Unable to open [object Object]: HTTP 0 attempting to load TileSource

Human Generated Data

Title

Canto II. The Descent of Beatrice

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5261

Human Generated Data

Title

Canto II. The Descent of Beatrice

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5261

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.7
Page 99.1
Paper 83.4
Newspaper 82.9
Advertisement 74.6
Poster 70.8
Flyer 68.4
Brochure 68.4
Label 64.1
Letter 59.1

Clarifai
created on 2019-11-03

page 98.4
document 96.1
paper 95.7
desktop 95.6
vintage 95.4
old 94.7
blank 94.3
text 93.1
retro 93
picture frame 92.9
book bindings 92.7
texture 92.1
design 91.1
antique 90
art 89.4
decoration 88
template 86.5
pattern 86
print 85.6
illustration 83.6

Imagga
created on 2019-11-03

newspaper 54.2
cloud 51.8
daily 48.3
product 48.2
backdrop 41.3
creation 38.4
definition 38.3
association 37.5
cover 37.1
design 36.7
creative 35.4
artwork 34.9
advertising 34.6
decor 33.7
associated 33.6
brochure 33.2
carpet 33.2
advertise 33.2
composition 33.1
advertisement 32.9
decorative 32.7
collection 32.5
element 32.3
art 31.7
conceptual 30.9
decoration 29
book 28.9
idea 28.5
binding 27.3
graphic 27.1
fabric 26.5
old 26.5
brass 24.3
continuity 22.8
drapery 22.7
letter 22.1
information 21.3
antique 20.2
data 20.1
texture 19.5
business 19.5
word 18.9
copy 18.6
text 18.4
memorial 18.1
keywords 17.8
detail 16.9
pattern 16.4
structure 15.5
paper 14.9
page 14.9
ancient 14.7
vintage 14.1
development 13.3
textured 13.2
bible 12.8
energy 11.8
religion 11.7
collage 11.6
religious 11.3
aged 10.9
city 10.8
history 10.8
prayer 10.6
spiritual 10.6
faith 10.6
communication 10.1
retro 9.9
best 9.8
surface 9.7
tile 9.7
holy 9.7
god 9.6
seamless 9.5
writing 9.4
life 9.4
grunge 9.4
document 9.3
material 8.9
education 8.7
read 8.7
black 8.4
company 8.4
church 8.3
open 8.1
day 7.9
analysis 7.8
modern 7.7
health 7.7
print 7.6
good 7.5
new 7.3
dirty 7.2

Google
created on 2019-11-03

Text 97.1
Paper 89.9
Newsprint 89.9
Paper product 74.3
Font 68.6
Document 66.3
Newspaper 56.1

Microsoft
created on 2019-11-03

text 100
letter 92.5
book 82.4
sign 64.4
newspaper 56.9
plaque 25.6

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image depicts a page from an early printed book featuring text in Italian and an accompanying illustration. This page appears to be from Dante Alighieri's "Divine Comedy," specifically from the "Inferno" section of the first cantica, and it discusses the second canto. The illustration to the right of the text is a woodblock print showing a scene from Dante's journey through Hell. The artwork is intricate, displaying various figures and elements typical of medieval illustration styles, including a possible depiction of mythological or biblical characters and landscapes. The text is organized into paragraphs with a prominent title, "CANTO SECONDO DELLA PRIMA CANTICA," and it starts with an ornate, decorative initial letter "L." The page is bordered by a light margin, indicative of careful layout typical of early printed books, often incunabula (books printed before 1501). Overall, the image captures an important piece from a historic edition of Dante's work, combining both literary and illustrative elements characteristic of early Renaissance book production.

Created by gpt-4 on 2025-01-31

This image appears to be a photograph of a page from an old book, specifically an edition of Dante Alighieri's "Inferno," which is the first part of his epic poem "Divine Comedy." The page is written in an early form of the Italian language and is comprised of a combination of text and an illustration. At the top of the page, the title "INFERNO" is prominent, followed by a block of text in a smaller font, which seems to be a commentary or notes relating to the text. Below, the main body of the text is divided into two columns, with a decorated capital letter "O" marking the beginning of the canto (in this case, "CANTO SECONDO DELLA PRIMA CANTICA"). To the right of the text, a woodcut illustration depicts a scene relevant to the content of the canto. The illustration shows several figures, possibly Dante and Virgil (his guide through Hell), in a setting that represents an aspect of the infernal landscape described in the poem. Overall, the page has the distinctive features of a printed work from the Renaissance period, with its elegant but dense typeset, woodcut art, and historical orthography. The condition of the page is good, with some signs of age such as slight discoloration.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historic Italian text, specifically from Dante's "Inferno." The page features both text and an illustration. The text is laid out in a traditional manuscript style with a title reading "INFERNO" at the top and "CANTO SECONDO DELLA PRIMA CANTICA" as a section header. The page includes a woodcut illustration on the right side showing several figures in a landscape setting. The scene appears to depict figures in robes in what seems to be a mountainous or hilly terrain, likely illustrating a scene from the narrative. The text is printed in what appears to be an early printing press style, with clear black lettering on aged paper. The layout includes both prose text and what appears to be verse formatting, typical of early printed editions of Dante's work. The page shows some aging or yellowing, suggesting this is from a historically significant edition of the text. The overall composition and printing style suggests this is likely from an early printed edition of Dante's Divine Comedy, possibly from the 15th or 16th century.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows an old printed text in Italian along with an engraved illustration. The text appears to be about the story of Dante's Inferno, the first part of his Divine Comedy. The illustration depicts a scene with several figures in a forest or wooded setting. There are figures in robes or cloaks, some holding weapons like spears. The overall style looks like it dates back several centuries based on the aged appearance of the paper and the woodcut style of the illustration.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from an old book or manuscript. It contains text in what seems to be Italian, along with an illustration depicting a scene from what looks like a narrative or story. The image shows a landscape with natural elements like mountains and trees, as well as human figures engaged in various activities. Without being able to identify any specific individuals, the illustration appears to portray a scene from a literary or religious work. The overall aesthetic and style suggest this is a historical or classical work.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-14

The image presents a page from an old book, featuring a mix of text and illustrations. The page is written in Latin and includes a woodcut illustration of a scene with people. * **Text** * The text is written in Latin and appears to be a passage from a book. * The text is divided into sections, with headings and subheadings. * The font used is an old-fashioned style, with intricate lettering and ornaments. * **Illustration** * The illustration is a woodcut of a scene with people. * The scene depicts a group of people standing around a table, with one person holding a book. * The illustration is detailed and includes various elements such as trees, rocks, and animals. * **Background** * The background of the page is off-white, with a slight yellowish tint. * The page has a worn and aged appearance, with visible signs of aging such as creases and tears. * **Border** * The page has a thin border around the edges, which is slightly worn and faded. * The border is made up of a series of lines and ornaments, which add to the overall aesthetic of the page. In summary, the image presents a page from an old book that features a mix of text and illustrations. The text is written in Latin and includes a passage from a book, while the illustration depicts a scene with people. The page has a worn and aged appearance, with visible signs of aging such as creases and tears. The border around the page adds to the overall aesthetic of the page, with its intricate design and ornaments.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-14

The image presents a page from an old book, featuring text in Italian and an illustration. The page is divided into two sections: the top section contains text, while the bottom section features an illustration accompanied by text. **Text Section:** * The text is written in black ink on a beige background. * The font is serif, with varying sizes used throughout the text. * The text appears to be a passage from a literary work, possibly a poem or novel. * The language is Italian, suggesting that the book may be a classic work of Italian literature. **Illustration Section:** * The illustration is a black-and-white drawing depicting a scene from the text. * The illustration shows a group of people standing in a landscape, possibly a forest or mountain range. * The figures are dressed in clothing that suggests a medieval or Renaissance setting. * The illustration is surrounded by text, which may provide context or explanation for the scene depicted. **Overall:** * The image suggests that the book is a rare or antique volume, possibly from the 16th or 17th century. * The use of Italian text and the style of the illustration suggest that the book may be a classic work of Italian literature. * The image provides a glimpse into the artistic and literary styles of the past, offering a unique perspective on the cultural heritage of Italy.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image is a page from a book, which appears to be a historical text written in an old language, possibly Italian. The page has two columns of text, with the left column containing the main text and the right column featuring an illustration. The text discusses the concept of "Inferno" (Hell) and the second canto of the "Prima Cantica" (First Song). The illustration depicts a scene with a person holding a torch and a few other figures, possibly representing a scene from the text. The page is part of an old book, with the paper appearing aged and yellowed.

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image is of a page from a book, likely an old or historical text, as evidenced by the aged paper and the style of the typeface. The page is divided into two main sections: the upper part contains a block of text, while the lower part features an illustration. The text is written in a script that appears to be Latin or a similar language, given the use of diacritical marks and the style of the font. The text is dense and appears to be a narrative or a philosophical discourse, as it contains complex sentences and what seems to be a discussion of abstract concepts. Below the text, there is an illustration that depicts a scene with several figures. The illustration is in black and white, and it appears to be a woodcut or an engraving. The figures are dressed in what seems to be medieval or Renaissance attire, suggesting that the book might be from that era. The scene shows a man standing with a woman, possibly in a garden or a natural setting, with other figures in the background engaged in various activities. The illustration is titled "CANTO SECONDO DELLA PRIMA CANTICA," which translates to "Second Song of the First Canticle." This suggests that the book is a poetic or literary work, possibly an epic or a long narrative poem. The overall condition of the page indicates that it is from an old book, possibly a rare or valuable edition due to the quality of the paper and the craftsmanship of the illustration. The text and illustration together suggest a thematic connection, possibly illustrating a passage from the poem or providing a visual representation of the narrative described in the text.

Text analysis

Amazon

INFERNO.
dalle
terra
tomale
CANTICA.
CANTO
CANTO OSECONDODELLAPRIMA CANTICA.
noin terra
nima.
dalle faticheloro:&
lanima
trimento:
aliferno.
ALLHOR
OSECONDODELLAPRIMA
noin
colpa
crbruno
da
ET
eacodurlo.
giornofenandaua &la
graued
elfommo abfoluendo lanima dala
elfommo
obediente.
iferiore
pie
faticheloro:&
nima. .SI CHO pie
abfoluendo
tomale neluitio. peftifero eluitio graued
non
dala
la
graue:
eacodurlo. ALLHOR mome. iferiore
quelto
trimento: da quelto graue: lo babito elqualeuccide la
colpa la fanno aliferno.
fufficien
togleuaglanimalichelo
tione:
elqualeuccide
uitio. ET ladannarione nocognofcerequa
neluitio.
uitio.
nocognofcerequa
peftifero
eluitio
babito
.SI CHO
lo
non ellere fufficien
BATRCE
ladannarione
mome.
fanno
.CMAG INFERNO.
ellere
.CMAG

Google

INFERNO. elmale dela ignerantia & deluitio. ETPEGGIO.cioeladannatione laqual feguitada nocognofcere qua tomale fia neluitio.Chi non conofci quato fia peftifero eluitio non lo fugge: diche confeguita grauede trimento:&da quefto nenafce unaltro piu graue: perche non lo fuggendone fahabito elquale uccide la pima.SI CHHOueggia la porta di fan Pietro.per quefto intédi lentrata del purgatorio.imperhoche pie trocioe el fommo pontifice & tuttiefacerdori equali hanno lauctorita da quello abfoluendo lanima dala &non eflendo abfoluta farebbe dánata alíferno. Ne mi pareche irelaoreeadifo perche Virgiliodifopra hadimoftro non effere fufficien te acodurlo.ALLHOR fimoffe.Dantheche elappetito rationale & la ragione iferiore priegha la ragio nefuperiorechelo guidialacontéplatione & alhora la ragione excitata dalappetito fiuolge ala contepla tione:&Danthe cioe epfoappetito gli tiendrieto perche gli dituenta obediente. uboso CANTO SECONDODELLAPRIMA CANTICA O giornofenandaua & la cr bruno 220 RATRJCE togleuaglanimaliche fo no in terra dalle fatiche loro:& io folo uno Mapparechiauo afoftener la guerra fidelcamino & fi della pietate cheritrarra la mente che non erra Omufeo alto ingegno hor maiutate. omente chefcriuefticio chiouidi quifi parra la tuanobilitate. P Offiamo dire che el precedente capitulo fia ftato quafi una propofitione di tutta lo pera:perlaquale lauctorenon folamente dimo) itra con brieue parole quelloche per tutta lope ra habbia adire: Maanchora la ragione perche tiene tale ordine. Deftoffi lappetito ricercádo il fuo bene: &illuminato dalaragione fuggi lafelua: 8 faliua al montedoue uedea elfole. Ma per la uia dele fiere: dalequaligli fuuietaro el falire. lichefignficachecognofciuto manon molto diftinctamente chel fommo beneconfifteua i fruire idio: cercaua la cognitione di quello nela uita ciule doue regna la ra gione inferiore: Laquale fpeffo e ingannata dal fenfo: Etdoue effendole uirtu cuili non perfecte molto poffono le perturbationi delanimo lequalicercádo piacere honore &utile non feguitano eluero gaudio neanchora el ueroutile che non fi puomai feperaredal honefto:Neeluero honore clquale non e altro che lauera &finceralaude per femedefima:poftochenonfecerchifeguita lauirtu come lombra el cor po&e premio depfauirtu: &non fidebbane puodare fe non a buoni. Ma in luogho de quefte tre fegui tano lauolupta delcorpo.la poffeffione de bencaduchi & terrenicioe lauaritia &inalmete la glonia ua nadelmondoche e lambitione. Non puo adunque lamente humana con la fola ra lauita ciuile oue molto poffono le perturbationigenitraci di tutti cuiti uenirealfole inferiore &ne :Mapure effendo necupida merita eflerefoccorfada Virgilio:ciocdallaragionefuperiore & dalla doctrina.Queftagli di moftracheuolendo andare al paradifo cioe alafelicita eneceflario prima paffare per linferno & pel pur gatoriocioe difcendere nella cognitione de uitii &conofciutogli purgarfene. Daquali rimafa purgata la méte puo facilméteuenire ala cognitione delecofe diuine doue confifte la beatitudiue.Et bene promet te Virgilio a Danthe menarloficuro per linferno & pel purgatorio: maconfeffa non lo potere menare al paradifo perche come habbiamodectola fciétia philofophica puo darcila cognitione deuiti & iftruir ciichemodocene purghiamo:Manonci puo conducere al paradifocioealacognitione dele cofe diuine Perche quefta e propria fcientiadela facratheologiadechriftiani.llpercheucraméte fi puo direche el pri mo canto fia ftato in luogho di propofitione. In quefto fecondocapitulo ponela inuocatione laquale di monftramo difopra eflere la feconda parte principale di tutta lopera. Etdipoi muoue un dubio a Vir gilio difidandofi effere fufficiéte a fare taluiaggio conciofiacofa che non ene Enea ne Paulo apoftolo doppo laquale dubitatione Virgilio lo contorta al feguire: & dagli ferma fperanza dimonftrando gli che non per fe medefimo uiene le cui forze non forfe farrebor auto chilo manda. Comincia adunque. LO GIORNO SENANdaua. &fachronographiacioe de ficiéti: ma che da cielo eue
tomale
neluitio.Chi
conofci
fia
eluitio
lo
diche
unaltro
graue:
perche
fahabito
uccide
la
pima.SI
CHHOueggia
porta
di
fan
Pietro.per
quefto
intédi
lentrata
del
purgatorio.imperhoche
pie
trocioe
el
fommo
pontifice
&
tuttiefacerdori
equali
hanno
lauctorita
da
quello
abfoluendo
lanima
dala
&non
eflendo
abfoluta
farebbe
dánata
alíferno.
Ne
mi
pareche
irelaoreeadifo
Virgiliodifopra
hadimoftro
non
effere
fufficien
te
acodurlo.ALLHOR
fimoffe.Dantheche
elappetito
rationale
ragione
iferiore
priegha
ragio
nefuperiorechelo
guidialacontéplatione
alhora
excitata
dalappetito
fiuolge
ala
contepla
tione:&Danthe
cioe
epfoappetito
gli
tiendrieto
dituenta
obediente.
uboso
CANTO
SECONDODELLAPRIMA
CANTICA
O
giornofenandaua
cr
bruno
220
RATRJCE
togleuaglanimaliche
fo
no
in
terra
dalle
fatiche
loro:&
io
folo
uno
Mapparechiauo
afoftener
guerra
fidelcamino
fi
della
pietate
cheritrarra
mente
che
erra
Omufeo
alto
ingegno
hor
maiutate.
omente
chefcriuefticio
chiouidi
quifi
parra
tuanobilitate.
P
Offiamo
dire
precedente
capitulo
ftato
quafi
una
propofitione
tutta
pera:perlaquale
lauctorenon
folamente
dimo)
itra
con
brieue
parole
quelloche
per
lope
ra
habbia
adire:
Maanchora
tiene
tale
ordine.
Deftoffi
lappetito
ricercádo
il
fuo
bene:
&illuminato
dalaragione
fuggi
lafelua:
8
faliua
al
montedoue
uedea
elfole.
Ma
uia
dele
fiere:
dalequaligli
fuuietaro
falire.
lichefignficachecognofciuto
manon
molto
diftinctamente
chel
beneconfifteua
i
fruire
idio:
cercaua
cognitione
nela
uita
ciule
doue
regna
gione
inferiore:
Laquale
fpeffo
e
ingannata
dal
fenfo:
Etdoue
effendole
uirtu
cuili
perfecte
poffono
le
perturbationi
delanimo
lequalicercádo
piacere
honore
&utile
feguitano
eluero
gaudio
neanchora
ueroutile
puomai
feperaredal
honefto:Neeluero
clquale
altro
lauera
&finceralaude
femedefima:poftochenonfecerchifeguita
lauirtu
come
lombra
cor
po&e
premio
depfauirtu:
fidebbane
puodare
fe
a
buoni.
luogho
de
quefte
tre
fegui
tano
lauolupta
delcorpo.la
poffeffione
bencaduchi
terrenicioe
lauaritia
&inalmete
glonia
ua
nadelmondoche
lambitione.
Non
puo
adunque
lamente
humana
fola
lauita
ciuile
oue
perturbationigenitraci
tutti
cuiti
uenirealfole
inferiore
&ne
:Mapure
effendo
necupida
merita
eflerefoccorfada
Virgilio:ciocdallaragionefuperiore
dalla
doctrina.Queftagli
moftracheuolendo
andare
paradifo
alafelicita
eneceflario
prima
paffare
linferno
pel
pur
gatoriocioe
difcendere
nella
uitii
&conofciutogli
purgarfene.
Daquali
rimafa
purgata
méte
facilméteuenire
delecofe
diuine
confifte
beatitudiue.Et
bene
promet
Virgilio
Danthe
menarloficuro
purgatorio:
maconfeffa
potere
menare
habbiamodectola
fciétia
philofophica
darcila
deuiti
iftruir
ciichemodocene
purghiamo:Manonci
conducere
paradifocioealacognitione
cofe
Perche
quefta
propria
fcientiadela
facratheologiadechriftiani.llpercheucraméte
direche
pri
mo
canto
propofitione.
In
fecondocapitulo
ponela
inuocatione
laquale
monftramo
difopra
eflere
feconda
parte
principale
lopera.
Etdipoi
muoue
un
dubio
Vir
gilio
difidandofi
fufficiéte
fare
taluiaggio
conciofiacofa
ene
Enea
ne
Paulo
apoftolo
doppo
dubitatione
contorta
feguire:
dagli
ferma
fperanza
dimonftrando
medefimo
uiene
cui
forze
forfe
farrebor
auto
chilo
manda.
Comincia
adunque.
LO
GIORNO
SENANdaua.
&fachronographiacioe
ficiéti:
ma
cielo
eue
INFERNO.
elmale
dela
ignerantia
deluitio.
ETPEGGIO.cioeladannatione
laqual
feguitada
nocognofcere
qua
quato
peftifero
fugge:
confeguita
grauede
trimento:&da
nenafce
piu
fuggendone
elquale