Human Generated Data

Title

Illustration II

Date

1491

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M3993

Human Generated Data

Title

Illustration II

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

1491

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M3993

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Newspaper 99.9
Page 97
Paper 63.5

Clarifai
created on 2019-11-03

page 99.5
text 97.4
document 96.7
paper 95.4
print 94.9
information 94.5
number 93.7
no person 93.2
template 89.6
vintage 88.8
old 88.7
layout 88.4
people 86.1
administration 84.6
form 84.1
retro 82.5
stripe 81.8
vertical 81.3
newspaper 80
war 79.4

Imagga
created on 2019-11-03

menu 43.9
cloud 40.6
book 39.5
definition 37.3
association 36.5
fare 36.5
brass 35.8
artwork 33.9
creative 33.6
decorative 31
advertising 30.8
cover 30.6
advertisement 30
idea 29.4
art 28.9
design 28.8
associated 28.6
composition 28.3
brochure 28.3
carpet 28.3
advertise 28.3
backdrop 28.1
collection 28
memorial 27.9
graphic 27.1
conceptual 26.5
decor 25.7
element 25.7
business 25.6
text 25.4
information 24.8
decoration 23.9
old 22.3
data 22
product 21.6
letter 21.1
structure 19.4
religion 18.9
bible 18.7
creation 18.5
continuity 17.8
drapery 17.7
page 17.7
binding 17.6
prayer 17.4
food 17.4
paper 17.3
newspaper 17.3
religious 16.9
copy 16.8
fabric 16
antique 15.6
holy 15.5
word 15.1
keywords 14.8
detail 14.5
read 14.5
faith 14.4
god 14.4
print 14.2
document 13.9
communication 13.5
open 12.6
spiritual 12.5
journal 11.9
testament 11.9
daily 11.8
collage 11.6
ancient 11.3
church 11.1
gospel 10.9
words 10.8
ink 10.6
new 10.6
education 10.4
pages 9.8
map 9.7
development 9.5
writing 9.4
study 9.3
company 9.3
energy 9.3
close 9.2
vintage 9.1
black 9
history 9
chapter 8.9
scripture 8.9
analysis 8.8
best 8.8
mix 8.7
life 8.6
drawing 8.6
cross 8.5
connection 8.2
global 8.2
emphasize 7.9
felt 7.9
fluorescent 7.9
highlight 7.9
passage 7.9
important 7.9
dye 7.9
more 7.8
mosaic 7.8
belief 7.8
king 7.8
pray 7.8
corporate 7.7
money 7.7
draw 7.6
human 7.5
highlighter 7.5
binder 7.4
computer 7.2
modern 7

Google
created on 2019-11-03

Text 97.6
Paper 89.7
Newsprint 88.8
Paper product 75
Font 68.6
Document 62.1
Newspaper 60.1

Microsoft
created on 2019-11-03

text 100
letter 85.5
book 70.3
newspaper 57

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image depicts a page from an early printed book or manuscript. The text on the page is in Italian and contains both prose and poetic elements, indicating that it might be an excerpt from a classic literary work. The top of the page is titled "CANTO NONO" which translates to "CANTO NINTH," implying it is from an epic poem or a larger work, specifically "CANTO NONO DELLA PRIMA CANTICA DI DANTHE," which refers to the ninth canto of Dante Alighieri's "Divine Comedy," from the section called "Inferno." In the upper left corner of the page, there is an illustration or woodcut depicting a scene related to the text. The image may show figures dressed in medieval attire near a structure resembling a castle or city walls, possibly illustrating an event or characters from this specific canto of Dante's "Inferno." The layout of the page is formatted into two main columns with the left column containing the main body of the text and the right column featuring commentary or annotations, which provide additional insights or interpretations. Ornamental initials and specific typography styles highlight significant parts of the text. The border of the page appears slightly worn, which is typical of historical manuscripts or early printed works. Overall, this page represents a piece of literary and historical significance, rich in visual and textual content.

Created by gpt-4 on 2025-01-31

This image shows a page from an antique book, it appears to be written in Italian. On the top left, the text reads "CANTO NONO", indicating it may be the ninth canto of a work. The heading continues with "DELLA PRIMA CANTICA DI DANTE," suggesting it's from the 'Divine Comedy' by Dante Alighieri, possibly the Inferno section given the reference to the first cantica (canto). The page features a block of densely printed text, decorated with large initial letters, and there is a rectangular illustration in the upper left corner. This image depicts a number of figures within a setting that includes architectural elements, such as arches or towers, and may relate to the content of the canto described. The text itself is written in two columns with marginal notes, possibly providing commentary or interpretation of the central text. As an artifact, the page showcases classical typesetting and illustration techniques used in the printing of important literary texts during the era of early printing. Judging by the styling of the characters and the layout, it might be a publication from the 15th to 17th centuries.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from an early printed edition of Dante's Divine Comedy, specifically Canto IX (Nono) of the first cantica. The page features both text and a woodcut illustration at the top left. The illustration depicts several robed figures within what appears to be a walled city or fortress setting with crenellated walls. The text is laid out in a typical medieval manuscript style, with decorative initial capitals and a combination of poetry and commentary. The page appears to be well-preserved and shows the characteristic printing style of early Italian Renaissance books. The text is in Italian, and the layout includes both the main poetic text and what appears to be explanatory notes or commentary surrounding it. This is likely from one of the early printed editions of Dante's work, possibly from the late 15th or early 16th century.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows a page from an old book or manuscript, likely from the 16th century based on the typography and woodcut illustration style. The text is in Italian and appears to be about the story of Dante's Inferno, as evidenced by the title "CANTO NONO DELLA PRIMA CANTICA DI DANTHE" (Canto Nine of the First Canticle of Dante). The page contains a large woodcut illustration depicting a scene with three figures - two male figures conversing or interacting, and a third winged figure hovering nearby who seems to be an angel or celestial being. The illustration has intricate linework and shading typical of woodcut prints from that era. The aged paper has a yellowish tint and shows some staining and wear around the edges. The lettering is a classic serif typeface with elaborate drop caps to begin each section. Printed marginalia notes are visible in the left and right margins. Overall, it's a striking example of early printed literature featuring detailed artwork integrated with the text to help bring Dante's epic poem to life on the page. The age, subject matter and printing techniques make it an interesting historical artifact.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from an old text, possibly a manuscript or a printed book. It contains text in what looks like Italian, with musical notation and illustrations. The text seems to be discussing a work related to Dante, with references to Virgil and other figures. The illustrations appear to depict religious or allegorical scenes. Without being able to identify any individuals, the image suggests a scholarly or literary work from a historical period.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image shows a page from an old book printed in 1481. The text is written in Latin and appears to be an excerpt from Dante's Divine Comedy. The page contains both text and illustrations, with the text arranged in columns and the illustrations placed in the margins. The illustrations depict scenes from Dante's journey through Hell, Purgatory, and Paradise. The page has a decorative border and appears to be a high-quality printing from the Renaissance period.

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image is a page from an old book, possibly a religious or philosophical text, printed in black ink on cream-colored paper. The page number "LI" is at the top right corner. The text is in Latin, indicating that it is likely a historical or scholarly work. The text is organized into columns, with the left column containing a smaller font size and the right column containing a larger font size. In the left column, there is a small illustration of a man and a woman standing in front of a door. The man is wearing a crown and holding a scepter, while the woman is wearing a long dress and holding a book. The illustration is surrounded by decorative borders. The right column contains a larger illustration of a man and a woman standing in front of a door. The man is wearing a crown and holding a scepter, while the woman is wearing a long dress and holding a book. The illustration is surrounded by decorative borders. The text in the right column is in a larger font size and appears to be a continuation of the text in the left column. The text is written in a cursive style and is difficult to read due to the age of the book. Overall, the image depicts a page from an old book with illustrations and text in Latin, possibly related to religious or philosophical themes.

Text analysis

Amazon

CANTO
CANTICA
DIDANTHE.
NONO
PRIMA
CANTO NONO LI
DELLA
Configliodi
CANTO. NONO DELLA PRIMA CANTICA DIDANTHE.
piu
nono
uilta
difuor
LI
Dathe
elducamio
Allegoria
mipife:
uegedo
trare
trare nella
derro
nella
uegedo elducamio tornarciuolta
dicemo:
pin
MMMMM Nquelo nono capitolodilcriue clconfiglio nono Configliodi
CANTO.
citta didite
Virgilo: Allegoria
ripremete
habitoi
Ma
difopra dicemo:
piu tolto derro clluo
Velcolor che uilta difuor mipife: quefto Virgilio ripremete lofde,
habito
cmon
Virgilio
fonotormetatiglicretici:Materiaqualfinuou:& doue
tornarciuolta
&
difopra
Virgilo:
clluo
fonohornblipeccati:cqualinonmcritano alchunaco fonotormetatiglicretici:Materiaqualfinuou:& doue
MMMMM
Velcolor che
Nquelo nono capitolodilcriue clconfiglio
fonohornblipeccati:cqualinonmcritano alchunaco
gla
quefto
euitii gla
AREODEE & cmon Dathe pin
tolto
euitii
mallonetchenomalconodallotimolodellacameco
pafatie
lofde,
LA
AREODEE

Google

eche
Dáthe
impaurito:
8per
impalidito
Aflegoria
MA
Vel
color
che
uilta
di
fuor
mipife:
Et
accorgendofi
quefto
Virgilio
ripremete
loide
uegedo
clduca
mio
tornareiuolta
&la
fua:&
:
&ri
al
colore
Danthe
piu
detro
rationale
piglia
fbigoctimento
ne
admonifce
qualichae
pofto
gouerno
de
gialtri
deb
Virgiho
tribuifce
ad
Enea
dice.Spemuultu
fimulat
altumcorde
dolorem:&
la
paura
pinfe
nomanchaméto
per
lafcia
uene
del
uol
Quelpalore
to
uote.TVEGGENDO
El
duca
tornar
inuolta:quafi
exercito
effer
quádo
TOSTO
fuonuouo
riftrinfe.Era
nuouo
n
Quare
fimo
uentare
pallido.Era
fimnilméte
nu
elcolore
lofdegnolhauea
accefo
neila
fac
ftripiu
hra
cia.Imperoche
effendo
CANTO NONO LI CANTO NONO DELLA PRIMA CANTICA DI DANTHE INquefto nono capitolo difcriue elconfiglio Configlio di di Virgiliocirca allentrare della citta & enmon Dáthe pin ftri'infernaliche uifono:8per cui aiuto uétro trare nella rono:& finalméte dimoftracoche fupplicii ui citta di dite fono tormétati glieretici:Materia quafi nuoua:& doue fono horribili peccati:equali non nmeritano alchuna co faffione pchenonafcono dallo ftimolo della carne: co me eldifordinato amore:o golofita:oira:Ma da malua gia malignita daio peruerfo:Et benche i tutti euitii gla aafrequetati faccino habito.Niétedimeno ne paflatie piu incontinentia che intéperantia:Main quefti fiuede una peruerfiflfima obftinatióe.Et perche chi fa habito i queftie quafi impoffibile:che fe ne pofla ritrare: pero glimettedrento alla citta cincta di muradi ferro: Adi notareche fia inexpugnabile:chome difopra dicémo: Ma per tornare al texto Lafentétia del primo ternario eche effendo Dáthe impaurito: 8per qito impalidito per la mutatióe che hauea ueduto nel uiio di Virgiho: Aflegoria MA Vel color che uilta di fuor mipife: Et accorgendofi di quefto Virgilio ripremete loide uegedo clduca mio tornareiuolta gno &la perturbatione fua:& richiaro lafaccia : &ri dulfela al colore naturale:accio che Danthe anchora lui piu tofto detro elfuonuouo riftrife poneffi giu la paura: Et certo ogniuolta che la par te rationale nellhuomo piglia fbigoctimento di non potere confequire alchuna chofa la fenfualita molto ne impaurifce.Et latenteméte admonifce che qualichae pofto al gouerno &al regiméto de gialtri deb uerno.ilche Virgiho tribuifce ad Enea quádo dice.Spemuultu fimulat premit altumcorde dolorem:& Imitation di ordina el texto:quelcolore elquale la ulta-cioe la paura pinfe fuori intendi nella faccia.imperoche palloVirgilio: reneluolto noe fe nomanchaméto di fague:elquale per la paura fugge al cuore:8 lafcia le uene del uol Quelpalore to uote.TVEGGENDO El duca mio tornar inuolta:quafi dica fanza uictoria &fcacciato:perche dicia nellafaccia mo uno exercito effer meffo inuolta quádo fuperato danemiciuolta lefpalle.CPIV TOSTO DEN TRO el fuonuouo riftrinfe.Era nuouo n Danthe el colore pallido.Imperoche la pauralhauea facto di Quare fimo uentare pallido.Era fimnilméte nu uoin Virgilio elcolore accefo:pche lofdegnolhauea accefo neila fac ftripiu hra cia.Imperoche effendo iraribollimento di fangue intorno al cuore ribollendodifcorre per tutte leue nella faccia ne.Maapparifce pu nella faccia:perche quiu iono molte uene intercutanee:cioe fi in pelle che altuto fi che in altra manifeftono.Maueggendo Virgilio la paura di Danthe nafcere dallamutatióe del uoito fuo fingegno parte difubito riftrigner dentro tal colore.Adunque quel colore che era in me per paura nata daulta niftrife El fauio puo piu tofto el nuouo fuo:cioe di Virgilho.Imperoche Virgiliorimoffe dal fuouolto el color nuouo.i.el co áticipare le iorenaturale. Ma elquale dinuouo era apparito per lofdegnouedédo che per quello Danthe temea. Et prurbation quefto diffe adinotare chel fauio puO onticiparein fcacciare da fe le perturbationi dellaninmo.. delanimo: TTENTO Sifermo.Interuieneche quando n luogho tenebrofoafpediamoalchuno:per he non uiuale locchio no potendo fcorgere ufiamo laudito:accioche per lo ftrepitoo al chuno altro romoreciauueggiamo quádo uiene.El me Atteto fi fermochohuom chafcolta. chelochio nol potea meare allugha per laer nero & per la nebbia folta Pureanoicouerra uincer la pungha: defimofacea Virgilio:Maallegonicamentefintéde che Senfo allego comincio el fe non tal nefofferfe: oquato tarda amc chaltriquigiuga, & aiuto diuino.CHOMHVOMchafcolta:poiche li quando linteliecto pfenopuouedere eluero occupato dalle tenebre della ignorátaattéto afpedta infpiratione nico racefla.gCHE LOCCHIO nol potea menare allun gha.Affegna la ragione:perche ufaua el fenfodelludire:perche eluedere nó lo feruiua dalungi. PER LAER NERO.quato piu e difficile la chofa tátoue piuneroaere:cio táto emaggiore obfcurita digno Accédefi lin rátia.onde el pfalnmochiede in quefto el duío fauore dicédo.luminare is qui in umbramortis fedent. PVRE ANOI Conuerra uincer la púgha.Accendefi lotellecto humano:quádo peruiene alla cotépla mano qua tione di fialte chofe.che no lepuo itédere per fe medefimo.Ma quádo poi pigla fperáza:che per laiuto douié uille diuino che anchora potera:& in confortodife & della ragióe inferioredice.PVRE:quafi finalméte cognitione CANOICONVERRA uincer la púgha:la garadellétrare nella porta.ilche e entrare nella cognitióe. Natura dho ECOMINCIO EL:Comincio egli. SE NON:&fenó arrogi potréouícere lapungha per noi mede mocogita (imi faremo aiutati.ETAL NEfofferfe.i.tale offerfe fe anoicomehuomocogitabundo parla mozo: bundo tellecto hu g iu
CANTO
NONO
LI
DELLA
PRIMA
CANTICA
DI
DANTHE
INquefto
nono
capitolo
difcriue
elconfiglio
Configlio
Virgiliocirca
allentrare
della
citta
&
enmon
pin
ftri'infernaliche
uifono:8per
cui
aiuto
uétro
trare
nella
rono:&
finalméte
dimoftracoche
fupplicii
ui
dite
fono
tormétati
glieretici:Materia
quafi
nuoua:&
doue
horribili
peccati:equali
non
nmeritano
alchuna
co
faffione
pchenonafcono
dallo
ftimolo
carne:
me
eldifordinato
amore:o
golofita:oira:Ma
da
malua
gia
malignita
daio
peruerfo:Et
benche
i
tutti
euitii
gla
aafrequetati
faccino
habito.Niétedimeno
paflatie
incontinentia
intéperantia:Main
quefti
fiuede
una
peruerfiflfima
obftinatióe.Et
perche
chi
fa
habito
queftie
impoffibile:che
fe
pofla
ritrare:
pero
glimettedrento
alla
cincta
muradi
ferro:
Adi
notareche
fia
inexpugnabile:chome
difopra
dicémo:
Ma
tornare
texto
Lafentétia
primo
ternario
qito
mutatióe
hauea
ueduto
nel
uiio
Virgiho:
gno
perturbatione
richiaro
lafaccia
dulfela
naturale:accio
anchora
lui
tofto
elfuonuouo
riftrife
poneffi
giu
paura:
certo
ogniuolta
par
te
nellhuomo
potere
confequire
chofa
fenfualita
molto
impaurifce.Et
latenteméte
&al
regiméto
uerno.ilche
premit
Imitation
ordina
el
texto:quelcolore
elquale
ulta-cioe
fuori
intendi
faccia.imperoche
palloVirgilio:
reneluolto
noe
fague:elquale
fugge
cuore:8
le
dica
fanza
uictoria
&fcacciato:perche
dicia
nellafaccia
mo
uno
meffo
inuolta
fuperato
danemiciuolta
lefpalle.CPIV
DEN
TRO
pallido.Imperoche
pauralhauea
facto
uoin
accefo:pche
iraribollimento
fangue
intorno
cuore
ribollendodifcorre
tutte
leue
faccia
ne.Maapparifce
pu
faccia:perche
quiu
iono
molte
intercutanee:cioe
fi
in
pelle
altuto
altra
manifeftono.Maueggendo
nafcere
dallamutatióe
uoito
fuo
fingegno
parte
difubito
riftrigner
dentro
tal
colore.Adunque
quel
era
nata
daulta
niftrife
fauio
puo
fuo:cioe
Virgilho.Imperoche
Virgiliorimoffe
dal
fuouolto
nuouo.i.el
áticipare
iorenaturale.
dinuouo
apparito
lofdegnouedédo
quello
temea.
prurbation
diffe
adinotare
chel
puO
onticiparein
fcacciare
perturbationi
dellaninmo..
delanimo:
TTENTO
Sifermo.Interuieneche
quando
luogho
tenebrofoafpediamoalchuno:per
he
uiuale
locchio
no
potendo
fcorgere
ufiamo
laudito:accioche
lo
ftrepitoo
chuno
altro
romoreciauueggiamo
uiene.El
Atteto
fermochohuom
chafcolta.
chelochio
nol
potea
meare
allugha
laer
nero
nebbia
folta
Pureanoicouerra
uincer
pungha:
defimofacea
Virgilio:Maallegonicamentefintéde
Senfo
allego
comincio
nefofferfe:
oquato
tarda
amc
chaltriquigiuga,
diuino.CHOMHVOMchafcolta:poiche
li
linteliecto
pfenopuouedere
eluero
occupato
dalle
tenebre
ignorátaattéto
afpedta
infpiratione
nico
racefla.gCHE
LOCCHIO
menare
allun
gha.Affegna
ragione:perche
ufaua
fenfodelludire:perche
eluedere
feruiua
dalungi.
PER
LAER
NERO.quato
e
difficile
tátoue
piuneroaere:cio
táto
emaggiore
obfcurita
digno
Accédefi
lin
rátia.onde
pfalnmochiede
duío
fauore
dicédo.luminare
is
qui
umbramortis
fedent.
PVRE
ANOI
Conuerra
púgha.Accendefi
lotellecto
humano:quádo
peruiene
cotépla
mano
qua
tione
fialte
chofe.che
lepuo
itédere
medefimo.Ma
poi
pigla
fperáza:che
laiuto
douié
uille
diuino
potera:&
confortodife
ragióe
inferioredice.PVRE:quafi
cognitione
CANOICONVERRA
púgha:la
garadellétrare
porta.ilche
entrare
cognitióe.
Natura
dho
ECOMINCIO
EL:Comincio
egli.
SE
NON:&fenó
arrogi
potréouícere
lapungha
noi
mede
mocogita
(imi
faremo
aiutati.ETAL
NEfofferfe.i.tale
offerfe
anoicomehuomocogitabundo
parla
mozo:
bundo
tellecto
hu
g
iu