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Human Generated Data

Title

Canto IV. Circle 1: Limbo / The Virtuous Pagans (Homer and the Poets) and the Unbaptized Children

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5263

Human Generated Data

Title

Canto IV. Circle 1: Limbo / The Virtuous Pagans (Homer and the Poets) and the Unbaptized Children

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5263

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Newspaper 99.7
Page 96.6
Paper 59.6

Clarifai
created on 2019-11-03

desktop 97.3
paper 97.2
old 96
print 95.6
texture 95.2
art 95.2
page 94.8
illustration 94.6
vintage 94.6
book bindings 93.7
retro 93.4
text 93.3
document 93.1
antique 91
design 89.9
manuscript 89.4
picture frame 88.4
blank 88.3
pattern 86.9
no person 86.4

Imagga
created on 2019-11-03

newspaper 63.2
product 53.1
daily 52.7
cloud 50.1
creation 42.8
backdrop 42.2
definition 39.3
cover 39
advertising 38.5
association 38.5
associated 37.6
brochure 37.2
carpet 37.1
advertise 37.1
advertisement 36.8
element 36.5
decor 36.4
creative 36.3
design 36.1
composition 35.9
artwork 35.8
collection 35.3
conceptual 34.5
decorative 33.5
art 31.5
book 31.4
decoration 31.2
idea 30.3
graphic 27.8
fabric 27.4
letter 26.7
information 25.7
old 25.1
binding 25.1
data 23.8
text 23.6
continuity 22.8
drapery 22.7
keywords 21.7
business 20.7
copy 20.4
texture 18.8
antique 18.4
page 17.7
word 17
pattern 16.4
bible 15.7
brass 15.5
collage 15.4
detail 15.3
religion 14.4
paper 14.2
religious 14.1
ancient 13.9
development 13.4
textured 13.2
prayer 12.6
holy 12.6
structure 12.5
faith 12.5
vintage 12.4
read 11.6
spiritual 11.5
god 11.5
black 11.4
print 11.3
memorial 11
energy 11
communication 11
aged 10.9
mix 10.6
writing 10.4
church 10.2
open 9.9
history 9.9
retro 9.9
best 9.8
life 9.4
mosaic 9.4
modern 9.1
material 9
chapter 8.9
testament 8.9
surface 8.8
more 8.8
grunge 8.5
close 8
gospel 7.9
passage 7.9
day 7.9
words 7.8
pages 7.8
analysis 7.8
king 7.8
ornament 7.8
cross 7.6
fashion 7.6
commercial 7.5
city 7.5
study 7.5
company 7.5
closeup 7.4
new 7.3
dirty 7.2
journal 7.1

Google
created on 2019-11-03

Text 97.3
Newsprint 94.3
Paper 91.1
Paper product 79.2
Document 72.8
Newspaper 72.1
Font 68.6

Microsoft
created on 2019-11-03

text 100
newspaper 76.9
letter 75.1
book 71.9
plaque 37.2

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

This image depicts a page from a historical book, possibly a 15th-century publication based on the decorative elements and typesetting style. The page, numbered as "34" in the top right corner, is from a section labeled "CANTO QUARTO." At the top left, there is a decorative initial "V" that begins the first line on the page, following the traditional typographic conventions of early printed books.

The text appears to be in Italian, which is evident from the language used. The detailed woodcut illustration near the top center of the page depicts a scene with figures and architectural elements that could be indicative of a narrative context, likely from a literary or religious work. The visual style of the illustration is characteristic of early woodblock prints, showing distinct line work and detailed textures.

Surrounding the image, the text is arranged in a continuous block with close but even spacing, typical of early printed pages where paper was a valuable resource. The language and structure suggest a narrative or descriptive passage.

Overall, this page presents an example of early Renaissance book printing, with attention to both textual and illustrative content, offering insights into the literary and artistic conventions of the time.

Created by gpt-4 on 2025-01-31

The image you've provided appears to be a page from an old book or manuscript. The text is written in an older style of font, reminiscent of what you might see in texts from the Renaissance or earlier periods. It is a dense block of text, with the text laid out in two columns. The page number is visible at the top right corner, which reads "QUARTO. 34," indicating that it might be page 34 of the fourth section or chapter.

At the top, there is an ornate capital letter "C" beginning the text, which is typical for the start of a new chapter or section in old books. This decorative initial is several lines high compared to the rest of the text.

Above the text, there is an intricate woodcut illustration depicting a scene with multiple figures. On the left side of the illustration, there appears to be a group of individuals, possibly in a dispute or discussion. On the right side, other individuals are portrayed in what seems to be an outdoor setting, possibly a cityscape or fortress in the background. It's not easy to discern the precise nature of the story or event depicted without the context that the accompanying text likely provides.

The language of the text looks like it might be an early form of Italian, which suggests that this could be a page from a very old Italian book, possibly even a work by Dante, Petrarch, or another early Italian writer, but without the ability to read the specific content or knowing the source, this is just speculation based on the typeface and language style.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historic Italian text, specifically from "Canto Quarto" (Fourth Canto) as indicated at the top of the page. The layout consists of two main elements: a woodcut illustration at the top right and text in what appears to be an early printed typeface filling most of the page. The illustration shows several figures in medieval or Renaissance-style clothing standing in what appears to be a walled or enclosed space, with some architectural elements visible in the background. The text is densely printed in Italian, with a decorative initial "R" at the beginning of the passage. The page appears to be from an early printed edition, likely from the late 15th or early 16th century, and shows some age-related discoloration but is otherwise well-preserved. Given the title and content, this is likely from an edition of Dante's Divine Comedy.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows a page from an old book or manuscript, with text in Italian on the left side and an illustration on the right side.

The illustration appears to depict a scene inside a building, likely a church or temple. There are several archways and columns visible, along with what looks like an altar or shrine in the center. The floor has a checkered or tiled pattern. The shading and linework suggest it is a woodcut print or engraving typical of illustrations in early printed books.

The text is set in an old style typeface and formatted in a single block. The first word "CANTO" and "QVARTO." with a superscript "3*" are set apart, likely indicating the start of a chapter or section.

Overall, the aged paper, illustration style, and typography are characteristic of a page from an incunable (early printed book) or other antique manuscript, likely from the 15th or 16th century based on its appearance. The Italian language text and religious subject matter of the illustration hint at it possibly being from an Italian spiritual or theological work of that era.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be an illustrated manuscript or book page. It contains text in Italian and an illustration depicting an elaborate scene with several figures, likely representing a literary or artistic work. The text above the illustration is titled "CANTO QUARTO", indicating it is the fourth chapter or section of a larger work. The illustration shows a complex scene with various figures, some standing in what looks like a mountainous or rocky landscape with buildings or structures in the background. Without being able to identify any specific individuals, the image appears to be an ornate and detailed illustration accompanying a literary work.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The image presents a page from an old book, featuring a section of text in Latin and an accompanying illustration. The page is divided into two main sections: the left side contains a block of text, while the right side showcases an illustration.

  • Text Section:
    • The text is written in Latin and occupies the left side of the page.
    • It is presented in a formal, cursive font, with the title "CANTO" at the top.
    • The text is divided into paragraphs, each separated by a blank line.
    • The content appears to be a passage from a literary work, possibly a poem or a section of a novel.
  • Illustration:
    • The illustration is situated on the right side of the page and depicts a scene with multiple figures.
    • The figures are dressed in attire reminiscent of the Renaissance period, suggesting that the book may have been published during this time.
    • The illustration is rendered in black ink and features intricate details, including architectural elements and foliage.
    • The scene appears to be a dramatic or ceremonial one, with the figures engaged in various activities.

In summary, the image showcases a page from an old book, featuring a section of Latin text and an accompanying illustration. The text is presented in a formal, cursive font, while the illustration depicts a scene with multiple figures dressed in Renaissance attire. The overall design and layout suggest that the book may have been published during the Renaissance period.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

The image depicts a page from an old book, featuring a combination of text and illustrations. The page is divided into two main sections: the left side contains text written in Italian, while the right side features an illustration accompanied by a caption.

Text Section:

  • The text is written in black ink on a beige background.
  • It appears to be a passage from a literary work, possibly a poem or a play.
  • The text is arranged in paragraphs, with each paragraph separated by a blank line.
  • The font used is serif, with varying sizes and styles throughout the text.

Illustration Section:

  • The illustration is a woodcut print, depicting a scene with multiple figures.
  • The figures are dressed in medieval attire, suggesting that the illustration may be related to a historical or religious theme.
  • The caption above the illustration reads "Quarto," which could indicate that this is the fourth chapter or section of the book.
  • The illustration is rendered in black and white, with fine details and textures visible.

Overall:

  • The page appears to be from a rare or antique book, given the age and quality of the paper and printing.
  • The combination of text and illustration suggests that the book may be a literary or educational work, intended to convey information and tell stories through both written and visual means.
  • The use of Italian language and medieval-style illustrations suggests that the book may have been produced in Italy during the Renaissance period.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image is a page from an old book, featuring a combination of text and an illustration. The page is divided into two main sections. On the left side, there is a large block of text, written in a script that appears to be Latin or an old form of Italian. The text is dense and continuous, with no visible breaks or paragraphs, suggesting it is part of a longer narrative or discussion.

The right side of the page contains an illustration that is bordered by a decorative frame. The illustration depicts a scene with several people, possibly a historical or mythological event. The people are dressed in period clothing, and the setting appears to be outdoors, with some architectural elements visible in the background. There are flames or a fire visible, suggesting some form of conflict or ritual taking place.

The text at the top of the page reads "CANTO" and "QUARTO," indicating that this is the fourth canto or section of a larger work. Below this, there is a smaller section of text that seems to be a title or heading, written in a slightly larger font than the main body of text.

The overall condition of the page suggests it is from an old book, possibly from the Renaissance or early modern period, given the style of the text and illustration. The paper appears to be aged, with some discoloration and wear visible along the edges.

In summary, the image is a page from an old book featuring a Latin or Italian text and an accompanying illustration depicting a historical or mythological scene. The page is marked as the fourth canto of the work, and the text and illustration together suggest a narrative or descriptive content.

Created by amazon.nova-lite-v1:0 on 2025-01-31

This image is of a page from an old book. The page has a title in the top left corner that reads "Canto Quarto." The page has a drawing of a man standing in front of a tree with a large rock on the ground. The man is wearing a long robe and a hat. The text on the page is in a foreign language, possibly Italian. The page also has a watermark in the bottom right corner.

Text analysis

Amazon

CANTO
trouai
Obfcura
guai
dolorofa:
ualle
ualle dabifo dolorofa:
dabifo
ri
profonda
douio
nella
per
prodam
fula prodam trouai
fondo
fonno
Vppemilaltof fonno nella
riguardai
loco
Obfcura & profonda & nebulola
che tuono accogli dinfiniti guai
forza
ficcari
Vppemilaltof
conofcer
dricto
che
&
QUARTO:
dinfiniti
tefta.
tuono
tono
chome
accogli
ficcari uifo al fondo
ripofato
fula
chome perlonache per forza edelta.
un
un grieue tono Gichiomi ri
ripofato intorno
per conofcer lo loco douio foff
intorno
grieue
uifo
al
nebulola
dricto leuato:8 fifo riguardai
leuato:8
edelta.
lo
perlonache
erechen
Gichiomi
foff
fifo
fcoffi.

Google

nebulofa
tanto
ficcar
alchuna
cofa.
2ecRAr
cerchio
de
liferno
nelqle
pone
qigli
che
béche
no
habbino
a
puniti
peccati:Niétediméo
pche
non
hánohauuto
baptefimo
nomeritano
el
la
giuto
decta
fefualita
e
defta
dal
nel
pri
cipio
lhuomo
delibera
lafciare
lauita
actiua:&ádare
ala
contéplatiua
fcfualita
diére
ragione.llpche
fadorméti
&
adormétata
ui
fia
portata.
Magiuntiche
fiamo
cotéplatiua
fopra
graueméte
della
grádi.
locchio
cioe
luifolo
cognitione
gliuniuerfali.Ma
fariochel
nafca
da
ne
luna
concitata:&
comoffa
le
illecebre
mométanee
tutta
ragioe.
Aduque
bifogna
gnáta
ragice
gliexcita
defta:&cógiugne
glifeco.pche
euenuto
gia
pfectione
difcernecola
difcernecol
corpo:
i
dio.
marauigliarfife
laia
facta
fimilitudie
di
haífe
áchora
Ariftotele
edecta
fimilitudine
tutte
cofe:
ha
fe
con
liognicofe
iueftigi:&
dogni
cofa
fimile
una:Efimile
terra
pel
Allacqua
natice.Allaria
ragione.Al
p
lalto
tefta:cioe
gratia
dio:la
qle
pría
haueacolopita
fualitapche
nonípedifila
ragione
ficógiúga.&
lafcio
fideftaffida
fe:&fornifi
il
fonno.llche
fignifica
féfua
lita
fidefterebbe
maida
fonno:cioe
fudo
feno
carouero
ma.DELLA
tefta:dixe
qfto
pcede
del
cerebro:&pqftocodéfati
ferono
al
caldo
alo
fpirito:
elqle
ceruello
Chio
mouiméto
quádo
Ihuomo
defto
pfor
za.Ma
fa
moto
nellanimo
corpo
QUARTO CANTO 34 Vppemilalto fonno nella tefta. un grieue tono fichio mi ri coffi. chome perfonache per forza edefta. Etlocchioripofato intorno moffi drito leuato:& fifo riguardai per conofcer lo loco douio foff Vere chen fula proda mi trouai de la ualle dabiffo dolorofa: che tuono accoglie dinfiniti guai Obfcura &profonda & nebulofa tanto cheper ficcar il uifo al fondo ionon uidifcernea alchuna cofa. 2ecRAr t Racta elpoeta del prío cerchio de liferno nelqle pone qigli che béche no habbino a effer puniti digra peccati:Niétediméo pche non hánohauuto baptefimo nomeritano el cielo.Non puo homo paffareala fpeculatioe de uiti fe la fefualita repugnáte ala ragiõe noe priacofopita. Hora giuto a decta fpeculatioe la fefualita e defta dal tuono:&uolgegliocchi ripolati itorno: liche fignifica che nel pri cipio quádo lhuomo delibera lafciare lauita actiua:&ádare ala contéplatiua la fcfualita non ftarebbe obe diére ala ragione.llpche e neceffario che fadorméti & adormétata ui fia portata. Magiuntiche fiamo ala cotéplatiua el tuono la defta cioe la ragioe tonádogli fopra & graueméte riprédédola della pigricia la fa uigiláte:& attéta aubbidire la ragioe nelle cofe grádi. Ilpche puo uolgere locchio ripofato cioe puoufare elfefo quieto:&no piuifiámato & ifuriato da la cupidita delle cofe terrene: Ecofanotai philofophia ch folo lo itellecto fpecula & contépla-pche luifolo puo hauere cognitione de gliuniuerfali.Ma pche e necef fariochel pricipio nafca da particulari:& qftifono ne fefi-phocercha lontellecto farfilafefualita fubiecta: Quefta da prícipio da luna pte concitata:& comoffa da le illecebre & lufinghe dellecofe mométanee & téporali.Etda laltra parte repreffa da la ragione tutta iuilifce: Perche no eachora pfectamete obediéte a la ragioe. Aduque bifogna adormétalla cõee decto. Ma poiche gia fiamo entrati alcontéplare fiza repu gnáta de fefi adormétati allhora:pche gia fono al tutto obediétu ala ragice gliexcita & defta:&cógiugne glifeco.pche euenuto gia a táta pfectione lhuomo che difcernecola méte & difcernecol corpo: pche efe i noftricorruptibili:&corporeificonuertono í ragioe:& la ragiceí itellecto:& lontellectoi iteligétia: &la itelligétia i dio. Ne e da marauigliarfife laia facta a fimilitudie di tutta la fapiétia haífe la fimilitudie dituttelecofe.Onde áchora da Ariftotele edecta fimilitudine di tutte le cofe: pche ha i fe potétie con leq liognicofe iueftigi:& dogni cofa fia fimile béche fia una:Efimile ala terra pel fenfo. Allacqua per la imagi natice.Allaria pla ragione.Al firmamétop lotellecto.Alcielo de cieli p la itelligétia.Scriue adúque.VN greue tuono mi ruppe lalto fono della tefta:cioe la medefima gratia di dio:la qle pría haueacolopita la fe fualitapche nonípedifila ragione nel paffare ala contéplatione hora la defta pche con qlla ficógiúga.& dixe.Ruppemia dinotare che non lafcio che fideftaffida fe:&fornifi il fonno.llche fignifica che la féfua lita non fidefterebbe maida la fua pigritia fe non fuffi defta da ladiuina gratia:&dixe lalto fonno:cioe p fudo feno pchemolto e pfüdo elfeno:& la pigritiadella fefualita.Quafpiritus preptusé carouero ifir ma.DELLA tefta:dixe qfto pche el fono pcede da uapori:eqli eleuati dal nutrimétouáno al cerebro:& quiui raffredati da la frigidita del cerebro:&pqftocodéfati ferono la uia al caldo & alo fpirito: elqle nel ceruello da pfectione a fefi.SI Chio mirifcoffi.Nonefazagrade mouiméto quádo Ihuomo e defto pfor za.Ma áchora fa no piccolo moto nellanimo lafefualita rapita dala ragione. ET Locchio ripofato intor no moffi.Cee el corpo ha gliocchi coqli guarda &uede:cofi laia ha potétia con lagle iueftiga & difcerne Lamête aduque e locchio dellanima:& laragiõe e el fuofguardare:& loitelleto c el fuo uedere & difcer nere.llpche alhora uolge laía el fuo occhio ripofato quádo difcorrecon la ragioe tráquilla: & alhora etra quilla la ragione quádo el fenfo & lappetitoglie íforma obediéte che íogni parte la feguita.DRITto leua to:a dimoftrare che la féfualita fi leuaua dale cofe baffe & terrene pfeguire lontellecto.ET Fiforiguardai Eneceflario fe uogliamo rectaméte contéplareche la méte tráquilla& uacua dogni pturbatione &paf non bafta a chiuuole trouare lauerita faredifcorfo ptutte le cofe: fe non uifiuolge con ogni acume din gegno:&qllo affifi ideft tengha fermo:8di quiuinon lo diparta:accioche dalocchio:8dal fuo fguardare naica eluedere cioe lontédere: &conofcere elluogho doue ciritrouiamo.Vere chen fula pdamitrouai.
QUARTO
CANTO
34
Vppemilalto
fonno
nella
tefta.
un
grieue
tono
fichio
mi
ri
coffi.
chome
perfonache
per
forza
edefta.
Etlocchioripofato
intorno
moffi
drito
leuato:&
fifo
riguardai
conofcer
lo
loco
douio
foff
Vere
chen
fula
proda
trouai
ualle
dabiffo
dolorofa:
tuono
accoglie
dinfiniti
guai
Obfcura
&profonda
cheper
uifo
fondo
ionon
uidifcernea
t
Racta
elpoeta
prío
effer
digra
cielo.Non
puo
homo
paffareala
fpeculatioe
uiti
repugnáte
ragiõe
noe
priacofopita.
Hora
tuono:&uolgegliocchi
ripolati
itorno:
liche
ftarebbe
obe
neceffario
ragioe
tonádogli
riprédédola
pigricia
uigiláte:&
attéta
aubbidire
nelle
cofe
Ilpche
uolgere
ripofato
puoufare
elfefo
quieto:&no
piuifiámato
ifuriato
cupidita
delle
terrene:
Ecofanotai
philofophia
ch
folo
itellecto
fpecula
contépla-pche
hauere
necef
pricipio
particulari:&
qftifono
fefi-phocercha
lontellecto
farfilafefualita
fubiecta:
Quefta
prícipio
pte
lufinghe
dellecofe
téporali.Etda
laltra
parte
repreffa
iuilifce:
Perche
eachora
pfectamete
obediéte
adormétalla
cõee
decto.
Ma
poiche
entrati
alcontéplare
fiza
repu
fefi
adormétati
allhora:pche
fono
tutto
obediétu
táta
méte
efe
noftricorruptibili:&corporeificonuertono
í
ragioe:&
ragiceí
itellecto:&
lontellectoi
iteligétia:
&la
itelligétia
Ne
fapiétia
dituttelecofe.Onde
potétie
leq
fenfo.
imagi
pla
firmamétop
lotellecto.Alcielo
cieli
itelligétia.Scriue
adúque.VN
greue
ruppe
medefima
paffare
contéplatione
hora
qlla
dixe.Ruppemia
dinotare
fua
pigritia
fuffi
ladiuina
gratia:&dixe
pchemolto
pfüdo
elfeno:&
pigritiadella
fefualita.Quafpiritus
preptusé
ifir
uapori:eqli
eleuati
nutrimétouáno
cerebro:&
quiui
raffredati
frigidita
uia
fefi.SI
mirifcoffi.Nonefazagrade
piccolo
lafefualita
rapita
dala
ragione.
ET
Locchio
intor
moffi.Cee
gliocchi
coqli
guarda
&uede:cofi
potétia
lagle
iueftiga
difcerne
Lamête
aduque
dellanima:&
laragiõe
fuofguardare:&
loitelleto
c
fuo
uedere
difcer
nere.llpche
alhora
uolge
laía
occhio
difcorrecon
tráquilla:
etra
quilla
fenfo
lappetitoglie
íforma
íogni
feguita.DRITto
leua
to:a
dimoftrare
féfualita
fi
leuaua
dale
baffe
terrene
pfeguire
lontellecto.ET
Fiforiguardai
Eneceflario
uogliamo
rectaméte
contéplareche
tráquilla&
uacua
pturbatione
&paf
bafta
chiuuole
trouare
lauerita
faredifcorfo
ptutte
uifiuolge
ogni
acume
din
gegno:&qllo
affifi
ideft
tengha
fermo:8di
quiuinon
diparta:accioche
dalocchio:8dal
fguardare
naica
eluedere
lontédere:
&conofcere
elluogho
doue
ciritrouiamo.Vere
pdamitrouai.