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Human Generated Data

Title

Canto XXIX. The Ninth Sphere: The Primum Mobile; Beatrice Recounts Time from Creation to the Revolt of the Angels

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5351

Human Generated Data

Title

Canto XXIX. The Ninth Sphere: The Primum Mobile; Beatrice Recounts Time from Creation to the Revolt of the Angels

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5351

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.8
Newspaper 99.6
Page 99.4
Paper 78.4

Clarifai
created on 2019-11-03

page 99.1
paper 97.9
document 97
vintage 96
old 95.1
text 94
book bindings 94
desktop 93.7
blank 93
picture frame 92.9
retro 92.8
texture 91.4
antique 90.1
template 87
manuscript 86.5
design 85.7
art 83.3
decoration 82.9
ancient 81.2
illustration 81

Imagga
created on 2019-11-03

cloud 48.3
brass 44.1
book 41.6
definition 40.3
association 39.5
cover 38
artwork 37.6
creative 37.1
binding 36.8
advertising 36.5
associated 35.6
backdrop 35.5
brochure 35.2
carpet 35.1
advertise 35.1
composition 34.9
advertisement 34.8
memorial 34.7
collection 34.3
decor 33.7
decorative 33.5
art 33
conceptual 32.7
design 32.1
idea 32.1
element 31.5
graphic 30.7
product 30.4
decoration 29.7
creation 27.6
structure 26.5
information 25.7
data 24.7
newspaper 24.6
fabric 24.5
letter 23
business 22.5
continuity 21.8
drapery 21.7
old 20.9
keywords 20.7
text 20.1
copy 18.6
bible 16.7
religion 16.2
page 15.8
antique 15.2
collage 14.5
religious 14.1
detail 13.7
god 13.4
paper 13.4
word 13.2
prayer 12.6
holy 12.6
faith 12.5
daily 12.4
development 12.4
ancient 12.1
texture 11.8
energy 11.8
read 11.6
journal 11.4
communication 10.9
black 10.8
spiritual 10.6
church 10.2
writing 9.4
life 9.4
document 9.3
modern 9.1
vintage 9.1
open 9
history 9
chapter 8.9
testament 8.9
pattern 8.9
gospel 8.9
analysis 8.8
best 8.8
education 8.7
mix 8.7
day 8.6
print 8.5
cross 8.5
mosaic 8.4
menu 8.1
new 8.1
rosary 7.9
more 7.8
commercial 7.5
human 7.5
company 7.5
aged 7.3
activity 7.2
textured 7

Google
created on 2019-11-03

Text 97.2
Paper 89.6
Document 81.1
Paper product 76.7
Font 68.6
Newsprint 61.6

Microsoft
created on 2019-11-03

text 100
letter 90.6
book 76.4
plaque 28.9

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-01

This image depicts a page from an old printed book, featuring both text and an illustration. The layout is characteristic of early printed works, with a combination of Latin text and a woodcut illustration. Here are some key features: 1. **Title and Header**: The page is marked at the top with "CANTO XXIX" and the page number "305". The text below starts with "CANTO XXIX. DELA TERTIA CANTICA DIDANTHE:" indicating that it is from the 29th canto of a work concerning the third canticle of Dante. 2. **Illustration**: The upper section of the page contains a square woodcut illustration. It depicts celestial beings, likely angels, amidst stars or other celestial symbols, surrounding a central circular area labeled "D. VIA LATTEA". There appears to be an artistic representation of cosmic elements consistent with themes in Dante's works. 3. **Text**: The text is set in a single-column format, with Latin script and some passages marked in italics for emphasis. It begins with a large ornate initial capital "Q" that signals the start of the canto. The content is likely prose or verse associated with Dante's divine comedy, given the reference to cantos and the structure. 4. **Typography and Layout**: The page has wide margins, typical of early printed books, allowing for notes and commentary. The typographic style is classic and dense, with careful justification creating a rectangle of text that balances the page. 5. **Condition**: The page appears well-preserved for its age, though there may be some signs of wear, such as slight yellowing of the paper and minor imperfections around the edges. Overall, this page is a classic example of early printed literature, combining elements of text and illustration to convey profound thematic content in a manner typical of the Renaissance period. It likely forms part of an academic or literary analysis or interpretation of Dante's 'Divine Comedy'.

Created by gpt-4 on 2025-02-01

This is an image of a page from an old printed book with text primarily in a column on the right side and a decorative initial letter starting the main body of text. The text is in an antique style of typeset, likely from a Renaissance-era publication, and is written in Italian. At the top of the page, the word "CANTO" is prominent, followed by roman numerals, which suggests that this is a page from a book divided into songs or sections, such as Dante Alighieri's "Divina Commedia" (Divine Comedy). The decorative initial is surrounded by a detailed woodcut illustration, which features a dense forest or thicket with various plants, and hints of two birds and possibly a pair of small animals in the foliage. The page number, 305, is visible in the upper right corner, and there is a caption "XXIX" written on the top, indicating that this is the twenty-ninth section, or canto, of the work. Due to the historical significance and distinctive style of the page, it is possible that it could be an early edition of Dante's Divine Comedy, specifically from the "Paradiso," which is the third part of the poem. If this is indeed from Dante's work, it would be a historic piece of literature of considerable interest to historians, literary scholars, collectors, and enthusiasts of classic literature.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-01

This appears to be a page from an early printed edition of Dante's Divine Comedy, specifically Canto XXIX of the "Terza Cantica" (Paradise/Paradiso). The page features both text and an illustration at the top right. The illustration is a woodcut showing various celestial or angelic figures floating or flying in what appears to be a heavenly scene. The text is printed in an early Renaissance Italian typeface, with both verse and prose commentary sections visible. There's a decorative initial 'Q' at the beginning of the text block. The page appears aged, with slight discoloration typical of old paper. The layout is characteristic of early printed books from the late 15th or early 16th century, combining traditional manuscript features like illuminated initials with the newer technology of movable type printing.

Created by claude-3-opus-20240229 on 2025-02-01

This image shows a page from an old book, likely Dante's Divine Comedy based on the title at the top which reads "CANTO XXIX DELA TERTIA CANTICA DIDANTHE". The page has two columns of text in an old style font, with a large illustrated letter Q beginning the left column. The illustration within the Q depicts a fantastical scene with various creatures and figures amidst a wooded landscape. At the top, winged creatures that resemble angels or cherubs fly above the treetops. In the foreground, there appear to be two human-like figures - one standing and gesturing, the other crouched or sitting. Surrounding them are an assortment of animals and mythical beasts, including what looks like a lion, a griffin, and a dragon-like serpent creature. The dense, stylized linework and crosshatching is typical of woodcut illustrations from the early era of printed books in the 15th-16th centuries. Overall, it's an intricately detailed and imaginative visual introduction to this canto from Dante's epic poem, hinting at the allegorical and supernatural elements the text describes.

Created by claude-3-haiku-20240307 on 2025-02-01

The image appears to be an illustrated page from an old book or manuscript. It contains text in a foreign language, likely Latin or Italian, along with an ornate illustration depicting various figures and fantastical creatures. The illustration appears to be intricate and detailed, with many different elements and elements that resemble birds, angels, or other mythological beings. The text and illustration seem to be related, possibly describing or accompanying a piece of writing or a literary work. Overall, the image conveys a sense of historical and cultural significance.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The image presents a page from an old book, featuring a woodcut illustration and text in Latin. **Page Layout:** * The page is divided into two columns of text, with the left column containing a heading that reads "CANTO XXIX DELA TERTIA CANTICA DIDANTHE:". * The right column features a woodcut illustration depicting a scene with people, trees, and animals. * The text is written in black ink on a white background, with some words or phrases underlined or highlighted. **Text Content:** * The text appears to be a passage from a literary work, possibly a poem or play. * The language used is Latin, which was commonly employed in European literature during the Renaissance period. * The text includes various words and phrases that are underlined or highlighted, suggesting that they may be important or significant in the context of the passage. **Woodcut Illustration:** * The woodcut illustration is a detailed and intricate depiction of a scene with people, trees, and animals. * The illustration is rendered in a style that is characteristic of woodcuts from the Renaissance period, with bold lines and simple shading. * The scene appears to be a fantastical or mythological one, with elements that are not found in everyday life. **Overall Impression:** * The page presents a sense of antiquity and historical significance, evoking a sense of nostalgia for a bygone era. * The use of Latin and the woodcut illustration suggests a connection to the cultural and literary traditions of Europe during the Renaissance period. * The page appears to be a valuable resource for scholars and researchers interested in the history of literature and art.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

The image depicts a page from an old book, featuring a mix of text and illustrations. The page is written in Italian, with the title "CANTO" at the top left corner, followed by "XXIX" and "305" on the right side. The text is divided into two columns, with the left column containing a large letter "Q" at the top, accompanied by a decorative border. The right column features a woodcut illustration of a scene with multiple figures, possibly depicting a battle or a gathering. The text itself appears to be a poem or a passage from a literary work, with the language suggesting that it may be a Renaissance-era Italian text. The overall design and layout of the page suggest that it is a reproduction or a scan of an original page from an old book, possibly a rare or historical volume.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-01

The image shows a page from an old book with text and an illustration. The text is written in an old-fashioned style, with ornate letters and symbols. The illustration appears to be a diagram or chart of some kind, with lines and shapes that seem to represent different concepts or ideas. The page is old and worn, with creases and folds visible in the paper. The text and illustration are both in black ink, and the page has a yellowed, aged appearance.

Created by amazon.nova-lite-v1:0 on 2025-02-01

The image is a page from a book, featuring a mix of text and an illustration. The page is divided into two main sections, with the left side containing text in an old-style font, and the right side featuring an intricate illustration. The text appears to be in a language that is not English, possibly Italian or another Romance language. The illustration on the right side is a detailed drawing that includes various figures and symbols, possibly related to the text on the left side. The text is structured in paragraphs, with some words emphasized by being in bold or italicized. The overall design of the page suggests it is from an older book, possibly a historical or religious text.

Text analysis

Amazon

CANTO
DIDANTHE:
XXIX
dilatona
couertidalmontone&
lalibra
uilto
dimando
non
dipincto
.CANTO.XXIX.DELATERTIACANTICADIDANTHE:
ripredechi
uolto
cheluno
.CANTO.XXIX.DELATERTIACANTICADIDANTHE: CANTO DIDANTHE:
Poicomincioiodic & non dimando
lho
Tanto uolto dirifo dipincto
fannodellorizonteinfiemez
cambiando
Tanto
&
udir pchio lho uilto
cambiando fidilibra.
quelcinto
fannodellorizonteinfiemez zonas
fidilibra.
zonas
udir
terzo ripredechi
ordini
infin cheluno & lalrrodi quelcinto
Poicomincioiodic
dirifo
tradato
pchio
Eerche tradato
guardando
quelchetuoenihi&ogniquaido
de
Eerche
beatrice guardando
CANTO XXIX 3of
chelcinith
beatrice
infin
illibra
due
terzo
puneto
& lalrrodi
uitoedal chelcinith illibra
couertidalmontone& da.
due gionil pcelarui
pcelarui
puerte
puerte icriptura.
alcii
icriptura.
gionil
uitoedal
P ordini de
da.
3of
P

Google

305
TERTIA
figli
couertidalmontone
da
cinto
cambiando
fidhlibra.
uolto
dipincto
beatrice
raguardando
fifonelpunéto
chemhaucauincto:
Poicomincioio
dico
non
quelchetuuuoi
lho
uifto
oue
fappunta
ogniubi&ogniquádo
p
Eerche
gia
ha
tractato
el
poetadela
ditiai
oe
denoue
ordini
de
glageli.Reftai
qto.xxixcapitulo
tractaf:doue:&quádo:&
iche'modo
lanatura
a
gelica
fucreata:che
cola
fia
lagelo:&
einumero
diquegli.
Tracta
adúp
prima
pče
&
tochaalcú
dubi
delõtellecto:memioria
&uolotadeglageli.Nel
terzo
luogho
ripréde
chi
poftpone
&puerte
lafcriptura.Et
finalmenteritorna
ala
pricipal
materiadeglágeli:Nel
pricipiodelcapita
odioftrache
riuolta
dio
tacita
che
edubii
tettecofi.ET
&mométo
optima
cée
la
fcédere.Adugquádo
funa
fole
ftino
iqta
hemifpro
efegnato.ccei
pueoogniubi
iogni
luogno:&ogniqndo.i.ognitépo:ftcoei
pracagiõe.ode
pcedono
logi
&Cetépibéchei
ghu.pcheeiméfonie
tépo
iui
laltro
procede
Non
perhaueradfe
dibene
acquifto
Aguardando
uiconobe
eronoin
fe
tempo
precede
chellerno
puoma
pchefuo
lpledore
creatione
luniuerfo.Secondo
doue
fu
factatal
creatio
poteffe
rifplendendo
dir
Infuacthernitaditempofore
oiiftante
fuccefliue.
primadimoftra
lacagione:che
moffe
idio
creace
nuerio:no
ad
beatitudine.perche
nien
dognaltro
coeipiacq
telepo
ariogerealperfecliflimo.Adungnon
har
faperfeinouiamorilethernoamore.
ueread
feacquiftodi
bene:perche
puo
effer.Maper
lo
fplendore
fuoadeft
fua
bota
fi
moftrafli
nelecre
ature:&poteffifubfifterenela
natura
creata:&
in
effa
aD
parire.&efereforma
fubftantiale
dognicreatura-perch:
lodifcorrer
didio
fopra
non?
pepuleru.nt
canfe
create:8&
per
dimoftrare
pfectione
diftinfe
primo
le
folamente
pofti
effer
hierarchie:maggiore
ordie
magiore:cheiono
cieli
d
cheneprimanepofciaprocedette
CANTO XXIX 305 CANTO.XXIX.DELA TERTIA CANTICA DIDANTHE Vandoambo duilh figli dilatona couertidalmontone & da lalibra fannodellorizonte infieme zona Quatoedal punéto chelcinith illibra infin cheluno & laltro di quel cinto cambiando lhemifperio fidhlibra. Tantocol uolto dirifo dipincto fitacque beatrice raguardando fifonelpunéto chemhaucauincto: Poicomincioio dico & non dimando quelchetuuuoi udir pchio lho uifto oue fappunta ogniubi&ogniquádo p Eerche gia ha tractato el poetadela ditiai oe denoue ordini de glageli.Reftai qto.xxixcapitulo tractaf:doue:&quádo:& iche'modo lanatura a gelica fucreata:che cola fia lagelo:& einumero diquegli. Tracta adúp prima dueqtioni Dipoi pče la rui nadeglágelirei & tochaalcú dubi delõtellecto:memioria &uolotadeglageli.Nel terzo luogho ripréde chi poftpone &puerte lafcriptura.Et finalmenteritorna ala pricipal materiadeglágeli:Nel pricipiodelcapita odioftrache Beatrice riuolta a dio ftctte tacita tato che uide edubii del poeta:ma breuetépo tettecofi.ET qitabreuita &mométo dichiara pcoparatione optima dicédoche cée iteruene:chquado el fole enellarie te &a luanela libra fegno oppofito iformache el lo e ei oréte:& la lua i occidéte: fabitaméte mutáo luogho pche funo fale alnoltto hemifpio:& laltrofcede.Quando ambe due efigloli di latona:cioe elfole & la luna: cóe gahabiamo dectocouerti lunodal mctone. laitro dala libra fano zoa.i.citura delorizotepche amédoe fononelorizóte.Malanapfalire:8 laltrap fcédere.Adugquádo la funa el fole ftino iqta formatáto.fita: beacricesquáto ftánola luna el folnelcicto dei hemifpro oue fappústa.i.oue efegnato.ccei pueoogniubi iogni luogno:&ogniqndo.i.ognitépo:ftcoei pracagiõe.ode pcedono e logi &Cetépibéchei diono e luo ghu.pcheeiméfonie tépo pcheeeterno.Nietediméoda iui luno & laltro procede Non perhaueradfe dibene acquifto Aguardando Beatrice:neladivinita uiconobe tredu bche eronoin danthe.Primo fe tempo precede la chellerno puoma pchefuo lpledore creatione de luniuerfo.Secondo doue fu factatal creatio poteffe rifplendendo dir fubfifto. Infuacthernitaditempofore ne.Tertiocome fu facta oiiftante o fuccefliue. ILperche primadimoftra che lacagione:che moffe idio a creace lu nuerio:no fupaccrefcere ad fe beatitudine.perche nien fuor dognaltro copreder coeipiacq telepo ariogerealperfecliflimo.Adungnon fu per har faperfeinouiamorilethernoamore. ueread feacquiftodi bene:perche non puo effer.Maper che lo fplendore fuoadeft la fua bota fi moftrafli nelecre ature:&poteffifubfifterenela natura creata:& in effa aD parire.&efereforma fubftantiale dognicreatura-perch: lodifcorrer didio fopra quefte acque. ognicofa creata e bona. Onde nelgenefi.Etuidit deus cu daque fecerat:&erant ualde bona&Boetio.Quem non? externe pepuleru.nt fingere canfe materie fluitantis opus Veruifita (ümi formaboni liuorecarés.Volle idio comunicare leffere &bota fua cole cofe da fe create:8& per dimoftrare la fua pfectione le diftinfe in tre gradi:Nel primo fono le creature folamente itellectualich pofti fopraecieli:Nelfecödocorporalifépliceméte pofti circa el cétro del mõdo nel baffo ch fonoglelementi.Nel terzo corporale &itellectuale cogiucte che fono homini & ciels.Eticiaícunogrado fo no maggiori mezi &miori.Nele itelletuali habbtão decto effer tre hierarchie:maggiore mezana:&mio re:&icialcunae ordie magiore:mezano &minore.Nele corporali fépliceméte e ordie magiore:cheiono ebruti mezano cheeuegetatiui.ideft alberi & herbe:&minore glelementi:che hanno folaméte leffere. Le creaturecongiunte danımo:& dicorpo fono in due gradi.pchealcune hano corpo incorruptibilh:&qfh fo no emotori.che mouono ecel.Alcune corruptbili:&qfhfonoglhomini.Et ne cieli alcunonoorganato d Neprimaquafitorpentefigiacque cheneprimanepofciaprocedette
CANTO
XXIX
CANTO.XXIX.DELA
CANTICA
DIDANTHE
Vandoambo
duilh
dilatona
lalibra
fannodellorizonte
infieme
zona
Quatoedal
punéto
chelcinith
illibra
infin
cheluno
di
quel
lhemifperio
Tantocol
dirifo
fitacque
dimando
udir
pchio
dueqtioni
Dipoi
rui
nadeglágelirei
Beatrice
ftctte
tato
uide
del
poeta:ma
breuetépo
qitabreuita
dichiara
pcoparatione
dicédoche
iteruene:chquado
enellarie
te
&a
luanela
libra
fegno
oppofito
iformache
e
ei
oréte:&
lua
i
occidéte:
fabitaméte
mutáo
pche
funo
fale
alnoltto
hemifpio:&
laltrofcede.Quando
ambe
due
efigloli
latona:cioe
elfole
luna:
cóe
gahabiamo
dectocouerti
lunodal
mctone.
laitro
dala
fano
zoa.i.citura
delorizotepche
amédoe
fononelorizóte.Malanapfalire:8
laltrap
formatáto.fita:
beacricesquáto
ftánola
luna
folnelcicto
dei
fappústa.i.oue
diono
luo
pcheeeterno.Nietediméoda
luno
Beatrice:neladivinita
tredu
bche
danthe.Primo
fubfifto.
ne.Tertiocome
facta
o
ILperche
lu
fupaccrefcere
fuor
copreder
quefte
acque.
ognicofa
creata
bona.
Onde
nelgenefi.Etuidit
deus
cu
daque
fecerat:&erant
ualde
bona&Boetio.Quem
externe
fingere
materie
fluitantis
opus
Veruifita
(ümi
formaboni
liuorecarés.Volle
comunicare
leffere
&bota
cole
cofe
tre
gradi:Nel
fono
creature
itellectualich
fopraecieli:Nelfecödocorporalifépliceméte
circa
cétro
mõdo
nel
baffo
ch
fonoglelementi.Nel
corporale
&itellectuale
cogiucte
homini
ciels.Eticiaícunogrado
fo
no
maggiori
mezi
&miori.Nele
itelletuali
habbtão
decto
mezana:&mio
re:&icialcunae
magiore:mezano
&minore.Nele
corporali
fépliceméte
ebruti
mezano
cheeuegetatiui.ideft
alberi
herbe:&minore
glelementi:che
hanno
folaméte
leffere.
Le
creaturecongiunte
danımo:&
dicorpo
gradi.pchealcune
hano
corpo
incorruptibilh:&qfh
emotori.che
mouono
ecel.Alcune
corruptbili:&qfhfonoglhomini.Et
ne
alcunonoorganato
Neprimaquafitorpentefigiacque