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Human Generated Data

Title

Canto II. The Ascent to the Moon; Beatrice Explains the Markings on the Moon; Spirits who Failed in Their Monastic Vows

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5325

Human Generated Data

Title

Canto II. The Ascent to the Moon; Beatrice Explains the Markings on the Moon; Spirits who Failed in Their Monastic Vows

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5325

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Newspaper 99.6
Page 99
Paper 60

Clarifai
created on 2019-11-03

old 96.9
vintage 96.8
desktop 96.3
paper 95.5
document 95.5
page 94.4
retro 94.3
texture 94.1
text 94.1
book bindings 94
art 92.9
illustration 92.3
antique 91.8
design 91.6
print 90.6
picture frame 88.1
manuscript 87.7
blank 87.6
decoration 86.5
color 85.8

Imagga
created on 2019-11-03

newspaper 50
cloud 48.4
product 47.6
creation 38.5
book 38.5
definition 38.3
association 37.5
backdrop 37.2
cover 37.1
advertising 35.6
artwork 34.9
associated 34.6
creative 34.5
brochure 34.2
carpet 34.2
advertise 34.1
composition 34
advertisement 33.9
collection 33.5
design 32.7
element 32.3
decor 31.9
conceptual 31.8
decorative 31.8
binding 31.3
art 30.2
brass 29.5
idea 28.6
decoration 27.6
graphic 27.1
old 26.5
daily 26.1
fabric 25.5
text 24.5
information 24
letter 23.9
continuity 22.8
drapery 22.7
memorial 22.4
data 22
antique 20.2
business 20.1
keywords 18.8
structure 18.3
copy 17.7
bible 17.7
journal 17.1
word 17
detail 16.9
religion 16.2
page 15.8
texture 14.6
holy 14.5
paper 14.2
religious 14.1
ancient 13.9
prayer 13.6
faith 13.4
vintage 13.3
collage 12.5
development 12.4
pattern 11.7
read 11.6
spiritual 11.6
god 11.5
writing 11.3
communication 11
testament 10.9
open 10.8
history 10.8
print 10.4
black 10.2
church 10.2
energy 10.1
chapter 9.9
textured 9.7
document 9.3
city 9.2
aged 9.1
retro 9
new 8.9
gospel 8.9
words 8.8
pages 8.8
best 8.8
life 8.6
cross 8.5
company 8.4
surface 8
rosary 7.9
scripture 7.9
passage 7.9
analysis 7.8
education 7.8
king 7.8
sepia 7.8
mix 7.7
study 7.5
mosaic 7.4
material 7.2
modern 7

Google
created on 2019-11-03

Text 97.4
Paper 89
Paper product 75.4
Document 73.3
Font 68.6

Microsoft
created on 2019-11-03

text 100
letter 87.9
book 77.4
plaque 45.7

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-01

This image depicts a page from an old printed book, likely from the Renaissance period. The page appears to be from an Italian text, specifically from Dante Alighieri's "Divine Comedy," with the title indicating it is from the section "Paradiso." The page features a combination of text and an illustration. The text is written in Italian and uses an antiquated typeface typical of early printed books. The initial letter "V" of the text is highly decorated. The illustration to the right of the text shows a celestial scene. This illustration includes: 1. Dante and Beatrice standing on a cloud or elevated platform, with Beatrice pointing upward, perhaps indicating guidance or enlightenment. 2. A celestial body, possibly the sun, behind them, surrounded by stars, suggesting a heavenly or divine atmosphere. 3. Below Dante and Beatrice, there is a boat with two figures rowing, possibly symbolizing the journey through the waters or crossing into the realm of Paradise. The page shows some signs of aging, such as discoloration and slight tears around the edges, indicating its historical value and authenticity. The combination of text and elaborate illustration provides insight into the printing and artistic techniques of the period.

Created by gpt-4 on 2025-02-01

This image is a photograph of a page from an old book. On the left side of the page, there is text printed in an old style of font, which is indicative of historical printing practices. The text is in Italian, and the large initial "E" at the start of a paragraph is a typical feature of books from earlier centuries. At the top right of the page, the word "PARADISO" is printed, which suggests that this section of the book may be discussing themes related to paradise, or it could be a reference to Dante's "Divine Comedy." On the upper right side, there is a square illustration contained within a simple border. The illustration appears to depict a celestial scene with stars and a central figure that resembles depictions of classical sun iconography, with rays emanating from it. Below are stylized waves, suggestive of water or the sea, with a small boat or ship and an individual inside it. The style of the illustration, along with the font of the text, suggests that the book is quite old, potentially from the Renaissance or earlier. The bottom of the page has some discoloration and appears to have been worn, indicating age and handling over the years. There's also what looks like a handwritten annotation in the bottom left corner but it is mostly cut off from view. Overall, the page is a representation of historical printing, literature, and illustration techniques.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-01

This appears to be a page from a historical text, likely from Dante's "Paradiso" as indicated by the title at the top. The page features both text and an illustration. The illustration, positioned in the upper right corner, shows a maritime scene with figures in boats on water under a decorated sky with stars and what appears to be a celestial body (possibly the sun or moon) enclosed in a circle. The main body of the page contains Italian text in a Gothic typeface, with an ornate decorated capital letter 'O' at the beginning. The text appears to be laid out in poetry format at the top, followed by prose commentary below. The page shows some age with slight discoloration but is generally well-preserved. This appears to be from an early printed edition, possibly from the late 15th or early 16th century, given the style of typography and illustration.

Created by claude-3-opus-20240229 on 2025-02-01

The image depicts a page from an old book or manuscript, likely from the late medieval or early Renaissance period based on the typography and woodcut illustration style. The text is in Latin or Italian. The illustration shows the biblical scene of Paradise, with Adam and Eve standing by the Tree of Knowledge in the Garden of Eden. Eve is reaching up to take fruit from the serpent coiled in the tree, representing the temptation and fall of man according to Christian theology. The circular mandorla shape around the tree likely symbolizes the divine realm. The dense columns of text surrounding the illustration discuss the story and its theological meaning. While I cannot translate the text fully, it seems to be elaborating on the events and significance of Adam and Eve's actions in Paradise as portrayed in the Genesis creation narrative. Overall, this appears to be a page from an illustrated religious book, possibly a Bible, devotional work or commentary popular in the 15th-16th centuries to teach Christian doctrine and stories through a combination of detailed textual analysis and visual depictions of key scenes. The craftsmanship of the page design and illustration is quite intricate and representative of book publishing from that era.

Created by claude-3-haiku-20240307 on 2025-02-01

This image appears to be a page of text and an illustration. The text is in Italian and the illustration depicts a religious or allegorical scene. The image shows two figures, one standing and one kneeling, in what seems to be a celestial or paradisical setting, surrounded by stars or celestial bodies. The overall style and content suggest this is an antique or historical work, likely from a religious or literary text.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13

The image presents a page from an old book, featuring a woodcut illustration on the right side and text on the left. The page is yellowed with age, indicating its historical significance. * **Woodcut Illustration** * Located on the right side of the page * Depicts a scene with a man in a boat, possibly fishing or sailing * The man is shown holding a fishing rod or oar * The background of the illustration features a sun or moon, surrounded by stars * **Text** * Written in an old language, likely Latin or Italian * The text is arranged in two columns, with the left column being wider than the right * The text appears to be a passage from a literary work, possibly a poem or story * The font is ornate and decorative, reflecting the style of the time period * **Page Layout** * The page is rectangular in shape, with a slight yellowing around the edges * The woodcut illustration takes up about one-third of the page * The text occupies the remaining two-thirds of the page * The layout suggests that the page was designed to be visually appealing, with the illustration serving as a focal point In summary, the image showcases a page from an old book, featuring a woodcut illustration and text written in an ancient language. The page's layout and design reflect the style of the time period, with the illustration serving as a central element.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13

The image depicts a page from an old book, featuring a woodcut illustration and text in Italian. The page is yellowed with age, suggesting it may be a reproduction or scan of a historical document. **Key Features:** * **Woodcut Illustration:** A rectangular woodcut illustration is situated at the top right of the page. It features a serene scene with a person standing on a rocky outcropping, surrounded by stars and a crescent moon. The illustration appears to be a representation of a paradise or heavenly realm. * **Text:** The majority of the page is filled with text in Italian, which appears to be a passage from a literary work. The text is written in a formal, antiquated style, with intricate lettering and punctuation. * **Page Layout:** The page has a simple layout, with the woodcut illustration at the top right and the text filling the remainder of the page. There are no visible margins or borders, giving the impression of a seamless transition between the illustration and the text. * **Age and Condition:** The page appears to be old, with visible signs of aging such as yellowing, creasing, and staining. The text and illustration are still legible, but the overall condition of the page suggests that it may be a reproduction or scan of a historical document. **Conclusion:** The image presents a fascinating glimpse into the past, showcasing a beautifully illustrated page from an old book. The woodcut illustration and formal text suggest that the book may be a literary or philosophical work from the Renaissance period. The age and condition of the page add to its historical significance, making it a valuable resource for scholars and enthusiasts of antiquarian literature.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-01

The image shows an old book with a text written in a foreign language. The text is written in a black font on a white background. The book has a picture on the right side, which appears to be a drawing of a person in a boat. The drawing is in black and white, and it has a watermark on the top left corner. The book seems to be a historical document or a religious text.

Created by amazon.nova-lite-v1:0 on 2025-02-01

The image is a page from a book with text in an old language, possibly Italian, and it features an illustration on the right side. The text is written in a black ink on a white page and appears to be from a historical or literary work. The illustration depicts a scene with a figure in a boat, possibly on a river, with other figures and elements in the background. The illustration is in black and white and has a simple, illustrative style. The text and illustration are surrounded by a decorative border, and the page has a slightly aged appearance, suggesting that it is from an old book.

Text analysis

Amazon

PARADISO
barcha
picioletta
Metter
potete
Metter potete ben pellalto folco
folco
drieto
uarca
pellalto
noue
non
ben
cheforfe
giamaino
mio
lorfe:
pan
perdendo
fiete
Voiche fiete in picioletta
tempo pan
nauilio
tempo
Voiche
fale
drieto aimio legno uarca
uoftro nauilio feruando mio
checatado
Lacqua predo giamaino ficorfe
Lacqua
uoftro
non uifidate in pelago cheforfe
&conducemia
in
feguiti checatado
ficorfe
mineruafpira &conducemia
difiderofidafcoltar
mineruafpira
linelquale
riueder
feruando
uiuefiquimanonf fale
feguiti
predo
dinanzi
Voialtripochichedrizalt
legno
Tornati: riueder li uoftriliti
Tornati:
de
uifidate
perdendo omerimarrefafmarriti:
aimio
uoftriliti
li
uiuefiquimanonf
pelago
Voialtripochichedrizalt (tilcollo
omerimarrefafmarriti:
(tilcollo

Google

PARADISO
Voichefiete
in
picioletta
barcha
difiderofi
dafcoltar-
che
non
perdendo
Lacqua
chioprédo
drizaftilcollo
tempo
fiuienfatollo.
potete
pellalto
uoftronauilio
mio
folco
dinanziallacqua
poeta
nonfadmiraron
come
uoi
farete
quando
iafon
la
confuta
dipoi
gli
canto
étro
corpo
lu
nare:&da
beatrice
domandato
cagione
&6
bra
laquale
appare
nela
luna
dice
fua
opinione.
bea
quefto
principio
admoniíce
turba
ulgare
do
facre.
piu
auanti
altro
e
mai
ftato
tracta
to:&
da
parte
facra
theologia
fono
pochi
a
feguitarlo:promettendo
lor
fi
piuche
marauigloronoe
compagni
porre
mare
plo
op
dactria.Adunq.Ouoiche
el
poema.
doctrina.Che
cantando.perche
quali
debili
IN
profunda
materia.
forfe.PERDENDOME
rimarrete
fmariti
chinon
fapendo
feguita
duene
fcriua
cofe
alte
&
difficil
puo
itendere
cola
ma
quádo
arriua
doue
no
lo
itéde
dire
lhabi
pduto
lui
refta
ifmarrito
pdédo
mep
dendo
modo:elqualnon
trito
poeti.
LACQuachiocorro
gianainonfi
per
copia
una
medefimacofa.&
fta
tranfla
ch
nauica
fu
itededo
altri
fcriue
neffuo
fcriffe
materia.minerua
parere
affermado
neflü
difialta
mufe
potuto
dica
elqle
itcde
p
mule
fulo
elcáto
poetico
ipoc
erozieloqnticõe
uegiãone
pfeti&negli
appoftolh
adu
qnodice
correre
arogátia
fauore.Minerua
neceffarie
chi
dfidera
pfpa
nauicatiõe
eluetochci
fapiétia
buó
ela
harmoia
co
pportioe
corfo
le
dioftráo
lorla.i.la
ftella
faza
frfmar
ple
itédi
faculta
lagl
feguif
altripcchi
haué
admonito
glidoctiche
feguitarlo
dere
numero
iognifeculo
glddecti
igegni
ariflotele
igegnú
&nofubtiliflimusitellectus
ita
fe
ad
nocte
folé
&thomafo
agnate
Cognitio
difficulta
ftate
alteza.che
zafti
alzar
dicapo
itéd
leuoró
méte
&13
ale
celeftiet
PARADISO Voichefiete in picioletta barcha difiderofi dafcoltar- leguiti drieto aimiolegno che cátádo uarca Tornatiariueder lí uoftriliti non uifidate in pelago cheforfe perdendo merimarreftfmarriti Lacqua chioprédo giamaino ficorfe mineruafpira & conducemi apollo & noue mufemidimoftron lorfe: Voialtripochiche drizaftilcollo per tempo al pan de gligelinelquale uiuefiquimanon fiuienfatollo. Metter potete ben pellalto fale uoftronauilio feruando mio folco dinanziallacqua che ritorni equale. e Salito gia el poeta ala pr ía fpera. ILPERCHE in que Quegloriofichepafaroa cholco nonfadmiraron come uoi farete quando iafon uidor facto bifolcho. trice la confuta & dipoi gli dimoftra la uera hora.quanto fto fuo fecondo canto difcriue come étro el corpo lu nare:&da beatrice domandato la cagione del turbo: &6 bra laquale appare nela luna dice fua opinione. MA bea a quefto principio admoniíce la turba ulgare laquale do aafolamente nele minoridocrine:& non doctadele co fe facre. laquale ha potuto feguirlo infino a quiche non uenghi piu auanti perche non effendo capace di fi alta materia fi potrebbono ifmarrite maxime perche tracta qlio che da neffuno altro e mai ftato tracta to:& da laltra parte conforta edoci nela facra theologia equali fono pochi a feguitarlo:promettendo lor che fi marauilgeranno piuche non fi marauigloronoe compagni di iafone in colchi. OVOlche fiette in piccoletta barcha.E traflauoe ufata da moltipoeti porre el mare p la materia& el legno plo igegno op la dactria.Adunq.Ouoiche fette in piccol barcha:cioe con pocha doctrina o ingegno DESIDEROSIdaf coltar el mio poema. SEGVITEdrieto al mio legno.uenite drieto al mio fle:&a la mia doctrina.Che 13arca cantando.perche ogni poeta fidice cantare.ONDE nela prima cantica.POETA fui & cantai di gl iufto.TORNATEariuedereeuoftri liti. da quali partiftiquafi dica ftateui.ideft co materia bafla &con ueniente a uoftri debili ingegni.NON VIMETTETE IN pelago.ideft in fi profunda &difficil materia. che forfe.PERDENDOME rimarrete fmariti come chinon fapendo eluiaggio feguita la guida fe quel p laperde duene imarrito.cofichifeguita auctore che fcriua cofe alte & difficil puo da principio itendere qlche cola ma quádo arriua doue no lo itéde fi puo dire che lhabi pduto & lui refta ifmarrito pdédo mep dendo el mio modo:elqualnon e trito apprefio a glaltri poeti. LACQuachiocorro gianainonfi corfe. per copia deloquentiadice.hor mare hor pelago:& hora acqua per una medefimacofa.& fta nela tranfla tione&la fétêtiaechel mare ch lui nauica no fu mainauicato itededo da altri poetine da altri fcriptori no nieea che moltinohabiamo fcritto doctiffiaméte de le cofe cb lui fcriue ma neffuo mai fcriffe poeticamé te &ifefo allegorico ornato co poetica faculta fialta materia.minerua fpira.potea parere el poeta pfuptu ofo affermado che neflü poeta fcriffe mai difialta materia.llpcbdioftrachnop fuo igegno maploaiuto di mierua dapoilie & dle mufe ha potuto ifi dica nopfe ma pgratia ifufa da fo fpirito fácto elqle itcde p minerua datrice dla fapictia &papollie &ple mule pced lo fulo & elcáto poetico ipoc lo fpirito fAoi födédofinelamete humana réde glidoci doci & erozieloqnticõe uegiãone pfeti&negli appoftolh adu qnodice correre acqgiamaino corta.liche fiplicemete farebe arogátia ma dice hauerla coria mediáte el diuino fauore.Minerua fpiratrecofe fono neceffarie a chi dfidera pfpa nauicatiõe pría eluetochci piga al porto.Adúmineruache e la fapiétia adiriza a buó porto la naue &appollo che ela harmoia difpoe&cr dia co debita pportioe el corfo le mufe dioftráo lorla.i.la ftella tramotana faza laqle ogninauigio frfmar rifce ple mufe itédi la faculta poctica fáza lagl el poeta nouedcb ftlo habbia a feguif uoi altripcchi haué do admonito glidoctiche nó lo feguitino pqito mare horacoforta e docia feguitarlo pcb lo potráneite dere & dice pochi pche piccol numero iognifeculo e ftato glddecti &dglieleuati igegni čde ariflotele igegnú rude &nofubtiliflimusitellectus ita fe habet ad dhuina ficut uifus nocte ad folé &thomafo agnate Cognitio diuinoru paucis hominibus ié.Etcerto e grá difficulta i qlacognitice pche tutte laltre pa te di philofophia fono ftate trouate pche ficofcala plagle poffiáo falire aqfta alteza.che drizafti el collo che a zafti elcapo elgle no fipuo alzar felcollonofidriza etplo alzaf dicapo itéd ch leuoró la méte loro &13 gegno ale cofe celeftiet latéteméte toccha la fététia douidio pnagcufpedét animaliacetera terrá Os ho
leguiti
drieto
aimiolegno
cátádo
uarca
Tornatiariueder
uoftriliti
uifidate
pelago
cheforfe
merimarreftfmarriti
giamaino
ficorfe
mineruafpira
conducemi
apollo
noue
mufemidimoftron
lorfe:
Voialtripochiche
al
pan
de
gligelinelquale
uiuefiquimanon
Metter
ben
fale
feruando
ritorni
equale.
Salito
gia
ala
pr
ía
fpera.
ILPERCHE
que
Quegloriofichepafaroa
cholco
uidor
facto
bifolcho.
trice
dimoftra
uera
hora.quanto
fto
fuo
fecondo
difcriue
del
turbo:
MA
aafolamente
nele
minoridocrine:&
doctadele
ha
feguirlo
infino
quiche
uenghi
perche
effendo
capace
di
alta
materia
potrebbono
ifmarrite
maxime
qlio
neffuno
laltra
conforta
edoci
equali
marauilgeranno
iafone
colchi.
OVOlche
fiette
piccoletta
barcha.E
traflauoe
ufata
moltipoeti
materia&
legno
igegno
fette
piccol
barcha:cioe
con
pocha
doctrina
o
ingegno
DESIDEROSIdaf
coltar
SEGVITEdrieto
legno.uenite
fle:&a
mia
13arca
ogni
fidice
cantare.ONDE
prima
cantica.POETA
fui
cantai
gl
iufto.TORNATEariuedereeuoftri
liti.
partiftiquafi
ftateui.ideft
bafla
&con
ueniente
uoftri
ingegni.NON
VIMETTETE
pelago.ideft
&difficil
eluiaggio
guida
quel
laperde
imarrito.cofichifeguita
auctore
qlche
apprefio
glaltri
corfe.
deloquentiadice.hor
hor
pelago:&
hora
acqua
tione&la
fétêtiaechel
mainauicato
poetine
fcriptori
nieea
moltinohabiamo
fcritto
doctiffiaméte
cb
poeticamé
te
&ifefo
allegorico
ornato
poetica
fialta
fpira.potea
pfuptu
ofo
materia.llpcbdioftrachnop
maploaiuto
mierua
dapoilie
dle
ifi
nopfe
pgratia
ifufa
fo
fpirito
fácto
minerua
datrice
dla
fapictia
&papollie
&ple
pced
fAoi
födédofinelamete
humana
réde
glidoci
doci
acqgiamaino
corta.liche
fiplicemete
farebe
hauerla
coria
mediáte
diuino
fpiratrecofe
pría
piga
porto.Adúmineruache
adiriza
porto
naue
&appollo
difpoe&cr
dia
debita
tramotana
laqle
ogninauigio
rifce
poctica
fáza
nouedcb
ftlo
habbia
feguitino
pqito
horacoforta
docia
pcb
potráneite
pche
&dglieleuati
čde
rude
habet
dhuina
ficut
uifus
diuinoru
paucis
hominibus
ié.Etcerto
grá
i
qlacognitice
tutte
laltre
pa
philofophia
trouate
ficofcala
plagle
poffiáo
falire
aqfta
drizafti
collo
elcapo
elgle
fipuo
felcollonofidriza
etplo
alzaf
loro
gegno
latéteméte
toccha
fététia
douidio
pnagcufpedét
animaliacetera
terrá
Os
ho