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Human Generated Data

Title

Canto XXXII. The Tenth Sphere: The Empyrean; Saint Bernard; The Virgin Mary; The Thrones of the Blessed

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5354

Human Generated Data

Title

Canto XXXII. The Tenth Sphere: The Empyrean; Saint Bernard; The Virgin Mary; The Thrones of the Blessed

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5354

Machine Generated Data

Tags

Amazon
created on 2023-10-18

Page 100
Text 100
Book 100
Publication 100
Newspaper 84.8
Person 83.9
Person 80.8
Person 79.1
Head 62.4
Document 60.3
Person 60.3

Clarifai
created on 2023-10-18

text 99.7
page 99.7
print 99
paper 98.8
no person 98.7
poetry 98
document 97.5
scripture 96.6
manuscript 96.2
art 95.2
retro 94.3
writing 94
antique 92.6
book bindings 91.8
testament 91.2
old 91.1
one 91
book 90.6
booklet 90.1
vintage 89.9

Imagga
created on 2019-11-04

newspaper 73.3
product 60.6
creation 49.9
cloud 49.2
definition 40.3
association 39.5
cover 37.1
artwork 36.7
advertising 36.6
backdrop 36.4
creative 36.3
associated 35.6
brochure 35.2
carpet 35.1
advertise 35.1
composition 35
advertisement 34.9
collection 34.4
book 34
daily 33.7
decorative 33.5
decor 32.8
conceptual 32.7
element 32.3
design 32.2
art 31.5
idea 31.2
graphic 29.3
decoration 29
letter 27.6
brass 25.2
information 24.9
text 24.5

Google
created on 2019-11-04

Text 98
Paper 90.2
Newsprint 81.5
Document 79.6
Paper product 75.7
Font 68.6

Microsoft
created on 2023-10-30

text 100
letter 70.5
book 70.5
newspaper 65.3
manuscript 60.2
plaque 41.1

Color Analysis

Feature analysis

Amazon

Book
Person
Book 100%

Categories

Imagga

Captions

Microsoft
created on 2023-10-30

text 99.9%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image displays a page from an early printed book. The text is written in an old or classical font style, primarily in Latin or Italian. The title at the top of the page reads "PARADISO," indicating that this is likely an excerpt from Dante Alighieri's "Divine Comedy," specifically from the "Paradiso" section. The page features both text and an illustration: 1. **Text**: It is arranged in two columns with several lines of prose and poetry. The text discusses various themes related to "Paradiso," likely exploring spiritual and theological concepts. 2. **Illustration**: The lower right section of the page contains a woodblock print or engraving. This illustration depicts a celestial or divine scene, with three robed figures sitting on thrones or chairs in the sky, surrounded by stars. This could symbolize a heavenly court or holy assembly. The central figure might represent a higher angelic or divine being, judging by its prominence. Below the celestial scene are detailed patterns, possibly representing waves or clouds. The page's overall appearance, layout, and content suggest it is a significant historical or religious text, possibly a medieval or Renaissance-era printing of Dante’s "Paradiso."

Created by gpt-4 on 2025-01-31

The image appears to be a photograph of a vintage printed page from a book. It seems to be a page from a very old book or manuscript, given the font and style of print. The script is in Italian, and judging by the layout and the presence of capitalized letters at the beginning of some paragraphs, it's likely a literary work or a text with significant historical value. The top of the page reads "PARADISO," which suggests this page could be from Dante Alighieri's "Divine Comedy," specifically from the "Paradise" section of the poem. Below the title is the text set in two columns of an early typeface reminiscent of those used during the Renaissance period in Italy. The text includes a mixture of larger and smaller fonts, likely to denote different sections or to emphasize certain passages. On the right side of the page, there is an illustration, an intricate woodcut print. The woodcut shows a series of concentric circles or spheres with figures inside of them. These illustrations could be depicting the celestial spheres or heavens as described in Dante's account of Paradise. Given the contents and the style, the page is probably from an early printed edition of "The Divine Comedy." The precise edition or the date of printing is not discernible from the image alone, but it could likely be several hundred years old. The presence of decorative elements, the style of printing, and the orthography support the historical significance of the document.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historical manuscript or book, specifically from Dante's "Paradiso" (as indicated by the title at the top). The page features both text and illustration, with Italian text in what appears to be a medieval or Renaissance-era typeface. The lower portion contains a woodcut illustration depicting a celestial scene with several figures arranged on different levels, surrounded by stars. The scene is likely illustrating a moment from Canto XXII of the Divine Comedy's Paradiso section, as indicated by the text. The illustration has a simple, linear style characteristic of medieval woodcut prints. The page appears aged, with slight discoloration typical of old paper or parchment. The layout combines prose text at the top with poetry and illustration below, which was a common format for illustrated manuscripts and early printed books of this period.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows an old printed text in Italian, possibly from the 15th or 16th century based on the typography and language. The left side of the page contains a large block of printed text, while the right side features an illustration depicting what appears to be the Garden of Eden from the Bible. The illustration shows Adam and Eve standing next to the Tree of Knowledge, surrounded by various plants and animals. The text seems to be discussing the concept of Paradise and likely provides a theological or philosophical commentary on the story of Adam and Eve from the book of Genesis.

Created by claude-3-haiku-20240307 on 2025-01-31

This image appears to be an old, ornately decorated page from what looks like an antique book or manuscript. The page contains primarily Italian text with some decorative elements, including what appears to be a small illustrated scene in the upper right corner. The text is written in an ornamental script and the overall style suggests this is likely a historical document or literary work of some kind. Without being able to identify any individuals, the image conveys a sense of antiquity and artistic craftsmanship.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13

The image presents a page from an old book, featuring a mix of text and illustrations. The page is divided into two main sections: the top section contains a block of text written in Latin, while the bottom section features an illustration accompanied by additional text. **Top Section:** * The text is written in a formal, cursive script. * It appears to be a passage from a literary or historical work. * The language is Latin, indicating that the book is likely from the Renaissance or earlier period. * The text is densely packed, with no clear headings or subheadings to break up the content. **Bottom Section:** * The illustration depicts a scene with multiple figures, possibly representing a mythological or biblical story. * The figures are dressed in elaborate clothing and are arranged in a formal, symmetrical composition. * The illustration is surrounded by additional text, which provides context or commentary on the scene. * The text is also written in Latin and is formatted similarly to the top section. **Overall:** * The page has a worn, aged appearance, suggesting that it has been handled extensively over time. * The use of Latin and the formal script indicate that the book is a rare or valuable item. * The combination of text and illustration creates a visually appealing and engaging page that invites the viewer to explore the content further.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13

The image depicts a page from an old book, likely written in Italian. The page is divided into two sections: the top section contains text, while the bottom section features an illustration accompanied by additional text. **Text Section:** * The text is written in black ink and appears to be in an archaic font. * The language used is Italian, with some words and phrases that may be Latin or other languages. * The text is arranged in paragraphs, with some lines indented or spaced differently than others. * There are several symbols and abbreviations used throughout the text, which may indicate footnotes, references, or other annotations. **Illustration Section:** * The illustration is a woodcut or engraving, depicting a scene with several figures and objects. * The figures appear to be dressed in Renaissance-style clothing, suggesting that the book was printed during this period. * The objects in the illustration include a throne, a crown, and a scepter, which may symbolize power, authority, or royalty. * The background of the illustration is decorated with intricate patterns and designs, which may represent a specific location or setting. **Overall:** * The page appears to be from a rare or historical book, possibly a literary work, religious text, or philosophical treatise. * The use of archaic language and symbols suggests that the book was written for a specific audience or purpose, such as scholars, clergy, or nobility. * The illustration adds visual interest and may help to illustrate key concepts or themes in the text.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image is a page from an old book, which appears to be a religious or philosophical text. The page is divided into two sections: the upper part contains text, and the lower part has an illustration. The text is written in a cursive, italicized font, and it is in a foreign language, likely Latin or another classical language. The text is divided into two columns, with the left column containing the main text and the right column containing a smaller, italicized text that seems to be a commentary or explanation of the main text. The illustration in the lower part of the page depicts a scene with several figures. In the center, there is a throne with two figures sitting on it, possibly representing a king and queen or a religious figure and their consort. To the left of the throne, there is a figure holding a scepter, possibly a herald or messenger. To the right of the throne, there is a figure holding a shield, possibly a guard or protector. The overall impression of the image is one of a scholarly or religious text, with the text and illustration working together to convey a message or teaching. The use of a foreign language and the inclusion of a commentary suggest that the text is intended for a learned audience, possibly scholars or clergy. The illustration, with its regal figures and symbols of power, may be intended to reinforce the authority and legitimacy of the text's teachings.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image depicts an old manuscript page with a combination of text and illustrations. The page is part of a historical document, likely from the Renaissance period, given the style of the script and the illustrations. The text is written in a mix of Latin and Italian, reflecting the multilingual nature of scholarly works during that era. The text is divided into two main sections. The upper section contains a lengthy Latin passage, written in a formal, serif font. The Latin text appears to be a theological or philosophical discourse, possibly discussing concepts of grace, divine light, and contemplation. The Latin text is accompanied by an ornate illustration on the right side of the page. This illustration features a celestial scene with a central figure, possibly representing a divine entity or a saint, surrounded by stars and other celestial elements. The figure is depicted in a throne-like pose, with an aura of light emanating from it, symbolizing divine illumination. The lower section of the page contains Italian text, written in a more cursive script. This section appears to be a commentary or an explanation of the Latin text above. The Italian text discusses the virtues of the divine light and its transformative effects on the soul. It emphasizes the idea of divine grace as a purifying and enlightening force, capable of healing and pacifying the soul. The Italian text is also accompanied by an illustration on the left side of the page, which depicts a scene of divine intervention, possibly illustrating a miracle or a moment of spiritual revelation. The overall layout of the page suggests a scholarly work, possibly a theological treatise or a commentary on a religious text. The combination of text and illustration is typical of Renaissance manuscripts, where visual elements were used to enhance the understanding and engagement with the written content. The use of both Latin and Italian reflects the multilingual nature of scholarly works during that period, catering to a diverse audience of educated readers. In summary, the image shows a page from an old manuscript that combines Latin and Italian text with elaborate illustrations. The Latin text discusses theological concepts, while the Italian text provides commentary and explanation. The illustrations depict celestial and divine scenes, enhancing the spiritual and philosophical themes of the text. The page is a testament to the scholarly and artistic traditions of the Renaissance period.

Text analysis

Amazon

bene
pacificoria
quella
che
peccato
fiamma
glocchi
IGL
da
fara
PARADISO
per
Di
&
me
quindi
Adunque
dal
ET
non
fondo
alei
quefto
al
gratia:Et
finfiamma
come
quinci
f
gratia.
matina
diuina
la
reclamente
limo.&
rige
tenendo
di
imperoche
gia
guido
el
uoli
ti
fe
chemal
dica
fiamo
DIMOSTR
fignifichi
GLOCCHI.CHE
Ma
in
uerfo
morte
A
noto
terreftre
rantoaffecto
uolfe
LEVAL
ET COMEda matina DIMOSTR A percomparatione che come
e
f IGL Volo Di gratia:Et reclamente imperoche non da noftrimeriti fiamo per la morte del peccato rige
chemal guido phetontepiu finfiamma
aquila
bene celeftiale ti fara noto tenendo glocchi al fondo Quafi dica le ti fpicht dal terreftre limo.&
jocondo
Cofi quella pacificoria fiamma
effer
del
percomparatione
me aquila uoli in non uerfo el diuino fole.IO LEVAL GLOCCHI.CHE quefto non fignifichi gia dilopra e fpofto. со
Quafi
& quinci & quindi cllumefifafcemo
gratia
figloli
le
nerat!: Ma per la diuina gratia Adunque fiamo figloli di gratia. QuESTO effer jocondo Quefto fómo
Volo
piuattenti.
cluoicon rantoaffecto uolfe alei
fpicht
phetontepiu
diuino
dilopra
COMEda
Chemicidirimirar fe piuattenti.
со
nerat!:
Cofi
fómo
QuESTO
fpofto.
fole.IO
cluoicon
noftrimeriti
cllumefifafcemo
Chemicidirimirar
Quefto
celeftiale
ОТИАЛ
127%

Google

1 PARADISO chemalguido phetontepiu finfiamma & quinci &quindi cl lumefifafcemo Cofiquellapacificoria fiamma efuoicon tantoaffectouolfe alei Chemicidirimirar fepiuattenti. f IGLVolo Digratia:Et reclamente imperoche non da noftri meriti fiamo per la morte del peceato rige nerati:Ma per la diuina gratia Adunque fiamo figloli di gratia.QuESTO efler iocondoQuefto fomo bene celeftialenon ti fara noto tenendoglocchi al fondo Quafi dica fe non tifpichi dal terreftre limo.& co meaquila uoliin uerfo el dicino fole.IOLEVAL GLOCCHI.CHEquefto fignifichi gia difopra efpofto. ET COMEda matina DIMOSTRA percomparatione che come la matina la parte orientale e piuchiara che loccidentale:perche il fole comincia a illuminarla:cofiqnella parte piu fuprema del paradifo era piu luct dache laltre parti.Etcome quiuiscioe in quella parte delcielo DOVESASPECta el temo.ideft elcarrodel fole:ponendo eltemone che e parte delcarro per tutto elcarro:ET la fauola di Phethon:e funarratanelca to.xxvii.dela primacantica.PIV SINFIAMA.ideft piufallamina:perche fempre iuiapparilce pie chiarore doue pocho dopo ha eflere el fole.CHOSIQuELla pacificoria fiamma.i. pacifica fiamma:perche larden tiflimacharita dimaria fu mediatrice a riconciliarelhuomo a dio. ETINQuelmezo con le Le penne fparfe de glangeli ignificano la gratia & la cognitione che fidılata per tutte lanime Ma nodifinde perche lecondo emeriti fono piu & menoilluminate.LEfacciedi fulgore.cioe di fplendore ch fignificacharita.ET DARTE cioe dexerticio:perche come dixi hanno diftinctione &nellofficio fecedo la diuerfita della gratia:&della gloria. VNA BELLEZA:CHE era maría uergine.Ridea agiuochi & a canti de glangeli ET queftofaccealetitia ne glocchi a tutti efancti.ET SIO HAVESli in dir tanta diuitia.MOlto piu &meglo puo imaginare lhuomoche non puo exprimere quello che imagina:Etnientedimeno dimof rta el poetache benche haueffi tanta diuita cioe tanta faculta nel dire quanto ha nello imaginare non ardi rebbe tentare el minimo dela fua gloria.ETQUANDO bernardoquando uide glocchimieiattéti nel fo caldocalore.VOLSE efuoi allei.idefta.MARIA con tanto affectoche fecce emiei piuardenti di rimirare CONchiude che el furore colquale bernardo fcripfele fue contemplationi di MARia fecce lui piu feruen teacontemplarla. CANTO.XXXI.DELA TERTIA CANTICA DIDANTHE Ffecto alfuo piacer quel contemplante libero officio di doctore aflumpfe S-CERNA bONA & comincio quefteparole fancte. Lapiaga chemaria richiufe &unfe quella che tanto bella dafuoipiedi &quella che laperfe & che lapunfe. Nellordine che fanno eterzifedi fiederachel difotto da coftei con beatrice ficome tu uedi Sarrhatebeccha ludith &colei chefu bifauaalcantor che condogla del fallo dixemifereremei Puoituueder cofidifogla in fogla giudigradar comio cha pprio nome uoper larofa giu di foglain fogla. MADO NA h Auédogia laudtor defcrito el paradifo i generaleuuo leiqto.xxxti.capitulo dilcriuerlo i priculaf.adug ne la pria pte difcriue lordiedgradi de beati duechio&nuo uo tefamento.Nela fecodirimoue undubbio circa epicoli fáciuli.Ne la terzanarra la beatitudiedi noftra V madona.& dimoftra lágelogabriel:ne lultia dioftra epricipali patrici di quefta corte. Hora tornandoa pri miuerliordina cof el texto.Quelcotepláte.i.bernardo.affecto.ideft facto affectuofo.i.ripieno daffectioe aflumfe prefe lbero officio ai doctore: perche di hbero effer mio doctor:8& dimoftrarmi tutti egradidi paradifo.&comincio coli.Quella che e tanto bella:cioe eua pria femina da piedidimaria:perche enel feco dofeggio.Doppo maria e quellache aperfe & punfe la piagache maria richiufe&unfe. QuESTA elapiaga de lhumana naturachecagiono el peccato dadam:elqual fece tuttigluomini in habili a potere hauereuita cerna:DE laquale eua fucagione inductiua:& perho punfe & apperfe quefta piaga.& MARIA per la fa
1
PARADISO
chemalguido
phetontepiu
finfiamma
&
quinci
&quindi
cl
lumefifafcemo
Cofiquellapacificoria
fiamma
efuoicon
tantoaffectouolfe
alei
Chemicidirimirar
fepiuattenti.
f
IGLVolo
Digratia:Et
reclamente
imperoche
non
da
noftri
meriti
fiamo
per
la
morte
del
peceato
rige
nerati:Ma
diuina
gratia
Adunque
figloli
di
gratia.QuESTO
efler
iocondoQuefto
fomo
bene
celeftialenon
ti
fara
noto
tenendoglocchi
al
fondo
Quafi
dica
fe
tifpichi
dal
terreftre
limo.&
co
meaquila
uoliin
uerfo
el
dicino
fole.IOLEVAL
GLOCCHI.CHEquefto
fignifichi
gia
difopra
efpofto.
ET
COMEda
matina
DIMOSTRA
percomparatione
che
come
parte
orientale
e
piuchiara
loccidentale:perche
il
fole
comincia
a
illuminarla:cofiqnella
piu
fuprema
paradifo
era
luct
dache
laltre
parti.Etcome
quiuiscioe
in
quella
delcielo
DOVESASPECta
temo.ideft
elcarrodel
fole:ponendo
eltemone
delcarro
tutto
elcarro:ET
fauola
Phethon:e
funarratanelca
to.xxvii.dela
primacantica.PIV
SINFIAMA.ideft
piufallamina:perche
fempre
iuiapparilce
pie
chiarore
doue
pocho
dopo
ha
eflere
fole.CHOSIQuELla
pacificoria
fiamma.i.
pacifica
fiamma:perche
larden
tiflimacharita
dimaria
fu
mediatrice
riconciliarelhuomo
dio.
ETINQuelmezo
con
le
Le
penne
fparfe
de
glangeli
ignificano
cognitione
fidılata
tutte
lanime
Ma
nodifinde
perche
lecondo
emeriti
fono
menoilluminate.LEfacciedi
fulgore.cioe
fplendore
ch
fignificacharita.ET
DARTE
cioe
dexerticio:perche
dixi
hanno
diftinctione
&nellofficio
fecedo
diuerfita
della
gratia:&della
gloria.
VNA
BELLEZA:CHE
maría
uergine.Ridea
agiuochi
canti
queftofaccealetitia
ne
glocchi
tutti
efancti.ET
SIO
HAVESli
dir
tanta
diuitia.MOlto
&meglo
puo
imaginare
lhuomoche
exprimere
quello
imagina:Etnientedimeno
dimof
rta
poetache
benche
haueffi
diuita
faculta
nel
dire
quanto
nello
ardi
rebbe
tentare
minimo
dela
fua
gloria.ETQUANDO
bernardoquando
uide
glocchimieiattéti
fo
caldocalore.VOLSE
efuoi
allei.idefta.MARIA
tanto
affectoche
fecce
emiei
piuardenti
rimirare
CONchiude
furore
colquale
bernardo
fcripfele
fue
contemplationi
MARia
lui
feruen
teacontemplarla.
CANTO.XXXI.DELA
TERTIA
CANTICA
DIDANTHE
Ffecto
alfuo
piacer
quel
contemplante
libero
officio
doctore
aflumpfe
S-CERNA
bONA
comincio
quefteparole
fancte.
Lapiaga
chemaria
richiufe
&unfe
bella
dafuoipiedi
&quella
laperfe
lapunfe.
Nellordine
fanno
eterzifedi
fiederachel
difotto
coftei
beatrice
ficome
tu
uedi
Sarrhatebeccha
ludith
&colei
chefu
bifauaalcantor
condogla
fallo
dixemifereremei
Puoituueder
cofidifogla
fogla
giudigradar
comio
cha
pprio
nome
uoper
larofa
giu
foglain
fogla.
MADO
NA
h
Auédogia
laudtor
defcrito
i
generaleuuo
leiqto.xxxti.capitulo
dilcriuerlo
priculaf.adug
pria
pte
difcriue
lordiedgradi
beati
duechio&nuo
uo
tefamento.Nela
fecodirimoue
undubbio
circa
epicoli
fáciuli.Ne
terzanarra
beatitudiedi
noftra
V
madona.&
dimoftra
lágelogabriel:ne
lultia
dioftra
epricipali
patrici
quefta
corte.
Hora
tornandoa
pri
miuerliordina
cof
texto.Quelcotepláte.i.bernardo.affecto.ideft
facto
affectuofo.i.ripieno
daffectioe
aflumfe
prefe
lbero
ai
doctore:
hbero
effer
mio
doctor:8&
dimoftrarmi
egradidi
paradifo.&comincio
coli.Quella
bella:cioe
eua
femina
piedidimaria:perche
enel
feco
dofeggio.Doppo
maria
quellache
aperfe
punfe
piagache
richiufe&unfe.
QuESTA
elapiaga
lhumana
naturachecagiono
peccato
dadam:elqual
fece
tuttigluomini
habili
potere
hauereuita
cerna:DE
laquale
fucagione
inductiua:&
perho
apperfe
piaga.&
MARIA
fa