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Human Generated Data

Title

Canto I. The Ascent to Heaven; The Order of the Universe

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5324

Human Generated Data

Title

Canto I. The Ascent to Heaven; The Order of the Universe

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5324

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.8
Page 98.8
Newspaper 94.9
Paper 60.7

Clarifai
created on 2019-11-03

paper 98.4
vintage 97.7
old 97.7
page 97.6
document 97.2
retro 96.7
book bindings 96.4
desktop 95.8
illustration 95.1
texture 95
antique 94.9
manuscript 94.6
picture frame 94.3
text 94.3
art 93.9
print 91.5
blank 91.1
design 89.8
margin 87.8
pattern 87.3

Imagga
created on 2019-11-03

cloud 51.8
newspaper 43.4
definition 42.3
product 41.7
association 41.4
cover 39.9
artwork 38.6
advertising 38.5
creative 38.1
associated 37.6
backdrop 37.2
brochure 37.1
carpet 37.1
advertise 37.1
composition 36.8
advertisement 36.8
collection 36.2
creation 35.3
decorative 35.2
daily 35
decor 34.6
brass 34.5
conceptual 34.5
design 34.4
book 34.3
element 34
art 33.5
idea 33
graphic 30.7
decoration 30.5
information 26.6
memorial 26.3
letter 25.7
data 25.6
fabric 24.6
business 23.7
continuity 22.8
text 22.7
drapery 22.7
old 22.3
keywords 21.7
copy 20.4
binding 20
structure 19.2
antique 18.4
bible 16.7
word 16.1
collage 15.4
detail 15.3
religion 15.3
development 14.3
religious 14.1
page 14
paper 13.4
texture 13.2
ancient 13
energy 12.6
communication 12.6
holy 12.6
faith 12.5
god 12.5
black 12
history 11.7
prayer 11.6
read 11.6
spiritual 10.6
writing 10.4
pattern 10.3
document 10.2
vintage 9.9
open 9.9
best 9.8
mix 9.6
life 9.4
church 9.3
mosaic 9.2
testament 8.9
gospel 8.9
more 8.8
analysis 8.8
education 8.7
print 8.5
modern 8.4
company 8.4
city 8.3
chapter 7.9
textured 7.9
pages 7.8
health 7.7
human 7.5
study 7.5
aged 7.3
activity 7.2
day 7.1

Google
created on 2019-11-03

Text 97.7
Paper 91
Document 83.1
Paper product 78.6
Font 75
Newsprint 58.8

Microsoft
created on 2019-11-03

text 100
letter 89.6
book 83.2
newspaper 50.9
plaque 26.1

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-01

The image represents a historical printed page from an old manuscript or book. The layout consists of text and an illustration at the top right corner. The page is in Italian and appears to be part of a literary or religious work, as suggested by its artistic and formal presentation.

Key features of the page:

  1. Title and Typography:

    • At the top, the page is labeled "CANTO PRIMO", indicating it is the first canto, or section, of the work.
    • The text begins with an ornate, decorated capital letter "P", which is a common feature in illuminated manuscripts and early printed books.
    • The rest of the text is uniformly set in a classic serif typeface.
  2. Illustration:

    • The illustration at the top right features a scene with several human figures and animals. The central figure seems to be a person adorned with rays, possibly representing a divine or holy figure. This type of illustration is typically found in religious or allegorical texts.
    • The sun and other celestial symbols can be interpreted as a depiction of a significant mythological or religious scene.
  3. Page Number and Marginalia:

    • The page number "536" is displayed in the top right corner.
    • There is a handwritten note at the bottom of the page: "Paradiso - Canto XIII is nine 32 out of, 33 present" which suggests this is part of Dante's "Divine Comedy", specifically from the "Paradiso" section, Canto XIII. The note likely refers to the status of this particular part in a collection or series.
  4. Text:

    • The text is written in Italian. The content appears dense and literary, characteristic of epic poetry or theological exposition.

Overall, this page likely belongs to a rare and significant early printed edition of a classic literary work, possibly from the Renaissance period, given the style and presentation.

Created by gpt-4 on 2025-02-01

This image appears to be a scanned page from an old book, likely from the late 15th or early 16th century based on the typographic and illustrative style. It features a block of text in an early form of the Italian language, set in a column layout with justifications, typical of the typographical conventions of that era. At the top of the page, there's a large, ornate capital letter "C" that begins the first word "CANTO."

The top right corner has a header "PRIMO" (which means 'first' in Italian, possibly indicating the first canto of a work or the first part of the book), along with the number "36," which is likely the page number.

Below the header, there is a square woodblock print illustration depicting several figures that could be characters from a story or a religious scene. There's a central figure standing with what looks like wings, possibly representing an angel, and other human figures in various poses, some with halos, which are indicative of saints or holy figures. There are also birds and foliage, contributing to a sense of a celestial or paradise setting.

At the very bottom of the page, there is handwritten text, which seems to be a note or annotation added by a reader or owner of the book.

Because of the nature of the image and the language used, it suggests that the page is from an early printed edition of a classic Italian literary work, such as Dante Alighieri's "Divine Comedy." The annotation at the bottom of the page appears to be in a different style of handwriting compared to the printed text above it, suggesting it was added later. Please note that without more context or additional information, the exact title of the work and the contents of the text and illustration cannot be conclusively identified.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-01

This appears to be a page from an early printed book, likely an Italian edition of Dante's Divine Comedy. The page includes both text and a woodcut illustration. At the top, it's marked "CANTO PRIMO" (First Canto) and begins with an ornate decorated initial letter 'L' in blue with floral patterns. The text is laid out in a single column with commentary below.

The woodcut illustration on the right side shows a pastoral scene with several figures in a landscape with trees and celestial elements like stars and sun motifs in the sky. The scene appears to be depicting a moment from the narrative, with figures standing in conversation or contemplation.

The text appears to be printed in blackletter or gothic type, which was common in early printed books. At the bottom of the page, there appears to be a handwritten notation, likely added later as a bibliographic reference.

The overall layout and style suggests this is from an early printed edition, possibly from the 15th or 16th century. The page shows some age-related discoloration but is generally well-preserved.

Created by claude-3-opus-20240229 on 2025-02-01

The image appears to be a page from an old book, likely from the 15th or 16th century based on the style of the woodcut illustration and the typography of the text.

The left side of the page has an ornate initial capital letter "N" with floral and circular designs inside it. The text is in an old style font, possibly Latin or Italian, and fills the left column.

The right side features a detailed woodcut illustration depicting several figures in a natural landscape. In the foreground, a woman in a long robe stands gesturing toward a seated man who appears to be a religious figure or scholar, with other male figures standing behind them. The background shows trees and hills, giving the scene an outdoor setting.

At the bottom is a handwritten inscription that looks to be a signature or provenance mark, along with a page number "536" in the top right corner.

Overall, it seems to be an illustrated page from an antique religious text or philosophical work, with the high level of detail in the woodcut suggesting it was an important or valuable book. The aged appearance of the paper adds to the sense of its historical nature.

Created by claude-3-haiku-20240307 on 2025-02-01

The image appears to be an illustrated page from a text or manuscript. It contains ornate decorative borders and a central illustration depicting figures in a natural setting. The image does not contain any human faces, so I will not attempt to identify or name any individuals. Overall, the page has an intricate, historical aesthetic.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image depicts a page from an old book, featuring a mix of text and illustrations. The page is written in Latin and includes two illustrations, one at the top left and another at the top right. The text appears to be a passage from a religious or literary work, with the title "CANTO A GLORIA" at the top. The page also contains handwritten notes in the bottom margin, which may be annotations or corrections made by the book's owner.

The background of the page is a light beige color, with a subtle texture that suggests it may be a scan or photograph of an original document. Overall, the image provides a glimpse into the contents and layout of an old book, highlighting the combination of text and illustrations that were common in medieval manuscripts.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image presents a page from an ancient book, featuring a mix of text and illustrations. The page is divided into two main sections: the left side contains text in Italian, while the right side features an illustration accompanied by additional text.

Text Section:

  • The text is written in black ink on a yellowed paper background.
  • The font appears to be a classic serif style, reminiscent of traditional printing from the Renaissance period.
  • The text is arranged in paragraphs, with some lines indented to create a sense of hierarchy.
  • A decorative initial letter "V" is visible at the top-left corner of the text section, adding an ornate touch to the page.

Illustration Section:

  • The illustration depicts a scene with multiple figures, possibly representing a biblical or mythological narrative.
  • The figures are dressed in flowing robes, suggesting a sense of elegance and refinement.
  • The illustration is rendered in a simple yet effective style, using bold lines and minimal shading to convey depth and texture.
  • The illustration is surrounded by a decorative border, which adds to the overall aesthetic appeal of the page.

Additional Elements:

  • A handwritten note is visible at the bottom of the page, written in pencil. The note appears to be a commentary or annotation related to the content of the page.
  • The page number "236" is printed at the top-right corner, indicating that this is a specific page within a larger volume.

Overall, the image presents a fascinating glimpse into the world of ancient books and manuscripts. The combination of text and illustration creates a visually appealing and informative page that invites the viewer to explore its contents further.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-01

The image shows a page of an old book with a black-and-white illustration on the right side. The book is opened to page 36. The illustration is of a man and a woman standing in a field with plants and trees. The man is holding a stick, and the woman is holding a basket. The text on the left side of the page is in a foreign language.

Created by amazon.nova-lite-v1:0 on 2025-02-01

The image shows a page from an old book. It appears to be a handwritten manuscript or early printed book. The page has two columns of text, with a large illustration in the center. The illustration depicts a scene with several figures, including a man and woman, as well as animals and plants. The text is written in an old style of handwriting or typography. The page number "32" is visible in the bottom right corner, indicating this is page 32 of the book. The image provides a glimpse into the contents and style of an old book from a bygone era.

Text analysis

Amazon

GLORIA
PRIMO
fplende
moue
tutto moue
meno
tutto
penetra
parte
dicoluiche
prende
CANTO PRIMO 236
CANTO
& parte
chi
theforo
In
noftro
lunjuerfo
piu meno
chelamemoriadrietononp
236
nellamiamentepoteifart
&
quanto
quanto theforo P
In una
tanto
fane
canto.
Per lunjuerfo
tutta
delregno
noftro intellecto tanto
chepiu della fualuce prende
della
Perchapreflandofealfuodilire
altrouc.
fane chi dilaflu difcende.
fuic
una
fuic & uidi
P
tre
delmio canto. catione.
Per
delmio
fualuce
piu
delregno fancto
catione.
uidi
penetra &riz
difcende.
chepiu
intellecto
dilaflu
fancto
IA GLORIA
nellamiamentepoteifart theroiciduidonoloprateepnaricotigonola tre juo
theroiciduidonoloprateepnaricotigonola
&riz
IA
juo
fplende +
+

Google

MAR CANTO PRIMO 236 A GLORIA dicolui che tutto mouc Per luniuerfo penetra &ri fplende In una parte piu & meno altrouc. Nelciel chepiu della fualuce prende fuio &uidi cofe che ridire nefane po chi dilaffudifcende. Perchapreffandofeal fuo difire noftro intelleétofiprofunda tanto chelamemoriadrietonon poire Veramentequanto del regno fancto nellamiamentepotci far theforo farahoramtteria delmio canto. P Erchecõe habbião dioftro nela pría caticatattiepce tiheroicidiuidonolopera in tre ptitin ppofitioe.iuo catione.&narratione.Queftigttro ternariicotégono la ppofitione nelaqle brieueméte la materia di tutta lopra che e tractare delfuperno regno non fecodo faa natura p che quefto trafcede nfointellecto.ma quanto pote conpréder fua méte & compfo mádare ala memoria & pche la ppofitioe & iuocatice fono iluogho di pemio:oblerua qui quello chee proprio del proéio: del gle ql fia lofficio:pcheaffai aptaméte dimoltrámo nel principio dellonferno:no maffatichero in dfcriuef ql fieno le pti di glo.madichiarerocoeal pfete el poeta lobferua.Capta attétione dimoftrádo hauere adi ono löghamente & fanzacoperatione inferiori:pche noecopatiõe dalifi nito al finito.i.da dio ale creature captabeniuolentia dala pfona fua dimoftrando che la fatica fua nelo fcri vere ha efere molto utile agli altri.Capta docilita pche brieueméte dímoftraqllo di che p tutta lacantica tractera.i.delregno eterno LA Gloria.Benche fama & gloria a molti paino quafi ql medefimo.Nientedi meno fama enotitia molto frequete dalchana cofa.gloria e noticia chiara dalchuna cofa con loda.adúg ne la fama puo effere di cofa che ne fplendorenelaude alchunafeco adduce.mala gloria no puo effer fenza ql S le.ondee diffinita da cicerone nele tufculane: Gloria eft confentienflaus bonorum incorrupta uox bene iudicátiú de excelléte uirtute:di qfto feguita che ogni gloria fia fama.ma non ogni fama gloria.la gloria la gloriofa opa & elopa di dio luniuerfo.Dicoluich tutto muoue.i.di dio & e color rhetorico deto circuitio necheequádo qlloche fi puo dire iuna pola fi dice í piu.ttuto muoue onde boetio.ftabilifag manés das cu glaie ftabile.qfto cofi proua thomafo aquinate ognicofa che e mofa da altri coe e fo leluna &glaltrielpche accioche no habbiamo a pcedereiifinito eneceffario porre uno motore ímobíle idio adug imobile moue:& táto fignifica chi tuto moue quáto idio:ípoche lui effédo ftabile & imobile e primo motore:lui moue lageli &1lageli ecieli:& ecieli co loro reuolutioni inducono giu nel mõdo diuerfi effecti.Adugiddio e primo motore & prima cagione di tutte lecagiot.ilpche diremo la gloria di dio pene trapluniuerfo.i.trapaffa p tutte le creature.qta &ppotéia pote:& pfapientia feppe:& pfoma bonita & amore uolle produrre pfectiflfimacreatura:&dicendo uniuerfoitédiamo el tutto elgle edi diuerfe fpeti e pchealcunacofa ha folo leffere ce la pietra.alcuna effere &uiuere come lherbe &glaiberi.alcuna arroge a primi dua el fentire coe fono certicalcinegli.alcua ha effer uiuere fétire & imaginare:come fono ebruti.al cúaaleqttro dette potétie arrogono el difcorfo dela ragionecome fono glhomini:ma piu nobile creatura equella che ha leffere formale & lontellecto come e langelo:Main brieue poffiamo fecondo ephilofophi diuidere quefto unjuerfoitre fpecie:imperoche cio che e:0epura formacóe e dio angeli & anima huma nama dio e forma di forme:o epura materiacome fula productione indiftincta de glielementi deta cha os.o materia con formacome fono le cofe elementate ideftcompofte delementi.&in quefte elementate fono fei gradi:effere:uiuere fentire:imaginare:ragionare.i.ulare el difcorfo dela ragione & intendere:ne qliel (upiore feprecópréde glinferiori.Etrifplede pche iddio eueraluce: plaqle ognicofa rifpléde. appa rilce aduque el fuofplendore i ognicofa:ma piu iqile che fono pura forma.come uerbigratiauna medelia formaapparifcenelo specchio:imetallo forbito:iacqua &imuro:E adúg quella medelia che a tutti fi mo ftra eqlmente ma no equalméte e riceuuta maciafcuno riceue quato patifce la natura fua.aduque piu expf falariccue lo(pecchio chel metallo:&ne metali piu largéto chfo ftagno.& piulo ftagno chel piobo.aduj idnoptimo fpecchio uedrai la imagie ueriffima.Dipoidigenera & altroue fara maggior:altroue minore tutte laltr recofaf ctamoueri. g it Caut X Puies Panadien-t 32 ut 33 prwt
MAR
CANTO
PRIMO
236
A
GLORIA
dicolui
che
tutto
mouc
Per
luniuerfo
penetra
&ri
fplende
In
una
parte
piu
&
meno
altrouc.
Nelciel
chepiu
della
fualuce
prende
fuio
&uidi
cofe
ridire
nefane
po
chi
dilaffudifcende.
Perchapreffandofeal
fuo
difire
noftro
intelleétofiprofunda
tanto
chelamemoriadrietonon
poire
Veramentequanto
del
regno
fancto
nellamiamentepotci
far
theforo
farahoramtteria
delmio
canto.
P
Erchecõe
habbião
dioftro
nela
pría
caticatattiepce
tiheroicidiuidonolopera
in
tre
ptitin
ppofitioe.iuo
catione.&narratione.Queftigttro
ternariicotégono
la
ppofitione
nelaqle
brieueméte
materia
di
tutta
lopra
e
tractare
delfuperno
non
fecodo
faa
natura
p
quefto
trafcede
nfointellecto.ma
quanto
pote
conpréder
fua
méte
compfo
mádare
ala
memoria
pche
ppofitioe
iuocatice
fono
iluogho
pemio:oblerua
qui
quello
chee
proprio
proéio:
gle
ql
fia
lofficio:pcheaffai
aptaméte
dimoltrámo
nel
principio
dellonferno:no
maffatichero
dfcriuef
fieno
le
pti
glo.madichiarerocoeal
pfete
el
poeta
lobferua.Capta
attétione
dimoftrádo
hauere
adi
ono
löghamente
fanzacoperatione
inferiori:pche
noecopatiõe
dalifi
nito
al
finito.i.da
dio
ale
creature
captabeniuolentia
dala
pfona
dimoftrando
fatica
nelo
fcri
vere
ha
efere
molto
utile
agli
altri.Capta
docilita
dímoftraqllo
lacantica
tractera.i.delregno
eterno
LA
Gloria.Benche
fama
gloria
a
molti
paino
quafi
medefimo.Nientedi
enotitia
frequete
dalchana
cofa.gloria
noticia
chiara
dalchuna
cofa
con
loda.adúg
ne
puo
effere
fplendorenelaude
alchunafeco
adduce.mala
no
effer
fenza
S
le.ondee
diffinita
da
cicerone
nele
tufculane:
Gloria
eft
confentienflaus
bonorum
incorrupta
uox
bene
iudicátiú
de
excelléte
uirtute:di
qfto
feguita
ogni
fama.ma
gloria.la
gloriofa
opa
elopa
luniuerfo.Dicoluich
muoue.i.di
color
rhetorico
deto
circuitio
necheequádo
qlloche
fi
dire
iuna
pola
dice
í
piu.ttuto
muoue
onde
boetio.ftabilifag
manés
das
cu
glaie
ftabile.qfto
cofi
proua
thomafo
aquinate
ognicofa
mofa
altri
coe
fo
leluna
&glaltrielpche
accioche
habbiamo
pcedereiifinito
eneceffario
porre
uno
motore
ímobíle
idio
adug
imobile
moue:&
táto
fignifica
tuto
moue
quáto
idio:ípoche
lui
effédo
ftabile
primo
motore:lui
lageli
&1lageli
ecieli:&
ecieli
co
loro
reuolutioni
inducono
giu
mõdo
diuerfi
effecti.Adugiddio
prima
cagione
tutte
lecagiot.ilpche
diremo
pene
trapluniuerfo.i.trapaffa
creature.qta
&ppotéia
pote:&
pfapientia
feppe:&
pfoma
bonita
amore
uolle
produrre
pfectiflfimacreatura:&dicendo
uniuerfoitédiamo
elgle
edi
diuerfe
fpeti
pchealcunacofa
folo
leffere
ce
pietra.alcuna
&uiuere
come
lherbe
&glaiberi.alcuna
arroge
primi
dua
fentire
certicalcinegli.alcua
uiuere
fétire
imaginare:come
ebruti.al
cúaaleqttro
dette
potétie
arrogono
difcorfo
dela
ragionecome
glhomini:ma
nobile
creatura
equella
formale
lontellecto
langelo:Main
brieue
poffiamo
fecondo
ephilofophi
diuidere
unjuerfoitre
fpecie:imperoche
cio
e:0epura
formacóe
angeli
anima
huma
nama
forma
forme:o
epura
materiacome
fula
productione
indiftincta
glielementi
deta
cha
os.o
formacome
elementate
ideftcompofte
delementi.&in
quefte
fei
gradi:effere:uiuere
fentire:imaginare:ragionare.i.ulare
ragione
intendere:ne
qliel
(upiore
feprecópréde
glinferiori.Etrifplede
iddio
eueraluce:
plaqle
rifpléde.
appa
rilce
aduque
fuofplendore
i
ognicofa:ma
iqile
pura
forma.come
uerbigratiauna
medelia
formaapparifcenelo
specchio:imetallo
forbito:iacqua
&imuro:E
adúg
quella
tutti
mo
ftra
eqlmente
ma
equalméte
riceuuta
maciafcuno
riceue
quato
patifce
fua.aduque
expf
falariccue
lo(pecchio
chel
metallo:&ne
metali
largéto
chfo
ftagno.&
piulo
ftagno
piobo.aduj
idnoptimo
fpecchio
uedrai
imagie
ueriffima.Dipoidigenera
altroue
fara
maggior:altroue
minore
laltr
recofaf
ctamoueri.
g
it
Caut
X
Puies
Panadien-t
32
ut
33
prwt