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Human Generated Data

Title

Canto XXIX. The Earthly Paradise; The Banks of Lethe; The Heavenly Pageant

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5319

Human Generated Data

Title

Canto XXIX. The Earthly Paradise; The Banks of Lethe; The Heavenly Pageant

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5319

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.8
Page 99.6
Newspaper 97.8
Paper 73
Letter 57.2
Scroll 55.8

Clarifai
created on 2019-11-03

page 99.4
paper 99
document 98.7
book bindings 98.6
text 98.1
manuscript 97.4
vintage 96.8
old 96.7
print 96.6
poetry 95
retro 94.1
book 93.5
antique 93.2
no person 91.9
literature 90.6
ancient 90.4
art 90.2
illustration 89.9
blank 88.6
picture frame 88

Imagga
created on 2019-11-03

brass 100
memorial 90.8
structure 61.2
book 38.3
cloud 36.2
definition 32.4
association 29.6
cover 28.7
artwork 28.4
creative 28.3
advertising 26.9
associated 25.7
composition 25.5
brochure 25.4
text 25.4
carpet 25.3
advertise 25.3
collection 25.3
advertisement 25.1
decorative 25.1
design 24.8
art 24.8
conceptual 24.7
element 24
backdrop 23.9
idea 23.2
old 23
decor 23
business 22.5
graphic 21.9
decoration 21.7
religion 21.6
bible 20.6
page 20.5
information 19.5
prayer 19.4
binding 18.5
data 18.3
fabric 17.9
religious 17.8
continuity 17.8
drapery 17.7
letter 17.5
paper 17.3
antique 16.6
holy 16.4
faith 16.3
god 16.3
product 16.1
word 16.1
newspaper 15.7
read 14.5
creation 14
testament 13.9
detail 13.7
open 13.5
copy 13.3
print 13.2
ancient 13
church 13
keywords 12.8
spiritual 12.5
menu 12.2
gospel 11.9
vintage 11.6
cross 11.3
new 10.6
fare 10.2
communication 10.1
scripture 9.9
history 9.9
words 9.8
pray 9.7
daily 9.5
development 9.5
writing 9.4
money 9.4
document 9.3
energy 9.3
chapter 8.9
rosary 8.9
pages 8.8
belief 8.8
collage 8.7
education 8.7
study 8.4
company 8.4
texture 8.4
passage 7.9
analysis 7.8
best 7.8
catholic 7.8
king 7.8
close 7.4
black 7.2

Google
created on 2019-11-03

Text 96.9
Paper 88.3
Paper product 73.8
Document 71.9
Newsprint 59.8
Vellum 59.3

Microsoft
created on 2019-11-03

text 100
letter 95.4
book 84.1
plaque 65.5

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image is a page from an old book that seems to be a printed manuscript. The layout is typical of early printed works, with text in a single-column format and an illuminated letter beginning the first sentence. The page header reads "CANTO XIX," suggesting it is from a canto of a literary work, possibly Dante's "Divine Comedy." The majority of the page consists of text in an old typeface, likely Latin-based, given the period and context. To the right side of the page, there is an illustration of a scene with several figures in a medieval or renaissance style. The intricate woodcut depicts multiple human figures in a landscape, where they appear to be interacting with each other. The scene could depict a religious or allegorical moment, consistent with such manuscripts. Overall, the page conveys a sense of historical and literary significance, typical of early printed works from the Renaissance period.

Created by gpt-4 on 2025-01-31

The image shows a page from an old book, probably dating from the late medieval or Renaissance period. This is indicated by the style of the woodcut illustration and the typeface used for the text. Here are some features of the image: - The text is written in an antiquated typeface reminiscent of early printing methods. - The language of the text appears to be an earlier form of Italian, which suggests that this could be a page from a work like Dante Alighieri's "Divine Comedy," although without text analysis, this is not certain. - On the right side, there's a woodcut illustration with several human figures in what appears to be a forest or garden setting. Some of the figures are reaching up towards trees while others are in various poses of interaction. - The page is labeled "CANTO XIX," indicating that this is the nineteenth canto, or chapter, of the book. - The page number "221" is visible in the upper right corner. - The text arrangement appears to have a large initial capital letter starting the canto, typical of the period's book design. - The quality of the paper and the preservation of the print suggest it may have been well taken care of over the centuries. Such a page could be of significant historical and literary importance, particularly if it is from a well-known and influential work.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historic Italian text, specifically from Dante's Divine Comedy, showing Canto XIXIX (29). The page features both text and an illustration. The woodcut illustration at the top right shows figures in a landscape setting, with some standing on what appears to be a riverbank or shore. The text is laid out in a typical medieval manuscript style, with a large decorative initial 'C' at the beginning of the canto. The page contains both the main poetic text and what appears to be commentary or explanatory notes in smaller print. The text is printed in black ink on what appears to be aged paper or parchment, showing some slight discoloration typical of historic documents. The overall layout is characteristic of early printed books from the Renaissance period.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows a page from an old book, likely a religious text such as the Bible or hymnal. The text is in an old style font and language, possibly Italian or Latin. The top of the page has "CANTO XIXX" which suggests it may be from Dante's Inferno, Canto 19. The main illustration depicts a group of religious figures, possibly clergy or monks, standing together. They appear to be in a forest or wooded area with many trees behind them. Some are gesturing as if speaking or preaching. The aged appearance of the page, with yellowing and stains, indicates this is a very old printed book, likely from the 15th-17th century based on the typography and engraving style. It provides an interesting glimpse into early printed religious texts and illustrations from that time period in Europe.

Created by claude-3-haiku-20240307 on 2025-01-31

This image appears to be an illustrated page from a historical text or manuscript. The page is titled "CANTO XIX" at the top and contains intricate illustrations and text in an old-fashioned, ornate style. The text appears to be in an Italian or Latin-based language. The illustrations depict various scenes, including figures in religious or allegorical poses. Without being able to identify any individuals, the image conveys a sense of antiquity and artistic craftsmanship.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-14

The image presents a page from an old book, featuring a woodcut illustration and text in Latin. * The page is yellowed with age, indicating its antiquity. * The page is yellowed with age, suggesting it is from an old book. * The text is written in Latin, with the title "CANTO" at the top left corner. * The text is in Latin, and the title "CANTO" is located at the top left corner. * The woodcut illustration depicts a group of people gathered around a table. * The illustration shows a group of people gathered around a table, suggesting a scene of social interaction or celebration. * The page has a decorative border around the edges. * The page has a decorative border around the edges, adding to its aesthetic appeal. In summary, the image showcases a page from an old book, featuring a woodcut illustration and text in Latin. The yellowed page and decorative border suggest its age and cultural significance.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-14

The image presents a page from an antique book, featuring a combination of text and illustrations. The page is divided into two main sections: the top section contains a woodcut illustration, while the bottom section is filled with text. **Woodcut Illustration:** * The woodcut illustration is situated at the top of the page. * It depicts a scene with multiple figures, although the details are not clearly visible due to the low resolution of the image. * The illustration appears to be a black-and-white woodcut, which was a common printing technique used in the past. **Text Section:** * The text section occupies the majority of the page and is written in an older language, possibly Latin or Italian. * The text is arranged in a columnar format, with each column containing several lines of text. * The font used is serif, which was a common choice for printing in the past. * The text appears to be a passage from a literary work, but the exact meaning is unclear due to the language barrier. **Page Layout:** * The page has a rectangular shape with rounded corners. * The background of the page is a light brown color, which suggests that the paper may have aged over time. * There are no visible page numbers or other markings on the page. **Overall Impression:** * The image presents a page from an antique book that showcases a unique combination of text and illustrations. * The use of a woodcut illustration and serif font suggests that the book was printed using traditional techniques. * The language and content of the text are unclear, but the page layout and design suggest that it may be a passage from a literary work.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image is a page from an old book, likely from the 15th or 16th century, based on the style and condition of the page. The page is numbered "XIX" at the top, indicating it is the 19th page of the book. The text is written in a black, gothic font, which was common in books of that era. The text appears to be in Latin, which was the language of scholarship and the church during that time. The page contains a large illustration in the center, which is a woodcut print. The illustration depicts a scene with several figures, possibly from a religious or mythological story. The figures are dressed in period clothing, and the scene appears to be set in a natural environment, with trees and a body of water visible in the background. The illustration is surrounded by text, which seems to be a commentary or explanation of the scene depicted. The text is written in a smaller font than the main text on the page and is arranged in a block around the illustration. The overall condition of the page suggests that it is from an old book that has been well-preserved. The paper is slightly yellowed with age, and there are some minor creases and tears, but the text and illustration are still clearly visible. The book appears to be a scholarly work, possibly a theological or philosophical treatise, based on the content and style of the text and illustration.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image shows an old printed book with text and an illustration. The book appears to be from the 16th century based on the style of the text and illustration. The text is written in an old style of Italian, indicating it is likely from that time period. The illustration depicts a scene with several figures, possibly representing a biblical or mythological story. The book has an ornate cover with a decorative border and title, suggesting it was an important or valuable work. The image provides a glimpse into the printing and bookmaking practices of the Renaissance era.

Text analysis

Amazon

morata
XIXX
parole
continuocolfindifuo
beati
CANTO
andando
fole
quorum
fiume
piccol
piccol feguitando:
diueder
innamorata
paridilei
feguitando:
Non
io
quandoleripeequalmentedieruolta
on centotrafuoipafliemei
Antadocomedonnainna
permodochalleuantemirendeiz
to
&
peccata
cantaa
Etcome
bauea
fimofle econtral fiume andando
Etcome figiuon
Non eron on centotrafuoipafliemei cento
to fut &
figiuon
Ma
fu rlariua & io paridilei
cento
del
difando
fu
ialtro
fut
beati toEta peccata
CANTO XIXX zZ
eron
econtral
adunguecan
Peime
fimofle
rlariua
O Peime cantaa innamorata
toEta
zZ
du
i0e
O

Google

CANTO XIXX ZZi Antádocomedonna inna morata continuocol fin di fuo parole beati quorumtecta funt peccata Etcomenymphechefigiuon fole perlefaluatichombredifiando qual diueder qual di fuggire elfole. Alhorfimoffe contral fiume andando fuperlariua & io paridilei piccol paffocon piccolfeguitando: Non eron cento trafuoipaffiemei quandoleripeequalmentedier uolta 5 permodochalleuantemirendei Ptime cantaua chome donna innamorata pcheeueri interpti& dotoridella noftra theoiogaapertameote e contomnmozelo inuerio del pro ximo obdicádo íaltro modo admonendo &amaeftrando cifanno delcontinuo doct.adunque can tando come donna innámorata continua col fine di fae parole.i. finito chebbe a danthe dichiarirgli quan to zia habbião deto comincio faza la itermiffione a cantare el plalmo elcui principio e. Beati quorum re miffe fut iniqtates &quoru tecta fut peccata.cátocoueniéte ala materia. Impoche giadouea dáthe bere del acqdi lethe plaqle hauea adiméticare e peccati.Adungpel purgatorio gleráo ftatırimeffiepeccati.Siqfto principio del paradifo glifaranno occulti perchedimentichera.ET Come nimphe:conueniente compara tionedale nymphe:habitanti le felue e prati & lacque aladonna pofta in fi ameno & delecteuole uiridario &giardino.ALHorfi moffe.Moftra che la donnaandaua fu per la riua del fiume & andauain contro alac qua& inuerfo elnafcimento del fiume:& danthe la feguitaua andando con piccolo paffo come faccea effa nepone alchuna di quefte cofe faza cagione.Imperoche guidaua el poeta al guado del fiume elquale hauea apaiare &non fi partia da quello:&andaua a orienteche fignifica la piu perfecta parte: &incontro alacq ua perche nondobbiamo lafciarci menare dallöde fue.Mafiterui & parffarlo quádo e tempo & luogho conueniente.NON eron cento tra fuoi paffi emiei:non erano iti tramendue cento pafi. ilche erafpacio dicinquanta paffiquando giugnemo ala uolta del fiume laquale uolgédo fecce che io fuffi uolto alleuante &perquefto dimoftra che poco tempofi procede nela inueftigatioe diquefta doctrina:&nele operatioi diquefte uirtudelanimo gia purgato:che noine fiamo illuminati per uirtu dala dioina gratia. Oltogia ad oriente & facto attento da mathelda comincioa uedere le cofe excellentiffime.Guarda & afcolta in due modi poffiamo uenire ala cogniti one ocol noftro ingegno inueftigando & col difcorio de la ragione ricercando:&quefto afimilitudine de glocchi dicendo frate mio guarda & afcoltar corporali diciamouedere.oueramente no potendo tro uare eluero per noi medefimi appariamo da altri.adenq eadmonito danthe da mathelda dicendo guarda che per te medelimo in ueftighi:& dicendo afcolta che in quello che non puo uedere dafe odachi glene infegni.Vnluftro uno fplendore elquale da principio dubito che non fuffi Neanchofu cofinoftra uiamolta quandoladonna tutta ame fitorfe Er ecco un luftrofubito trafcorfe da tutte parteperlagran forefta talchedibalenarmimeffe inforfe: Maperchelbalenarcome uien refta &queldurandopiu & piufplendea baleno.Ma diporconfiderandochel baleno pafla prefto &fpegnefi uedendo che quel duraua & crefceua noninté nelmiopenfier dicea che cofa equefta deache cola fuffi: & per laer lucite da tantofplédore udi uauna mirabil melodia. Perquefto dimoftra la uenuta Y del fpirito facto nel qual pone lo (plédore & el canto per exprimer due fingulari gratie lequalida lo fpirito fancto alhumana mente.LA PRIMA ela luce laquale fcaccia le tcnebrede laignorantia & induce cognitione del uero. LA SECONdae el canto pelquale dimoftra la dolceza che inferiíce per la cognitione dele cofe diuine. ET Tal nonfofferfediftar fotto alcun uelo luceuenédo nelanimo gia purgato durafépre &nófi spe Etunamelodiadolce correa per laer luminofoondel buon zelo miferiprender lardimentodeua Chela doue ubidialaterrelcielo feminafola &pur tefte formata e
CANTO
XIXX
ZZi
Antádocomedonna
inna
morata
continuocol
fin
di
fuo
parole
beati
quorumtecta
funt
peccata
Etcomenymphechefigiuon
fole
perlefaluatichombredifiando
qual
diueder
fuggire
elfole.
Alhorfimoffe
contral
fiume
andando
fuperlariua
&
io
paridilei
piccol
paffocon
piccolfeguitando:
Non
eron
cento
trafuoipaffiemei
quandoleripeequalmentedier
uolta
5
permodochalleuantemirendei
Ptime
cantaua
chome
donna
innamorata
pcheeueri
interpti&
dotoridella
noftra
theoiogaapertameote
e
contomnmozelo
inuerio
del
pro
ximo
obdicádo
íaltro
modo
admonendo
&amaeftrando
cifanno
delcontinuo
doct.adunque
can
tando
come
innámorata
continua
col
fine
fae
parole.i.
finito
chebbe
a
danthe
dichiarirgli
quan
to
zia
habbião
deto
comincio
faza
la
itermiffione
cantare
el
plalmo
elcui
principio
e.
Beati
quorum
re
miffe
fut
iniqtates
&quoru
tecta
peccata.cátocoueniéte
ala
materia.
Impoche
giadouea
dáthe
bere
acqdi
lethe
plaqle
hauea
adiméticare
peccati.Adungpel
purgatorio
gleráo
ftatırimeffiepeccati.Siqfto
paradifo
glifaranno
occulti
perchedimentichera.ET
Come
nimphe:conueniente
compara
tionedale
nymphe:habitanti
le
felue
prati
lacque
aladonna
pofta
in
fi
ameno
delecteuole
uiridario
&giardino.ALHorfi
moffe.Moftra
che
donnaandaua
fu
per
riua
andauain
contro
alac
qua&
inuerfo
elnafcimento
fiume:&
feguitaua
con
piccolo
paffo
nepone
alchuna
quefte
cofe
cagione.Imperoche
guidaua
elquale
&non
partia
da
orienteche
fignifica
piu
perfecta
parte:
&incontro
alacq
nondobbiamo
menare
dallöde
fue.Mafiterui
parffarlo
quádo
faccea
effa
poeta
al
guado
apaiare
quello:&andaua
ua
perche
lafciarci
tempo
luogho
conueniente.NON
tra
fuoi
paffi
emiei:non
erano
iti
tramendue
pafi.
ilche
erafpacio
dicinquanta
paffiquando
giugnemo
laquale
uolgédo
fecce
fuffi
uolto
alleuante
&perquefto
dimoftra
poco
tempofi
procede
nela
inueftigatioe
diquefta
doctrina:&nele
operatioi
diquefte
uirtudelanimo
gia
purgato:che
noine
fiamo
illuminati
uirtu
dala
dioina
gratia.
Oltogia
ad
oriente
facto
attento
mathelda
comincioa
uedere
excellentiffime.Guarda
afcolta
due
modi
poffiamo
uenire
cogniti
one
ocol
noftro
ingegno
inueftigando
difcorio
de
ragione
ricercando:&quefto
afimilitudine
glocchi
dicendo
frate
mio
guarda
afcoltar
corporali
diciamouedere.oueramente
no
potendo
tro
uare
eluero
noi
medefimi
appariamo
altri.adenq
eadmonito
te
medelimo
ueftighi:&
quello
non
puo
dafe
odachi
glene
infegni.Vnluftro
uno
fplendore
dubito
Neanchofu
cofinoftra
uiamolta
quandoladonna
tutta
ame
fitorfe
Er
ecco
un
luftrofubito
trafcorfe
tutte
parteperlagran
forefta
talchedibalenarmimeffe
inforfe:
Maperchelbalenarcome
uien
refta
&queldurandopiu
piufplendea
baleno.Ma
diporconfiderandochel
baleno
pafla
prefto
&fpegnefi
uedendo
quel
duraua
crefceua
noninté
nelmiopenfier
dicea
cofa
equefta
deache
cola
fuffi:
laer
lucite
tantofplédore
udi
uauna
mirabil
melodia.
Perquefto
uenuta
Y
fpirito
nel
pone
lo
(plédore
canto
exprimer
fingulari
gratie
lequalida
fancto
alhumana
mente.LA
PRIMA
ela
luce
fcaccia
tcnebrede
laignorantia
induce
cognitione
uero.
LA
SECONdae
pelquale
dolceza
inferiíce
dele
diuine.
ET
Tal
nonfofferfediftar
fotto
alcun
uelo
luceuenédo
nelanimo
purgato
durafépre
&nófi
spe
Etunamelodiadolce
correa
luminofoondel
buon
zelo
miferiprender
lardimentodeua
Chela
doue
ubidialaterrelcielo
feminafola
&pur
tefte
formata