Human Generated Data

Title

Hell: The Grafters in a River of Boiling Pitch (Canto XXII)

Date

1491

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5280

Human Generated Data

Title

Hell: The Grafters in a River of Boiling Pitch (Canto XXII)

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

1491

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5280

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Newspaper 99.8
Page 97.1

Clarifai
created on 2019-11-03

paper 97.9
old 97.9
vintage 97.8
page 97.5
text 97.3
print 97.1
retro 95.7
document 95.7
manuscript 95.5
book bindings 94.9
antique 94.2
desktop 93.7
art 93.2
illustration 92.3
texture 92.2
ancient 90.5
no person 89.1
picture frame 87.1
poetry 86.6
design 85.8

Imagga
created on 2019-11-03

brass 64.3
newspaper 52.3
cloud 51.8
memorial 50.4
product 42.9
definition 39.3
association 38.5
backdrop 37.2
cover 37.1
advertising 36.6
artwork 35.8
associated 35.6
creative 35.4
structure 35.2
brochure 35.2
carpet 35.1
advertise 35.1
composition 35
advertisement 34.9
daily 34.6
creation 34.6
collection 34.4
decor 33.7
decorative 33.5
design 33.3
conceptual 32.7
element 32.4
book 31.3
art 30.7
idea 29.5
decoration 28.3
graphic 27.8
letter 25.7
text 25.4
old 24.5
information 24
fabric 23.6
continuity 22.8
drapery 22.7
data 22
word 21.7
business 20.7
antique 20
keywords 19.8
page 18.6
binding 18.1
copy 16.8
bible 16.7
paper 16.5
religion 16.2
detail 15.3
religious 15
holy 14.5
collage 14.5
faith 14.4
prayer 13.6
spiritual 13.5
vintage 13.3
print 13.2
texture 13.2
ancient 13
read 12.5
god 12.5
development 12.4
communication 11.8
open 11.7
writing 11.3
church 11.1
menu 11
energy 11
testament 10.9
black 10.8
city 10.8
words 10.8
pages 10.8
pattern 10.3
life 10.2
chapter 9.9
gospel 9.9
history 9.9
best 9.8
study 9.4
fare 9.2
scripture 8.9
passage 8.9
king 8.8
mix 8.7
cross 8.5
modern 8.4
company 8.4
document 8.4
retro 8.2
aged 8.2
new 8.1
mosaic 8.1
rosary 7.9
more 7.8
analysis 7.8
belief 7.8
education 7.8
sepia 7.8
saint 7.7
health 7.7
close 7.4
day 7.1
textured 7

Google
created on 2019-11-03

Text 97.6
Paper 89.7
Document 82.5
Paper product 75.2
Font 68.6
Newsprint 60.7

Microsoft
created on 2019-11-03

text 100
book 85.8
manuscript 77
letter 72.9
newspaper 68.2
plaque 21.1

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 17-29
Gender Male, 50.1%
Confused 49.5%
Surprised 49.6%
Disgusted 49.5%
Calm 49.9%
Fear 49.5%
Sad 49.6%
Happy 49.5%
Angry 49.8%

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image depicts a page from an old manuscript or printed book. It contains text formatted in columns with a consistent, classic typeface. This particular page is titled “CANTO XXII” and numbered "105" on the top right corner. The text is structured in a dense block format, typical of older manuscripts, with occasional notes and markings. About three-quarters of the way down the page, there is a woodcut illustration. This woodcut, positioned more toward the right side of the page, appears to depict a scene from Dante's "Divine Comedy." The illustration shows human figures, presumably representing the spirits described in the text, situated within what might be an imagined hellish landscape with figures standing in a heated environment, possibly in a pit or surrounded by harsh elements. There are various gestures and expressions, perhaps symbolizing different sins or torments suffered by the souls. The text immediately above and below the illustration continues the narrative, likely describing the scene shown in the image. The title just above the woodcut states that this is part of the "PRIMA CANTICA DI DANTE," indicating it is from the "Inferno" section of Dante Alighieri's "Divine Comedy." This page is a historical artifact, showcasing early printing techniques, and is part of a literary work that has considerable cultural and historical significance.

Created by gpt-4 on 2025-01-31

This image displays an old printed page featuring a combination of text and illustration. The page layout has two columns of text in an archaic typeface, characteristic of early printed books. A descriptive title "CANTO" in capital letters is at the top left, suggesting that the text is likely from a literary work, possibly a poem or an epic, organized into cantos or sections. To the right, the text indicates this is "CANTO XXI," which typically would be the 21st section of such a work. The number "105" at the top right corner could be the page number. Below the text in the bottom half of the right column, there is an illustration with several figures and what appears to be a tree or forest setting. The figures seem to be engaged in various activities, some appearing to climb, and there might be a supernatural or mythical aspect to the scene, as suggested by the presence of what looks to be winged creatures and unusual interactions. The language of the text is not modern, thus it is not immediately identifiable without context but may be an early form of Italian, consistent with the look of a page that could be from a historical text like Dante's "Divina Commedia" ("The Divine Comedy"). This page appears to be from a historical printed book, and the type of paper, inking, layout, and illustration style all point to a work that could be several centuries old, likely produced during the early days of the printing press in Europe.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historic Italian manuscript or early printed book, specifically from Dante's work. The page contains both text and an illustration. At the top portion, there is dense text in Italian, and halfway down the page there is a small woodcut illustration depicting what appears to be a scene from Dante's writings. The illustration shows several figures in a composition split between an upper and lower realm, typical of medieval religious or allegorical artwork. The text appears to be from "Canto XXII" as indicated at the top of the page, and there's a section marked as "DELA PRIMA CANTICA DI DANTE" (From the First Canto of Dante). The page shows signs of age with some slight discoloration, but the text and illustration are well preserved. The layout is typical of early printed books, with careful attention to spacing and margins.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows a page from an old book or manuscript, likely from the 16th or 17th century based on the typography and illustration style. The text is in Italian and appears to be written in an old style of the language. The main illustration on the page depicts a group of people gathered together, possibly representing a biblical or religious scene. The figures are drawn in a woodcut style common in early printed books from that era. They are wearing robes and some have halos, suggesting they may be saints or other holy figures. At the bottom, there is an additional small illustration that seems to show a landscape with rolling hills and a structure, possibly a town or castle, in the distance. The aged appearance of the paper, with some discoloration and wear, further indicates this is a page from a very old printed volume, offering an intriguing glimpse into the book publishing and illustration typical of the Renaissance period in Europe.

Created by claude-3-haiku-20240307 on 2025-01-31

This image appears to be a page from an old Italian printed text, likely a historical or literary work. The page contains intricate typography and decorative elements typical of early printed books. In the center of the page is an illustrated woodcut or engraving depicting various figures, potentially related to the text. However, as the image does not contain any human faces, I will not attempt to identify or name any of the individuals shown.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13

The image presents a page from an old book, featuring a mix of text and illustrations. The page is divided into two main sections: the left side contains a block of text written in Latin, while the right side features a woodcut illustration accompanied by additional text. **Text Section:** * The text on the left side of the page is written in Latin and appears to be a passage from a literary work. * The text is arranged in a formal, medieval-style layout, with each line of text indented and separated by a small space. * The font used is a traditional blackletter font, common in medieval manuscripts. **Illustration Section:** * The woodcut illustration on the right side of the page depicts a scene of people gathered around a fire, with some individuals holding objects or engaging in activities. * The illustration is surrounded by a decorative border, adding to the overall aesthetic of the page. * The text accompanying the illustration appears to provide context or explanation for the scene depicted. **Overall Appearance:** * The page has a yellowed appearance, suggesting that it is an old or antique document. * The edges of the page are worn and frayed, indicating that it has been handled extensively over time. * The overall design and layout of the page reflect the aesthetic of medieval manuscripts, with a focus on formal typography and decorative illustrations. **Conclusion:** The image presents a page from an old book, featuring a mix of text and illustrations. The text is written in Latin and appears to be a passage from a literary work, while the illustration depicts a scene of people gathered around a fire. The page has a yellowed appearance and worn edges, suggesting that it is an old or antique document.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13

The image depicts a page from an old book, featuring text in Italian and an illustration. The text is written in black ink on aged paper with yellowed edges, suggesting it may be from the Renaissance period or earlier. **Key Features:** * **Text:** The text is written in a formal, cursive script, with some words and phrases underlined or highlighted for emphasis. The language appears to be Italian, but the specific dialect or regional variation is unclear. * **Illustration:** The illustration is a woodcut or engraving, depicting a scene of people gathered around a fire. The figures are dressed in simple clothing, and some are holding objects that may be related to the text. * **Page Layout:** The page is divided into two columns, with the text arranged in a clear and readable format. The illustration is placed at the bottom of the page, below the text. **Possible Context:** * **Literary Work:** The text may be from a literary work, such as a poem or a play, written by an Italian author during the Renaissance period. * **Historical Significance:** The illustration may represent a historical event or a mythological scene, providing insight into the cultural and artistic traditions of the time. * **Artistic Style:** The woodcut or engraving style of the illustration suggests that the book may have been printed using traditional techniques, such as hand-carving or etching. Overall, the image provides a glimpse into the artistic and literary traditions of the past, offering a unique window into the culture and history of Italy during the Renaissance period.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image is an open page of an old book, likely from the Renaissance period, given the style of the text and illustrations. The page is numbered "XXII" and "105," indicating it is page 22 and page 105, respectively. The text is printed in black ink on both sides of the page, with the left side containing a block of text in a smaller font and the right side featuring a larger font block of text. At the bottom of the page, there is a decorative illustration depicting a scene with several figures, possibly a battle or a historical event. The illustration is in black and white, with a detailed and intricate design. The text on the page appears to be in Latin, which was commonly used in scholarly works during the Renaissance. The book seems to be in good condition, with the pages showing some signs of aging, such as slight discoloration and wear. The edges of the page are slightly uneven, suggesting that the book has been handled and read over time. The overall appearance of the page suggests that it is from a scholarly or academic work, possibly a historical or philosophical treatise.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image shows a page from an old book, likely a printed edition of Dante Alighieri's Divine Comedy. The page contains text in an old-fashioned font, divided into two columns. The left column has text written in a cursive style, while the right column has text written in a more formal, serif font. In the middle of the page, there is an illustration depicting a scene from the Divine Comedy. The illustration shows a group of people, possibly the souls of the damned, gathered around a fire. Some of the people are depicted as having animalistic features, such as horns or tails, which is a common motif in the Divine Comedy to represent the sins of the damned. The text on the page appears to be a description of the scene depicted in the illustration, providing context and background information for the reader. The language used in the text is poetic and descriptive, reflecting the style of Dante's writing. Overall, the image shows a page from an old book that combines text and illustration to tell a story from the Divine Comedy. The use of different fonts and styles of writing adds to the visual interest of the page, while the illustration provides a visual representation of the text.

Text analysis

Amazon

CANTO
dixio
ueggio
intero
allaltro
che
tutto
me
lcheggio
uedi
me non
fuoli
non
chio
defanza
Elquito
che chio
dixio ueggio premio. frer Quaft
allaltro lcheggio ephifonomila
uiifino
coiquina
che tutto intero ua lopral elauogla Elquito
lachieggio
drago
no
coftor Ge
fignifca
del
premio.
no uedi tu che digrignonl identi
Quaft
faiirechio me no lachieggio coiquina
fei
folamctei
faiirechio
fei iaccorto fuoli del ebarat drago
Elfextoel
ua
iaccorto
identi
frer
digrignonl
coftor Ge uiifino ios
fcorta
tu
ephifonomila
lopral
noftri.
elauogla
defanza fcorta ifectione fuo Elfextoel
ebarat
ios
co
ifectione
XXN
fuo

Google

ios
coftor
fie
faluiifino
allaltro
fcheggio
riccia:cioe
barbaarricciata.pehe
uafoprale
tane
Omemacitro
cocête
ffrenata
ela
dixio
de
andiancifoli
fe
fai
chio
per
me
lachieggio
&maculaglaltri
del
drago
Setufeiaccortoichomeffer
fuoli
no
uedicu
che
digrignon
&
cole
neminaccion
uo
tu
pauenti
glidigrignar
pur
allor
dolenti.
Perlargine
finiltrOuolta
dienno
maprimahauca
ciafcun
lalingualtre
lafenfualita
Come
p
loppofito
lâgelo
fepre
nelfine
con
co
denti
uerfolor
ducap
cenno.
cta
forta.
Adúque
Date
ipaurtfce
cenni
demoni
pche
Eteglihauea
cul
facto
crombetta.
digrignano
edenti
come
ecani
cupidi
dinmordere:
relocófortache
n5
tema
affermádo
cbtalicéni
fano
pe
dánati.llche
fignficachno
nocef
uitiofi
MA
prima
den
tignifica
fare
tale
ftrepito
bocca
quale
fael
quando
fce
le
parte
poileiori.liche
tanno
glimpudenti
buffono
qnando
fcernifcono
alchuno.
barbacrefpa
arricciata
fraudolétia
to
ardete
mettere
pfectione
ifectione
uitio:
holochiama
Cyriato
&audace.
Natura
deltétore
ragione
CANTOXXI.DELA
la
uoftra
qito
latio
e
prelo
el
éte
nelcobattere.ETFAR
lor
moitra:
taluolta
ploro
Latentétiae
ho
fato
a
muoueno
cacciata
ghibeli
lejqi
fdifola
itédere
gle
al
prefente
diferu.
corpo
cor
XXI CANTO ios coftor fie faluiifino allaltro fcheggio riccia:cioe barbaarricciata.pehe fecondo ephifonomifa chetutto intero uafoprale tane Omemacitro checquel chio ueggio bidine cocête cioe uogla ffrenata & ardente.El fexto ela dixio de fanzafcorta andiancifoli fe tu fai ire chio per me no lachieggio &maculaglaltri decto Draginazo dal ueleno del drago Setufeiaccortoichomeffer fuoli no uedicu che digrignon lidenti & cole cigla neminaccion duoli. Etegliad me non uo che tu pauenti lafcia glidigrignar pur allor ienno che fanno cio per glilefi dolenti. Perlargine finiltrOuolta dienno maprimahauca ciafcun lalingualtre lafenfualita Come p loppofito lâgelo fepre nelfine con co denti uerfolor ducap cenno. cta forta. Adúque Date ipaurtfce de cenni de demoni pche Eteglihauea del cul facto crombetta. digrignano edenti come ecani cupidi dinmordere: & relocófortache n5 tema affermádo cbtalicéni fano pe dánati.llche fignficachno poffono nocef fe no uitiofi MA prima ciafcun la ligua ftrecta.Pare qfto Iuogho a molti fanza alcuna dignitao con decétia:ma certanéte uolle el poeta dimortrar quanto che ebaratteri poiche hanno iuntato alchúo lo beffegiono & icherniconlo.Strignere la ligua tra den tignifica fare tale ftrepito con bocca quale fael uento quando e fce per le parte poileiori.liche tanno glimpudenti buffono qnando fcernifcono alchuno. barbacrefpa & arricciata dimoftra fraudolétia El quí to elauogla ardete de mettere a pfectione la baratteria poi che ha receuuto el premio.&dicefi Libiccocho.Quafi l ifectione del uitio: che co fuo peffimo uelenio coiquma ne.elfeptimo e lofClioneche fi fa alpfimo elale ebarate teri lania &laceracome el cighialelaceraco la tana. Etp holochiama Cyriato fanuto.pche cyrono folamétei li gua rufticana de noftri.Ma í ligua greca fignifica porco. Loctauo dinota loppreflione delluno baratterico laltro quádo el piu potéte lacera el mé potéte.Coftui graffia el cane.perche graffiachi morde altri.Farfarello e el nono pelqle dimoitra infranfcatore &ciácatore. Rubicante e qnafiinfocaro & furibondo &audace. Natura deltétore demonio féprenel fine fpauétaf minacciano col muoueredelecigla:Ma la ragione lüpio CANTOXXI.DELA PRIMAÁCANTICA DI DANTE ouidigiacaualier muouer capo & comiciaritormo &far lor moftra &tafolca partir per loro fcampo. Corridor uidi per la cerra uoftra oaretini & uidi gir gualdane ferir torniamenu correr ioftra. Quádo cotrobe & quado co capane co tamburi & co cenni di caftella & con cofe noftrali & con extrane fo Negia con fidiuería cemameila chaualier uidimuouer nepedoni nenauead fegno di terra o di caftella a Namedefima bolgia áchora fi tracla:&ef medefimo peccatofi púifce.manel capit. fupioř pofegigli barattieri : eqli hánouéduto la lor rep.Etiqfto.xit.pone qgli eqali pofti i buono grado appreffo alcuno fignore háno uéduco la gfa di qllo Cotinuado aduque di (criuef la formadella pena di qifti fubmerfi nella peze. Dipoifafpecile métee duno.Et nella terza pte iduce coftui a manifeftare deglaltri.Et nel ultia narra laftutia che tale (pirito ufo íginare rutti edéoni.IO VIDI.dimoftra hauere ueduto peire un cápo digéte darme.lche richiede fem prudénia &cautióe.pche molto coferifce alla falute & allauctoria bé collcare & muouere ecápi:lajlnet dicono effere ftata fomai pyrro re de glepyroti.ET COMINCIAre ftormo e moltutudie digéte darme cobattéte decto forfe da qito nome latio turma.Oueraméte e onomotopia cioe nome prelo dal romof & fraftuono el qle fe éte nelcobattere.ETFAR lor moitra: & taluolta peire ploro fcipo. Latentétiae io ho ue fato dircéno a foldat.oquido muoueno el cápo.O quádo cobatono.O quido fano la motra oquído fuggono.Minocótale fono.CORRIDOR uidi:tocca qui fecodoalcunola cacciata de ghibeli ni di fieréze eqa prefono rifo.Madifficile eitáte & i frequéte mutatiói digigli tépinellacita Aretina. p lejqi fdifola itédere gle al prefente diferu. GVALDANE ppriochiamuono gliuchi caunlcare cotra lunalaltra:repreletano una (petie di batcagla.loftrae quádo lunouacotra allaitro a corpo a cor ১১৮
XXI
CANTO
fecondo
ephifonomifa
chetutto
intero
checquel
ueggio
bidine
cioe
uogla
ardente.El
fexto
fanzafcorta
ire
decto
Draginazo
dal
ueleno
lidenti
cigla
duoli.
Etegliad
non
lafcia
ienno
fanno
cio
glilefi
poffono
ligua
ftrecta.Pare
qfto
Iuogho
molti
fanza
alcuna
dignitao
decétia:ma
certanéte
uolle
poeta
dimortrar
quanto
ebaratteri
poiche
hanno
iuntato
alchúo
lo
beffegiono
icherniconlo.Strignere
tra
uento
dimoftra
El
quí
elauogla
baratteria
poi
ha
receuuto
premio.&dicefi
Libiccocho.Quafi
l
fuo
peffimo
uelenio
coiquma
ne.elfeptimo
lofClioneche
fi
fa
alpfimo
elale
ebarate
teri
lania
&laceracome
cighialelaceraco
tana.
Etp
fanuto.pche
cyrono
folamétei
li
gua
rufticana
noftri.Ma
í
greca
fignifica
porco.
Loctauo
dinota
loppreflione
delluno
baratterico
laltro
quádo
piu
potéte
lacera
potéte.Coftui
graffia
cane.perche
graffiachi
morde
altri.Farfarello
nono
pelqle
dimoitra
infranfcatore
&ciácatore.
Rubicante
qnafiinfocaro
furibondo
demonio
féprenel
fine
fpauétaf
minacciano
col
muoueredelecigla:Ma
lüpio
PRIMAÁCANTICA
DI
DANTE
ouidigiacaualier
muouer
capo
comiciaritormo
&far
moftra
&tafolca
partir
loro
fcampo.
Corridor
uidi
cerra
oaretini
gir
gualdane
ferir
torniamenu
correr
ioftra.
Quádo
cotrobe
quado
capane
tamburi
di
caftella
cofe
noftrali
extrane
fo
Negia
fidiuería
cemameila
chaualier
uidimuouer
nepedoni
nenauead
fegno
terra
o
Namedefima
bolgia
áchora
tracla:&ef
medefimo
peccatofi
púifce.manel
capit.
fupioř
pofegigli
barattieri
:
eqli
hánouéduto
rep.Etiqfto.xit.pone
qgli
eqali
pofti
i
buono
grado
appreffo
alcuno
fignore
háno
uéduco
gfa
qllo
Cotinuado
aduque
(criuef
formadella
pena
qifti
fubmerfi
nella
peze.
Dipoifafpecile
métee
duno.Et
terza
pte
iduce
coftui
manifeftare
deglaltri.Et
nel
ultia
narra
laftutia
(pirito
ufo
íginare
rutti
edéoni.IO
VIDI.dimoftra
hauere
ueduto
peire
un
cápo
digéte
darme.lche
richiede
fem
prudénia
&cautióe.pche
molto
coferifce
alla
falute
allauctoria
collcare
muouere
ecápi:lajlnet
dicono
effere
ftata
fomai
pyrro
re
glepyroti.ET
COMINCIAre
ftormo
moltutudie
darme
cobattéte
forfe
da
nome
turma.Oueraméte
onomotopia
romof
fraftuono
qle
fcipo.
io
ue
dircéno
foldat.oquido
cápo.O
cobatono.O
quido
motra
oquído
fuggono.Minocótale
fono.CORRIDOR
uidi:tocca
qui
fecodoalcunola
ni
fieréze
eqa
prefono
rifo.Madifficile
eitáte
frequéte
mutatiói
digigli
tépinellacita
Aretina.
GVALDANE
ppriochiamuono
gliuchi
caunlcare
cotra
lunalaltra:repreletano
una
(petie
batcagla.loftrae
lunouacotra
allaitro
১১৮