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Human Generated Data

Title

Canto XVII. The Fifth Sphere: Mars; Cacciaguida Prophesies Dante's Exile from Florence

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5340

Human Generated Data

Title

Canto XVII. The Fifth Sphere: Mars; Cacciaguida Prophesies Dante's Exile from Florence

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5340

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.7
Newspaper 98.9
Page 89.4
Paper 63.7
Advertisement 55.4

Clarifai
created on 2019-11-03

page 99.4
paper 98.6
document 98.2
text 97.3
vintage 95.9
book bindings 95.5
print 95.3
old 95.1
book 93.9
desktop 93.1
manuscript 92.7
blank 88.8
number 88.7
texture 88.7
retro 88.5
poetry 87.3
picture frame 86.3
antique 86.3
education 84.4
no person 83.5

Imagga
created on 2019-11-03

brass 90.1
memorial 72
structure 48.6
cloud 48.3
definition 40.3
association 38.5
cover 36.2
artwork 35.8
advertising 35.6
creative 35.4
associated 34.6
brochure 34.2
carpet 34.1
advertise 34.1
composition 34
advertisement 33.9
collection 33.4
newspaper 32.8
decorative 32.6
book 32.3
backdrop 32.2
conceptual 31.8
idea 31.2
decor 31
element 30.7
design 30.5
art 30.1
daily 30
graphic 28.5
decoration 27.6
product 27.4
business 25.6
text 25.4
information 24.8
letter 24.8
data 23.8
creation 22.8
old 22.4
word 20.8
continuity 20.8
fabric 20.8
keywords 20.7
drapery 20.7
bible 18.7
copy 18.6
antique 18.2
religion 18
page 17.7
prayer 16.5
faith 16.3
detail 16.1
religious 16
holy 15.5
paper 14.9
collage 14.5
god 14.4
ancient 13.9
read 13.5
spiritual 13.5
binding 13
open 12.6
history 12.5
print 12.3
church 12.1
testament 11.9
gospel 11.9
energy 11.8
development 11.4
communication 10.9
black 10.8
pages 10.8
new 10.6
texture 10.4
writing 10.4
study 10.3
document 10.2
menu 9.9
chapter 9.9
scripture 9.9
words 9.8
belief 9.8
cross 9.4
city 9.2
rosary 8.9
passage 8.9
analysis 8.8
best 8.8
king 8.8
education 8.7
mix 8.7
life 8.6
vintage 8.3
fare 8.3
mosaic 8
day 7.9
language 7.9
more 7.8
catholic 7.8
modern 7.7
saint 7.7
money 7.7
health 7.7
company 7.5
close 7.4
symbol 7.4

Google
created on 2019-11-03

Text 97.4
Paper 89.9
Newsprint 85.2
Paper product 77.1
Document 76.6
Font 75

Microsoft
created on 2019-11-03

text 100
book 88.7
letter 83.9
newspaper 59.1
plaque 25.7

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Imagga

text visuals 98.4%

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-01

The image depicts a page from an ancient manuscript, specifically from Dante Alighieri's "Divine Comedy." The page is formatted in a two-column structure, with paragraphs of text in Italian written in a medieval typeface. The page features a large section of text at the top, a medieval illustration in the middle right section, and additional text below the illustration.

The illustration is in black and white and depicts a scene that appears to be from "Paradiso," the third part of Dante's "Divine Comedy." It shows several figures, including one standing with a raised arm, possibly indicating Dante himself among historical or mythological figures. There are stars in the sky, suggesting a celestial or heavenly setting. Additionally, the city of Verona is depicted in the lower right part of the image, with labeled buildings and fortified walls.

The text below the illustration appears to be a continuation of the passage, providing additional narrative or commentary about the depicted scene. The intricate and decorative capital letter at the start of a paragraph indicates the beginning of a new section, typical of manuscript traditions from this period.

Overall, the page combines richly detailed illustration with literary text, characteristic of illuminated manuscripts from the Renaissance or medieval periods.

Created by gpt-4 on 2025-02-01

The image you've shared is a photograph of a page from a historical book or manuscript, most likely of Italian origin, considering the language and script. The text appears to be printed in a style consistent with early printing methods, hinting that it could be an incunabulum (a book printed before the 16th century) or an early 16th-century print.

At the top center of the page, there is a printed header "OSIANDRI," followed by a multi-line capital "CANTO. XVII DELLA TERZIA CANTICA DI DANTE." This suggests that this is the 17th canto of the third cantica (part) of Dante's "Divine Comedy," likely from "Paradiso," given the structure of the text and the use of "Dante." The Divine Comedy is a long Italian narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death.

The block of text is divided into two columns, with a decorative capital letter starting one of the paragraphs. The text is dense, with no spacing between the paragraphs. Noticeable is the use of the long "s" (ſ), which was common in typeset during earlier periods of printing.

There is a small illustration in the upper right portion of the page, depicting a scene with a few human figures, trees, stars, and possibly a building or a set of buildings, however, the exact details of the scene are not clear due to the small size of the image within the overall page.

The page appears aged, with some browning and possible staining consistent with antique paper. There is a library or archival stamp in the center-left section, indicating ownership or cataloguing by an institution. This kind of material would be of interest to historians, literary scholars, and collectors of rare books.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-01

This appears to be a page from an early printed edition of Dante's Divine Comedy, specifically from the Terza Cantica (Paradise). The page features both text and an illustration. The illustration shows a medieval scene with several figures near a walled city or fortress labeled "VERONA." Above the scene is a decorative star pattern or celestial design. The text is printed in an early Italian typeface, and includes both the main text of the poem and commentary or explanatory notes. There's a decorated initial letter "Q" at the beginning of one section. The page appears to be from a historical edition, likely dating from the late 15th or early 16th century, given its printing style and layout.

Created by claude-3-opus-20240229 on 2025-02-01

The image shows a page from an old book or manuscript, likely in Italian based on the text. The page contains two sections of text, with an illustration in the middle.

The illustration depicts what looks to be the Adoration of the Magi scene, where the Three Wise Men visit the newborn Jesus. It shows Mary holding the infant Jesus, with the three Magi presenting their gifts. The style of the illustration has an ornate, embellished quality characteristic of medieval illuminated manuscripts.

The text appears to be printed rather than handwritten, suggesting this may be from an early printed book rather than a hand-illuminated manuscript. The typography has an antiquated style consistent with early printing.

Overall, the aged appearance of the page, the illustration style, and the early printed typography indicate this is a page from a rare, historically significant religious text, likely dating back several centuries. It provides an interesting glimpse into the early days of book printing and the continuation of manuscript illustration traditions into the age of the printing press.

Created by claude-3-haiku-20240307 on 2025-02-01

This image appears to be a page from an old printed text. It contains dense text in an ornate script-style font, along with an illustration at the bottom. The illustration depicts a scene with several figures, possibly in a religious or ceremonial context, set against an ornate background with architectural elements and star patterns. The text and illustration seem to be in Italian based on the language used. Overall, this image conveys a historical, scholarly, or religious aesthetic.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13

The image presents a page from an old book, featuring a mix of text and illustrations. The page is written in Latin, with the title "OSIQUAD" at the top, followed by several paragraphs of text. The text is divided into sections, each with its own heading, and includes various illustrations throughout.

  • Title and Headings
    • The title "OSIQUAD" is displayed prominently at the top of the page.
    • Each section of text has its own heading, which is written in a larger font size than the rest of the text.
  • Text
    • The text is written in Latin and appears to be a passage from a historical or literary work.
    • The text is divided into paragraphs, with each paragraph separated by a blank line.
    • The text includes various abbreviations and symbols, which are likely used to indicate specific words or phrases.
  • Illustrations
    • There are several illustrations throughout the page, including a drawing of a person standing in front of a building.
    • The illustrations are simple and appear to be hand-drawn.
    • They add visual interest to the page and may help to illustrate the text.
  • Layout
    • The page is laid out in a traditional format, with the title and headings at the top and the text below.
    • The text is arranged in columns, with each column separated by a blank line.
    • The illustrations are placed throughout the page, often near the relevant text.

In summary, the image shows a page from an old book that features a mix of text and illustrations. The text is written in Latin and includes various headings and abbreviations, while the illustrations are simple and hand-drawn. The layout of the page is traditional, with the title and headings at the top and the text below.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13

The image depicts a page from an old book, featuring a combination of text and illustrations. The text is written in Italian and appears to be from the Renaissance period, with the title "CANTO.XVII.DELLA TERTIA CANTICA DIDANTHE" at the top.

The page is divided into two sections: the left side contains a poem or passage of text, while the right side features an illustration of a scene with people gathered around a table. The illustration is rendered in a simple yet elegant style, with fine lines and minimal shading.

The overall design of the page suggests that it is from a literary or poetic work, possibly a collection of sonnets or other forms of verse. The use of Italian text and the Renaissance-style illustration further support this interpretation.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-01

The image is of a page from an old book. The page has a black-and-white illustration on the right side and a text in a foreign language on the left side. The illustration shows a group of people standing in front of a castle, and the text is written in a cursive font. The page has a watermark in the top left corner, and the edges of the page are slightly curled.

Created by amazon.nova-lite-v1:0 on 2025-02-01

The image is of a page from a book titled "OSCAVA" with the title "CANTO XVII. DELLA TERTIA CANTICA DI DANTE" written in the top center. The page is divided into two columns with text in the left column and an illustration in the right column. The text is written in a foreign language, possibly Italian. The illustration depicts a scene with a group of people standing in front of a castle with a star on top. The castle is surrounded by a moat with a bridge leading to it. The illustration is accompanied by a star and a cross symbol.

Text analysis

Amazon

Con
nato
&
quclliche
gente
in
che
Con quelte gente uidio
fumorto
quelte
bondelmonte.l
parue
&conaltrecon
& jufto
orto
uidio
Con &conaltrecon efle
firenze.
e
augurio
Lgigloinfegnafiorentinaantichame
future
bondelmonte.l CHE parue pelfimo augurio future CONciofrachel orto
qual
qual fumorto dedicataa marte. bafaappreflola
dedicataa
firenzein
CHE
era
jufto
bafaappreflola
e Lgigloinfegnafiorentinaantichame ente
che no piagnefle era
marte.
CONciofrachel
Aata
no
ripolo
aquel
H nato in firenze. MA MAclprimodelolantithichcucnreinfrenztedteacmaepcerchepiltoncuelofume
H
da
quclliche da firenzer
pelfimo
ifacto ripolo
ente
uidio firenzein Concordia aquel utuea 7
efle
Concordia
ifacto
uecchiolaqual Aata leuata
piagnefle
uecchiolaqual
OSIEHED
7
leuata
MAclprimodelolantithichcucnreinfrenztedteacmaepcerchepiltoncuelofume
firenzer
utuea
MA

Google

PARADISO nato in firenze.MA el primode foi antichi che uenne in firenze:& dice aema:perche paffon quefto fiume quelliche da montebono ucgono a tirenze ma conueniefi a quella pietra fcema.i.aquella bafa che era apie del ponte uecchiolaqual era (cema:pche nera ftata leuata la ftatua dimarte: & apie di quefta bata fun orto bondelmonte. ILCHE parue peffimo augurio ale future guerre ciuli. CONcioliache la bafa apprefio la qual fu morto eradedicata a marte. e Lgiglo infegna fiorentina antichamente crabiancho nel camporoffo.Etaffeima qui cacciaguida che nela Con queltegente & conaltre con efle concordia ciuile laqual era aquel tempo fi uuea con tan uidio firenzein fi facto ripofo ta iufitia & adminiftrauafila rep.Con tale prudentia che cheno hauca cagione onde piagneffe elgiglo.ideftla bandiera douera elgigio nen era mai po fto aritrofo nela afta.cice nofurcno maiuinti efiorentini in battagla ne tolto loro le bandiere lequali quado fon tol & iufto el populfuo tanto chel giglo tedanimici loro le pongono nellafta fottofopra.ET dico noche el populo romano a tutte le fue colonie dcnaua lar mefuache eraroffa fanza le letterie. S.P.q.R.Et dipoi le Con quefte gente uidiogloriofo non crain afta mai pofto aritrofo. Neperdiuifion factouermiglo. collonie ui poneucono in quello roffoquelloche pareua lo ro.ilperchee fiorentini meffono el giglo bianchoche fiue de in alcuni luoghi molti antichiflimi. MA dopola diuifione ciule eguelfi la mutoron ponendo lo fcudo ibs1 biancho & elgiglouermiglo. CANTO.XVIIL.DELLA TERTIA CANTICA DIDANTHE Valuenneaclimeneper ac certarfi diquel chauea contro afe udito quel chancho fa epadriafiglifcarfi Tale ero io & cale ero fentito dabeatrice & dalla fancta lampa chepriaper mehaucamutato fito. Perchemia donna manda fuor lauapa del tuo difio midixe fichellefca fegnata bene dallinternaftampa Non pchenoftracognofcenzacrefca per tuoparlaremaperche taufi adir la fete fichelhuom timefca. *MAR 0 d VERO NA OMEnel precepente capitulo cacciagui daha dimoftro al poeta lorigine:& genelogíade lafua famigla: cofiin quefto decimo feptimo capi tulo gli predice el fuo futuro exilio. ADVNQuEprima domanda a cacciaguidael poetacheglidichiari alcuni pronoftici che lui hebbe parte nelo inferno:& parte nel purgatorio.DPoifpintoglinterpreta.nel terzo luogho gli moftra el refuggio a fuoi mali.ET nellultimo ficertifica dela perfectiore & publicatione di quefta opera.Maquanto al principiodiceche dopole parole delo fpirito:lui diuento tale quale diuento phetonte poicheuenne a CLimenefua madre per accertarfi di quelloche hauea da epapho udito contro dife.PHETonte figluolo del fole.I MPEROCHe epapho dicea luinon effere figluolo del fole.ma dapoi che dala madre fumandato a phebo &da quello intefe che eraueramente fuo figiuolo dipofto ogni mero re diuento pienodi letitia QuEna fauola al ptefente pretermetto:perche altroue lanarrammo.ADVN Queordina cofi.lo DANTHEero tale:qualintende phetonte elquale fa anchoraepadri fcarfiafigh:cioe elchuiexemplo e cagione che padrinon promettono a figluoh come promefle phebo a phetote eigouer iborce la boolib s m due helibs onoin n gin rile 15 oonon n obiniob oulsdo oos
PARADISO
nato
in
firenze.MA
el
primode
foi
antichi
che
uenne
firenze:&
dice
aema:perche
paffon
quefto
fiume
quelliche
da
montebono
ucgono
a
tirenze
ma
conueniefi
quella
pietra
fcema.i.aquella
bafa
era
apie
del
ponte
uecchiolaqual
(cema:pche
nera
ftata
leuata
la
ftatua
dimarte:
&
di
quefta
bata
fun
orto
bondelmonte.
ILCHE
parue
peffimo
augurio
ale
future
guerre
ciuli.
CONcioliache
apprefio
qual
fu
morto
eradedicata
marte.
e
Lgiglo
infegna
fiorentina
antichamente
crabiancho
nel
camporoffo.Etaffeima
qui
cacciaguida
nela
Con
queltegente
conaltre
con
efle
concordia
ciuile
laqual
aquel
tempo
fi
uuea
tan
uidio
firenzein
facto
ripofo
ta
iufitia
adminiftrauafila
rep.Con
tale
prudentia
cheno
hauca
cagione
onde
piagneffe
elgiglo.ideftla
bandiera
douera
elgigio
nen
mai
po
fto
aritrofo
afta.cice
nofurcno
maiuinti
efiorentini
battagla
ne
tolto
loro
le
bandiere
lequali
quado
fon
tol
iufto
populfuo
tanto
chel
giglo
tedanimici
pongono
nellafta
fottofopra.ET
dico
noche
populo
romano
tutte
fue
colonie
dcnaua
lar
mefuache
eraroffa
fanza
letterie.
S.P.q.R.Et
dipoi
quefte
gente
uidiogloriofo
non
crain
afta
pofto
aritrofo.
Neperdiuifion
factouermiglo.
collonie
ui
poneucono
quello
roffoquelloche
pareua
lo
ro.ilperchee
fiorentini
meffono
bianchoche
fiue
de
alcuni
luoghi
molti
antichiflimi.
MA
dopola
diuifione
ciule
eguelfi
mutoron
ponendo
fcudo
ibs1
biancho
elgiglouermiglo.
CANTO.XVIIL.DELLA
TERTIA
CANTICA
DIDANTHE
Valuenneaclimeneper
ac
certarfi
diquel
chauea
contro
afe
udito
quel
chancho
fa
epadriafiglifcarfi
Tale
ero
io
cale
fentito
dabeatrice
dalla
fancta
lampa
chepriaper
mehaucamutato
fito.
Perchemia
donna
manda
fuor
lauapa
tuo
difio
midixe
fichellefca
fegnata
bene
dallinternaftampa
Non
pchenoftracognofcenzacrefca
per
tuoparlaremaperche
taufi
adir
fete
fichelhuom
timefca.
*MAR
0
d
VERO
NA
OMEnel
precepente
capitulo
cacciagui
daha
dimoftro
al
poeta
lorigine:&
genelogíade
lafua
famigla:
cofiin
decimo
feptimo
capi
tulo
gli
predice
fuo
futuro
exilio.
ADVNQuEprima
domanda
cacciaguidael
poetacheglidichiari
pronoftici
lui
hebbe
parte
nelo
inferno:&
purgatorio.DPoifpintoglinterpreta.nel
terzo
luogho
moftra
refuggio
fuoi
mali.ET
nellultimo
ficertifica
dela
perfectiore
publicatione
opera.Maquanto
principiodiceche
dopole
parole
delo
fpirito:lui
diuento
quale
phetonte
poicheuenne
CLimenefua
madre
accertarfi
quelloche
hauea
epapho
dife.PHETonte
figluolo
fole.I
MPEROCHe
dicea
luinon
effere
fole.ma
dapoi
dala
fumandato
phebo
&da
intefe
eraueramente
figiuolo
dipofto
ogni
mero
re
pienodi
letitia
QuEna
fauola
ptefente
pretermetto:perche
altroue
lanarrammo.ADVN
Queordina
cofi.lo
DANTHEero
tale:qualintende
elquale
anchoraepadri
fcarfiafigh:cioe
elchuiexemplo
padrinon
promettono
figluoh
come
promefle
phetote
eigouer
iborce
boolib
s
m
due
helibs
onoin
n
gin
rile
15
oonon
obiniob
oulsdo
oos