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Human Generated Data

Title

Canto I. The Dark Wood of Error (Worldliness); The Mount; The Three Wild Beasts

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5260

Human Generated Data

Title

Canto I. The Dark Wood of Error (Worldliness); The Mount; The Three Wild Beasts

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5260

Machine Generated Data

Tags

Amazon
created on 2023-08-10

Page 100
Text 100
Newspaper 97.9

Imagga
created on 2023-08-10

cloud 50.1
backdrop 45.4
binding 44.3
newspaper 41.7
product 41
design 37.8
decor 35.5
cover 35.3
advertising 34.6
element 34
creative 33.6
associated 33.6
association 33.6
definition 33.4
brochure 33.2
carpet 33.2
advertise 33.2
artwork 33
creation 32.9
advertisement 32.9
composition 32.1
collection 31.6
decoration 31.2
fabric 31.2
art 31
conceptual 30.9
book 30.9
decorative 29.3
old 27.9
idea 25.9
graphic 25.6
texture 25.1
letter 23.9
drapery 23.7
continuity 22.8
pattern 22.6
antique 21.5
information 21.3
data 20.1
keywords 18.8
copy 18.6
text 18.4
business 17.7
vintage 16.6
brass 16.4
word 16.1
textured 15.8
ancient 15.6
detail 14.5
grunge 14.5
journal 14.5
paper 14.1
retro 14
page 14
structure 13.9
aged 13.6
material 12.5
daily 12.4
memorial 11.8
dirty 11.8
collage 11.6
development 11.4
modern 11.2
life 11
energy 11
tile 10.6
textile 10.5
canvas 10.5
black 10.2
rough 10
wallpaper 10
religion 9.9
bible 9.8
surface 9.7
prayer 9.7
seamless 9.5
religious 9.4
communication 9.3
cotton 8.9
best 8.8
closeup 8.8
mosaic 8.7
mix 8.7
spiritual 8.7
faith 8.6
blank 8.6
bookmark 8.5
print 8.5
fashion 8.3
brown 8.1
history 8.1
arabesque 8
close 8
more 7.8
thread 7.8
ornament 7.8
holy 7.7
read 7.7
stained 7.7
fiber 7.7
cloth 7.7
god 7.7
commercial 7.5
city 7.5
company 7.5
style 7.4
burlap 7.4
church 7.4
open 7.2

Google
created on 2023-08-10

Font 84
Book 76.5
Parallel 70.7
Paper 69.9
Paper product 67.8
Document 64.6
Handwriting 63.3
Letter 52.4
History 52.1
Rectangle 51.6

Microsoft
created on 2023-08-10

text 100
letter 63.8

Color Analysis

Categories

Captions

Microsoft
created on 2023-08-10

text 99.8%

OpenAI GPT

Created by gpt-4 on 2024-12-06

This image shows a page from an old book, with text printed in a column format that is typical of older publications. The layout includes a large decorative initial letter "C" that begins the text, indicating a new section or chapter. The initial is embellished with intricate artwork, sometimes referred to as an historiated initial because of its decorative nature.

To the right side of the page, there is a woodcut illustration depicting a scene with several figures in a natural setting, possibly a wood or forest. Some of the figures appear to be in motion and engaged in an activity, and there is foliage and trees within the scene. The illustration aligns with the practice of including visual elements in printed works to either enhance the storytelling or to visually summarize the events in the accompanying text.

The language of the text is archaic, possibly an early form of Italian or Latin, suggesting that the book could be a historical or literary work, possibly religious or philosophical in nature due to the time period suggested by the typeface and language style.

At the bottom of the page, there are handwritten notes, which often indicate that a past reader interacted with the text, adding thoughts, references, or translations. These marginalia provide a glimpse into how historical texts were used and studied by readers of the past.

Overall, the page is a representation of early bookmaking, printing, and illustration techniques, highlighting the craftsmanship and artistic practices of the era.

Created by gpt-4o-2024-05-13 on 2024-12-06

This image depicts a page from an old manuscript or printed book. The text is primarily in Italian, and the passage appears to be from Dante Alighieri's "Divine Comedy," specifically "Inferno," as indicated by the "CANTO PRIMO" heading. The page includes an elaborate letter "N" at the beginning of the text, and there is an illustration on the right side showing several figures in a forest setting. The text is arranged in a single column with detailed descriptions and explanations, as typical of a literary commentary or annotated edition. There’s also faint handwriting in Italian at the bottom of the page.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-06

This image appears to be an illustration from a manuscript or printed book. It shows a scenic landscape with figures in the foreground. The text surrounding the image is in an old Italian script, indicating this is likely from an Italian work, possibly a medieval or Renaissance-era text. I won't attempt to identify any specific individuals depicted, as the image seems to contain human figures. Instead, I'll describe what I see in the illustration - a lush, forested scene with figures engaged in various activities. The style of the artwork and text suggests this is a historical or literary work from Italy.

Created by claude-3-5-sonnet-20241022 on 2024-12-06

This is a page from what appears to be an early printed edition of Dante's Divine Comedy (specifically the first canto), likely from the late 15th or early 16th century. The page features both text and illustration, with a decorative illuminated initial "N" on the left side and a woodcut illustration on the right. The text is in Italian, and the layout is typical of early printed books with dense text blocks and marginal annotations.

The woodcut illustration depicts a scene from the beginning of the Inferno, showing figures in a dark forest - this represents the opening scene where the protagonist finds himself lost in the "dark wood." The artistic style is characteristic of medieval woodcut illustrations, with simple yet effective line work and composition.

The page includes both the poetic text of the Divine Comedy and what appears to be a commentary or explanatory text below it. The header clearly states "CANTO PRIMO" (First Canto), and the overall layout and typography are typical of early Renaissance printing practices in Italy.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-06

The image presents a page from an old book, featuring a mix of text and illustrations. The page is written in Latin, with the title "CANTO PRIMO DE LA PRIMACANTICA OUERO COMEDIA DEL DIVINO POETA FIorentino Dante ALc Capitolo" at the top. The text is divided into two columns, with the left column containing a decorative initial letter and the right column featuring an illustration of a scene from Dante's Divine Comedy.

Here is a detailed breakdown of the image:

  • Title: "CANTO PRIMO DE LA PRIMACANTICA OUERO COMEDIA DEL DIVINO POETA FIorentino Dante ALc Capitulo"
  • Text: The text is written in Latin and is divided into two columns. The left column contains a decorative initial letter, while the right column features an illustration of a scene from Dante's Divine Comedy.
  • Illustration: The illustration on the right side of the page depicts a scene from Dante's Divine Comedy, likely showing a character from the poem. The illustration is rendered in a detailed and intricate style, with bold lines and shading.
  • Decorative Initial Letter: The decorative initial letter on the left side of the page is a large, ornate letter "N" that serves as a heading for the text. The letter is surrounded by intricate designs and patterns, adding to the overall aesthetic of the page.

In summary, the image presents a page from an old book that features a mix of text and illustrations. The page is written in Latin and includes a decorative initial letter and an illustration of a scene from Dante's Divine Comedy. The illustration is rendered in a detailed and intricate style, with bold lines and shading.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-06

The image presents a page from an old book, featuring a mix of text and illustrations. The page is divided into two main sections: the left side contains text in Italian, while the right side features an illustration accompanied by a caption.

Text Section:

  • The text is written in black ink on a yellowed background.
  • It appears to be a passage from a literary work, possibly a poem or a play.
  • The text is arranged in a formal, structured format, with each line indented and separated by a small space.
  • The language used is Italian, suggesting that the book may have been published in Italy or written by an Italian author.

Illustration Section:

  • The illustration depicts a scene with several figures, including a woman, a man, and a child.
  • The figures are dressed in Renaissance-style clothing, which suggests that the illustration may have been created during the Renaissance period.
  • The background of the illustration features a landscape with trees, hills, and a sky with clouds.
  • The illustration is rendered in a detailed and realistic style, with intricate lines and shading.

Caption:

  • The caption is written in Italian and appears to describe the scene depicted in the illustration.
  • It provides context and explanation for the events or actions taking place in the illustration.
  • The caption is written in a smaller font than the main text, but is still legible and easy to read.

Overall:

  • The page appears to be from a rare or antique book, given its age and condition.
  • The combination of text and illustration suggests that the book may have been intended for educational or entertainment purposes.
  • The use of Italian language and Renaissance-style illustrations suggests that the book may have been published in Italy during the Renaissance period.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-25

The image is of a page from a book, with a heading in the top left corner that reads "CANTO PRIMO" and "CANTOPRIMO DE LAPRIMA CANTICA o uercommedia del diuino Poeta Fiorentino Dante Alighieri." The page is filled with text and an illustration. The text is in a language that is not English, and the illustration depicts a scene with several people, one of whom is a woman holding a baby. The page appears to be from a book that is old and worn, with some discoloration and wear on the edges.

Created by amazon.nova-pro-v1:0 on 2025-02-25

The image shows a page from an old book. The page is a bit worn out, and the edges are slightly curled. The page is divided into two columns, with the left column containing a decorative initial "N" followed by text in a cursive font. The right column contains a woodcut illustration depicting a scene from a religious text. The illustration shows a man and a woman standing in front of a tree, with the man holding a scroll and the woman holding a book. The text below the illustration is in a smaller font and appears to be a caption or explanation of the scene depicted in the illustration. Overall, the page appears to be from a religious text or a book of poetry, with the woodcut illustration adding visual interest to the page.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-04-28

Here is a description of the image:

The image appears to be a page from an old book, likely printed in the early days of printing, due to its style and the presence of woodcut illustrations.

Layout:

  • Text: The primary element is the text, organized in columns typical of early printed books. The text is in Italian.
  • Illustration: There is a sizable woodcut illustration occupying a portion of the right-hand side.

Content of the Image:

  • Text:
    • The text appears to be an excerpt from a longer literary work, possibly the first canto or chapter of a work, as indicated by the heading "CANTO PRIMO."
    • The text is in the Italian language, referring to Dante's "Divine Comedy" by Dante Alighieri.
    • The text includes a section that discusses the poem's meaning and the nature of the journey described within it. It also discusses the allegorical interpretations and the author's intent.
  • Illustration:
    • The woodcut illustration depicts a scene relevant to the text. The image features a figure, who might represent Dante, in a dark wood. Other people are present in the area.

Style and Context:

  • Typography: The typeface is a blackletter font, typical of early printing. The text is dense and the layout is quite simple.
  • Visuals: The woodcut illustration is in a simple, bold style. The contrast between black lines and white space is strong, and the style of the illustration helps to contextualize it within the time period.
  • Historical Significance: This image represents an early edition of a significant work of literature. The printed page itself is a historical artifact, demonstrating the techniques and aesthetics of the printing trade during a pivotal period.

Created by gemini-2.0-flash on 2025-04-28

Here are the bounding box detections:

[
  {"box_2d": [631, 118, 647, 154], "label": "dininita"},
  {"box_2d": [417, 444, 434, 460], "label": "h"},
  {"box_2d": [203, 325, 220, 362], "label": "una"},
  {"box_2d": [403, 145, 426, 179], "label": "ben"},
  {"box_2d": [541, 169, 564, 221], "label": "paura"},
  {"box_2d": [648, 169, 665, 207], "label": "ogni"},
  {"box_2d": [457, 181, 478, 282], "label": "terminaua"},
  {"box_2d": [682, 122, 698, 151], "label": "del"},
  {"box_2d": [579, 232, 600, 287], "label": "paffai"},
  {"box_2d": [142, 325, 164, 362], "label": "Mezo"},
  {"box_2d": [287, 146, 308, 195], "label": "adir"},
  {"box_2d": [648, 527, 665, 559], "label": "feco"},
  {"box_2d": [808, 234, 825, 264], "label": "eta"},
  {"box_2d": [319, 172, 341, 225], "label": "penfier"},
  {"box_2d": [386, 451, 402, 533], "label": "Abbiamo"},
  {"box_2d": [382, 320, 405, 368], "label": "fcorte"},
  {"box_2d": [541, 321, 564, 366], "label": "pieta"},
  {"box_2d": [511, 204, 532, 248], "label": "raggi"},
  {"box_2d": [698, 544, 714, 573], "label": "fia"},
  {"box_2d": [369, 185, 391, 230], "label": "daltrre"},
  {"box_2d": [698, 166, 714, 233], "label": "poneha"},
  {"box_2d": [336, 194, 358, 241], "label": "amara"},
  {"box_2d": [511, 335, 532, 377], "label": "falle"},
  {"box_2d": [111, 142, 123, 164], "label": "ghi"},
  {"box_2d": [564, 170, 585, 225], "label": "nellago"},
  {"box_2d": [457, 329, 478, 366], "label": "ualle"},
  {"box_2d": [489, 333, 511, 369], "label": "falle"},
  {"box_2d": [354, 312, 377, 358], "label": "trouai"},
  {"box_2d": [302, 172, 324, 208], "label": "felua"},
  {"box_2d": [489, 184, 511, 234], "label": "alto"},
  {"box_2d": [354, 184, 377, 241], "label": "tractar"},
  {"box_2d": [648, 331, 665, 378], "label": "allegori"},
  {"box_2d": [736, 127, 752, 180], "label": "dicono"},
]

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-04-28

The image shows a page from an early printed edition of Dante Alighieri's "Divina Commedia" (Divine Comedy). Specifically, it is the first canto of "Inferno," the first part of the epic poem. The text is in Italian, and the page is divided into two columns.

On the left side of the page, there is an ornate decorative initial letter "N," which is common in early printed books and manuscripts. Next to it, the text of the first canto begins with the famous opening lines:

"Nel mezzo del cammin di nostra vita
mi ritrovai per una selva oscura
ché la diritta via era smarrita."

This translates to:
"Midway upon the journey of our life
I found myself within a forest dark,
For the straightforward pathway had been lost."

On the right side of the page, there is a woodcut illustration depicting a scene from the poem. The illustration shows Dante, guided by the ancient Roman poet Virgil, entering the dark forest, symbolizing the beginning of his journey through Hell.

Below the Italian text, there is a commentary or explanation in Latin, which was a common feature in early editions of classical and medieval texts to help readers understand the work.

At the bottom of the page, there is a handwritten note in ink that reads "Inferno - 1st canto present 33 out of 33." This note likely indicates that this page is from the first canto of "Inferno" and that it is part of a complete set of 33 cantos.

Text analysis

Amazon

diricta
dura
afpra
dellaltre
ben
quel
folamente
CANTO
quale
fcura
Ah
fonno
era
del
ridir
chio
camin
Abbiamo
Chela diricta
infu
libro
cofe
CANTOPRIMO
di
PRIMO.
quanto
uia
feluaggia
felua
uita
chomio
penfier
poco
forte
nel
morte
diro
DE
EL
per
Chela
camin di no
amara
LA
che
diro dellaltre cofe chio uo fcorte
pié
Fiorentino
ta
Abbiamo narrato non folamente la uita del poeta
Ah quanto adir quale eracofa dura
tractar
ma
uero
el
paura
&
la
poeta
EL Mezo del
adir
che nel penfier rinuoua la paura
trouai
ui
narrato
h
comedia
PRImacantica
Dante
no
una
Mezo
non
fcorte
I
& el titulodel libro
qfta felua feluaggia afpra & forte
Capitulo.
rinuoua
uo
Táto era amara che poco e piu morte
ma per tractar del bé chio ui trouai
I non fo ben ridir chomio uentrai
titulodel
eracofa
Poeta
e
fo
CANTOPRIMO DE LA PRImacantica o uero comedia deldiuino Poeta Fiorentino Dante Ale
ftrauita
Táto
una feluaob,
Miritrouaip
piu
qfta
I.
tâtera pié di fonno infu quel púcto
Ale
hieri.
uentrai
feluaob,
uia erafmarri
deldiuino
o
erafmarri
púcto
tâtera

Google

CANTO PRIMO. CANTOPRIMO DE LA PRIma cantica o uero comedia del diuino Poeta Fiorentino Dante Ale Capitulo. I. X shieri. EL Mezo del camin di no ftrauita Mi ritrouai p una felua ob fcura Che la diricta uia erafmarri ta Ah quanto adir quale era cofa dura qfta felua feluaggia afpra & forte che nel penfier rinuoua la paura Tato era amara che poco e piu morte ma per tractar del bé chio ui trouai diro dellaltre cofe chio uo fcorte I non fo ben ridir chomio uentrai tatera pie di ſonno infu quel pucto h Abbiamo narrato non folamente la uita del poeta che la uerace uia abbandonai & el titulo del libro & che cofa fia poeta:ma etiá quá to fia uetufta & anticha:quáto nobile & uaria:quáto utile &ioconda tal doctrina. Quáto fia efficace a muouere lhu mane menti: & quáto dilecti ogni liberale ingegno. Ne giudicanımo da tacere quato i fi diuina difciplina fia ftata la excellétia dello igegno del noftro poeta. Inche fi fono ftato piu brieue che forfe non fi conuerebbe:cófideri chi legge che lanumerofa & quafi infinita copia delle chofe dellequali e neceffario tractare mifforza non uolédo chel uolume crefca fopra modo:a inculcare & inuiluppare piu tofto che explicare:& diftendere molte chofe & maxime quelle lequali quádo bé taceffi non perone reftera obfcu ra la expofitione del tefto. Verremo adunque a quella Ma perche ftimo non effer lectore alcuno ne di fi baffo i gegno:ne di fi pocho giudicio:che hauédo itefo:quáto fia & la profondita &uarieta della doctrina:& la excellentia & diuinita dello ingegno del noftro toſcano:&fiorétino poeta:non fi perfuada che queſto principio del primo cáto debba per fublimita & grandezza effer pari alla ftupéda doctrina delle choſe che ſeguitano: pero con ogni íduftria in ueftigheremo che allegoricho fenfo arechi feco quefto mezo del camíio: & che chofa fia felua.Diche ueggio non piccola differentia effere ftata tra glinterpreti & expofitori di queſta cá tica. Impero che alchuni dicono:che il mezo della uita humana e el fonno moffi: credo dalla fententia da riftotile dicédo lui nellethica neffunna differentia effere tra felici: & miferi nella meta della uita per che le nocti che fono lameta del tempo cinducono fonno:& da quello nafce che ne bene ne male fentir pol fiamo. Il perche uogliono quefti:che el poeta pongha el mezo della uita per la nocte: & la nocte pel fon/ no:ad notare che quefto poema non fia altro che una uifione che gliapparue dormendo per laquale heb be cognitione delle chofe da lui defcripte i quefte tre comedie. Dicono aduque che lui imita loanni euá gelifta el quale dormendo fopra el pecto dichrifto redemptore hebbe uifione delle chofe celefte: ouera/ méte ponghi la nocte dimoftrádo lui hauere comíciato el fuo poema di nocte nella quale raccoglédofi la nimo in fe medefimo & abfoluendofi & liberadofi da ogni cura meglio ítéda.Ma ben che tale fententia quadri al poeta: niétedimeno le parole non la dimoftrono fe non con tanta obfcura ambiguita:che non pare degna della elegátia di táto poeta prima perche non feguita che benche nelle reuolutioni del tépo táto fpatio occupin le nocti quáto e di:per quefto dicédo io fcripfi di nocte fintenda io fcripfi nel mezo della mia eta:perche & nel pricipio & nel fine della eta humana fonno le nocti chome nel inezo & fimil méte e di.Il perche per la medefima ragione fi potrebbe fare tale iterpretatióe pel di come per la nocte Altri dicono che uole pel mezo del camío ítédere che nel mezo deleta dette pricipio al fuo poema. ma. A non e una medefima opinione del termie dela noftra eta:perche aiuerfi fcriptori diuerfaméte fentono B Suferis Ma poichio fui appie du collegiuto la oue terminaua quella ualle che mhauea di paura el cor cõpucto Guardai in alto & uidi le fue fpalle ueftite gia de raggi del pianeta che mena diricto altruip ogni calle Alhor fu la paura un pocho queta che nellago del cuor mera durata la nocte chio paffai con tanta pieta all cuts present 33 oudy 33.
CANTO
PRIMO
.
CANTOPRIMO
DE
LA
PRIma
cantica
o
uero
comedia
del
diuino
Poeta
Fiorentino
Dante
Ale
Capitulo
I.
X
shieri
EL
Mezo
camin
di
no
ftrauita
Mi
ritrouai
p
una
felua
ob
fcura
Che
la
diricta
uia
erafmarri
ta
Ah
quanto
adir
quale
era
cofa
dura
qfta
feluaggia
afpra
&
forte
che
nel
penfier
rinuoua
paura
Tato
amara
poco
e
piu
morte
ma
per
tractar
chio
ui
trouai
diro
dellaltre
cofe
uo
fcorte
I
non
fo
ben
ridir
chomio
uentrai
tatera
pie
ſonno
infu
quel
pucto
h
Abbiamo
narrato
folamente
uita
poeta
uerace
abbandonai
el
titulo
libro
fia
:
etiá
quá
to
uetufta
anticha
quáto
nobile
uaria
utile
ioconda
tal
doctrina
Quáto
efficace
a
muouere
lhu
mane
menti
dilecti
ogni
liberale
ingegno
Ne
giudicanımo
da
tacere
quato
i
fi
diuina
difciplina
ftata
excellétia
dello
igegno
noftro
Inche
fono
ftato
brieue
forfe
conuerebbe
cófideri
chi
legge
lanumerofa
quafi
infinita
copia
delle
chofe
dellequali
neceffario
tractare
mifforza
uolédo
chel
uolume
crefca
fopra
modo
inculcare
inuiluppare
tofto
explicare
diftendere
molte
maxime
quelle
lequali
quádo
taceffi
perone
reftera
obfcu
ra
expofitione
tefto
Verremo
adunque
quella
Ma
perche
ftimo
effer
lectore
alcuno
ne
baffo
gegno
pocho
giudicio
hauédo
itefo
profondita
uarieta
della
excellentia
diuinita
toſcano
fiorétino
perfuada
queſto
principio
primo
cáto
debba
fublimita
grandezza
pari
alla
ftupéda
choſe
ſeguitano
pero
con
íduftria
in
ueftigheremo
allegoricho
fenfo
arechi
feco
quefto
mezo
camíio
chofa
felua.Diche
ueggio
piccola
differentia
effere
tra
glinterpreti
expofitori
queſta
tica
Impero
alchuni
dicono
il
humana
fonno
moffi
credo
dalla
fententia
riftotile
dicédo
lui
nellethica
neffunna
felici
miferi
nella
meta
le
nocti
lameta
tempo
cinducono
quello
nafce
bene
male
fentir
pol
fiamo
Il
uogliono
quefti
pongha
nocte
pel
fon
/
ad
notare
poema
altro
uifione
gliapparue
dormendo
laquale
heb
be
cognitione
defcripte
quefte
tre
comedie
Dicono
aduque
imita
loanni
euá
gelifta
pecto
dichrifto
redemptore
hebbe
celefte
ouera
méte
ponghi
dimoftrádo
hauere
comíciato
fuo
raccoglédofi
nimo
fe
medefimo
abfoluendofi
liberadofi
cura
meglio
ítéda.Ma
tale
quadri
al
niétedimeno
parole
dimoftrono
tanta
obfcura
ambiguita
pare
degna
elegátia
táto
prima
feguita
benche
nelle
reuolutioni
tépo
fpatio
occupin
io
fcripfi
fintenda
mia
eta
pricipio
fine
chome
inezo
fimil
di.Il
medefima
ragione
potrebbe
fare
iterpretatióe
come
Altri
uole
camío
ítédere
deleta
dette
A
opinione
termie
dela
noftra
aiuerfi
fcriptori
diuerfaméte
fentono
B
Suferis
poichio
fui
appie
du
collegiuto
oue
terminaua
ualle
mhauea
cor
cõpucto
Guardai
alto
uidi
fue
fpalle
ueftite
gia
de
raggi
pianeta
mena
diricto
altruip
calle
Alhor
fu
un
queta
nellago
cuor
mera
durata
paffai
pieta
all
cuts
present
33
oudy