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Human Generated Data

Title

Canto X. Circle 6 / The Heretics; The Flaming Tombs; The Tomb of Anastasius

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5268

Human Generated Data

Title

Canto X. Circle 6 / The Heretics; The Flaming Tombs; The Tomb of Anastasius

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5268

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Newspaper 99.9
Page 99.1
Paper 63.2
Label 57

Clarifai
created on 2019-11-03

text 98
page 97.8
print 97
paper 96.9
document 93.6
vintage 92.8
desktop 92.2
book bindings 91.8
illustration 91.5
old 91.5
no person 90.6
manuscript 89.9
picture frame 88.5
poetry 87.1
retro 86
art 85.7
vertical 84.6
book 83.7
antique 83.6
texture 81.7

Imagga
created on 2019-11-03

brass 48.8
cloud 45.8
book 44.7
definition 39.3
product 39
memorial 38.5
newspaper 38.5
association 37.5
cover 35.3
artwork 34.9
advertising 34.7
creative 34.5
associated 33.6
brochure 33.2
carpet 33.2
advertise 33.2
composition 33.1
creation 32.9
advertisement 32.9
collection 32.5
backdrop 32.2
decorative 31.8
conceptual 31
idea 30.3
decor 30.2
art 30.1
design 29.9
element 29.9
graphic 28.5
decoration 27.6
structure 26.5
information 24.9
text 24.5
letter 23.9
business 23.1
data 22.9
old 22.4
binding 22.1
fabric 21.7
daily 21.1
continuity 20.8
drapery 20.7
bible 19.7
religion 18.9
keywords 18.8
page 18.6
copy 17.7
antique 17.4
word 17
detail 16.1
religious 15
paper 14.9
prayer 14.5
holy 14.5
faith 14.4
god 14.4
ancient 13.9
collage 13.5
read 12.5
print 12.3
church 12.1
open 11.7
spiritual 11.6
journal 11.3
communication 11
chapter 10.9
testament 10.9
gospel 10.9
history 10.8
texture 10.4
map 10.3
energy 10.1
analysis 9.8
black 9.6
cross 9.5
writing 9.4
document 9.3
city 9.2
vintage 9.1
rosary 8.9
pages 8.8
education 8.7
mix 8.7
development 8.6
money 8.5
study 8.4
new 8.1
scripture 7.9
passage 7.9
words 7.8
life 7.8
more 7.8
mosaic 7.8
best 7.8
belief 7.8
king 7.8
company 7.5
modern 7

Google
created on 2019-11-03

Text 97.1
Newsprint 92.9
Paper 90.5
Paper product 77.8
Document 69.5
Newspaper 64.1

Microsoft
created on 2019-11-03

text 100
book 86.1
letter 85.5
newspaper 83
plaque 16.7

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image depicts a page from an old manuscript or early printed book. The text is written in Italian and concerns the "Divine Comedy" by Dante Alighieri. The top section of the page largely consists of dense, blocky text, possibly commentary or introduction notes on the epic poem. There is a header at the top with the text "CANTO DECIMO," indicating that this part of the text is from Canto 10. There is also a small number "65" in the top right corner, which is probably a page number. Below the top section of text is another header that states "CANTO DECIMO DE LA PRIMA CANTICA DI DANTE," confirming that this part is indeed from the "Divine Comedy" (specifically the first canticle, the "Inferno"). Below this header is an older woodcut illustration depicting a scene related to the canto's content. The illustration shows several figures in a dramatic scene involving tombs and walls, which corresponds to the tenth canto of the Inferno where Dante, guided by Virgil, encounters the epicureans and heretics condemned to burn eternally in fiery tombs. The lower section of the page continues with more Italian text, likely the poem's verses themselves and possibly further exposition or notes. The text is printed in a clear, early typeface and seems to be from an early modern edition of the text, possibly from the 15th-16th century given the layout and design elements.

Created by gpt-4 on 2025-01-31

This appears to be an image of a historic printed page, possibly from an old book or manuscript. The page features a dense block of text in an old style of typesetting, utilizing a typeface reminiscent of hand calligraphy from an earlier period. This could suggest that the document is quite old, possibly from the Renaissance or even earlier, but that would depend on further context. The language of the text is not fully clear in this image, but it appears to contain Latin script and may be in Italian, considering the visible words and their structure. The text is arranged in two columns on the page and is densely packed with very little white space between the lines. At the top of the page, a header indicates "CANTO ... DECIMO" which might refer to the tenth canto of a larger work, such as Dante Alighieri's "Divine Comedy" or another literary piece structured into cantos. On the right side of the page, there is an illustration framed with a simple border. The illustration appears to depict a scene with several individuals. One figure seems to be seated on a throne with what might be a papal tiara or a crown, indicating this person could represent authority or religious significance, such as a pope or a king. Two other figures in the illustration appear to be speaking to or pleading with the seated figure, and there are multiple additional figures present as well. The clothing and style of the figures suggest a scene from a historical or allegorical narrative. Additionally, there are handwritten annotations in the margins, indicating that past readers may have interacted with the text, possibly making notes or comments on the content. These annotations add to the historical character of the page.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This is a page from a historic edition of Dante's Divine Comedy, specifically showing Canto X (Decimo). The page features both text and illustration, with the top portion containing dense text in Italian/Latin, and below it a woodcut illustration depicting a scene from the narrative. The illustration shows architectural elements like walls and arches, with several figures shown in different positions - some standing, some emerging from what appears to be tomb-like structures in the ground. The scene likely depicts a moment from Dante's journey through Hell. The image combines text and artistic elements in a style typical of medieval or early Renaissance manuscript illustrations. The page layout and typography suggest this is from an early printed edition of the work, with careful attention paid to the arrangement of text and decorative elements.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows an old printed text in Italian, with what appears to be a woodcut illustration below the text. The illustration depicts a scene with several people, possibly from a story or religious text. There are men in robes or religious garments, as well as a castle or fortified building in the background. The text above the illustration seems to provide an explanation or commentary on the depicted scene, but without being able to read Italian I cannot provide more details on the specific content. The aged appearance of the page suggests this is from an antique book or manuscript.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from what seems to be an old manuscript or book. It contains text in a language that appears to be Italian, as well as an illustration depicting various figures, structures, and scenes. The text is written in a cursive, ornate script, and the illustration features medieval-style artwork with figures, architectural elements, and symbols. Without being able to identify any individuals, the image conveys a sense of an ancient, historical document or text.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15

The image is a page from an old book, likely printed in the 16th century. The text is written in Latin and features a mix of black letter and italic fonts. The page is divided into two columns, with the left column containing a heading that reads "CANTO" and the right column featuring a heading that reads "DECIMO." The main body of the text is written in a formal, cursive script, with some words and phrases underlined or emphasized with asterisks. A small illustration is present at the bottom of the page, depicting a scene with several figures. The page has a yellowed appearance, indicating its age. The edges of the page are worn and torn, suggesting that it has been handled extensively over time. Overall, the image provides a glimpse into the layout and design of an old book, showcasing the typography, illustrations, and layout of the time period.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15

The image presents a page from an old book, featuring a combination of text and illustrations. The page is divided into two main sections: the top section contains text written in Italian, while the bottom section features an illustration accompanied by additional text. **Top Section: Text** * The text is written in Italian and appears to be a passage from a literary work. * The font used is serif, with varying sizes and styles throughout the text. * The text is arranged in paragraphs, with some lines indented to create a sense of hierarchy. * The language used is formal and poetic, suggesting that the text may be from a classical or Renaissance-era work. **Bottom Section: Illustration and Text** * The illustration depicts a scene from a story or mythological tale. * The illustration is rendered in black ink and features detailed line work and shading. * The illustration appears to show a group of people gathered around a central figure, possibly a king or leader. * The text accompanying the illustration is written in a smaller font than the main text and provides context or explanation for the scene depicted. * The text is written in Italian and appears to be a caption or annotation for the illustration. **Overall** * The page appears to be from a rare or antique book, possibly from the 16th or 17th century. * The use of Italian language and the style of the illustration suggest that the book may be of Italian origin. * The page is likely to be of interest to scholars or collectors of rare books, as well as those interested in Italian literature and art.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image shows a page from a book with a woodcut illustration. The page is divided into two sections. The top section contains text written in a foreign language, possibly Latin. The text is arranged in a grid-like structure with multiple columns and rows. The bottom section features a woodcut illustration depicting a scene with various characters and elements. The illustration appears to be a religious or mythological theme, possibly related to Dante's "Divine Comedy." The characters in the illustration are dressed in medieval clothing, and there are various symbolic elements, such as a castle, a river, and a bridge. The overall composition of the page suggests that it is a page from an old book or manuscript, possibly a religious or philosophical text.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image shows a page from an old book, likely a religious or philosophical text. The page contains both text and an illustration. The text is written in an old-fashioned script and appears to be in a foreign language, possibly Italian or Latin. It is organized into paragraphs with indentations and line breaks. The illustration depicts a scene with several figures. In the center, there is a woman holding a scroll or book. To her left, there is a man holding a staff. To her right, there is another man, possibly a monk or priest, also holding a staff. In the background, there is a structure that appears to be a church or chapel. The illustration has a medieval or Renaissance style. Overall, the image seems to depict a religious or allegorical scene, possibly from a medieval or Renaissance text. The text and illustration likely complement each other, with the illustration providing a visual representation of the ideas expressed in the text. Here are the key points in a step-by-step manner: 1. The image shows a page from an old book, likely a religious or philosophical text. 2. The text is written in an old-fashioned script in a foreign language, possibly Italian or Latin. 3. The text is organized into paragraphs with indentations and line breaks. 4. The illustration depicts a scene with several figures: - A woman holding a scroll or book in the center - A man holding a staff to her left - A man, possibly a monk or priest, holding a staff to her right - A church or chapel structure in the background 5. The illustration has a medieval or Renaissance style. 6. The text and illustration likely complement each other, with the illustration providing a visual representation of the ideas expressed in the text.

Text analysis

Amazon

CANTO
DECIMO
Adomandaa
Orafen
MOLTO
Altridicono
noftra
ETEGLI
pauimento:
acquielcere.
dela
AD
65
CANTO 0HVL DECIMO 65
oppinion
Dantheche
APRIMACANTICADIDANTE.
in
deltero. & puaria & fon acquielcere. Adomandaa
Petrarca
deltero.
DECIMO DELA APRIMACANTICADIDANTE.
anguftia ETEGLI AD oeepricipi
DELA
&
che
che in Lignifica pauimento:
ela
inoto.
glhuominif
anguftia
fomma oppinion e
fon
&co
tormeto. &co
dunquel Dantheche odeelorofo,
tormeto.
hor
fomma
e
odeelorofo,
Lignifica
oeepricipi
fiqui.
dunquel
monit dela noftra ela ba
fiqui. Petrarca Taluo
monit
& puaria
hor tcba
.LE
Taluo
.LE glhuominif piu
la
0HVL
tcba
piu
ba
al
a

Google

оиязни DECIMO CANTO 65 deluero.&punria & moltadotrina fon di molea autorita non poffono niai acquiefcere. Adomanda a dunque Danthe che fonoefepultinellarche:cioe efipulchri:equali intéde che ui fieno pche ode eloro fo fpiri.eqli nafcono dafommaanguftia danimo.Etcofi certamete chi no acquieice ala comune oppinioie nellandare ricercando con la mente quello che paía piu uero el fuo ftolto intellecto efemprein anxieta & anguftia.ETEGLIAD ME itendi dixe.Quliquefti fepulchri fono gli HERESIARCHE:cioe epricipi delefecte heretice:deqnale con breuita habbiamo di fopra narrato.ET MOLTO SONO CARCHE a cioe ripiene.LETOMBE.le fepulture.PIV CHE NON CREDI.Adiotare che tra glhuomini fono piu hereticiche altrinon crede. Aduque pnon dir fépre un medefimo uocabulo.lche igenera faftidio allec toreufa quefta uariatiče:laqle arreca feco ornato & iocódita dicendo hor fepulchro.hora archa.hor téba hora auello.SIMILEQul con fimile e fupulchrescome adire emanichei con manitheo:&prifcilianiftı c prifciliano &cofigli altri.ET POICHALLA Miedextra fi fuuolto.Qui poneche Virgilio uolfe alá ná dextra.Et poi dimoftra che poco dopoalquáto uiaggio uolfe a finiftra.lche dinota che el uiaggio prefea mádextra:pche ádauonophauer cognitioe del peccato:& nocoinquinarfene:ma purgarfene:laqle acho neeuirtuola.Poi uolfe a finiftra.Adinotareche béche lopatice fia uirtuofa: niétedimeno la materia &el fuggeto euitio.Adúque fapiéteméte préde eluiaggio finiftroda man dextra.MARTIRI.Martyres i lin fon teftimonit. Ma pche quelli eqli háno uoluto pfu tofto patire pena & morte che rinegare la Chriciana religiõe:fono ftati optimi teftimoniiglla effer uera.phofono ftati chiamati nmartyri:cioe tefti monii dela noftra uera fede.Quefta ela ppria fignificatioe deluocabulo.Mapche tale teftimoniáza ha no facto con graui torméti & afpre morti:pqfto fpeffe uolte pigliamo martyrio p pena & torméto. &co fiqui.Cofi el Petrarca quando dife.Brieuefoccorio afi loghi martyri.ET GLIALTRISPALDI. Taluo cabulo non emolto trito ne a molti noto.Onde alchnui dicono fpaldi fignificare le mura. Altridicono che fpaldo in lingua romagnuola fignifica quello che noidiciamo lofpazo:& elatini dicono pauimento. ohor gacccan CANTO DECIMO DELA PRIMA CANTICA DI DANTE Orafen ua per un fecreto calle Tral muro de la terra & li martyri lomio macftro:&io drieto Iefpalle Ouirtu fomma chepegliempigiri mi uolui cominciai come ate piace parlami & fatiffamiamiei dyfiri Lagentecheper lifepulchrigiace potrebbefiueder gia fon leuati tutti ecoperchi &neffüguardia face Iv PAPNA NASTA Si0 10 TCVARDO Sai men di difficulta contiene queto deci mocantoche el nono: perche puoci luo ghici fono:chericeueno altra alleghoria che la gia decta.& gran parte fene confuma i hiftoria. Tracta de gheretici : & apparecchiafi afcende re nel feptimo cerchio Truoua Farinata Vber ti: Et Caualcante caualcanti caualieri fiorentini:&da Farinata ode le cofe future: &intende la cagione p laquale epofti nelonferno poffon preuedere el futuro.HORA SENVA.Haueadimoftro che Virgiho lo menaua tra martyri: Hora fequitando pone che la uia per laquale menaua Danthe era tral muro de la terra. ET LI Martyri:cioe le feputure doue erano emartyri. Adinotare che quefti fepulchri ereno apreffo ale mura. llche fignifica la dureza & obftinatione deglheretici. Pofiamo anchora intendere: che come chi e preffo ale mura delacitta e quafi fuori di quella. Cofi Iheretico benche fia crhifthano. Ni entedimeno per la deprauata fua religione e quafi fuori del chriftiano nome. Et fimlmente dinota:che fimili huomini fanno lorocongreghe in luoghi feperati & rimoti. CALLE Significauta non publica ma ftredta : & facta dal callofo pie dele beftie adinotare che molto ftrecta ua e quella che fri therefie guida bene: Et certo e difficile tra tanti falfi trouare el uero. Ordina el texto cofi. El mio mae ftro fe ne ua hora per un fecreto calle:cioe uia: laquale intendi era tral muro dela terra & emarty ri. ET IO DOPOLE SPALLE: perche la fenfualita fempre fe non uuole errare conuiene che fe quiti el fuo maeftro Virgilio: cioe le forze dellontelleto:& dipoi fequita OVIRTV SVMMA baretas
оиязни
DECIMO
CANTO
65
deluero.&punria
&
moltadotrina
fon
di
molea
autorita
non
poffono
niai
acquiefcere.
Adomanda
a
dunque
Danthe
che
fonoefepultinellarche:cioe
efipulchri:equali
intéde
ui
fieno
pche
ode
eloro
fo
fpiri.eqli
nafcono
dafommaanguftia
danimo.Etcofi
certamete
chi
no
acquieice
ala
comune
oppinioie
nellandare
ricercando
con
la
mente
quello
paía
piu
uero
el
fuo
ftolto
intellecto
efemprein
anxieta
anguftia.ETEGLIAD
ME
itendi
dixe.Quliquefti
fepulchri
fono
gli
HERESIARCHE:cioe
epricipi
delefecte
heretice:deqnale
breuita
habbiamo
fopra
narrato.ET
MOLTO
SONO
CARCHE
cioe
ripiene.LETOMBE.le
fepulture.PIV
CHE
NON
CREDI.Adiotare
tra
glhuomini
hereticiche
altrinon
crede.
Aduque
pnon
dir
fépre
un
medefimo
uocabulo.lche
igenera
faftidio
allec
toreufa
quefta
uariatiče:laqle
arreca
feco
ornato
iocódita
dicendo
hor
fepulchro.hora
archa.hor
téba
hora
auello.SIMILEQul
fimile
e
fupulchrescome
adire
emanichei
manitheo:&prifcilianiftı
c
prifciliano
&cofigli
altri.ET
POICHALLA
Miedextra
fi
fuuolto.Qui
poneche
Virgilio
uolfe
alá
dextra.Et
poi
dimoftra
poco
dopoalquáto
uiaggio
finiftra.lche
dinota
prefea
mádextra:pche
ádauonophauer
cognitioe
del
peccato:&
nocoinquinarfene:ma
purgarfene:laqle
acho
neeuirtuola.Poi
finiftra.Adinotareche
béche
lopatice
fia
uirtuofa:
niétedimeno
materia
&el
fuggeto
euitio.Adúque
fapiéteméte
préde
eluiaggio
finiftroda
man
dextra.MARTIRI.Martyres
i
lin
teftimonit.
Ma
quelli
eqli
háno
uoluto
pfu
tofto
patire
pena
morte
rinegare
Chriciana
religiõe:fono
ftati
optimi
teftimoniiglla
effer
uera.phofono
chiamati
nmartyri:cioe
tefti
monii
dela
noftra
uera
fede.Quefta
ela
ppria
fignificatioe
deluocabulo.Mapche
tale
teftimoniáza
ha
facto
graui
torméti
afpre
morti:pqfto
fpeffe
uolte
pigliamo
martyrio
p
torméto.
&co
fiqui.Cofi
Petrarca
quando
dife.Brieuefoccorio
afi
loghi
martyri.ET
GLIALTRISPALDI.
Taluo
cabulo
emolto
trito
ne
molti
noto.Onde
alchnui
dicono
fpaldi
fignificare
le
mura.
Altridicono
fpaldo
in
lingua
romagnuola
fignifica
noidiciamo
lofpazo:&
elatini
pauimento.
ohor
gacccan
DELA
PRIMA
CANTICA
DI
DANTE
Orafen
ua
per
fecreto
calle
Tral
muro
de
terra
li
martyri
lomio
macftro:&io
drieto
Iefpalle
Ouirtu
fomma
chepegliempigiri
mi
uolui
cominciai
come
ate
piace
parlami
fatiffamiamiei
dyfiri
Lagentecheper
lifepulchrigiace
potrebbefiueder
gia
leuati
tutti
ecoperchi
&neffüguardia
face
Iv
PAPNA
NASTA
Si0
10
TCVARDO
Sai
men
difficulta
contiene
queto
deci
mocantoche
nono:
perche
puoci
luo
ghici
fono:chericeueno
altra
alleghoria
decta.&
gran
parte
fene
confuma
hiftoria.
Tracta
gheretici
:
apparecchiafi
afcende
re
nel
feptimo
cerchio
Truoua
Farinata
Vber
ti:
Et
Caualcante
caualcanti
caualieri
fiorentini:&da
cofe
future:
&intende
cagione
laquale
epofti
nelonferno
poffon
preuedere
futuro.HORA
SENVA.Haueadimoftro
Virgiho
lo
menaua
martyri:
Hora
fequitando
pone
uia
era
tral
terra.
ET
LI
Martyri:cioe
feputure
doue
erano
emartyri.
Adinotare
quefti
ereno
apreffo
ale
llche
dureza
obftinatione
deglheretici.
Pofiamo
anchora
intendere:
preffo
mura
delacitta
quafi
fuori
quella.
Cofi
Iheretico
benche
crhifthano.
Ni
entedimeno
deprauata
fua
religione
chriftiano
nome.
fimlmente
dinota:che
fimili
huomini
fanno
lorocongreghe
luoghi
feperati
rimoti.
CALLE
Significauta
publica
ma
ftredta
facta
dal
callofo
pie
dele
beftie
adinotare
molto
ftrecta
quella
fri
therefie
guida
bene:
certo
difficile
tanti
falfi
trouare
uero.
Ordina
texto
cofi.
El
mio
mae
ftro
fe
calle:cioe
uia:
intendi
emarty
ri.
IO
DOPOLE
SPALLE:
fenfualita
fempre
uuole
errare
conuiene
quiti
maeftro
Virgilio:
forze
dellontelleto:&
dipoi
fequita
OVIRTV
SVMMA
baretas