Human Generated Data

Title

Canto II. The Ascent to the Moon; Beatrice Explains the Markings on the Moon; Spirits who Failed in Their Monastic Vows

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5325

Human Generated Data

Title

Canto II. The Ascent to the Moon; Beatrice Explains the Markings on the Moon; Spirits who Failed in Their Monastic Vows

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5325

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Text 99.9
Newspaper 99.6
Page 99
Paper 60

Clarifai
created on 2019-11-03

old 96.9
vintage 96.8
desktop 96.3
paper 95.5
document 95.5
page 94.4
retro 94.3
texture 94.1
text 94.1
book bindings 94
art 92.9
illustration 92.3
antique 91.8
design 91.6
print 90.6
picture frame 88.1
manuscript 87.7
blank 87.6
decoration 86.5
color 85.8

Imagga
created on 2019-11-03

newspaper 50
cloud 48.4
product 47.6
creation 38.5
book 38.5
definition 38.3
association 37.5
backdrop 37.2
cover 37.1
advertising 35.6
artwork 34.9
associated 34.6
creative 34.5
brochure 34.2
carpet 34.2
advertise 34.1
composition 34
advertisement 33.9
collection 33.5
design 32.7
element 32.3
decor 31.9
conceptual 31.8
decorative 31.8
binding 31.3
art 30.2
brass 29.5
idea 28.6
decoration 27.6
graphic 27.1
old 26.5
daily 26.1
fabric 25.5
text 24.5
information 24
letter 23.9
continuity 22.8
drapery 22.7
memorial 22.4
data 22
antique 20.2
business 20.1
keywords 18.8
structure 18.3
copy 17.7
bible 17.7
journal 17.1
word 17
detail 16.9
religion 16.2
page 15.8
texture 14.6
holy 14.5
paper 14.2
religious 14.1
ancient 13.9
prayer 13.6
faith 13.4
vintage 13.3
collage 12.5
development 12.4
pattern 11.7
read 11.6
spiritual 11.6
god 11.5
writing 11.3
communication 11
testament 10.9
open 10.8
history 10.8
print 10.4
black 10.2
church 10.2
energy 10.1
chapter 9.9
textured 9.7
document 9.3
city 9.2
aged 9.1
retro 9
new 8.9
gospel 8.9
words 8.8
pages 8.8
best 8.8
life 8.6
cross 8.5
company 8.4
surface 8
rosary 7.9
scripture 7.9
passage 7.9
analysis 7.8
education 7.8
king 7.8
sepia 7.8
mix 7.7
study 7.5
mosaic 7.4
material 7.2
modern 7

Google
created on 2019-11-03

Text 97.4
Paper 89
Paper product 75.4
Document 73.3
Font 68.6

Microsoft
created on 2019-11-03

text 100
letter 87.9
book 77.4
plaque 45.7

Color Analysis

Feature analysis

Amazon

Book

Clarifai

No features identified

AWS Rekognition

Book 100%

Categories

Imagga
created on 2019-11-03

text visuals 79.8%
streetview architecture 14.4%
paintings art 5.7%

Captions

Salesforce

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-01

This image depicts a page from an old printed book, likely from the Renaissance period. The page appears to be from an Italian text, specifically from Dante Alighieri's "Divine Comedy," with the title indicating it is from the section "Paradiso."

The page features a combination of text and an illustration. The text is written in Italian and uses an antiquated typeface typical of early printed books. The initial letter "V" of the text is highly decorated.

The illustration to the right of the text shows a celestial scene. This illustration includes:

  1. Dante and Beatrice standing on a cloud or elevated platform, with Beatrice pointing upward, perhaps indicating guidance or enlightenment.
  2. A celestial body, possibly the sun, behind them, surrounded by stars, suggesting a heavenly or divine atmosphere.
  3. Below Dante and Beatrice, there is a boat with two figures rowing, possibly symbolizing the journey through the waters or crossing into the realm of Paradise.

The page shows some signs of aging, such as discoloration and slight tears around the edges, indicating its historical value and authenticity. The combination of text and elaborate illustration provides insight into the printing and artistic techniques of the period.

Created by gpt-4 on 2025-02-01

This image is a photograph of a page from an old book. On the left side of the page, there is text printed in an old style of font, which is indicative of historical printing practices. The text is in Italian, and the large initial "E" at the start of a paragraph is a typical feature of books from earlier centuries. At the top right of the page, the word "PARADISO" is printed, which suggests that this section of the book may be discussing themes related to paradise, or it could be a reference to Dante's "Divine Comedy."

On the upper right side, there is a square illustration contained within a simple border. The illustration appears to depict a celestial scene with stars and a central figure that resembles depictions of classical sun iconography, with rays emanating from it. Below are stylized waves, suggestive of water or the sea, with a small boat or ship and an individual inside it. The style of the illustration, along with the font of the text, suggests that the book is quite old, potentially from the Renaissance or earlier.

The bottom of the page has some discoloration and appears to have been worn, indicating age and handling over the years. There's also what looks like a handwritten annotation in the bottom left corner but it is mostly cut off from view. Overall, the page is a representation of historical printing, literature, and illustration techniques.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-25

This appears to be a page from an early printed edition of Dante's "Paradiso" (Paradise), part of the Divine Comedy. The page features both text and a small woodcut illustration in the upper right corner. The illustration shows a celestial scene with the sun or a celestial body in the sky, and what appears to be water or waves below with some simplified landscape elements. The text is printed in an early Italian typeface typical of incunabula (books printed before 1501). The page begins with an ornate decorative initial letter "S". The layout is characteristic of early Renaissance printing, with the main text in a single column and what appears to be commentary or annotations in smaller text below. The paper shows some age-related discoloration but is generally well-preserved. This is likely from a late 15th-century Italian printed edition of Dante's work.

Created by claude-3-5-sonnet-20241022 on 2025-02-01

This appears to be a page from a historical text, likely from Dante's "Paradiso" as indicated by the title at the top. The page features both text and an illustration. The illustration, positioned in the upper right corner, shows a maritime scene with figures in boats on water under a decorated sky with stars and what appears to be a celestial body (possibly the sun or moon) enclosed in a circle. The main body of the page contains Italian text in a Gothic typeface, with an ornate decorated capital letter 'O' at the beginning. The text appears to be laid out in poetry format at the top, followed by prose commentary below. The page shows some age with slight discoloration but is generally well-preserved. This appears to be from an early printed edition, possibly from the late 15th or early 16th century, given the style of typography and illustration.

Created by claude-3-opus-20240229 on 2025-02-01

The image depicts a page from an old book or manuscript, likely from the late medieval or early Renaissance period based on the typography and woodcut illustration style. The text is in Latin or Italian.

The illustration shows the biblical scene of Paradise, with Adam and Eve standing by the Tree of Knowledge in the Garden of Eden. Eve is reaching up to take fruit from the serpent coiled in the tree, representing the temptation and fall of man according to Christian theology. The circular mandorla shape around the tree likely symbolizes the divine realm.

The dense columns of text surrounding the illustration discuss the story and its theological meaning. While I cannot translate the text fully, it seems to be elaborating on the events and significance of Adam and Eve's actions in Paradise as portrayed in the Genesis creation narrative.

Overall, this appears to be a page from an illustrated religious book, possibly a Bible, devotional work or commentary popular in the 15th-16th centuries to teach Christian doctrine and stories through a combination of detailed textual analysis and visual depictions of key scenes. The craftsmanship of the page design and illustration is quite intricate and representative of book publishing from that era.

Created by claude-3-haiku-20240307 on 2025-02-01

This image appears to be a page of text and an illustration. The text is in Italian and the illustration depicts a religious or allegorical scene. The image shows two figures, one standing and one kneeling, in what seems to be a celestial or paradisical setting, surrounded by stars or celestial bodies. The overall style and content suggest this is an antique or historical work, likely from a religious or literary text.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13

The image presents a page from an old book, featuring a woodcut illustration on the right side and text on the left. The page is yellowed with age, indicating its historical significance.

  • Woodcut Illustration
    • Located on the right side of the page
    • Depicts a scene with a man in a boat, possibly fishing or sailing
    • The man is shown holding a fishing rod or oar
    • The background of the illustration features a sun or moon, surrounded by stars
  • Text
    • Written in an old language, likely Latin or Italian
    • The text is arranged in two columns, with the left column being wider than the right
    • The text appears to be a passage from a literary work, possibly a poem or story
    • The font is ornate and decorative, reflecting the style of the time period
  • Page Layout
    • The page is rectangular in shape, with a slight yellowing around the edges
    • The woodcut illustration takes up about one-third of the page
    • The text occupies the remaining two-thirds of the page
    • The layout suggests that the page was designed to be visually appealing, with the illustration serving as a focal point

In summary, the image showcases a page from an old book, featuring a woodcut illustration and text written in an ancient language. The page's layout and design reflect the style of the time period, with the illustration serving as a central element.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13

The image depicts a page from an old book, featuring a woodcut illustration and text in Italian. The page is yellowed with age, suggesting it may be a reproduction or scan of a historical document.

Key Features:

  • Woodcut Illustration: A rectangular woodcut illustration is situated at the top right of the page. It features a serene scene with a person standing on a rocky outcropping, surrounded by stars and a crescent moon. The illustration appears to be a representation of a paradise or heavenly realm.
  • Text: The majority of the page is filled with text in Italian, which appears to be a passage from a literary work. The text is written in a formal, antiquated style, with intricate lettering and punctuation.
  • Page Layout: The page has a simple layout, with the woodcut illustration at the top right and the text filling the remainder of the page. There are no visible margins or borders, giving the impression of a seamless transition between the illustration and the text.
  • Age and Condition: The page appears to be old, with visible signs of aging such as yellowing, creasing, and staining. The text and illustration are still legible, but the overall condition of the page suggests that it may be a reproduction or scan of a historical document.

Conclusion:

The image presents a fascinating glimpse into the past, showcasing a beautifully illustrated page from an old book. The woodcut illustration and formal text suggest that the book may be a literary or philosophical work from the Renaissance period. The age and condition of the page add to its historical significance, making it a valuable resource for scholars and enthusiasts of antiquarian literature.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-01

The image shows an old book with a text written in a foreign language. The text is written in a black font on a white background. The book has a picture on the right side, which appears to be a drawing of a person in a boat. The drawing is in black and white, and it has a watermark on the top left corner. The book seems to be a historical document or a religious text.

Created by amazon.nova-lite-v1:0 on 2025-02-01

The image is a page from a book with text in an old language, possibly Italian, and it features an illustration on the right side. The text is written in a black ink on a white page and appears to be from a historical or literary work. The illustration depicts a scene with a figure in a boat, possibly on a river, with other figures and elements in the background. The illustration is in black and white and has a simple, illustrative style. The text and illustration are surrounded by a decorative border, and the page has a slightly aged appearance, suggesting that it is from an old book.

Google Gemini

Created by gemini-2.0-flash on 2025-05-07

Here are the bounding box detections:

[
  {"box_2d": [23, 262, 745, 505], "label": "paragraph"},
  {"box_2d": [321, 515, 924, 897], "label": "paragraph"},
  {"box_2d": [419, 515, 924, 897], "label": "paragraph"},
  {"box_2d": [459, 201, 977, 897], "label": "paragraph"}
]

Created by gemini-2.0-flash-lite on 2025-05-07

Here's a description of the image:

Overall Impression: The image is a page from a very old printed book. The style suggests it was created in the early days of printing, perhaps the late 15th or early 16th century. The text is densely packed, in a gothic or similar font, and there are areas of decorative ornamentation.

Specific Elements:

  • Text: The primary element is the extensive text, written in Italian, likely the original language. The font is typical of early printing, with some words highlighted or emphasized with larger or more elaborate characters.
  • Illustration: There is an illustration at the top right of the text, a woodcut-style illustration.
  • Decorative Elements: There are some decorated elements such as initial capitals, which are large and ornate.
  • Layout: The layout is typical of early printed books: text fills the page with a fairly narrow margin, and the illustrations are placed in relation to the text, intended to be supportive.

Content Clues
The word "PARADISO" at the top of the page suggests this text is from the first book of the Divine Comedy, written by Dante Alighieri.

Style and Context
The style of the image (font, illustration style, decorative elements) points to the early years of printing, a time when printers were still developing the conventions of the book. The style of the image is that of a high-quality production, and it probably dates from the late 15th or early 16th century.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-08

The image is a page from an old book, likely printed in the 15th or 16th century, given the style of the typeface and the layout. The text is in Italian, and it appears to be a section from Dante Alighieri's "Divine Comedy," specifically from the "Paradiso" (Paradise) section.

Here is a detailed description:

  1. Layout and Design:

    • The page is divided into two columns of text.
    • The left column contains a circular decorative initial letter "V" at the beginning, which is a common feature in early printed books.
    • The right column has an illustration at the top, depicting a celestial scene with figures and stars, which is appropriate for the "Paradiso" section.
  2. Text:

    • The text is printed in a Gothic typeface, which was common in early printed books.
    • The language is Italian, and the content seems to be poetic, characteristic of Dante's work.
    • The text discusses themes related to paradise, divine light, and spiritual ascent, which are central to the "Paradiso" section of the "Divine Comedy."
  3. Illustration:

    • The illustration shows a heavenly scene with figures that might represent angels or souls in paradise.
    • The background includes stars and a celestial body, emphasizing the divine and ethereal nature of the setting.
  4. Decorative Elements:

    • The page includes decorative elements such as the initial letter and the border around the illustration, which are typical of early printed books to enhance the aesthetic appeal.

Overall, the image is a historical artifact that provides insight into the printing and literary culture of the Renaissance period, specifically focusing on one of the most influential works of Italian literature.

Qwen

Text analysis

Amazon

PARADISO
barcha
picioletta
Metter
potete
Metter potete ben pellalto folco
folco
drieto
uarca
pellalto
noue
non
ben
cheforfe
giamaino
mio
lorfe:
pan
perdendo
fiete
Voiche fiete in picioletta
tempo pan
nauilio
tempo
Voiche
fale
drieto aimio legno uarca
uoftro nauilio feruando mio
checatado
Lacqua predo giamaino ficorfe
Lacqua
uoftro
non uifidate in pelago cheforfe
&conducemia
in
feguiti checatado
ficorfe
mineruafpira &conducemia
difiderofidafcoltar
mineruafpira
linelquale
riueder
feruando
uiuefiquimanonf fale
feguiti
predo
dinanzi
Voialtripochichedrizalt
legno
Tornati: riueder li uoftriliti
Tornati:
de
uifidate
perdendo omerimarrefafmarriti:
aimio
uoftriliti
li
uiuefiquimanonf
pelago
Voialtripochichedrizalt (tilcollo
omerimarrefafmarriti:
(tilcollo

Google

PARADISO Voichefiete in picioletta barcha difiderofi dafcoltar- leguiti drieto aimiolegno che cátádo uarca Tornatiariueder lí uoftriliti non uifidate in pelago cheforfe perdendo merimarreftfmarriti Lacqua chioprédo giamaino ficorfe mineruafpira & conducemi apollo & noue mufemidimoftron lorfe: Voialtripochiche drizaftilcollo per tempo al pan de gligelinelquale uiuefiquimanon fiuienfatollo. Metter potete ben pellalto fale uoftronauilio feruando mio folco dinanziallacqua che ritorni equale. e Salito gia el poeta ala pr ía fpera. ILPERCHE in que Quegloriofichepafaroa cholco nonfadmiraron come uoi farete quando iafon uidor facto bifolcho. trice la confuta & dipoi gli dimoftra la uera hora.quanto fto fuo fecondo canto difcriue come étro el corpo lu nare:&da beatrice domandato la cagione del turbo: &6 bra laquale appare nela luna dice fua opinione. MA bea a quefto principio admoniíce la turba ulgare laquale do aafolamente nele minoridocrine:& non doctadele co fe facre. laquale ha potuto feguirlo infino a quiche non uenghi piu auanti perche non effendo capace di fi alta materia fi potrebbono ifmarrite maxime perche tracta qlio che da neffuno altro e mai ftato tracta to:& da laltra parte conforta edoci nela facra theologia equali fono pochi a feguitarlo:promettendo lor che fi marauilgeranno piuche non fi marauigloronoe compagni di iafone in colchi. OVOlche fiette in piccoletta barcha.E traflauoe ufata da moltipoeti porre el mare p la materia& el legno plo igegno op la dactria.Adunq.Ouoiche fette in piccol barcha:cioe con pocha doctrina o ingegno DESIDEROSIdaf coltar el mio poema. SEGVITEdrieto al mio legno.uenite drieto al mio fle:&a la mia doctrina.Che 13arca cantando.perche ogni poeta fidice cantare.ONDE nela prima cantica.POETA fui & cantai di gl iufto.TORNATEariuedereeuoftri liti. da quali partiftiquafi dica ftateui.ideft co materia bafla &con ueniente a uoftri debili ingegni.NON VIMETTETE IN pelago.ideft in fi profunda &difficil materia. che forfe.PERDENDOME rimarrete fmariti come chinon fapendo eluiaggio feguita la guida fe quel p laperde duene imarrito.cofichifeguita auctore che fcriua cofe alte & difficil puo da principio itendere qlche cola ma quádo arriua doue no lo itéde fi puo dire che lhabi pduto & lui refta ifmarrito pdédo mep dendo el mio modo:elqualnon e trito apprefio a glaltri poeti. LACQuachiocorro gianainonfi corfe. per copia deloquentiadice.hor mare hor pelago:& hora acqua per una medefimacofa.& fta nela tranfla tione&la fétêtiaechel mare ch lui nauica no fu mainauicato itededo da altri poetine da altri fcriptori no nieea che moltinohabiamo fcritto doctiffiaméte de le cofe cb lui fcriue ma neffuo mai fcriffe poeticamé te &ifefo allegorico ornato co poetica faculta fialta materia.minerua fpira.potea parere el poeta pfuptu ofo affermado che neflü poeta fcriffe mai difialta materia.llpcbdioftrachnop fuo igegno maploaiuto di mierua dapoilie & dle mufe ha potuto ifi dica nopfe ma pgratia ifufa da fo fpirito fácto elqle itcde p minerua datrice dla fapictia &papollie &ple mule pced lo fulo & elcáto poetico ipoc lo fpirito fAoi födédofinelamete humana réde glidoci doci & erozieloqnticõe uegiãone pfeti&negli appoftolh adu qnodice correre acqgiamaino corta.liche fiplicemete farebe arogátia ma dice hauerla coria mediáte el diuino fauore.Minerua fpiratrecofe fono neceffarie a chi dfidera pfpa nauicatiõe pría eluetochci piga al porto.Adúmineruache e la fapiétia adiriza a buó porto la naue &appollo che ela harmoia difpoe&cr dia co debita pportioe el corfo le mufe dioftráo lorla.i.la ftella tramotana faza laqle ogninauigio frfmar rifce ple mufe itédi la faculta poctica fáza lagl el poeta nouedcb ftlo habbia a feguif uoi altripcchi haué do admonito glidoctiche nó lo feguitino pqito mare horacoforta e docia feguitarlo pcb lo potráneite dere & dice pochi pche piccol numero iognifeculo e ftato glddecti &dglieleuati igegni čde ariflotele igegnú rude &nofubtiliflimusitellectus ita fe habet ad dhuina ficut uifus nocte ad folé &thomafo agnate Cognitio diuinoru paucis hominibus ié.Etcerto e grá difficulta i qlacognitice pche tutte laltre pa te di philofophia fono ftate trouate pche ficofcala plagle poffiáo falire aqfta alteza.che drizafti el collo che a zafti elcapo elgle no fipuo alzar felcollonofidriza etplo alzaf dicapo itéd ch leuoró la méte loro &13 gegno ale cofe celeftiet latéteméte toccha la fététia douidio pnagcufpedét animaliacetera terrá Os ho
PARADISO
Voichefiete
in
picioletta
barcha
difiderofi
dafcoltar-
leguiti
drieto
aimiolegno
che
cátádo
uarca
Tornatiariueder
uoftriliti
non
uifidate
pelago
cheforfe
perdendo
merimarreftfmarriti
Lacqua
chioprédo
giamaino
ficorfe
mineruafpira
&
conducemi
apollo
noue
mufemidimoftron
lorfe:
Voialtripochiche
drizaftilcollo
per
tempo
al
pan
de
gligelinelquale
uiuefiquimanon
fiuienfatollo.
Metter
potete
ben
pellalto
fale
uoftronauilio
feruando
mio
folco
dinanziallacqua
ritorni
equale.
e
Salito
gia
el
poeta
ala
pr
ía
fpera.
ILPERCHE
que
Quegloriofichepafaroa
cholco
nonfadmiraron
come
uoi
farete
quando
iafon
uidor
facto
bifolcho.
trice
la
confuta
dipoi
gli
dimoftra
uera
hora.quanto
fto
fuo
fecondo
canto
difcriue
étro
corpo
lu
nare:&da
beatrice
domandato
cagione
del
turbo:
&6
bra
laquale
appare
nela
luna
dice
fua
opinione.
MA
bea
a
quefto
principio
admoniíce
turba
ulgare
do
aafolamente
nele
minoridocrine:&
doctadele
co
fe
facre.
ha
potuto
feguirlo
infino
quiche
uenghi
piu
auanti
perche
effendo
capace
di
fi
alta
materia
potrebbono
ifmarrite
maxime
tracta
qlio
da
neffuno
altro
mai
ftato
to:&
laltra
parte
conforta
edoci
facra
theologia
equali
fono
pochi
feguitarlo:promettendo
lor
marauilgeranno
piuche
marauigloronoe
compagni
iafone
colchi.
OVOlche
fiette
piccoletta
barcha.E
traflauoe
ufata
moltipoeti
porre
mare
p
materia&
legno
plo
igegno
op
dactria.Adunq.Ouoiche
fette
piccol
barcha:cioe
con
pocha
doctrina
o
ingegno
DESIDEROSIdaf
coltar
poema.
SEGVITEdrieto
legno.uenite
fle:&a
mia
doctrina.Che
13arca
cantando.perche
ogni
fidice
cantare.ONDE
prima
cantica.POETA
fui
cantai
gl
iufto.TORNATEariuedereeuoftri
liti.
quali
partiftiquafi
dica
ftateui.ideft
bafla
&con
ueniente
uoftri
debili
ingegni.NON
VIMETTETE
IN
pelago.ideft
profunda
&difficil
materia.
forfe.PERDENDOME
rimarrete
fmariti
chinon
fapendo
eluiaggio
feguita
guida
quel
laperde
duene
imarrito.cofichifeguita
auctore
fcriua
cofe
alte
difficil
puo
itendere
qlche
cola
ma
quádo
arriua
doue
no
lo
itéde
dire
lhabi
pduto
lui
refta
ifmarrito
pdédo
mep
dendo
modo:elqualnon
trito
apprefio
glaltri
poeti.
LACQuachiocorro
gianainonfi
corfe.
copia
deloquentiadice.hor
hor
pelago:&
hora
acqua
una
medefimacofa.&
fta
tranfla
tione&la
fétêtiaechel
ch
nauica
fu
mainauicato
itededo
altri
poetine
fcriptori
nieea
moltinohabiamo
fcritto
doctiffiaméte
le
cb
fcriue
neffuo
fcriffe
poeticamé
te
&ifefo
allegorico
ornato
poetica
faculta
fialta
materia.minerua
fpira.potea
parere
pfuptu
ofo
affermado
neflü
difialta
materia.llpcbdioftrachnop
maploaiuto
mierua
dapoilie
dle
mufe
ifi
nopfe
pgratia
ifufa
fo
fpirito
fácto
elqle
itcde
minerua
datrice
dla
fapictia
&papollie
&ple
mule
pced
fulo
elcáto
poetico
ipoc
fAoi
födédofinelamete
humana
réde
glidoci
doci
erozieloqnticõe
uegiãone
pfeti&negli
appoftolh
adu
qnodice
correre
acqgiamaino
corta.liche
fiplicemete
farebe
arogátia
hauerla
coria
mediáte
diuino
fauore.Minerua
fpiratrecofe
neceffarie
chi
dfidera
pfpa
nauicatiõe
pría
eluetochci
piga
porto.Adúmineruache
fapiétia
adiriza
buó
porto
naue
&appollo
ela
harmoia
difpoe&cr
dia
debita
pportioe
corfo
dioftráo
lorla.i.la
ftella
tramotana
faza
laqle
ogninauigio
frfmar
rifce
ple
itédi
poctica
fáza
lagl
nouedcb
ftlo
habbia
feguif
altripcchi
haué
admonito
glidoctiche
feguitino
pqito
horacoforta
docia
feguitarlo
pcb
potráneite
dere
pche
numero
iognifeculo
glddecti
&dglieleuati
igegni
čde
ariflotele
igegnú
rude
&nofubtiliflimusitellectus
ita
habet
ad
dhuina
ficut
uifus
nocte
folé
&thomafo
agnate
Cognitio
diuinoru
paucis
hominibus
ié.Etcerto
grá
difficulta
i
qlacognitice
tutte
laltre
pa
philofophia
ftate
trouate
ficofcala
plagle
poffiáo
falire
aqfta
alteza.che
drizafti
collo
zafti
elcapo
elgle
fipuo
alzar
felcollonofidriza
etplo
alzaf
dicapo
itéd
leuoró
méte
loro
&13
gegno
ale
celeftiet
latéteméte
toccha
fététia
douidio
pnagcufpedét
animaliacetera
terrá
Os
ho