10.8
print 10.4
cross 10.4
aged 10
rosary 9.9
words 9.8
pages 9.8
new 9.7
textured 9.7
writing 9.4
life 9.4
study 9.3
communication 9.3
city 9.2
close 9.2
black 9
scripture 8.9
passage 8.9
surface 8.8
best 8.8
belief 8.8
king 8.8
grunge 8.5
modern 8.4
retro 8.2
analysis 7.8
catholic 7.8
sepia 7.8
saint 7.7
mix 7.7
commercial 7.5
day 7.1

Google
created on 2019-11-03

Text 97.8
Newsprint 90.4
Paper 90.2
Document 78.6
Paper product 75.6
Font 68.6

Microsoft
created on 2019-11-03

text 100
book 84.9
letter 82.5
newspaper 70
manuscript 60.7
plaque 23.1

Color Analysis

Feature analysis

Amazon

Book

Clarifai

Book
Clothing
Human face
Person

AWS Rekognition

Book 100%

Clarifai

Book 88.7%

Clarifai

Clothing 50.3%

Clarifai

Clothing 36.3%

Clarifai

Human face 44.8%

Clarifai

Human face 43.2%

Clarifai

Human face 41.5%

Clarifai

Person 37.7%

Categories

Imagga
created on 2019-11-03

text visuals 93.3%
streetview architecture 5.3%
paintings art 1.3%

Captions

Clarifai

Created by general-english-image-caption-clip on 2025-07-12

the history of the book.

Salesforce

Created by general-english-image-caption-blip on 2025-05-25

a photograph of a book with a picture of a man in a boat

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image shows a page from an old printed book, specifically a section from Dante Alighieri's "The Divine Comedy." This appears to be a page from the "Inferno" section. The text is in Italian and is printed in a classic, serif typeface with a distinct Gothic style that was characteristic of early printing.

At the top of the page, the title "INFERNO" is prominently printed. The layout includes columns of text, and there are two different sections of text delineated by line breaks and headers.

In the middle of the page, there is an illustration that corresponds to the text around it. This woodcut illustration depicts scenes from "The Divine Comedy." The illustration shows several figures in various poses, representative of the narrative in the canto. The figures appear to be engaging in a dramatic scene, and there is detailed line work typical of woodcut illustrations from this period.

At the left of the illustration, an initial letter "P" is ornately decorated, signaling the beginning of a new section or canto. Additionally, there’s a stylized drop cap to the left of the paragraph beneath the illustration, emphasizing the medieval lettering style of the time.

Overall, the page reflects an early printed edition of a classic literary work, showcasing both textual and illustrative efforts to convey the story of Dante's journey through Hell.

Created by gpt-4 on 2025-01-31

This image shows a page from an old book, with text in two columns and an illustration at the bottom. The text is written in an old style of typesetting that suggests the book is several centuries old. The language appears to be Italian, and the script is a mix of uppercase and lowercase letters with some words in a bold typeface for emphasis.

The headline at the top of the page reads "INFERNO," indicating that this page is likely from Dante Alighieri's "Inferno," the first part of his 14th-century epic poem "Divine Comedy." The passage on the page corresponds to a canto, or chapter, of the poem, in which the author describes the nine circles of Hell, with allegorical representations of sin and its corresponding punishment.

The illustration at the bottom of the page is an intricate woodcut that depicts a scene from the "Inferno." It shows three figures in the center: one of them sitting and appearing larger, possibly representing a character akin to Pluto from the poem, while the other two stand before this figure. The seated figure gestures emphatically. Behind them is a landscape with what looks like flames or smoke, which aligns with the depiction of Hell. The characters seem to be engaged in a significant moment, likely an excerpt or scene from the narrative of the epic poem.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-25

This appears to be a page from a historical printed edition of Dante's "Inferno," likely from the late 15th or early 16th century. The page contains both text and a woodcut illustration. The text is in Italian, with "INFERNO" visible at the top of the page, and "CANTO SEPTIMO DELLA PRIMA CANTICA DI DANTHE" (Canto Seven of the First Canticle of Dante) appearing partway down.

The woodcut illustration at the bottom of the page shows several figures in robes standing on what appears to be a landscape or pathway. The illustration style is characteristic of early printed books, with simple line work and minimal detail typical of woodcut prints from this period. The scene likely depicts a moment from the seventh canto of the Inferno.

The text is laid out in a typical medieval manuscript style, with dense blocks of text and some marginal annotations. The typeface used is an early Italian printing type, possibly what's known as roman type. The page shows some age-related discoloration but appears to be well-preserved overall.

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a medieval or Renaissance-era printed edition of Dante's "Inferno." The page features both text in Italian and a woodcut illustration. The text is laid out in a typical early printing style with dense blocks of text and decorated capital letters. At the bottom of the page is a woodcut illustration showing several figures in robes standing on what appears to be a rocky or hilly landscape. This seems to be depicting a scene from the seventh canto of the Inferno, as indicated by the heading "CANTO SEPTIMO DELLA PRIMA CANTICA DI DANTHE." The illustration style is characteristic of early book printing techniques, with simple line work and minimal detail typical of woodcut prints from this period.

Created by claude-3-opus-20240229 on 2025-01-31

The image appears to be a page from an old book, likely printed in the 15th or 16th century based on the typography and illustration style. The text is in Italian and discusses the philosophy of Plato, particularly his concept of the "Inferno" or hell.

On the right side of the page is a detailed woodcut illustration. It depicts a scene with figures, possibly from Dante's Inferno which was inspired by Platonic ideas. The illustration shows a robed figure gesturing or pointing, while another nude figure sits or crouches down. Architectural elements like arches are visible in the background.

The aged, yellowed paper, dense justified text, decorated initial capital letter, and woodcut illustration are all characteristic of early printed books from the Renaissance era. It provides an intriguing glimpse into how philosophical and literary ideas were discussed and visually represented during that time period.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be an illustrated page from a publication, likely an early printed book or manuscript. The text is in Italian and the image contains various illustrations and figures. The central image depicts a formal or mythological scene, with several robed figures, some of whom appear to be in conversation or interacting with one another. The surrounding text appears to provide a detailed narrative or description of the scene depicted in the illustration. Without being able to identify any individuals, the image seems to convey a sense of historical or allegorical significance.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-14

The image presents a page from an old book, featuring a mix of text and illustrations.

Text:

  • The page is written in Latin, with the title "INFERNO" at the top.
  • The text is divided into sections, each with its own heading, and is written in a formal, cursive script.
  • The text appears to be from a literary work, possibly a poem or play, given the use of poetic language and the inclusion of illustrations.

Illustrations:

  • A small illustration is located below the text, depicting a scene with several figures.
  • The illustration is rendered in black ink on a beige background, with intricate details and shading.
  • The figures in the illustration appear to be engaged in some sort of activity, but the exact nature of the scene is unclear due to the small size of the image.

Background:

  • The page has a beige background, which provides a neutral contrast to the black ink used for the text and illustrations.
  • The edges of the page are slightly yellowed, suggesting that the book is old and has been handled extensively over time.

Overall:

  • The image suggests that the book is a rare or historical volume, given the use of Latin and the formal script.
  • The inclusion of illustrations adds a visual element to the text, making the page more engaging and dynamic.
  • The overall design of the page is formal and elegant, reflecting the literary nature of the content.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-14

The image presents a page from an ancient book, featuring a mix of text and illustrations. The page is divided into two main sections: the top portion contains text written in Italian, while the bottom section features an illustration accompanied by additional text.

Text Section:

  • The text is written in black ink on a yellowed paper background.
  • The font used is serif, with varying sizes and styles throughout the text.
  • The text appears to be a passage from Dante Alighieri's Divine Comedy, specifically from the Inferno section.
  • The text is arranged in paragraphs, with some lines indented or justified to create a sense of rhythm and flow.

Illustration Section:

  • The illustration is a woodcut print, depicting a scene from the Inferno.
  • The illustration shows a group of people standing on a rocky outcropping, surrounded by flames and smoke.
  • The figures are dressed in medieval attire, with some holding staffs or other objects.
  • The illustration is rendered in a simple yet expressive style, with bold lines and minimal shading.

Additional Text:

  • Below the illustration, there is a block of text that appears to be a caption or explanation of the illustration.
  • The text is written in a smaller font than the main text, but still uses the same serif font.
  • The text provides context for the illustration, explaining the scene and its significance in the story.

Overall, the image presents a fascinating glimpse into the world of medieval literature and art. The combination of text and illustration creates a rich and engaging visual experience, inviting the viewer to explore the world of Dante's Inferno.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image is a page from a historical text, likely from the Renaissance or early modern period. The page is divided into two sections: the top section contains text, while the bottom section features an illustration.

Text Section:

  • The text is written in a cursive, italicized font, which was common in the Renaissance period for printed works.
  • The language appears to be Latin, as indicated by the Latinate words and structure.
  • The text is dense and continuous, without any visible headings or subheadings.
  • There are no visible margins or indentations, suggesting a formal and uninterrupted narrative style.

Illustration Section:

  • The illustration is a woodcut, a common printing technique of the period.
  • The scene depicted is a pastoral or mythological setting, featuring several figures.
  • In the foreground, there is a group of people, possibly engaged in a discussion or activity.
  • The background shows a landscape with trees, a river, and possibly a cave or grotto.
  • The figures are dressed in classical or medieval attire, consistent with the Renaissance aesthetic.

Analysis:

  • The combination of text and illustration suggests that the page is from a scholarly or literary work, possibly a commentary or a philosophical treatise.
  • The use of Latin indicates that the intended audience was educated and likely part of the intellectual or academic community.
  • The pastoral setting in the illustration might be an allegory or a reference to a classical story or myth, which was a common practice in Renaissance literature.

Conclusion:

The page represents a typical example of Renaissance printing, combining scholarly text with illustrative woodcuts to enhance the narrative and engage the reader. The Latin text and classical imagery reflect the period's emphasis on classical learning and the integration of art and scholarship.

Created by amazon.nova-lite-v1:0 on 2025-01-31

This image appears to be a page from a book or manuscript. The text is written in an old style of Italian, and it seems to be describing the circles of Hell from Dante's Divine Comedy. The page has two columns of text, with the left column containing a longer passage and the right column containing a shorter passage. There is also an illustration on the right side of the page depicting some of the scenes described in the text. The image appears to be an antique book page, possibly from the Renaissance era.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-06-02

Here's a description of the image, combining both the text and the visual elements:

Overall Impression: The image is a page from a very old printed book, likely from the Renaissance or early modern period, judging by the typography and the woodcut illustrations. The style and content suggest that it is a religious or literary text, possibly a commentary on Dante's Inferno.

Textual Content:

  • Title: The word "INFERNO" is prominent at the top, indicating the subject matter.
  • Passage: The text is written in Italian (or a closely related dialect) of the period. It is densely packed, with numerous abbreviations and unusual letterforms. The content appears to be a theological or philosophical discussion of the concept of Hell, sin, punishment, and salvation. It refers to concepts like judgment, perfection, souls, and the "gran nimico" (great enemy), referring to the Devil.
  • Section Breaks: The text is organized with headings and numbered sections, suggesting a structured argument. Words are capitalized as a mark of emphasis.
  • Emphasis: The text emphasizes the importance of the reading of scripture and contemplation of the soul.

Visual Elements:

  • Woodcut Illustrations: The page includes a woodcut illustration in the lower right corner. The illustration seems to depict scenes related to the text. The top segment features figures of angels, and other high-status figures, standing on a platform, and gesturing with arms and hands. The lower half shows other figures in the lower level, in an area that looks like a cave with a small fire.
  • Initial Letter: The text is set within a large ornamental initial "P" at the beginning of the text that begins "Ape fata pape fatan aleppe".

Composition and Style:

  • Classical Composition: The page layout is typical of the period, with text arranged in columns and a clearly defined border.
  • Symbolism: The illustration probably contains symbolic elements that are further explained and enhanced by the text.
  • Age and Condition: The page shows signs of age, with the paper yellowed and possibly brittle. The woodcut is clear, indicating it's been preserved somewhat.

In summary: The image depicts a page from an old book discussing Dante's Inferno. The image includes both text and illustration and may be of historical and religious importance, due to the nature of the texts, and the way that it's written.

Created by gemini-2.0-flash on 2025-06-02

Here are the bounding box detections:

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Here is a description of the image:

This is a page from an old book, likely a printed version of Dante Alighieri's Inferno. It is printed in black ink on off-white paper, with dense blocks of text and a few decorative elements.

Here's a breakdown of what I see:

  1. Text Blocks: The majority of the page is filled with text arranged in dense blocks. The font is a classical one, reminiscent of early printing presses.
  2. Image/Illustration: At the bottom right, there is an image, likely a woodcut or engraving. It is a depiction of figures in a landscape, illustrating a scene from the Inferno.
  3. Decorative Letter: On the bottom left, there is a large decorative letter, possibly "D". This is a common feature in early printed books, marking the beginning of a section or chapter.
  4. Page Title: At the very top of the page, the word "INFERNO" is printed in larger letters.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-07

The image is a page from an old book, specifically a printed edition of Dante Alighieri's "Inferno," the first part of his epic poem "The Divine Comedy." The text is in Italian and appears to be from an early printed edition, likely from the 16th century, given the style of the typeface and the layout.

Here is a detailed breakdown of the page:

  1. Header: The word "INFERNO" is prominently displayed at the top, indicating that this is a section from the "Inferno" part of "The Divine Comedy."

  2. Text: The main body of the text is a passage from the "Inferno." It is written in an old Italian style, with some archaic spellings and grammar. The text discusses philosophical and theological concepts related to the nature of the soul, the afterlife, and the structure of Hell.

  3. Illustration: There is an intricate woodcut illustration in the lower part of the page. The illustration depicts a scene from the "Inferno," showing figures in a landscape that appears to be part of the underworld. The figures are dressed in medieval attire, and the scene includes elements like a river and a boat, which are common in depictions of the "Inferno."

  4. Decorative Elements: The page includes decorative elements typical of early printed books, such as ornate initial letters and borders around the illustration.

  5. Layout: The text is arranged in a single column, with the illustration integrated into the layout. The text flows around the illustration, indicating a careful consideration of the page design.

Overall, the image is a historical artifact that provides insight into the early printing of Dante's "Inferno" and the visual and typographic styles of the period.

Qwen

No captions written

Text analysis

Amazon

INFERNO
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iudicio.
bili:&
fonerano
iudicio. h ladimada
elcibo
h
eterno.
futura
lauita
fonerano eterno. eterno. PER Sozza
ladimada
fentael bene:
glche
bili:& elcibo di
danimo:
Tutto che quelta danimo:
paroleri
chelaltre
Sozza
ueraperfeetione
quelta
uada
fentael
un lauita futura .Ragionado.
fara
elfe
ueder
eexprimere
eexprimere quato
utrice
quato
Etegliameritornaatuafcienza
un
di
aufare.
.Ragionado.
in ueraperfeetione mai no uada fara
che eiperfedto. Cae elfe
mollnocoeleeedelianpioleedicheilokioldteramchiolewiscis pprii habbt
lafciarli
habbt
bragho.
eta fienoe
eiperfedto.
ueder bragho. Ato uuo
mai
pfemlione
Ato
Cae
mollnocoeleeedelianpioleedicheilokioldteramchiolewiscis
uuo
no

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INFERNO poffinocoe fileggedegli angioli &dichrifto:Rifufcitera mafchio &femina co pprii fefi no pche fhabbl noaufare.Mapche el corpo fia pfecto:Rifufciteráno nelleta dichrifto:pche e pfecta:conciolia che laltre eta fieno o immature o troppo mature.QuELchineterno rimbóba.cioe udire el iudice le cui parole ri foneráno qita parolai eterno.Impho che dira.andate maladecti nel fuoco eterno. PER Sozza mixtura imphoche bructa cofa era ueder qle aíe riuolte i qla acqua lordacõe el porcon rco leexprimere quáto fiacofa laida cofiderare laia humananata ala contéplatione . fe lafciarfitáto uincere dalla gola:che finuolgacõe bructo porco nelle uolupta decibicorporali corruptri bili:&putridieffédo elcibo fuo cognitiõe:&doctría.Imphoche coe el corpo copofto di qttro eleméti fi nutrice de cibi facti della fimile copofitione:cofi laio icorporeo fi nutrifce di cole ícorporee:APASi léti Ilche dimoftra cogitatione pchechi ecogitabudo ualétaméte:& fpeffo fi ferma. Exprefle aduque qlche uirgilio pone i Enea:& Achate:Cui fidus Achates Itcomes:& paribuscuris ueftigia figit.TOCCANdo un pocho la uita futura.Ragionádo.Béche con breuita di parole della uita:ch fara dopo lultio iudicio.El ragionaméto era:che Dáthe dimáda fe le pene de dánati háno a effere maggiori: omiori: o pari dopo el iudicio. qfto uuo Auédo itefo la dimada Rifponde: che fe itédera be h Etegliameritorna a tua fcienza ra.che ognicofa fente piu el bene:el male: quádo ei fua cheuuolquanto la cofa e piu pfecta pfectioneche quádo eiperfecto. Coe uerbi gratia elfe piu fenta el bene: & cofiladoglenza fouifuoconofcemeglo ecolori:quádo tale fenfo:e pfe dto:che quádo ha alchuo máchaméto. Adúque effendo Ihuomocompofto danimo:&corpofara alhora natu in ueraperfectione gia mai no uada ralméte pfedto:quádo elcorpo fara ricongiuto con laia Parla aduque diqfta pfectioe naturale: nella qle etiá edá nati faráno doppo eludicio.Et non dunaltra pfectione Noiaggirámo intorno a quella ftrada lağinon enaturale al huonmo.Mae conceduta da diuina clemétia non a tutti:mafolo a faluati.Eğli dala glorifica tione háno qttro doni.Agilita.Sottilita.Clarita:& ipaf ucnimo al puncto doue fidigrada: iblita deqi habbiamodi fopra decto.Et perho folgiu Tutto che quefta gente maladecta dilapiu che di quaefer afpecta parlando piu affai: chio non ridico Q uiui trouamo Pluto elgranimico gne. TVTtoche qftagéte maladeca In uera pfeclione giamai non uada. Perche cce ho decto qfta pfectioe fo pranaturale efolo de faluati:8ordía el textocof.TVTto:cioe béche.QuEftagétemaladecta:cioe dan nata.NONundimai i uera pfectione:cioe i qlla fopranaturale:che contiene eqttro gia decti doni. Niete dimeno afpecta efere piu pfecta di la:cioe dopo el tudicio: pche almácho hara qlla naturale. CHEdig: cioe inázi alindicio:doue non ha nella naturale nella fopranaturale. Di poiconchiude el capitulo dimo ftrádoche partiti da ciaccho fequitorono la ftrada:laqle eracirculare:&tonda:Etcircuirono tutto ql luo gho doue crono puniti egolofi.lche fignifica moralméte:che iqftoutiocontéplorono diligéteméte el uitio da ogni parte.VENIMO al pudto doue fi digrada:cioe doue fi difccde. Impoche cende al baf del piu largo cerchio fi fcende nel piu ftreto.Etiueroquáto piu graue e eluitio tanto piu à fo:& piufalontana dalcielo.QulVlcioenel principio de laltrocerchio. TROVAMMO pluto el gran nimico:Delquale diremo nel iequenre capitulo. CANTO SEPTIMO DELLAPRIMA CANTICA DIDANTHE Apefatá pape fatan aleppe comincio pluto co la uoce chioccia: Jpe &qlfauio getil ch tuto fep Nqtofeptio capitulo pone lautof elar to cerchio:&qftodiuide i due part.Et ne i lafeconda qila de gliracudi:& accidiofi.Et nel lentrata del cerchio finge efere Plutone de monio quafi cuftode & fignore diquefto cer/ chio. Laqual fitione :accio che meglio fi pof fa interpretare ci ricorderemo come gli anti D chi poctidixono. Plutone effere figiuolo di Saturno. & Rhea:& rede linferno. Furono quattro figliuolidi Saturno.che dinotano quat troelementi. loue el fuoco. lunone laria. Ne ptunno lacqua, Plutone la terra. Per Saturno intendono el tempo:& fingono che fimangiaf fituttiglialtri fuoifigliuolexceptiquefti quat ww.
INFERNO
poffinocoe
fileggedegli
angioli
&dichrifto:Rifufcitera
mafchio
&femina
co
pprii
fefi
no
pche
fhabbl
noaufare.Mapche
el
corpo
fia
pfecto:Rifufciteráno
nelleta
dichrifto:pche
e
pfecta:conciolia
che
laltre
eta
fieno
o
immature
troppo
mature.QuELchineterno
rimbóba.cioe
udire
iudice
le
cui
parole
ri
foneráno
qita
parolai
eterno.Impho
dira.andate
maladecti
nel
fuoco
eterno.
PER
Sozza
mixtura
imphoche
bructa
cofa
era
ueder
qle
aíe
riuolte
i
qla
acqua
lordacõe
porcon
rco
leexprimere
quáto
fiacofa
laida
cofiderare
laia
humananata
ala
contéplatione
.
fe
lafciarfitáto
uincere
dalla
gola:che
finuolgacõe
bructo
porco
nelle
uolupta
decibicorporali
corruptri
bili:&putridieffédo
elcibo
fuo
cognitiõe:&doctría.Imphoche
coe
copofto
di
qttro
eleméti
fi
nutrice
de
cibi
facti
della
fimile
copofitione:cofi
laio
icorporeo
nutrifce
cole
ícorporee:APASi
léti
Ilche
dimoftra
cogitatione
pchechi
ecogitabudo
ualétaméte:&
fpeffo
ferma.
Exprefle
aduque
qlche
uirgilio
pone
Enea:&
Achate:Cui
fidus
Achates
Itcomes:&
paribuscuris
ueftigia
figit.TOCCANdo
un
pocho
la
uita
futura.Ragionádo.Béche
con
breuita
uita:ch
fara
dopo
lultio
iudicio.El
ragionaméto
era:che
Dáthe
dimáda
pene
dánati
háno
a
effere
maggiori:
omiori:
pari
iudicio.
qfto
uuo
Auédo
itefo
dimada
Rifponde:
itédera
be
h
Etegliameritorna
tua
fcienza
ra.che
ognicofa
fente
piu
bene:el
male:
quádo
ei
fua
cheuuolquanto
pfecta
pfectioneche
eiperfecto.
Coe
uerbi
gratia
elfe
fenta
bene:
&
cofiladoglenza
fouifuoconofcemeglo
ecolori:quádo
tale
fenfo:e
pfe
dto:che
ha
alchuo
máchaméto.
Adúque
effendo
Ihuomocompofto
danimo:&corpofara
alhora
natu
in
ueraperfectione
gia
mai
uada
ralméte
pfedto:quádo
elcorpo
ricongiuto
Parla
diqfta
pfectioe
naturale:
nella
etiá
edá
nati
faráno
doppo
eludicio.Et
non
dunaltra
pfectione
Noiaggirámo
intorno
quella
ftrada
lağinon
enaturale
al
huonmo.Mae
conceduta
da
diuina
clemétia
tutti:mafolo
faluati.Eğli
dala
glorifica
tione
doni.Agilita.Sottilita.Clarita:&
ipaf
ucnimo
puncto
doue
fidigrada:
iblita
deqi
habbiamodi
fopra
decto.Et
perho
folgiu
Tutto
quefta
gente
maladecta
dilapiu
quaefer
afpecta
parlando
affai:
chio
ridico
Q
uiui
trouamo
Pluto
elgranimico
gne.
TVTtoche
qftagéte
maladeca
In
uera
pfeclione
giamai
uada.
Perche
cce
ho
decto
qfta
fo
pranaturale
efolo
faluati:8ordía
textocof.TVTto:cioe
béche.QuEftagétemaladecta:cioe
dan
nata.NONundimai
pfectione:cioe
qlla
fopranaturale:che
contiene
eqttro
decti
doni.
Niete
dimeno
efere
la:cioe
tudicio:
almácho
hara
naturale.
CHEdig:
cioe
inázi
alindicio:doue
naturale
fopranaturale.
Di
poiconchiude
capitulo
dimo
ftrádoche
partiti
ciaccho
fequitorono
ftrada:laqle
eracirculare:&tonda:Etcircuirono
tutto
ql
luo
gho
crono
puniti
egolofi.lche
fignifica
moralméte:che
iqftoutiocontéplorono
diligéteméte
uitio
ogni
parte.VENIMO
pudto
digrada:cioe
difccde.
Impoche
cende
baf
del
largo
cerchio
fcende
ftreto.Etiueroquáto
graue
eluitio
tanto
à
fo:&
piufalontana
dalcielo.QulVlcioenel
principio
laltrocerchio.
TROVAMMO
pluto
gran
nimico:Delquale
diremo
iequenre
capitulo.
CANTO
SEPTIMO
DELLAPRIMA
CANTICA
DIDANTHE
Apefatá
pape
fatan
aleppe
comincio
uoce
chioccia:
Jpe
&qlfauio
getil
ch
tuto
fep
Nqtofeptio
lautof
elar
to
cerchio:&qftodiuide
due
part.Et
ne
lafeconda
qila
gliracudi:&
accidiofi.Et
lentrata
finge
Plutone
monio
quafi
cuftode
fignore
diquefto
cer/
chio.
Laqual
fitione
:accio
meglio
pof
fa
interpretare
ci
ricorderemo
come
gli
anti
D
chi
poctidixono.
figiuolo
Saturno.
Rhea:&
rede
linferno.
Furono
quattro
figliuolidi
Saturno.che
dinotano
quat
troelementi.
loue
fuoco.
lunone
laria.
Ne
ptunno
lacqua,
terra.
Per
Saturno
intendono
tempo:&
fingono
fimangiaf
fituttiglialtri
fuoifigliuolexceptiquefti
ww.