Human Generated Data

Title

Letter 120 to Hedibia - Question 3: How are the discrepancies in the evangelical narratives to be accounted for? How can Matthew 28:1 be reconciled with Mark 16: 1,2?

Date

15th century

People

Artist: Anonymous Italy (Ferrara) 1497, Italian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M6163

Human Generated Data

Title

Letter 120 to Hedibia - Question 3: How are the discrepancies in the evangelical narratives to be accounted for? How can Matthew 28:1 be reconciled with Mark 16: 1,2?

People

Artist: Anonymous Italy (Ferrara) 1497, Italian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M6163

Machine Generated Data

Tags

Amazon
created on 2019-11-04

Page 99.6
Text 99.6
Paper 93.9
Poster 91.5
Advertisement 91.5
Brochure 91
Flyer 91

Clarifai
created on 2019-11-04

page 99.4
paper 98.6
book bindings 98.6
document 98.1
text 98.1
vintage 97.8
old 96.5
manuscript 96.1
retro 95.8
book 93.5
antique 93.3
print 93.3
art 92.8
picture frame 92
illustration 91.8
blank 91.8
no person 91.1
texture 91
desktop 90.4
poetry 89.7

Imagga
created on 2019-11-04

book 54.4
cloud 38
product 37.7
binding 35.3
cover 34.3
creation 30.8
advertising 30.8
backdrop 30.6
definition 30.5
creative 30.1
associated 29.6
brass 29.6
association 29.6
artwork 29.4
brochure 29.3
composition 29.3
carpet 29.2
advertise 29.2
advertisement 29
collection 28.9
decor 28.4
element 28.2
conceptual 27.4
design 26.5
decoration 26.1
old 25.8
art 25.4
decorative 25.1
idea 24.1
newspaper 23.9
text 23.6
memorial 23.5
bookmark 22.7
graphic 22.7
information 22.2
business 21.3
fabric 20.8
religion 20.7
page 20.5
letter 20.2
data 20.1
paper 19.6
continuity 18.8
drapery 18.7
bible 18.7
keywords 16.8
antique 16.7
structure 16.5
faith 16.3
religious 16
prayer 15.5
holy 15.4
copy 15.1
open 14.4
god 14.4
ancient 13.9
read 13.5
word 13.2
spiritual 12.5
vintage 12.4
church 12.1
testament 11.9
detail 11.3
texture 11.1
money 11.1
chapter 10.9
gospel 10.9
history 10.8
collage 10.6
new 10.5
development 10.5
book jacket 10.4
black 10.2
rosary 9.9
scripture 9.9
pages 9.8
belief 9.8
close 9.7
print 9.5
cross 9.4
energy 9.3
communication 9.3
jacket 9.1
passage 8.9
words 8.8
king 8.8
menu 8.7
life 8.6
currency 8.1
bank 8.1
best 7.8
modern 7.7
saint 7.7
mix 7.7
finance 7.6
writing 7.5
commercial 7.5
study 7.5
retro 7.4
cash 7.3
fare 7.3
daily 7.1

Google
created on 2019-11-04

Text 97.7
Paper 88.8
Paper product 74.2
Document 70.8
Font 68.6
Vellum 61.4
History 54.1

Microsoft
created on 2019-11-04

text 100
book 89.7
letter 86.5
handwriting 52.6
plaque 21.1

Color Analysis

Feature analysis

Amazon

Book

Clarifai

Book
Clothing
Human face

AWS Rekognition

Book 100%

Clarifai

Book 96.9%

Clarifai

Clothing 35.1%

Clarifai

Human face 33.7%

Categories

Imagga
created on 2019-11-04

streetview architecture 60.2%
text visuals 34.7%
paintings art 5%

Captions

Microsoft
created by unknown on 2019-11-04

a close up of a newspaper 73.7%
a close up of a newspaper article 72.4%
a close up of text on a newspaper 67%

Clarifai

Created by general-english-image-caption-clip on 2025-07-11

the book of the - page.

Salesforce

Created by general-english-image-caption-blip on 2025-05-04

a photograph of a book with a picture of a man in a horse drawn carriage

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-01

The image is of a page from an old printed book, considering the style and typography, it appears to be from the early days of movable type print, possibly dating back to the incunabula period (before 1501). The text is written in Italian and uses a typeface that reflects the printing style of that era, with notable irregularities and the use of the long 's' (which looks like an 'f').

There are three woodcut illustrations on the page:

  1. The first woodcut is situated in the middle of the left column and depicts a scene with a central figure carrying a banner labeled "INRI" (which stands for "Iesus Nazarenus, Rex Iudaeorum" or "Jesus the Nazarene, King of the Jews"). There are figures around the central character, possibly illustrating a biblical scene related to the resurrection of Jesus.
  2. The second woodcut, located just below the first one, is ornamental with intricate designs but no discernible figures or scenes.
  3. The third woodcut is at the bottom of the right column and depicts another scene, possibly the women at Jesus' tomb following his resurrection. There are three figures around a tomb, also labeled "INRI."

The text on the page appears to be a theological discussion, possibly a treatise or commentary, with headings that include "Questione," "Terza," and "Quarta." It addresses topics such as the resurrection and its significance, as evidenced by the contextual presence of scenes depicting the resurrection of Jesus. The page is well-preserved given its age but shows some staining and wear typical of historical documents.

Created by gpt-4 on 2025-02-01

The image is a photograph of an old printed page from a book. The page contains two columns of text with a layout that suggests it is from a historic document, quite possibly several centuries old, given the font and language the text is written in, which appears to resemble early forms of Italian or related Romance languages. The text is set in black ink with a justified alignment. At the bottom of the page, between the columns, there are two small woodcut illustrations framed in simple boxes.

The illustration on the left depicts two standing figures, one seemingly holding a cross, with the letters "IN RI" placed in the middle of the image, indicating a possible religious theme — potentially a reference to "INRI," which is an acronym of the Latin phrase "Iesus Nazarenus, Rex Iudaeorum" (Jesus the Nazarean, King of the Jews). This phrase is traditionally inscribed on the Cross of Jesus in Christian iconography.

The illustration on the right shows three figures—two of them appear to be women, based on their dress and head coverings, looking toward the third figure, who is gesturing toward an empty box-like structure, which could represent an open tomb. This scene may represent a Biblical event, possibly the visitation of the women to Jesus' tomb after his crucifixion, discovering it empty.

These small illustrations serve probably as visual aids or elaborations on the religious text, which itself seems to be discussing theological matters, given the repeated reference to "Il Signore" (the Lord). The text and images together imply that this is a religious book, likely discussing Christian doctrine or Biblical exegesis.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-28

This appears to be a page from an old religious text or manuscript, likely Italian based on the language visible in the text. The page contains two small woodcut illustrations or engravings. The larger illustration appears to depict a biblical scene with multiple figures and includes the text "INRI" (which traditionally stands for "Iesus Nazarenus Rex Iudaeorum" - Jesus of Nazareth, King of the Jews). The smaller illustration appears to be a decorative initial letter or ornamental design. The text is printed in a Gothic-style typeface typical of early printed books, and the page shows some age-related discoloration around the edges. The layout suggests this is likely from an incunabula or early printed book from the 15th or 16th century.

Created by claude-3-5-sonnet-20241022 on 2025-02-01

This appears to be a page from a medieval or Renaissance-era religious text, likely Italian based on the language used. The page contains two woodcut illustrations depicting biblical scenes. The text is printed in blackletter or gothic type, and there are two decorative illustrations integrated into the text.

The first illustration shows a religious scene with multiple figures and includes "INRI" text. The second illustration, located at the bottom right of the page, also appears to be a biblical scene with multiple figures and similarly includes "INRI" text.

The page appears to be discussing religious matters, with clear paragraphs of text formatted in a single column. There's also a decorative initial letter (an illuminated capital) that begins one of the sections. The paper shows some age-related discoloration but is otherwise well-preserved.

The quality and style of the woodcuts and typography suggest this is likely from an early printed book, possibly from the 15th or 16th century.

Created by claude-3-opus-20240229 on 2025-02-01

The image shows an old manuscript or book page with text in Italian and two illustrations. The text appears to tell a story about a character named Matteo or Matcho and his interactions with a figure known as "del fabbro", likely meaning "the blacksmith".

The illustrations on the page depict religious or mythological scenes. The illustration on the left shows a group of figures, possibly angels or heavenly beings, surrounding a central figure. The illustration on the right shows a similar scene with winged figures, likely also representing a religious or mythical story.

The aged appearance of the page, with stains and worn edges, suggests this is an antique document or book excerpt, possibly from the Renaissance era based on the language and illustrative style. The combination of text and intricate illustrations implies this page is from an important literary or historical work.

Created by claude-3-haiku-20240307 on 2025-02-01

This image appears to be a page from an old manuscript or document. It contains text in an unfamiliar language, likely Italian or a similar Romance language, as well as two small illustrations. The text describes what seems to be a religious or biblical narrative, mentioning figures like "Matheo" and "Maria Magdalena". The illustrations depict scenes related to the text, showing people in religious or historical attire. Overall, this appears to be a historical or scholarly document, though I cannot identify or name any of the specific individuals depicted.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-17

The image depicts a page from an old book, featuring two columns of text in Latin and two illustrations. The text is written in black ink on aged paper with a yellowish-brown hue, displaying signs of wear and tear, such as discoloration, creases, and stains.

The left column contains a passage of text, while the right column has two paragraphs. Below the text, there are two illustrations: one on the left and one on the right. The illustration on the left depicts a man holding a book, accompanied by a woman and a child. The illustration on the right shows a woman standing next to a box, with a man in the background.

The page is set against a plain white background, suggesting that it may be part of a collection or archive. The overall appearance of the page is one of age and historical significance, with the yellowed paper and worn text giving it a sense of nostalgia and authenticity.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-17

The image presents a page from an ancient book, featuring text in Italian and two illustrations. The page is divided into two columns of text, with the left column titled "Queftione" and the right column titled "Terza & Quarta." The text is written in black ink on a yellowed paper background, which appears to be aged and worn.

At the bottom of the page, there are two rectangular illustrations, each accompanied by a caption. The illustration on the left depicts a group of people gathered around a table, while the illustration on the right shows a woman standing in front of a building. Both illustrations are rendered in black and white and feature intricate details.

The overall design of the page suggests that it is from a religious or philosophical text, possibly from the Renaissance period. The use of Italian language and the style of the illustrations support this interpretation. The page's age and condition also suggest that it may be a rare or valuable artifact.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-01

The image depicts an old book page with two columns of text and two illustrations at the bottom. The page appears to be from a historical or religious text, given the style of the illustrations and the content of the text. The text is written in an old-fashioned script, likely Latin or another classical language. The illustrations depict scenes that seem to be related to the text, possibly depicting biblical or mythological events. The page has a yellowish tint, indicating that it is an old document, possibly from the Renaissance or earlier. The overall impression is one of antiquity and historical significance.

Created by amazon.nova-lite-v1:0 on 2025-02-01

The image shows a page from an old book with two columns of text. The left column contains a question written in Italian, while the right column has an answer to the question. The page appears to be from a religious or theological text, possibly discussing the resurrection of Jesus Christ. The text is written in black ink on a white page, and there are some illustrations and drawings in the margins. The page is aged and has some wear and tear, indicating its age.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-05-01

Here's a description of the image, based on the provided text and visual elements:

Overall Description

This is a page from an old book, likely a religious text. It features a combination of text in a gothic font and several woodcut illustrations. The subject matter appears to be related to the resurrection of Jesus Christ, as suggested by the illustrations and the text's content. The style is typical of early printed books, with a focus on clarity and visual appeal alongside the textual content.

Key Features & Elements:

  • Text Columns: The page is divided into two main columns, containing the text written in Italian.
  • Illustrations:
    • Central Illustration (Top Right): Shows Jesus rising from the tomb. The cross is placed over the tomb with the letters "INRI" which is the abbreviation for "Jesus of Nazareth, King of the Jews". There are figures in the background, which may be angles.
    • Illustration (Bottom Left): Shows an angel standing in front of a tomb, with the letters "INRI" above the tomb.
    • Illustration (Bottom Right): Depicts a group of women standing near the tomb or walking away from it. There is also a tomb in the background that has the letters "INRI".
  • Gothic Font: The text is set in a gothic style, which was common in early printed books.
  • Textual Sections: The text is organized into distinct sections, with headings indicating the topics being discussed.
    • Questione (Question)
    • Terza & Quarta (Third & Fourth)
  • Thematic Content: The text discusses the details of the resurrection of Jesus, focusing on the experiences of Mary Magdalene, the apostles, and the different accounts presented by the Gospels (Matthew, Mark, etc.)

Analysis:

The page appears to be an excerpt or a commentary on the Gospel accounts of Jesus's resurrection. The illustrations are visual aids to the text, helping to illustrate the events being described. The layout, font, and style are characteristic of books from the early printing era. The juxtaposition of text and illustration would have made the information more accessible and engaging for the readers. The text's questions and discussions indicate that it aims to understand and resolve potential conflicts between different Gospel narratives.

Created by gemini-2.0-flash on 2025-05-01

Here is a description of the image:

This is a page from an old book or manuscript, presented in black and white. The page is dense with text, formatted in narrow columns, and is written in a serif typeface. The language appears to be Latin.

Scattered across the lower portion of the page are three small, illustrative woodcut images. One shows a scene with figures next to a tomb, with "INRI" inscribed on a marker above. The second illustration features an ornate emblem or monogram, and the third depicts figures standing near a tomb with a landscape in the background. The inscription "INRI" is also present in this image.

The text is divided into sections and addresses questions or queries, indicated by the word "Questione" at the beginning of a section. The style of the text suggests a theological or scholarly discussion.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-08

The image appears to be a page from an old book, likely a religious text, printed in Italian. It contains two main sections of text, labeled "Questione" (Question) and "Terza & Quarta" (Third and Fourth), along with illustrations and a small block of text at the bottom.

Text Description:

Questione:

The first section, labeled "Questione," discusses a theological question about the nature of the Eucharist. The text seems to debate whether the Eucharist is the actual body and blood of Christ or a symbolic representation. The author references various theological arguments and scriptural interpretations to support their position.

Terza & Quarta:

The second section, labeled "Terza & Quarta," continues the discussion and introduces the views of different theologians, including St. Matthew and St. John the Evangelist. It delves into the interpretations of biblical passages and the significance of the Eucharist in Christian theology. The text also mentions the role of the Virgin Mary and the nature of the bread used in the Eucharist.

Illustrations:

  1. Top Left Illustration:

    • Depicts a scene with several figures, possibly religious or biblical characters, engaged in a discussion or debate. The figures are dressed in traditional robes, and the setting appears to be outdoors.
  2. Bottom Left Illustration:

    • Shows a smaller, more abstract design with intricate patterns and possibly a symbol or emblem in the center. The text below this illustration reads: "Mostra tu domanda per che Mathoe habia detto che el tigmore refu fecto. La fede del fabba to cominciato a placa re nel piumo di del fab."
  3. Right Illustration:

    • Depicts another scene with figures, possibly in a religious or ceremonial context. The figures are engaged in an activity that seems to involve a table or altar, suggesting a Eucharistic or sacramental theme.

Overall Impression:

The page is from a historical religious text, likely a theological treatise or commentary on the Eucharist. The text is dense and scholarly, with references to biblical figures and theological debates. The illustrations complement the text, providing visual representations of the themes discussed.

Qwen

No captions written

Text analysis

Amazon

ui
celebrido
lui
del
di
dica
Marcho
bere.ma
&
laqua
pace
Quarta
fobrieta.
Ma
didel
Moyle
fua
ifcriuedo.
refufcitato:el
la
dio
Maria
relurretione
el
Queltione Terza Quarta
ui celebrido la pafqua fiamoinebriatida bato.Et Marcho dica chela relurretione
Queltione
fabbato
ma
dio & pace nel fpirito fanto. Moyle tina magdalena: laqua
primo
di dio gau Maria da
magdalena:
uero
Terza
fpirito
lui del uino la fobrieta. eregno fua lamatina. ifcriuedo. Ma ellenda
fiamoinebriatida
fanto.
uino
eregno
nel
gau
chela
el bere.ma eiultitia & refufcitato:el primo didel fabbato la ma
da
bato.Et
tina
pafqua
lamatina.
eiultitia
ellenda

Google

Terza & Quarta Queftione lui celebrido la pafqua fiamoinebriati da lui del uino d la fobrieta.pche no e regno di dio el cibo el bere.ma eiuftitia gau dio& pace nel fpirito fancto. Ne Moyfe dete anui el uero pãe. Ma el fignore ilhefu effo noftro couito. co nui couiuate. Effo elgle migia.emãgiato:nui beuiamo el fuo fangue: fenza lui no lo poffiamo be re ogni giono neli fuoi facrificii de la generatiode la uera uite. de la igna di forech:laqle e iterpetrata electa.pmiamo lirubeti mufti. &digfte cofe beuiamo il nuouo uino nel regno dl padre. no gia ne la antiqta de la lettera.ma nela nouita dl fpirito.catando el bato.Et Marcho dica chela refurretione fua fu lamatina.cofifcriuedo.Ma effendo refufcitato:el primo di del fabbato la ma tina aparue a Maria magdalena: da laqua le haueua caciati fette demonii.Et quella partedofi lo anutio a coloro liqli con lui erano ftati: liqli fe lametauano uano.Et coloro udedo piange che effo uiucfle. che efla lhaueffe ueduto no el credeteno. Diğita queftioe nafcono due folutione.o ueramete nui no riceuiamo el teftimonio di Marco.elqle fuo teftimonio e i rari eua gelqfi tutti li hibri di grecia.no hanno q ito capitulo cheflo narri cofe diuerfe & cotrarie aglial tri euangelifti.Oueramete e da rifponde re. che luno & laltro habia dicto el uero. nela fine.maxime pche pare funo no puo cantare.fe no lğle nef ne defideraua dregno del padre. alo cob dicedo.Se fara el mio : Matheo.quido el fignore refufcito la no éte del fabbato.Marcho dice che quando lhaueua ueduto Maria magdalena la ma co darámi el pane amangiare. me el uelti neto a uetire apteziamo in xpo.tati ciueftiamo xpo. & magianm pane de li angeli. uediamo el fignorep dicate.El mio cibo e che io facia la uolo ta di colui che mi mádo.a ra fua.Faciamo aduque la uolora di colui che ce ha midati. & adipiamo tua ado peratioe. xpo beuera co nui:nel regno d la chiefa el fuo fague. Queftioe terza. Che cagione fia che de la refurrectioe & apparitione del fignore li euangelifti ha biano narrato diuerfe cofe. tina primo di del fabbato.Cofi fi d diftin effendo guere tenuto el fiato e da feguitare.El primo di dl fabbato la matia apparue a Maria mag dalena.Adcio che colui elqle fecundo Ma theo.era rifufcitato la fera del fabbato.La C adempia lope di del fabbato fecundo matina el primo d Marcho fia apparito a Maria magdalena. Ilche & ieuigelifta fignifica.di moltrando.che eflo ihefu fu ucduto la ma tina de laltro di. Quarta queftione. Inche modo fecundo che pone Matheo nel uefpro del fabbato uide Maria mag dalena el fignore refufcitato. Et Ioanne euangelifta dice La matina cioe primo uno di del fabbato che efla to al fepulchro piangeua ala IN RI Mprima tu doma che Matheo habia d to che el fignore refu fcito.La fera del fabba to cominciate a riluce re nel primo di del fab INRI
Terza
&
Quarta
Queftione
lui
celebrido
la
pafqua
fiamoinebriati
da
del
uino
d
fobrieta.pche
no
e
regno
di
dio
el
cibo
bere.ma
eiuftitia
gau
dio&
pace
nel
fpirito
fancto.
Ne
Moyfe
dete
anui
uero
pãe.
Ma
fignore
ilhefu
effo
noftro
couito.
co
nui
couiuate.
Effo
elgle
migia.emãgiato:nui
beuiamo
fuo
fangue:
fenza
lo
poffiamo
be
re
ogni
giono
neli
fuoi
facrificii
de
generatiode
uera
uite.
igna
forech:laqle
iterpetrata
electa.pmiamo
lirubeti
mufti.
&digfte
cofe
il
nuouo
dl
padre.
gia
ne
antiqta
lettera.ma
nela
nouita
fpirito.catando
bato.Et
Marcho
dica
chela
refurretione
fua
fu
lamatina.cofifcriuedo.Ma
effendo
refufcitato:el
primo
fabbato
ma
tina
aparue
a
Maria
magdalena:
laqua
le
haueua
caciati
fette
demonii.Et
quella
partedofi
anutio
coloro
liqli
con
erano
ftati:
fe
lametauano
uano.Et
udedo
piange
che
uiucfle.
efla
lhaueffe
ueduto
credeteno.
Diğita
queftioe
nafcono
due
folutione.o
ueramete
riceuiamo
teftimonio
Marco.elqle
i
rari
eua
gelqfi
tutti
li
hibri
grecia.no
hanno
q
ito
capitulo
cheflo
narri
diuerfe
cotrarie
aglial
tri
euangelifti.Oueramete
rifponde
re.
luno
laltro
habia
dicto
uero.
fine.maxime
pche
pare
funo
puo
cantare.fe
lğle
nef
defideraua
dregno
alo
cob
dicedo.Se
fara
mio
:
Matheo.quido
refufcito
éte
fabbato.Marcho
dice
quando
lhaueua
magdalena
darámi
pane
amangiare.
me
uelti
neto
uetire
apteziamo
in
xpo.tati
ciueftiamo
xpo.
magianm
angeli.
uediamo
fignorep
dicate.El
io
facia
uolo
ta
colui
mi
mádo.a
ra
fua.Faciamo
aduque
uolora
ce
ha
midati.
adipiamo
tua
ado
peratioe.
xpo
beuera
nui:nel
chiefa
fague.
Queftioe
terza.
Che
cagione
fia
refurrectioe
apparitione
euangelifti
biano
narrato
cofe.
fabbato.Cofi
fi
diftin
guere
tenuto
fiato
feguitare.El
matia
apparue
mag
dalena.Adcio
elqle
fecundo
theo.era
rifufcitato
fera
fabbato.La
C
adempia
lope
matina
apparito
magdalena.
Ilche
ieuigelifta
fignifica.di
moltrando.che
eflo
ihefu
ucduto
di.
queftione.
Inche
modo
pone
Matheo
uefpro
uide
dalena
refufcitato.
Et
Ioanne
euangelifta
La
cioe
uno
to
al
fepulchro
piangeua
ala
IN
RI
Mprima
tu
doma
refu
fcito.La
fabba
cominciate
riluce
fab
INRI