Human Generated Data

Title

Canto I. The Dark Wood of Error (Worldliness); The Mount; The Three Wild Beasts

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5260

Human Generated Data

Title

Canto I. The Dark Wood of Error (Worldliness); The Mount; The Three Wild Beasts

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5260

Machine Generated Data

Tags

Amazon
created on 2023-08-10

Page 100
Text 100
Newspaper 97.9
Person 92.9
Person 89.8
Person 75.4
Head 71.5
Person 63.9
Person 61.8

Imagga
created on 2023-08-10

cloud 50.1
backdrop 45.4
binding 44.3
newspaper 41.7
product 41
design 37.8
decor 35.5
cover 35.3
advertising 34.6
element 34
creative 33.6
associated 33.6
association 33.6
definition 33.4
brochure 33.2
carpet 33.2
advertise 33.2
artwork 33
creation 32.9
advertisement 32.9
composition 32.1
collection 31.6
decoration 31.2
fabric 31.2
art 31
conceptual 30.9
book 30.9
decorative 29.3
old 27.9
idea 25.9
graphic 25.6
texture 25.1
letter 23.9
drapery 23.7
continuity 22.8
pattern 22.6
antique 21.5
information 21.3
data 20.1
keywords 18.8
copy 18.6
text 18.4
business 17.7
vintage 16.6
brass 16.4
word 16.1
textured 15.8
ancient 15.6
detail 14.5
grunge 14.5
journal 14.5
paper 14.1
retro 14
page 14
structure 13.9
aged 13.6
material 12.5
daily 12.4
memorial 11.8
dirty 11.8
collage 11.6
development 11.4
modern 11.2
life 11
energy 11
tile 10.6
textile 10.5
canvas 10.5
black 10.2
rough 10
wallpaper 10
religion 9.9
bible 9.8
surface 9.7
prayer 9.7
seamless 9.5
religious 9.4
communication 9.3
cotton 8.9
best 8.8
closeup 8.8
mosaic 8.7
mix 8.7
spiritual 8.7
faith 8.6
blank 8.6
bookmark 8.5
print 8.5
fashion 8.3
brown 8.1
history 8.1
arabesque 8
close 8
more 7.8
thread 7.8
ornament 7.8
holy 7.7
read 7.7
stained 7.7
fiber 7.7
cloth 7.7
god 7.7
commercial 7.5
city 7.5
company 7.5
style 7.4
burlap 7.4
church 7.4
open 7.2

Google
created on 2023-08-10

Font 84
Book 76.5
Parallel 70.7
Paper 69.9
Paper product 67.8
Document 64.6
Handwriting 63.3
Letter 52.4
History 52.1
Rectangle 51.6

Microsoft
created on 2023-08-10

text 100
letter 63.8

Color Analysis

Feature analysis

Amazon

Person 92.9%

Categories

Captions

Microsoft
created on 2023-08-10

text 99.8%

Azure OpenAI

Created by gpt-4 on 2024-12-06

This image shows a page from an old book, with text printed in a column format that is typical of older publications. The layout includes a large decorative initial letter "C" that begins the text, indicating a new section or chapter. The initial is embellished with intricate artwork, sometimes referred to as an historiated initial because of its decorative nature. To the right side of the page, there is a woodcut illustration depicting a scene with several figures in a natural setting, possibly a wood or forest. Some of the figures appear to be in motion and engaged in an activity, and there is foliage and trees within the scene. The illustration aligns with the practice of including visual elements in printed works to either enhance the storytelling or to visually summarize the events in the accompanying text. The language of the text is archaic, possibly an early form of Italian or Latin, suggesting that the book could be a historical or literary work, possibly religious or philosophical in nature due to the time period suggested by the typeface and language style. At the bottom of the page, there are handwritten notes, which often indicate that a past reader interacted with the text, adding thoughts, references, or translations. These marginalia provide a glimpse into how historical texts were used and studied by readers of the past. Overall, the page is a representation of early bookmaking, printing, and illustration techniques, highlighting the craftsmanship and artistic practices of the era.

Created by gpt-4o-2024-05-13 on 2024-12-06

This image depicts a page from an old manuscript or printed book. The text is primarily in Italian, and the passage appears to be from Dante Alighieri's "Divine Comedy," specifically "Inferno," as indicated by the "CANTO PRIMO" heading. The page includes an elaborate letter "N" at the beginning of the text, and there is an illustration on the right side showing several figures in a forest setting. The text is arranged in a single column with detailed descriptions and explanations, as typical of a literary commentary or annotated edition. There’s also faint handwriting in Italian at the bottom of the page.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-06

This image appears to be an illustration from a manuscript or printed book. It shows a scenic landscape with figures in the foreground. The text surrounding the image is in an old Italian script, indicating this is likely from an Italian work, possibly a medieval or Renaissance-era text. I won't attempt to identify any specific individuals depicted, as the image seems to contain human figures. Instead, I'll describe what I see in the illustration - a lush, forested scene with figures engaged in various activities. The style of the artwork and text suggests this is a historical or literary work from Italy.

Created by claude-3-5-sonnet-20241022 on 2024-12-06

This is a page from what appears to be an early printed edition of Dante's Divine Comedy (specifically the first canto), likely from the late 15th or early 16th century. The page features both text and illustration, with a decorative illuminated initial "N" on the left side and a woodcut illustration on the right. The text is in Italian, and the layout is typical of early printed books with dense text blocks and marginal annotations. The woodcut illustration depicts a scene from the beginning of the Inferno, showing figures in a dark forest - this represents the opening scene where the protagonist finds himself lost in the "dark wood." The artistic style is characteristic of medieval woodcut illustrations, with simple yet effective line work and composition. The page includes both the poetic text of the Divine Comedy and what appears to be a commentary or explanatory text below it. The header clearly states "CANTO PRIMO" (First Canto), and the overall layout and typography are typical of early Renaissance printing practices in Italy.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-06

The image presents a page from an old book, featuring a mix of text and illustrations. The page is written in Latin, with the title "CANTO PRIMO DE LA PRIMACANTICA OUERO COMEDIA DEL DIVINO POETA FIorentino Dante ALc Capitolo" at the top. The text is divided into two columns, with the left column containing a decorative initial letter and the right column featuring an illustration of a scene from Dante's Divine Comedy. Here is a detailed breakdown of the image: * **Title**: "CANTO PRIMO DE LA PRIMACANTICA OUERO COMEDIA DEL DIVINO POETA FIorentino Dante ALc Capitulo" * **Text**: The text is written in Latin and is divided into two columns. The left column contains a decorative initial letter, while the right column features an illustration of a scene from Dante's Divine Comedy. * **Illustration**: The illustration on the right side of the page depicts a scene from Dante's Divine Comedy, likely showing a character from the poem. The illustration is rendered in a detailed and intricate style, with bold lines and shading. * **Decorative Initial Letter**: The decorative initial letter on the left side of the page is a large, ornate letter "N" that serves as a heading for the text. The letter is surrounded by intricate designs and patterns, adding to the overall aesthetic of the page. In summary, the image presents a page from an old book that features a mix of text and illustrations. The page is written in Latin and includes a decorative initial letter and an illustration of a scene from Dante's Divine Comedy. The illustration is rendered in a detailed and intricate style, with bold lines and shading.

Text analysis

Amazon

diricta
dura
afpra
dellaltre
ben
quel
folamente
CANTO
quale
fcura
Ah
fonno
era
del
ridir
chio
camin
Abbiamo
Chela diricta
infu
libro
cofe
CANTOPRIMO
di
PRIMO.
quanto
uia
feluaggia
felua
uita
chomio
penfier
poco
forte
nel
morte
diro
DE
EL
per
Chela
camin di no
amara
LA
che
diro dellaltre cofe chio uo fcorte
pié
Fiorentino
ta
Abbiamo narrato non folamente la uita del poeta
Ah quanto adir quale eracofa dura
tractar
ma
uero
el
paura
&
la
poeta
EL Mezo del
adir
che nel penfier rinuoua la paura
trouai
ui
narrato
h
comedia
PRImacantica
Dante
no
una
Mezo
non
fcorte
I
& el titulodel libro
qfta felua feluaggia afpra & forte
Capitulo.
rinuoua
uo
Táto era amara che poco e piu morte
ma per tractar del bé chio ui trouai
I non fo ben ridir chomio uentrai
titulodel
eracofa
Poeta
e
fo
CANTOPRIMO DE LA PRImacantica o uero comedia deldiuino Poeta Fiorentino Dante Ale
ftrauita
Táto
una feluaob,
Miritrouaip
piu
qfta
I.
tâtera pié di fonno infu quel púcto
Ale
hieri.
uentrai
feluaob,
uia erafmarri
deldiuino
o
erafmarri
púcto
tâtera

Google

CANTO PRIMO. CANTOPRIMO DE LA PRIma cantica o uero comedia del diuino Poeta Fiorentino Dante Ale Capitulo. I. X shieri. EL Mezo del camin di no ftrauita Mi ritrouai p una felua ob fcura Che la diricta uia erafmarri ta Ah quanto adir quale era cofa dura qfta felua feluaggia afpra & forte che nel penfier rinuoua la paura Tato era amara che poco e piu morte ma per tractar del bé chio ui trouai diro dellaltre cofe chio uo fcorte I non fo ben ridir chomio uentrai tatera pie di ſonno infu quel pucto h Abbiamo narrato non folamente la uita del poeta che la uerace uia abbandonai & el titulo del libro & che cofa fia poeta:ma etiá quá to fia uetufta & anticha:quáto nobile & uaria:quáto utile &ioconda tal doctrina. Quáto fia efficace a muouere lhu mane menti: & quáto dilecti ogni liberale ingegno. Ne giudicanımo da tacere quato i fi diuina difciplina fia ftata la excellétia dello igegno del noftro poeta. Inche fi fono ftato piu brieue che forfe non fi conuerebbe:cófideri chi legge che lanumerofa & quafi infinita copia delle chofe dellequali e neceffario tractare mifforza non uolédo chel uolume crefca fopra modo:a inculcare & inuiluppare piu tofto che explicare:& diftendere molte chofe & maxime quelle lequali quádo bé taceffi non perone reftera obfcu ra la expofitione del tefto. Verremo adunque a quella Ma perche ftimo non effer lectore alcuno ne di fi baffo i gegno:ne di fi pocho giudicio:che hauédo itefo:quáto fia & la profondita &uarieta della doctrina:& la excellentia & diuinita dello ingegno del noftro toſcano:&fiorétino poeta:non fi perfuada che queſto principio del primo cáto debba per fublimita & grandezza effer pari alla ftupéda doctrina delle choſe che ſeguitano: pero con ogni íduftria in ueftigheremo che allegoricho fenfo arechi feco quefto mezo del camíio: & che chofa fia felua.Diche ueggio non piccola differentia effere ftata tra glinterpreti & expofitori di queſta cá tica. Impero che alchuni dicono:che il mezo della uita humana e el fonno moffi: credo dalla fententia da riftotile dicédo lui nellethica neffunna differentia effere tra felici: & miferi nella meta della uita per che le nocti che fono lameta del tempo cinducono fonno:& da quello nafce che ne bene ne male fentir pol fiamo. Il perche uogliono quefti:che el poeta pongha el mezo della uita per la nocte: & la nocte pel fon/ no:ad notare che quefto poema non fia altro che una uifione che gliapparue dormendo per laquale heb be cognitione delle chofe da lui defcripte i quefte tre comedie. Dicono aduque che lui imita loanni euá gelifta el quale dormendo fopra el pecto dichrifto redemptore hebbe uifione delle chofe celefte: ouera/ méte ponghi la nocte dimoftrádo lui hauere comíciato el fuo poema di nocte nella quale raccoglédofi la nimo in fe medefimo & abfoluendofi & liberadofi da ogni cura meglio ítéda.Ma ben che tale fententia quadri al poeta: niétedimeno le parole non la dimoftrono fe non con tanta obfcura ambiguita:che non pare degna della elegátia di táto poeta prima perche non feguita che benche nelle reuolutioni del tépo táto fpatio occupin le nocti quáto e di:per quefto dicédo io fcripfi di nocte fintenda io fcripfi nel mezo della mia eta:perche & nel pricipio & nel fine della eta humana fonno le nocti chome nel inezo & fimil méte e di.Il perche per la medefima ragione fi potrebbe fare tale iterpretatióe pel di come per la nocte Altri dicono che uole pel mezo del camío ítédere che nel mezo deleta dette pricipio al fuo poema. ma. A non e una medefima opinione del termie dela noftra eta:perche aiuerfi fcriptori diuerfaméte fentono B Suferis Ma poichio fui appie du collegiuto la oue terminaua quella ualle che mhauea di paura el cor cõpucto Guardai in alto & uidi le fue fpalle ueftite gia de raggi del pianeta che mena diricto altruip ogni calle Alhor fu la paura un pocho queta che nellago del cuor mera durata la nocte chio paffai con tanta pieta all cuts present 33 oudy 33.
PRIMO
DE
LA
o
Fiorentino
Dante
Ale
Capitulo
.
I.
shieri
Mezo
del
no
Mi
felua
ob
Che
erafmarri
Ah
adir
quale
qfta
afpra
nel
rinuoua
paura
Tato
che
e
morte
per
tractar
ui
diro
dellaltre
cofe
chio
fcorte
I
non
ben
chomio
uentrai
ſonno
infu
quel
Abbiamo
narrato
la
libro
fia
poeta
:
quá
uetufta
&
uaria
quáto
utile
tal
Quáto
efficace
lhu
mane
menti
dilecti
ingegno
Ne
giudicanımo
da
tacere
fi
diuina
difciplina
ftata
excellétia
dello
igegno
Inche
piu
forfe
conuerebbe
copia
mifforza
uolédo
crefca
fopra
a
inculcare
inuiluppare
tofto
chofe
quádo
obfcu
expofitione
tefto
Verremo
adunque
Ma
ftimo
effer
alcuno
ne
di
i
gegno
giudicio
hauédo
profondita
doctrina
diuinita
noftro
toſcano
fiorétino
fublimita
grandezza
ftupéda
choſe
pero
in
ueftigheremo
allegoricho
fenfo
arechi
feco
quefto
piccola
differentia
glinterpreti
Impero
il
della
uita
dalla
fententia
lui
effere
felici
miferi
tempo
fonno
bene
fiamo
uogliono
mezo
nocte
pel
fon
/
poema
altro
una
uifione
gliapparue
dormendo
laquale
heb
be
cognitione
delle
defcripte
quefte
tre
comedie
Dicono
aduque
imita
loanni
euá
gelifta
el
pecto
dichrifto
redemptore
hebbe
celefte
ouera
méte
ponghi
dimoftrádo
hauere
comíciato
fuo
nella
raccoglédofi
nimo
fe
medefimo
abfoluendofi
liberadofi
ogni
cura
meglio
ítéda.Ma
tale
quadri
al
niétedimeno
le
parole
dimoftrono
con
tanta
obfcura
ambiguita
pare
degna
elegátia
táto
prima
perche
feguita
benche
nelle
reuolutioni
fpatio
nocti
io
eta
humana
chome
inezo
fimil
di.Il
fare
iterpretatióe
come
Altri
dicono
medefima
opinione
noftra
aiuerfi
poichio
fui
appie
du
collegiuto
cor
Guardai
ueftite
gia
pianeta
altruip
Alhor
un
pocho
queta
nellago
cuor
mera
durata
paffai
pieta
all
cuts
CANTO
CANTOPRIMO
PRIma
cantica
uero
comedia
diuino
Poeta
X
EL
camin
ftrauita
ritrouai
p
fcura
diricta
uia
ta
quanto
era
cofa
dura
feluaggia
forte
penfier
amara
poco
ma
trouai
uo
fo
ridir
tatera
pie
pucto
h
folamente
uerace
abbandonai
titulo
etiá
to
anticha
nobile
ioconda
muouere
liberale
quato
fono
ftato
brieue
cófideri
chi
legge
lanumerofa
quafi
infinita
dellequali
neceffario
tractare
chel
uolume
modo
explicare
diftendere
molte
maxime
quelle
lequali
taceffi
perone
reftera
ra
quella
lectore
baffo
itefo
uarieta
excellentia
perfuada
queſto
principio
primo
cáto
debba
pari
alla
ſeguitano
íduftria
camíio
chofa
felua.Diche
ueggio
tra
expofitori
queſta
tica
alchuni
moffi
credo
riftotile
dicédo
nellethica
neffunna
meta
lameta
cinducono
quello
nafce
male
fentir
pol
Il
quefti
pongha
ad
notare
tépo
occupin
fcripfi
fintenda
mia
pricipio
fine
ragione
potrebbe
uole
camío
ítédere
deleta
dette
A
termie
dela
fcriptori
diuerfaméte
fentono
B
Suferis
oue
terminaua
ualle
mhauea
cõpucto
alto
uidi
fue
fpalle
de
raggi
mena
diricto
calle
fu
present
33
oudy