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Human Generated Data

Title

Canto XXV. The Eighth Sphere: The Fixed Stars – The Triumph of Christ; Saint James; The Examination of Hope; Saint John the Apostle

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5347

Human Generated Data

Title

Canto XXV. The Eighth Sphere: The Fixed Stars – The Triumph of Christ; Saint James; The Examination of Hope; Saint John the Apostle

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5347

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.7
Page 99.1
Newspaper 97.1
Paper 78
Poster 58.5
Flyer 58.5
Advertisement 58.5
Brochure 58.5
Label 57.6
Letter 55.9

Clarifai
created on 2019-11-03

page 99.2
document 97.5
paper 97.3
vintage 97.2
old 96.6
book bindings 96
text 94.9
retro 94.6
desktop 93.4
antique 93
texture 92.4
blank 92.2
manuscript 91
picture frame 90.9
design 88.8
art 88.3
template 87.5
illustration 87.5
ancient 85.3
decoration 83.7

Imagga
created on 2019-11-03

brass 71.6
memorial 56.9
cloud 46.6
definition 40.3
structure 38.7
association 38.5
book 37.5
cover 36.2
artwork 35.8
advertising 35.6
creative 35.4
advertisement 34.8
associated 34.6
brochure 34.2
carpet 34.1
advertise 34.1
composition 34
collection 33.4
decorative 32.7
backdrop 32.2
conceptual 31.8
idea 31.2
decor 31
art 30.7
element 30.7
design 30.5
graphic 29.3
decoration 28.3
information 25.7
letter 25.7
menu 24.8
text 24.5
data 23.8
business 23.7
old 22.4
continuity 20.8
fabric 20.8
keywords 20.7
drapery 20.7
fare 20.6
newspaper 20.2
product 20.1
copy 19.5
religion 18.9
bible 18.7
page 18.6
creation 18.3
word 18
religious 16.9
paper 16.5
daily 15.8
antique 15.7
prayer 15.5
detail 15.3
binding 15.3
holy 14.5
collage 14.5
read 14.5
faith 14.4
god 14.4
print 13.2
open 12.6
ancient 12.1
church 12.1
testament 11.9
spiritual 11.6
energy 11
communication 10.9
black 10.8
words 10.8
development 10.5
journal 10.4
food 10.1
gospel 9.9
history 9.9
pages 9.8
texture 9.7
cross 9.5
writing 9.4
study 9.4
chapter 8.9
scripture 8.9
analysis 8.8
best 8.8
education 8.7
mix 8.7
document 8.4
city 8.3
vintage 8.3
bookmark 8
passage 7.9
language 7.9
life 7.8
more 7.8
mosaic 7.8
catholic 7.8
king 7.8
pray 7.8
alphabet 7.7
money 7.7
company 7.5
close 7.4
symbol 7.4
new 7.3
day 7.1
modern 7

Google
created on 2019-11-03

Text 97.5
Paper 89.6
Document 78.5
Paper product 75.8
Font 68.6
Newsprint 56.3

Microsoft
created on 2019-11-03

text 100
letter 93.5
book 91.3
paper 56.7
handwriting 50
plaque 43.5

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 21-33
Gender Male, 50.3%
Angry 49.6%
Confused 49.5%
Calm 50.2%
Disgusted 49.6%
Happy 49.6%
Fear 49.5%
Surprised 49.6%
Sad 49.5%

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image shows a page from an old printed text, specifically from Dante Alighieri's "Divine Comedy," focusing on "Paradiso," Canto XXV. The page appears to be printed in Italian and features a decorative, large capital "S" at the beginning of the text. The text is written in two columns. At the top of the page, there is a title indicating the content: "PARADISO CANTO. XXV. DELA TERTIA CANTICA DIDANTHE." The layout of the text uses an early typeface characteristic of historical printings. Additionally, the page includes an illustration in the top right section, depicting a scene relevant to the content of "Paradiso." The illustration shows a celestial scene with a group of human figures, some seated and others standing, surrounded by a multitude of stars. This artistic representation is done in a woodcut style, common in early book illustrations. Overall, the page is an example of early printed literature and showcases the characteristic design and print techniques of its time, blending textual information with illustrative elements to convey parts of the narrative in "The Divine Comedy."

Created by gpt-4 on 2025-01-31

The image shows a page from an old book or manuscript with a text block and an illustration at the top. The text is written in an older form of typeset, which seems to resemble early printed books, possibly from the Renaissance period. It appears to be in Italian, indicating that it might be a page from "The Divine Comedy" by Dante Alighieri, specifically from the "Paradiso," which is the third part of the epic poem. The illustration at the top of the page depicts a group of individuals, among whom several are seated in a semi-circle, while others appear to be standing or floating, potentially representing angels or celestial beings considering the context of "Paradiso." The characters are sketched in a simple, linear style typical of woodcut illustrations from the 15th and 16th centuries. The celestial characters are adorned with halos, indicating their holy status. The seated figures seem to be engaged in discussion or listening to the standing figures. The layout of the page, with the title "PARADISO" prominently displayed at the top of the text, suggests this is the start of a new canto, specifically "CANTO XXV" (25), given the Roman numerals at the beginning of the text. The paper is aged and the text, while clear, has the hallmarks of early printing techniques, including the use of an older typeface and justification of the text into a dense block with no indentation or modern paragraph breaks. Additionally, the capital letters 'C' and 'I' at the beginnings of the first two lines are enlarged and decorated compared to the other characters, which is a common feature in older printed texts to denote the beginning of new sections or important passages.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historic Italian manuscript, specifically from Dante's "Paradiso" (Paradise), Canto XXV of the Divine Comedy. At the top of the page is a woodcut illustration showing a scene with figures gathered around a table under a starry sky. The illustration is relatively simple in style, with linear drawings characteristic of early printed books. The page contains text in Italian, with a decorative initial "S" at the beginning. The layout is typical of early printed books, with the main text in a larger font and what appears to be commentary or notes in smaller text below. The page shows some age-related discoloration but is generally well-preserved. This appears to be from an early printed edition, likely from the late 15th or early 16th century, given the style of typography and illustration. The combination of woodcut illustration with text was a common feature in early printed books of this period.

Created by claude-3-opus-20240229 on 2025-01-31

This image appears to be an old book page containing text in Italian alongside an illustration. The illustration depicts a group of figures, seemingly nobility or royalty, gathered around a table with food. The figures are wearing ornate clothing reminiscent of the Renaissance era. The border of the illustration contains decorative star patterns. Overall, the aged appearance of the page and the style of the illustration suggest this is from a very old printed book, likely from the 15th or 16th century.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from an old text or manuscript. It contains intricate illustrations and text written in an ornate, historical style. The text is in a language that looks like Latin or Italian. The imagery includes various symbols and figures, such as stars and what appears to be a group of people gathered around a table. Without being able to identify any individuals, the overall impression is one of a complex, medieval or Renaissance-era illustration accompanying some kind of scholarly or religious text.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15

The image presents a page from an old book, likely printed in the 16th century, featuring a mix of text and illustrations. **Text:** * The text is written in Latin and appears to be a passage from the Bible or another religious work. * The font is black and serif, with varying sizes and styles throughout the page. * The text is divided into two columns, with the left column containing a heading or title and the right column featuring the main body of the text. * The text is written in a formal, cursive script, with some words and phrases underlined or emphasized. **Illustrations:** * A small illustration is situated in the top-right corner of the page, depicting a scene from the Bible or another religious text. * The illustration features several figures, including a woman and a man, surrounded by stars and other celestial bodies. * The illustration is rendered in a simple, line-drawn style, with minimal shading or color. **Layout:** * The page has a classic, Renaissance-style layout, with a central text block flanked by two columns of text. * The text is arranged in a formal, symmetrical pattern, with headings and subheadings used to organize the content. * The page has a decorative border around the edges, featuring intricate designs and patterns. **Overall:** * The image presents a beautiful example of 16th-century book design and typography. * The use of formal, cursive script and decorative illustrations creates a sense of elegance and sophistication. * The page's layout and design suggest that it was intended for a specific audience or purpose, such as a religious text or a work of literature.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15

The image appears to be a page from an ancient book, featuring a mix of text and illustrations. The text is written in an old language, possibly Latin or Italian, and is arranged in two columns with a decorative initial letter at the top of the left column. The text is accompanied by a woodcut illustration on the right side of the page, depicting a scene with several figures and stars. The overall design and layout of the page suggest that it may be from a religious or literary work, possibly dating back to the Renaissance period. The use of woodcut illustrations and the formal language of the text are consistent with the style of books produced during this time.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image depicts a page from an old book, possibly a religious text, with a woodcut illustration and Latin text. The woodcut illustration shows a scene of Jesus Christ sitting at a table with his disciples, possibly representing the Last Supper. The illustration is surrounded by decorative elements, including stars and a border. The text is written in Latin and appears to be a commentary on the illustration. The page is old and worn, with some discoloration and wear on the edges.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image is a page from an old book, likely from the Renaissance period. It features a mix of text and illustrations. The text is written in an old script, possibly Latin, and is divided into two columns. The left column contains a poem, while the right column has a commentary or explanation. The page has a decorative border with stars and other designs. The illustrations depict scenes from the poem, including a depiction of a gathering of people, possibly a council or meeting. The overall design and style suggest that this is a scholarly or literary work, possibly a commentary on a classical text or a collection of poems.

Text analysis

Amazon

PARADISO
DIDANTHE.
mano
CANTICA
IERTIA
pofto
con
del
Conaltrauocehomaiconaltrouello
dioquiuicntraio
Del
CLA IERTIA CANTICA DIDANTHE.
clcapello.
&'poi
mafacro
lanimea dioquiuicntraio &'poi
ciclo&
bello
del bello doueic dormiagnello
doueic
belio
che
lanimea
al qualeha pofto mano &
&
primo
pietroperleifimigyrolfronte
miferra
dela
annimacro
Anelpcedetecapitulotraciatodelafedeel
pone
inca la che fuer miferra
al
inca
la
h Anelpcedetecapitulotraciatodelafedeel
dormiagnello
ciclo& terra
h
Perochenalpateimoprederoc clcapello.
pemioliaco
elmio
E maicontingachelpoc
fichembatac
pato
fuer
purgatce
CLA
qualeha
terra
lurcoei
venterealamaternadelalperanzadimolural
fichembatac pru annimacro
Perochenalpateimoprederoc
rma
Adug: rma
Adug:
pru

Google

PARADISO
CANTO.XXV.DELA
CANTICA
DIDANTHE.
Emaicontingachelpoe
ma
facro
quale
ha
pofto
mano
&
ciclo
terra
fichembafactoppiu
annimacro
Vinca
la
miferra
alupichelidannoguerra.
Conaltrauccehomaicon
ritorncropocta
mio
baptefmo
lanime
pictro
perleifimigyrolafronte
Anelpcedéte
capitulo
el
tracadelafeeoda
prma
iqla
apoftolo
dilauirtu.Dipcigi
tre
rifpode
fe
gliuéga
co
Dentéte
ala
materiadelafperanzadimoftra
fperare
8
dice.Se
maicctiga.i.aduégache
çfto
poemafa
mano.i.porto
dela
purgatče
diglio.tacia
deleurtu
fatop
moltiáni
macropche
chi
afliduamete
pla&copone
diuenta
macia.
de
meicittadini
laqle
e
cagione
che
io
fori.
Del
oule
gouer
da
pricipalicittadinieqierono
al
populocceelupi
ale
pecore.Vitupaadúq
no
citta&
inocétecéeimaculatoagnello
dice
poeta
&prédero
capelo.i.ladiaurea
bapreimo:cioe
nel
tezai.&meritaméte
cátatodela
fede
fauol
fare
poetaiqlluoghodoue
pfela
fed
pone
ap
alaltrogirandofi
&mormorádo
moftra
laffecione
chegli
porta:cofi
con
luno
ac
colle
laltro
laudando
idio
cibo
beate
elcibo
chela
fu
&laffu
cielo
gliprandecioegli
ciba
prander
lietaacro
abfciolto.i.abfoluto&finito
fi
fer
mo
confpeto
di
danthe
to.i.ftifiámato&accelo
uolto
&la
1.mabaglaua
mache
PARADISO CANTO.XXV.DELA TERTIA CANTICA DIDANTHE. Emaicontingachelpoe ma facro al quale ha pofto mano & ciclo & terra fichembafactoppiu annimacro Vinca la crudclta che fucr miferra del bello ouile doucic dormiagnello nimico alupichelidannoguerra. Conaltrauccehomaicon altro ucllo ritorncropocta & fulifulfonte del mio baptefmo prédero clcapello. Pero chenellafedeche facontef lanime a dioquiuientraio &poi pictro perleifimigyrolafronte Anelpcedéte capitulo traclato dela fede el h nofiropocta.Etal plcte igtougeimcquito tracadelafeeoda uirtu theologicachee fperáza Aduq prma pone la fuafperanzaditornare nela pacina & iqla efere coronato.Dipoi iduce iacobo apoftolo che lo exa mina dilauirtu.Dipcigi ppone tre dubbu circa aqfta uirtu & beatrice rifpode al primo & elpoetaal fe cödo:&finalmentee domandato lauclore daiacobo onde gliuéga qfta uirta.Ma accioche el pemio fia co Dentéte ala materiadelafperanzadimoftra fperare 8 dice.Se maicctiga.i.aduégache çfto mio poemafa croelqle ha pofto mano.i.porto aiuto cielo & terra.lmphoche trala dela naturadeluitio & dela purgatče diglio.tacia deleurtu moralh & fpecu/latiue.Slche mha fatop moltiáni macropche chi afliduamete cote pla&copone diuenta magro.Onde leimaginidepoetififacceomagre.louenalepqftodixe.Vtdignusue Dasedeis:&imagine macia. Vinca lacrudelta de meicittadini laqle e cagione che io fia relegato fori. Del belio ouile:dela beila citta:&chiamalo oule adimoftiare lainocéta & máfuetudine del populo male gouer nato da pricipalicittadinieqierono al populocceelupi ale pecore.Vitupaadúq no la citta& elpopulo:ma egouernatori ağlılurcõe inocétecéeimaculatoagnello dice effer ftato inimico.cualtrauoce:gfidicaco piu elegáti uerfi.coaitouelo.fiette neiatroflatoe qlidica nó couello dagnello madirobafto metče.ritornero poeta &prédero el capelo.i.ladiaurea ifultove Imio bapreimo:cioe nel tépiodi ioánibapt lanel qle mibap tezai.&meritaméte hauédo cátatodela fede fauol fare poetaiqlluoghodoue pfela fed chriftiana.cde dice prheioetraincla fede laqle faconte:cice prépte & maifefte laie adio iqlluogho.Etla fede e qilache mhai ducto aícriuer gto poena & peflcreiuerated pietrocée pocho difopra dicftrogligyro tre uolte la frete. d Opoel pemio el pceta ritorna allopa &cotiruádola materia dice. Indicioe poiche pietro mi giro la frote daquella medefima fperadel bello ballodegli apoftoli:o Indifimoffe un lume uerfo noi dequelia fperaonde ulci la primitia chelafcio chriftoneuicarit fuoi Et lamiadonnapienadiletitia midixemiramira eccolbarone per chuila giu fi uifitagalitia Sicomequandodcolombo fi pone deerapriauenuto ame pietroche fu la primitia de uicari cioe el primouicarioche chrifto lafcio iterra:fimoffe on lumeche era laía di iacobo &uéne uerfo noi. Alhora bea trice ueramente fua donna piena diletitia pcb ognidimo ftratone che fa la theologia da allanimo noftro fommo gaudio.dixe mira & guata ecco el barone.PEL cui-pel qle la giu in terrafi uifita galitia:perche molti fanno uoto da darea ufitare la chielia fua laquale ein galitia.Sl come op preflal compagnoluno alaltro padee timacomparatone per laquale dimoftrache come inter girando &mormorando laffection uienenel cogiugio de colubiche quando luno fi pone ap preffo alaltrogirandofi &mormorádo moftra laffecione chegli porta:cofi & con quella affeetnoe luno apoftolo ac colle laltro laudando idio clqdale e cibo dellanime beate laudando elcibo chela fu gliprande &laffu in cielo gliprandecioegli ciba prander ein latino fignifica definare:ma poiche elgratulare.i.la lietaacro glenza fu abfciolto.i.abfoluto&finito luno & laltro fi fer mo nel confpeto di danthe tacito & confilentio & fiigni to.i.ftifiámato&accelo cheuincea el mio uolto &la mia tcufla 1.mabaglaua ifor mache no poteoguardargli. Cofi uidioluno da laltro grande principe gloriofoelereacolto Mapoichel gratular fi fuaccolto tacito coram me ciafchun faffiffe ignito ficheuinccaclmio uolto
TERTIA
crudclta
fucr
del
bello
ouile
doucic
dormiagnello
nimico
altro
ucllo
fulifulfonte
prédero
clcapello.
Pero
chenellafedeche
facontef
a
dioquiuientraio
&poi
traclato
h
nofiropocta.Etal
plcte
igtougeimcquito
uirtu
theologicachee
fperáza
Aduq
fuafperanzaditornare
nela
pacina
efere
coronato.Dipoi
iduce
iacobo
lo
exa
mina
ppone
dubbu
circa
aqfta
beatrice
primo
elpoetaal
cödo:&finalmentee
domandato
lauclore
daiacobo
onde
qfta
uirta.Ma
accioche
pemio
fia
croelqle
aiuto
terra.lmphoche
trala
naturadeluitio
moralh
fpecu/latiue.Slche
mha
cote
magro.Onde
leimaginidepoetififacceomagre.louenalepqftodixe.Vtdignusue
Dasedeis:&imagine
lacrudelta
relegato
belio
ouile:dela
beila
citta:&chiamalo
adimoftiare
lainocéta
máfuetudine
populo
male
nato
elpopulo:ma
egouernatori
ağlılurcõe
effer
ftato
inimico.cualtrauoce:gfidicaco
piu
elegáti
uerfi.coaitouelo.fiette
neiatroflatoe
qlidica
couello
dagnello
madirobafto
metče.ritornero
ifultove
Imio
tépiodi
ioánibapt
lanel
qle
mibap
hauédo
chriftiana.cde
prheioetraincla
faconte:cice
prépte
maifefte
laie
adio
iqlluogho.Etla
qilache
mhai
ducto
aícriuer
gto
poena
peflcreiuerated
pietrocée
pocho
difopra
dicftrogligyro
uolte
frete.
d
Opoel
pceta
ritorna
allopa
&cotiruádola
materia
dice.
Indicioe
poiche
pietro
mi
giro
frote
daquella
medefima
fperadel
ballodegli
apoftoli:o
Indifimoffe
un
lume
uerfo
noi
dequelia
fperaonde
ulci
primitia
chelafcio
chriftoneuicarit
fuoi
Et
lamiadonnapienadiletitia
midixemiramira
eccolbarone
per
chuila
giu
uifitagalitia
Sicomequandodcolombo
deerapriauenuto
ame
pietroche
uicari
cioe
primouicarioche
chrifto
lafcio
iterra:fimoffe
on
lumeche
era
laía
&uéne
noi.
Alhora
bea
trice
ueramente
fua
donna
piena
diletitia
pcb
ognidimo
ftratone
fa
theologia
allanimo
noftro
fommo
gaudio.dixe
mira
guata
ecco
barone.PEL
cui-pel
in
terrafi
uifita
galitia:perche
molti
fanno
uoto
darea
ufitare
chielia
laquale
ein
galitia.Sl
come
op
preflal
compagnoluno
alaltro
padee
timacomparatone
dimoftrache
inter
girando
&mormorando
laffection
uienenel
cogiugio
colubiche
quando
preffo
quella
affeetnoe
clqdale
dellanime
gliprande
latino
fignifica
definare:ma
elgratulare.i.la
glenza
tacito
confilentio
fiigni
cheuincea
mia
tcufla
ifor
poteoguardargli.
Cofi
uidioluno
grande
principe
gloriofoelereacolto
Mapoichel
gratular
fuaccolto
coram
me
ciafchun
faffiffe
ignito
ficheuinccaclmio