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Human Generated Data

Title

Canto XXVII. Ascent to the Ninth Sphere: The Primum Mobile

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5349

Human Generated Data

Title

Canto XXVII. Ascent to the Ninth Sphere: The Primum Mobile

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5349

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.8
Page 99
Newspaper 97.5
Paper 76.5

Clarifai
created on 2019-11-03

page 99.5
paper 97.9
document 97.2
vintage 96.9
old 96.7
text 96.3
book bindings 95.1
desktop 93.6
retro 93.5
texture 92.6
blank 92.6
manuscript 91.8
antique 91.8
template 89
picture frame 88.8
ancient 87.9
design 87.4
illustration 87.4
art 85.8
bill 83.1

Imagga
created on 2019-11-03

brass 60.8
memorial 48
cloud 44
book 42.3
newspaper 37
product 36.9
definition 36.4
structure 34.6
association 34.5
cover 32.5
artwork 32.1
creative 31.9
advertising 31.8
creation 31.2
associated 30.6
backdrop 30.6
brochure 30.3
carpet 30.2
advertise 30.2
composition 30.2
advertisement 30
collection 29.8
design 29.3
decorative 29.3
art 28.8
decor 28.4
conceptual 28.3
element 28.2
idea 27.7
graphic 26.3
decoration 25.4
text 25.4
old 23.1
fabric 22.7
binding 22.4
letter 22.1
continuity 21.8
drapery 21.7
business 21.3
information 21.3
daily 20.4
data 20.1
religion 19.8
page 19.5
word 18.9
bible 18.7
detail 17.7
antique 17.5
religious 16.9
keywords 16.8
prayer 16.5
holy 16.4
paper 15.7
copy 15.1
menu 14.6
faith 14.4
god 14.4
read 13.5
print 13.2
ancient 13
testament 12.9
open 12.6
texture 12.5
spiritual 12.5
fare 12.1
church 12.1
development 11.4
communication 10.9
gospel 10.9
words 10.8
pages 10.8
cross 10.4
writing 10.4
study 10.3
energy 10.1
chapter 9.9
collage 9.7
document 9.3
vintage 9.1
history 9
rosary 8.9
scripture 8.9
passage 8.9
best 8.8
king 8.8
education 8.7
black 8.4
company 8.4
pattern 8.2
new 8.1
day 7.9
language 7.9
analysis 7.8
belief 7.8
catholic 7.8
pray 7.8
saint 7.7
money 7.7
human 7.5
close 7.4
symbol 7.4
life 7.1
textured 7

Google
created on 2019-11-03

Text 97.9
Paper 88.4
Paper product 76
Document 75
Font 68.6
Newsprint 50.7

Microsoft
created on 2019-11-03

text 100
letter 88.8
book 75.8
newspaper 64.6
plaque 27.5

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

This image is a page from an old book, most likely an early printed edition given its typographical characteristics. The page is written in Italian and appears to be from a religious or philosophical text, detailing a specific canto. The text is organized in a single-column format, with running headers indicating the canto number at the top (Canto XXVII) and the page number (300). At the beginning of the text, there is a large, ornate initial letter "A" which is intricately designed, signifying the start of the canto. Adjacent to this initial letter on the right-hand side of the page, there is a detailed illustration within a framed box. This illustration depicts a highly intricate, symmetrical, circular design that appears to be a mandala or a similar pattern, possibly symbolizing divine or cosmic order. The main text is densely written and portions of it are formatted into paragraphs, with some sections appearing to be in prose while others are in verse. The content of the text itself appears to discuss themes of divine glory and spiritual matters, typical of texts from the Renaissance period dealing with religious or epic poetry. Overall, the page is a finely produced piece of early printing, showcasing both elaborate typework and detailed illustration, indicative of high-quality craftsmanship from the period.

Created by gpt-4 on 2025-01-31

This image seems to be a photographed page from an old book, specifically an incunabulum or an early printed work before the 16th century. The text is in an older form of Italian and features a mixture of a large decorated initial letter and dense blocks of text. The initial letter is an intricate, elaborate design typical of the period's craftsmanship in bookmaking. At the top of the page, there appears to be a title or heading, and there is a page number '300' on the top right, indicating this is a page from deep within the work. Due to the age and stylistic elements, the book might be a historical piece of literature or possibly a religious or philosophical work from the Renaissance period or earlier.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from an early printed book, specifically Canto XXVII from what seems to be Dante's Divine Comedy (as indicated by the header "CANTO XXVII DE LA TERTIA CANTICA DI DANTHE"). The page features both text and a circular geometric illustration or diagram. The text is printed in Italian, using what appears to be early Renaissance typography. The most striking visual element is the large circular diagram in the upper right portion of the page, which contains intricate geometric patterns arranged in concentric circles. There's also an ornate decorative initial "A" at the beginning of the text. The page shows some age with slight discoloration but is generally well-preserved. This appears to be from an early printed edition, likely from the 15th or 16th century, given the typography and layout style.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows a page from an old book or manuscript, likely printed in the 15th or 16th century based on the typography and layout. The text is in Italian and appears to be discussing the 27th canto of Dante Alighieri's Divine Comedy, the final part of the epic poem. On the right side of the page is a detailed illustration that looks like an intricate mandala or circular pattern. It has many fine lines radiating out from the center to form a complex geometric design. The illustration takes up about half the width of the page. The left side contains the Italian text in a justified block paragraph format. The first letter "A" is a large decorative initial. The heading at the top says "CANTO XXVII." The page has an aged, yellowish appearance suggesting it is printed on old paper or parchment. The edges are slightly worn. Overall, it looks like a leaf from an early printed edition showcasing the canto text alongside an artistic rendering related to the Divine Comedy's themes or narrative at that point in the work.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from an old book or manuscript. It contains ornate text and an elaborate illustration or engraving. The text appears to be in a language that I cannot readily identify, but it seems to be written in a formal, decorative style characteristic of historical documents or publications. The illustration depicts a complex, intricate pattern or design, possibly with floral or geometric elements. The overall aesthetic suggests this is an artistic or scholarly work from a historical period.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-17

The image presents a page from an old book, featuring a mix of text and illustrations. **Text:** * The text is written in Latin. * It appears to be a passage from a literary work, possibly a poem or a chapter from a novel. * The text is divided into two columns, with the left column containing a heading that reads "CANTO XXVII DELA TERTIA CANTICA DIDANTHE" and the right column featuring an illustration. * The text is written in a formal, cursive script, with some words and phrases underlined or highlighted. **Illustration:** * The illustration is a woodcut-style engraving depicting a scene with multiple figures. * The figures are arranged in a circular pattern, with some facing inward and others outward. * The illustration is surrounded by a decorative border, which adds to the overall aesthetic of the page. **Background:** * The background of the page is a light beige color, with some darker spots and discolorations visible. * The page appears to be yellowed with age, suggesting that it is an old or antique book. **Overall:** * The image presents a unique and intriguing glimpse into the world of ancient literature. * The combination of text and illustration creates a visually appealing and engaging page that invites the viewer to explore further. * The use of Latin and the formal script adds to the sense of antiquity and historical significance, making the image a valuable resource for scholars and enthusiasts of literature and history.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-17

The image depicts a page from an old book, featuring a combination of text and illustrations. The page is written in Italian and includes a decorative initial letter "A" at the top left corner, accompanied by a large illustration on the right side. **Key Features:** * **Text:** The text is written in black ink and appears to be a passage from a literary work. * **Illustration:** The illustration is a detailed drawing of a circular design, possibly representing a celestial body or a symbolic motif. * **Decorative Elements:** The page features decorative elements, including the initial letter "A" and the illustration, which add visual interest and aesthetic appeal. * **Age and Condition:** The page appears to be old and worn, with visible signs of aging, such as yellowing paper and minor tears. **Overall Impression:** The image presents a unique glimpse into the past, showcasing the artistic and literary styles of a bygone era. The combination of text and illustration creates a visually appealing and thought-provoking image that invites the viewer to explore its meaning and significance.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image depicts a page from an old book, possibly a religious or philosophical text. The page features a combination of text and a circular illustration. The text is written in a foreign language, possibly Latin or an old form of Italian, and is printed in a black font on white paper. The circular illustration is located in the upper right corner of the page and depicts a group of people gathered in a circle. The illustration is printed in black and white, and the people in the circle appear to be engaged in a discussion or debate. The overall appearance of the page suggests that it is from a historical or academic text, possibly a philosophical or theological treatise. The combination of text and illustration suggests that the author was attempting to convey complex ideas through both written and visual means.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image appears to be a page from an old book or manuscript. The page contains text written in a foreign language, likely Italian or Latin. The text is arranged in a structured format with paragraphs and line breaks. The image shows only a portion of the page, with the upper and lower parts not visible. The text is accompanied by an ornate illustration or diagram on the right side of the page. The illustration depicts a circular design with multiple concentric circles and a central figure or shape. The design appears to be a symbolic or allegorical representation, possibly related to the text on the page. The page has a white background and a simple border around the edges. The text and illustration are printed in black ink, giving the page an old-fashioned and historical appearance. Overall, the image suggests that the page is from a religious, philosophical, or literary work from a bygone era, possibly from the Renaissance or Baroque period. The ornate illustration and structured text indicate that the work was likely of some importance or significance during its time.

Text analysis

Amazon

CANTO
radifo
face
marte
diuenne
h
uenne
fiche
Crochio
fua diuenne
CANTO XXVN 300
delluniuerl
apoftolo
& marte h
Dinanziaglocchimieilequattro face
uiuace
fua
piu
ifaneto
incomincioafa piu uiuace
mincbriaua
exerci
damore
300
L
incomincioafa
uccegli
ficura
fiche mincbriaua el olcecanto.
damore & ipace
mentraua
Dinanziaglocchimieilequattro
XXVN
ipace
ficura riccheza:
triomphate
neadiique triomphate exerci
nela
furapto al
el
&
fuffero
allanona
riccheza:
cominciogloriatuctolpa
fuffero uccegli & cabiaflerli Aueaclafoncetanetredipximolcripticapituliitro
neadiique
uifo.
& cabiaflerli
olcecanto.
fpera
L LpadrealfigloalloDiito RTACANTICADIDANTHE
ologiceh
tornandoa
fpera furapto al po
Yperlo uifo.
allanona fpe
rrlandorechedopoliblolotionedegiaicriptidobbitudieb
Aueaclafoncetanetredipximolcripticapituliitro
Yperlo
LpadrealfigloalloDiito RTACANTICADIDANTHE
fpe
po

Google

CANTO
XXVIп
al
allofpirito
minebríaua
mifembiauaun
rifo
delluniuerfopchemia
ebre
za
mentraua
perludito
&
riccheza.
face
ftauono
accele.&
qlla
che
pria
uenne
incomincio
afarfi
piu
uiuace
fembianza
diuenne
qual
h
peetane
dipximo
fcripticapitu'iftro
ducto
treapoficlieqliexaminarono
dele
treuiriuthe
ologice
Hora
gueftouigefimofeptimo
apoftolo
acerbamête
ripréde
efotfucceffori.pretereadimoftracome
dalectaua
(pera
fu
primo
mobile:
po
neaduque
prima
iuectiua
pietro
lareflexione
di
a
terra:Ponenela
terza
lentrata
faa
alacecacupidita
cofe
terrene.ma
tornandoal
pricipio
narra
lauctoreche
labfolutione
dubbii
tuctie
beaticstorono.
patri
fi
fpiritui
(andlofi
dolceměte
lo
iextafi.&
delaniuerfo
tucta
la
creatura.Nepofarechein
taio
gaudio
noufiexclamatione
chiamando
beatitudine
deluniuerfopche
erono
ragtiai
tucigleflectidi
tucte
le
del
brieue
mix
amaritudine.lauitacelefte
pace.intera
perche
nicnte
gli
máca.
Ofanza
bramaficur3
riccheza.Due
fanza
miente
defideri.dipoi
ficura.i
timor
CANTO XXVIп 300 CANTO.XXVI.DELA TERTIA CANTICA DIDANTHE L padre al figlo allofpirito fancto comincio gloria tuctolpa radifo fiche minebríaua el dolce canto. CIochio udia mifembiauaun rifo delluniuerfopchemia ebre za mentraua perludito & perlo uifo. Ogioiao ineffabile allegreza ouitainteradamore &dipace ofenza brama ficura riccheza. Dinanziaglocchimieile quattro face ftauono accele.& qlla che pria uenne incomincio afarfi piu uiuace Ettalnella fembianza fua diuenne qual diuerrebbeiouefegli & marte fuffero uccegli &cábiafferfipenne. h Aueaelnfo peetane tre dipximo fcripticapitu'iftro ducto treapoficlieqliexaminarono dele treuiriuthe ologice Hora in gueftouigefimofeptimo pietro apoftolo acerbamête ripréde efotfucceffori.pretereadimoftracome dalectaua (pera fu rapto al primo mobile: po neaduque prima la iuectiua di pietro cétroaplati. Dipoidefcriue lafcétione ditudo el triompháte exerci to al cielo empireo & lareflexione di fe a terra:Ponenela terza pte lentrata faa con beatrice allanona fpe ra.ponenela grtaunauehemétiffima exclamatõe cotro alacecacupidita dele cofe terrene.ma tornandoal pricipio narra lauctoreche dopo labfolutione de gia fcripti dubbii tuctie beaticstorono. Gloria patri & fi lio & fpiritui (andlofi dolceměte che elcáto lo inebriaua.i.neueniua iextafi.& pareagliche quella fuffi leti cia delaniuerfo &di tucta la creatura.Nepofarechein taio gaudio noufiexclamatione chiamando quefla beatitudine gioia.&1ifo deluniuerfopche quiui erono ragtiai tucigleflectidi tucte le (pere & ditociepia neti.&allegrezaineffabile.ided indicibile.ad differentia di quela del noftro modo laquale e brieue & mix taco amaritudine.lauitacelefte iteradamor & di pace.intera perche nicnte gli máca. Ofanza bramaficur3 riccheza.Due cofe fanza lequali neffuna ricchezae perfedla primache fia fanza brama.ideft che miente piu fi defideri.dipoi la fia ficura.i fanza alcun timor di perderla o didminuirla.dinanzia glechi miei. pota la Cxclamatione ritornaala fua narratione & dimotrache anchor hauea dinanziaglocchi le qtroche erono etreapoftoli & adam.Ma quella luce che erauenuta prma.i.piero comincio adiuentare pin viua & accefa & eratale quale farcbbe ioue fe piglaffielcolor di marte pone pietro fimilaioue fecédo linfluentia di ioue perche fu optimo patore & doctore & iuflifimo adminiftratore.&dagliel color di marte per dne rifpecti prima perche effendo lui fato martyre di chrifto ragioneuolméte piglaelcolor diquel pianeto nelqual po fe e martyridichrifto-Dipoiuolendo riprendere eloi fuccefforieraconuenienteche piglaffi uehementia: ardore &i uftairacundianelriprendere.ilche uien da marte. d Imoftrache la puidentia diuina laqualefi diftéde dale fome infino ale minime cofe& diftribuifce nel diuino choro.Vice cioeuiciffitudie & officio pche cemette a ciaf cunoloficio fuofcambiando auicéda.Hauea pofto filétio alcanto& alhorcomincio pietro con qfte pole noti mara uiglare fe io mi tráfcoloro.i.mutocoloredal mio dargen to al focofo di marte.impoche qndo io mi tráfcloro tudi quefti altrifaranno elfimile. ETLallegoria di quefto po nemmo di fopra.Ma POTREBbefimarauiglare alcuno Laprouidentia che quiuicomparte uice & officio nel beato choro filetio pofto hauea da ogni parte. Q uádoio udi fe io mitrafcoloro non ti marauiglar che dicendo io uedraitrafcolorar tucticoftoro. Quegli cheufurpaiterra ellocomio elloco mio elloco mio che uaca nellaprefentia del figluol didio coepiero piglicolore focofo dimarte.ilche eaccederfiad ira:cóciofia che ne laio beato nocagia pturbate:pche no uuole el poeta dimoftrare irama qilla uehemêtia di feue nitache eparte de iufticia lağl tra mortali radeuolte e faza р i
300
CANTO.XXVI.DELA
TERTIA
CANTICA
DIDANTHE
L
padre
figlo
fancto
comincio
gloria
tuctolpa
radifo
fiche
el
dolce
canto.
CIochio
udia
perlo
uifo.
Ogioiao
ineffabile
allegreza
ouitainteradamore
&dipace
ofenza
brama
ficura
Dinanziaglocchimieile
quattro
Ettalnella
fua
diuerrebbeiouefegli
marte
fuffero
uccegli
&cábiafferfipenne.
Aueaelnfo
tre
in
rapto
cétroaplati.
Dipoidefcriue
lafcétione
ditudo
triompháte
exerci
to
cielo
empireo
fe
pte
con
beatrice
allanona
fpe
ra.ponenela
grtaunauehemétiffima
exclamatõe
cotro
dopo
de
gia
fcripti
Gloria
lio
elcáto
inebriaua.i.neueniua
pareagliche
quella
fuffi
leti
cia
&di
quefla
gioia.&1ifo
quiui
(pere
ditociepia
neti.&allegrezaineffabile.ided
indicibile.ad
differentia
quela
noftro
modo
laquale
e
taco
iteradamor
lequali
neffuna
ricchezae
perfedla
primache
fia
brama.ideft
alcun
perderla
o
didminuirla.dinanzia
glechi
miei.
pota
Cxclamatione
ritornaala
narratione
dimotrache
anchor
hauea
dinanziaglocchi
qtroche
etreapoftoli
adam.Ma
luce
erauenuta
prma.i.piero
adiuentare
pin
viua
accefa
eratale
quale
farcbbe
ioue
piglaffielcolor
pone
fimilaioue
fecédo
linfluentia
optimo
patore
doctore
iuflifimo
adminiftratore.&dagliel
color
per
dne
rifpecti
effendo
lui
fato
martyre
chrifto
ragioneuolméte
piglaelcolor
diquel
pianeto
nelqual
martyridichrifto-Dipoiuolendo
riprendere
eloi
fuccefforieraconuenienteche
piglaffi
uehementia:
ardore
&i
uftairacundianelriprendere.ilche
uien
da
marte.
d
Imoftrache
puidentia
diuina
laqualefi
diftéde
dale
fome
infino
ale
minime
cofe&
diftribuifce
nel
diuino
choro.Vice
cioeuiciffitudie
officio
pche
cemette
ciaf
cunoloficio
fuofcambiando
auicéda.Hauea
pofto
filétio
alcanto&
alhorcomincio
qfte
pole
noti
mara
uiglare
io
mi
tráfcoloro.i.mutocoloredal
mio
dargen
focofo
marte.impoche
qndo
tráfcloro
tudi
quefti
altrifaranno
elfimile.
ETLallegoria
quefto
nemmo
fopra.Ma
POTREBbefimarauiglare
alcuno
Laprouidentia
quiuicomparte
uice
beato
choro
filetio
ogni
parte.
Q
uádoio
udi
mitrafcoloro
non
ti
marauiglar
dicendo
uedraitrafcolorar
tucticoftoro.
Quegli
cheufurpaiterra
ellocomio
elloco
uaca
nellaprefentia
figluol
didio
coepiero
piglicolore
dimarte.ilche
eaccederfiad
ira:cóciofia
ne
laio
nocagia
pturbate:pche
no
uuole
poeta
dimoftrare
irama
qilla
uehemêtia
feue
nitache
eparte
iufticia
lağl
tra
mortali
radeuolte
faza
р
i