Unable to open [object Object]: HTTP 0 attempting to load TileSource

Human Generated Data

Title

Canto XX. Circle 8: Bolgia 4 / The Fortune Tellers and Diviners, Their Faces Twisted Backwards

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5278

Human Generated Data

Title

Canto XX. Circle 8: Bolgia 4 / The Fortune Tellers and Diviners, Their Faces Twisted Backwards

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5278

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Page 99.8
Newspaper 99
Paper 67.6

Clarifai
created on 2019-11-03

page 97.8
paper 96.4
old 96
vintage 95.8
document 95.2
retro 94.8
antique 92.4
text 92.2
desktop 90.8
book bindings 90.4
picture frame 89.8
blank 88.7
illustration 88.6
texture 87.8
art 87.7
no person 86.4
design 85.4
ancient 84.9
manuscript 83.6
decoration 77.4

Imagga
created on 2019-11-03

cloud 44.9
journal 44.5
definition 36.4
association 35.5
newspaper 35.3
cover 35.2
book 34.7
artwork 33.9
backdrop 33.9
advertising 33.7
creative 33.6
composition 33
associated 32.6
brochure 32.2
carpet 32.2
advertise 32.2
product 32
advertisement 31.9
collection 31.6
design 31
decor 31
decorative 31
art 30.8
conceptual 30
element 29
creation 27.7
idea 27.6
graphic 27.1
decoration 26.8
menu 26.1
information 25.7
text 24.5
data 23.8
letter 23
old 22.4
fabric 21.7
fare 21.7
business 21.3
continuity 20.8
drapery 20.7
keywords 18.8
page 17.7
antique 17.6
binding 17.6
bible 16.7
paper 16.5
religion 16.2
word 16.1
copy 16
religious 15
daily 14.5
god 14.4
holy 13.5
faith 13.4
ancient 13
detail 12.9
prayer 12.6
collage 12.5
read 12.5
texture 11.8
spiritual 11.5
print 11.3
document 11.2
communication 10.9
open 10.8
food 10.6
binder 10.6
development 10.5
pattern 10.3
church 10.2
energy 10.1
vintage 10
testament 9.9
gospel 9.9
history 9.9
words 9.8
black 9.6
study 9.3
new 8.9
chapter 8.9
pages 8.8
analysis 8.8
life 8.6
writing 8.5
modern 8.4
map 8.2
scripture 7.9
passage 7.9
protective covering 7.8
covering 7.8
education 7.8
best 7.8
king 7.8
sepia 7.8
ink 7.7
mix 7.7
cross 7.6
city 7.5
company 7.5
mosaic 7.1
day 7.1

Google
created on 2019-11-03

Text 97.5
Paper 90.6
Document 82.8
Paper product 76.4
Font 68.6
Newsprint 63.3

Microsoft
created on 2019-11-03

text 100
letter 93.2
book 83.9
manuscript 68.2
plaque 21.6

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image depicts a page from an old manuscript of Dante Alighieri's "Inferno," the first part of his famous work, "The Divine Comedy." The page is adorned with a large initial "I" and is likely part of the early printed editions of the text, dating back to the times when books were first being mass-produced using printing presses. The top of the page has the title "INFERNO" with an elaborately designed letter "I" at the beginning of the first verse. The text is written in Italian and contains commentary in the margins, which was common in historical manuscripts to elucidate and analyze the main text. On the top right corner of the page, there is an illustration that visually represents a scene from "Inferno." The woodcut or engraving shows a group of naked figures in a barren landscape, likely depicting one of the circles of Hell. The figures appear to be in some kind of distress, suggesting the tortures and punishments described in Dante's narrative. Overseeing the scene are two clothed, authoritative figures, possibly Dante himself accompanied by his guide, Virgil. The image reveals the combination of art and text which was an integral part of early manuscript culture, offering readers a richer understanding and more immersive experience of the literary work.

Created by gpt-4 on 2025-01-31

The image shows a page from an old book or manuscript with a block of text in an antiquated style of Italian, specifically from Dante Alighieri's "Inferno," part of his larger work "The Divine Comedy." At the top, the text displays a heading "INFERNO" in bold, capitalized letters. On the upper right-hand corner is a small woodcut illustration, which depicts a scene from the narrative: there are five human figures within a landscape that may represent one of the circles of Hell, consistent with the themes of "Inferno." Two figures appear to stand in the foreground, possibly engaged in a dialogue or an act, while the other three figures are grouped together slightly behind them to the right, one of whom has raised arms as if in an expressive gesture. The text is arranged in two columns representing the poetic verses, and to the initial left of the text is a large capitalized letter "D," which serves as a decorative initial for the beginning of this section of the text. The font of the text is distinctly Renaissance or late medieval in character, which may indicate that the book is a historical print possibly originating from the 15th or 16th century. The paper or parchment has some spots and marks consistent with aging, and there is also a visible crease that suggests the page has been folded or bound.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from an early printed edition of Dante's "Inferno," likely from the 15th century. The page contains both text and a woodcut illustration at the top right. The illustration depicts several figures in medieval dress walking in a landscape setting. The text is printed in what appears to be an early Italian blackletter or gothic typeface, with the title "INFERNO" visible at the top. The layout is characteristic of early printed books, with dense text blocks and decorative initial capitals. The woodcut illustration is relatively simple in style, as was typical of early book illustrations. The paper appears aged, with some slight discoloration, but the text and image are still quite clear and legible.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows an old printed page from a book, likely Dante's Inferno based on the title at the top. The text is in Italian, printed in an old-fashioned font. On the right side of the page is an illustration depicting a group of naked or scantily clad figures, both male and female, standing together outdoors with mountains or cliffs in the background. The illustration has an engraved, woodcut style typical of early printed books. Overall, the page has an aged, antique appearance suggesting it comes from an early edition of this famous work of Italian literature.

Created by claude-3-haiku-20240307 on 2025-01-31

This image appears to be a page from an old printed text. The text is in Italian and appears to describe scenes from what looks like a literary work, possibly Dante's Inferno. The image on the page depicts several figures, some of whom seem to be in distress or engaged in some kind of dramatic action. The overall style and presentation suggest this is an illustration or artistic representation accompanying the written text.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image presents a page from an old book, featuring a woodcut illustration and text in Latin. The page is divided into two sections: the top section contains a woodcut illustration, while the bottom section consists of text. **Woodcut Illustration:** * The woodcut illustration is situated at the top of the page. * It depicts a scene with several figures, including a man and women, engaged in various activities. * The illustration is rendered in black ink on a white background. **Text:** * The text is written in Latin and occupies the majority of the page. * The text is arranged in paragraphs, with each paragraph separated by a line space. * The font used for the text is a serif font, which was common during the time period when the book was printed. **Page Layout:** * The page has a rectangular shape with a slight yellowing around the edges, indicating age. * The page is printed on a single sheet of paper, with no visible folds or creases. * The text and illustration are centered on the page, leaving a small margin at the top and bottom. **Overall:** * The image provides a glimpse into the design and content of an old book from the Renaissance period. * The use of a woodcut illustration and Latin text suggests that the book was intended for an educated audience. * The page layout and typography are consistent with the printing practices of the time, which emphasized clarity and readability.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image is a page from an old book, featuring a woodcut illustration and text in Italian. The page appears to be from the 15th century, with the title "INFERNO" at the top. **Woodcut Illustration:** * The illustration depicts a scene from Dante's Inferno, showing a group of people being led by a figure, possibly Virgil or Charon, through a landscape with mountains and a river in the background. * The people are naked and appear to be in various states of distress or despair. * The illustration is rendered in a simple yet expressive style, with bold lines and minimal shading. **Text:** * The text is written in Italian and appears to be a passage from Dante's Inferno. * The text is printed in a serif font, with headings and subheadings in larger type. * The text is arranged in two columns, with the left column containing the main text and the right column containing notes or commentary. **Page Layout:** * The page has a cream-colored background with a subtle texture, suggesting that it is a reproduction of an original manuscript. * The page is bordered by a thin line, with a small decorative element at the top left corner. * The page number is not visible, but it appears to be from the early part of the book. Overall, the image presents a fascinating glimpse into the art and literature of the 15th century, showcasing the beauty and expressiveness of medieval woodcut illustrations and the enduring power of Dante's poetry.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image shows a page of an old book, possibly a scientific or medical text, written in Italian. The text is written in a cursive style, and the page is divided into two columns. The left column contains a large letter "Q" at the top, followed by several lines of text. The right column has a smaller letter "P" at the top, followed by several lines of text. There is a black-and-white illustration in the middle of the page, depicting a group of people in a mountainous landscape. The image appears to be a page from an old book or manuscript, possibly related to the study of natural phenomena or the human body.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image shows a page from a book or manuscript. The page contains both text and an illustration. The text appears to be in an old style of writing, likely Italian or another Romance language. The illustration depicts a scene with several figures, including a man in a long robe and a woman holding a baby. The illustration appears to be in a woodcut or engraving style. The text and illustration are likely from a religious or allegorical work, possibly a commentary on a biblical story or a work of poetry. The page appears to be from an old book or manuscript, possibly from the Renaissance or earlier period.

Text analysis

Amazon

pena
conuien
al
canto
Inuoua pena mi conuien
materia
che
mi
Inuoua
far
quanto
&
pianto
& dar materia al uigelimo
fundo
bagnaua
fcoperto
della che jo fommerfi
gli
che mi bagnaua dangolciofo pianto
puit
della
INFERNO.
tutto
fommerfi
bol
ariguardar nello fcoperto fundo
jo
dar
uigelimo
difpolto tutto quanto
nello
dalconfefodi
Etcerto
fono
gie: feno. grta fono puit gli
glhuomini
diuinatione
tutte opinione glhuomini
ariguardar
ichiflima confirmata Etcerto dalconfefodi an
poeta
tutte
opinione
ichiflima
gie:
confirmata
defcriptioe
grta
far uerG
an
difpolto
feno.
dangolciofo
nella
S Eatit poeta nella defcriptioe bol
Eatit
uerG
S

Google

INFERNO Inuoua pena mi conuien far uerfi & dar materia al uigefimo canto della prima canzon che io fommerfi Io erogia difpofto tutto quanto ariguardar nello fcoperto fundo che mi bagnaua dangofciofo pianto s Equita el poeta nella defcriptiče delle bol gie:&poneche nella qrta fono puniti gli diuinatoridiqluche fpecie fieno. Etcerto fu an tichiffima opinione confirmata dal conféto di tutte le nationi che tra glhuomini fiauna certa prefuptiõe:& fciétia delle cofe future:laqle ela tinichiamono diuinatione Egreci Mátice: qfta eonaturale o artificiofa. Laqle diuinatione na turale ha i fe fiurore duino &iogno. Imphoche 6 cso molti moffi da diuío furore coe appreffode gé tligloracoli.&appreffoglhebreie pphetiprediceuono le cofe future. El fognoedi tre fpetic. Impho che alcuna uolta fifognaqlloche ha eflere Ma ha di bifogno dinterpretatione.Cõeqloche fognaua pre mere lua nella coppa.&iofephiterpretoche dnuétcrebbe picerna del re: & feruirebbelo améla di cop. pa.Alcía uolta fi fogna di uedere lacofa iqlmedefimo ncdo che fara:& e defla ufione. Alcunauolta ap parifce nel fogno chi ti narra le cofe aptamétecoe farano.Etgitochiamano oracolo.Mafpeffe uolte fo no ifiemecoe neluirgiliano Enca nel'qle ude Hetorre i formamolto mefta &lutuofa.& udi le paro le nelle qli lo confortaua a fuggire. Ladiuinatione artificiofa contiene i fe Aurifpicina Auguri. aftro logia:&forte.Aurifpicina contiene i feqlla diuinationeche piglauono dala forma fito &colore delle ite riora delanimale elqle facrificauono.coe la matina del di che Cefare fumorto nofiuide el cuore del bue che lui facrifico.Augurio e la druinatione facta o dal gufto o dalgarrito de gluccegli. Imphoche glauguri alcuna uolta porgeuano lefca a pollichepqfto teneuono rinchiufi. Et fecondo che digla fi pafceuano co fiinterpretauono el fine della cofa.Alcuna uolta guardauono i aria el uolare & il cáto de glucceglh &feco do lageneratioe di ggli iudicauano.Perche altro augurio da el coruo.altro la cornacchia.altro el picchio altroglaltri.Et altro cátare &uolare a un modo:&altro aunaltro. Et altro feuégono a dextra: &altro fe a finiftra.Nefolaméte gluccegli.Ma ácora glaltri aíali dáno buoni & mali auguri.coe fono lupi.uolpi.ca ni & ferpéti:&fimili.Ne fono molto differeti da qifti emoftri & portéti:eqliuégono contro anatura.On denelexercito dixerxe pche la caualla partori una lepre annuciorono glauguri la timida fugga diquello exercito.Aftrologia predice le cofe future fecondo uariicorfi delle ftelle ne qli fono coniuchoni oppofi tioni.fextili.trin.qdrature & altri afpecti.&di qfta uoglonoche fia fperie geomátia de laqle tracteremo nel purgatorio.Etforte trouate fecondoglátichinella citta de preneite hoggi decta Peleftrina. Epiroma tia factachol fuoco.Negromáta cho corpimorti a qli fi reuoca lanima.Hydromátia facta con lacq.Chy romitia laqle fi confidera nelle linee della mano.Tutte qite cofe richiedercbbeno plipfa oratione feuo leffimop fuo ordine explicarle.Mano bafta el tépo achi fi ppone fi lugha & diuerfa materia. DINVO ua pena.Quafi iufitata & iaudita &maggior che laltre:&fa lauditore attéto pmettedoglicofe iufitate & non piccole.ETDAR materia al uigefimocáro.cioe al uigefimo capitulo. DELLA priacázone cioe de la prima cantica.Sono tre cantiche.Inferno purgatorio:&paradifo.Etlofernocontiene.xxxiii cáti. Et lalere due contengonociafcuna.xXxi.canti.Adunque in tutto fono cento canti diuifi itre cátiche: CHE io fommerfi.cioelaquale io tuffai nel centro della terra:Non fommerge la cantica. Madifcrue í qlla lon ferno fommerfo.Alchuni texti hanno Delle prime canzone & de fommerfi: cioe de damnati equali fon fommerfinel cétro della terra.Et fequitache gia era difpoftoauedere el fondo della terra fcoperto.cioe elquale poteua uedere dal ponte doue era. CHE Sibagnauadi pianto di quegli che uerono puniti. dinmarioe A penadiqti pone efler:che habbinouolto el uol todidrieto. Et puoler ueder doueuanno bifogna uadino alindrieto.Quefto e fupplicio molto contuenéte Etuidigente perlo uallon tondo come fannoletanie in quefto mõdo lutoueder troppo auáriuegga folo el drieto. Etchie fta tofi temerario che habbi uoluto ueder el futuro. Ilche idio ha dinega:oalhomocome cofa laquale nogleutile mirabilmente apparue effer trauolto neeuerifimile che potédo dio darci uera cognitione de Comeluifo mifcefe in lor piu baffo
INFERNO
Inuoua
pena
mi
conuien
far
uerfi
&
dar
materia
al
uigefimo
canto
della
prima
canzon
che
io
fommerfi
Io
erogia
difpofto
tutto
quanto
ariguardar
nello
fcoperto
fundo
bagnaua
dangofciofo
pianto
s
Equita
el
poeta
nella
defcriptiče
delle
bol
gie:&poneche
qrta
fono
puniti
gli
diuinatoridiqluche
fpecie
fieno.
Etcerto
fu
an
tichiffima
opinione
confirmata
dal
conféto
di
tutte
le
nationi
tra
glhuomini
fiauna
certa
prefuptiõe:&
fciétia
cofe
future:laqle
ela
tinichiamono
diuinatione
Egreci
Mátice:
qfta
eonaturale
o
artificiofa.
Laqle
na
turale
ha
i
fe
fiurore
duino
&iogno.
Imphoche
6
cso
molti
moffi
da
diuío
furore
coe
appreffode
tligloracoli.&appreffoglhebreie
pphetiprediceuono
future.
El
fognoedi
tre
fpetic.
Impho
alcuna
uolta
fifognaqlloche
eflere
Ma
bifogno
dinterpretatione.Cõeqloche
fognaua
pre
mere
lua
coppa.&iofephiterpretoche
dnuétcrebbe
picerna
del
re:
feruirebbelo
améla
cop.
pa.Alcía
fi
fogna
uedere
lacofa
iqlmedefimo
ncdo
fara:&
e
defla
ufione.
Alcunauolta
ap
parifce
nel
fogno
chi
ti
narra
aptamétecoe
farano.Etgitochiamano
oracolo.Mafpeffe
uolte
fo
no
ifiemecoe
neluirgiliano
Enca
nel'qle
ude
Hetorre
formamolto
mefta
&lutuofa.&
udi
paro
nelle
qli
lo
confortaua
a
fuggire.
Ladiuinatione
artificiofa
contiene
Aurifpicina
Auguri.
aftro
logia:&forte.Aurifpicina
feqlla
diuinationeche
piglauono
dala
forma
fito
&colore
ite
riora
delanimale
elqle
facrificauono.coe
la
matina
Cefare
fumorto
nofiuide
cuore
bue
lui
facrifico.Augurio
druinatione
facta
gufto
dalgarrito
de
gluccegli.
glauguri
porgeuano
lefca
pollichepqfto
teneuono
rinchiufi.
Et
fecondo
digla
pafceuano
co
fiinterpretauono
fine
cofa.Alcuna
guardauono
aria
uolare
il
cáto
glucceglh
&feco
do
lageneratioe
ggli
iudicauano.Perche
altro
augurio
coruo.altro
cornacchia.altro
picchio
altroglaltri.Et
cátare
&uolare
un
modo:&altro
aunaltro.
feuégono
dextra:
&altro
finiftra.Nefolaméte
gluccegli.Ma
ácora
glaltri
aíali
dáno
buoni
mali
auguri.coe
lupi.uolpi.ca
ni
ferpéti:&fimili.Ne
molto
differeti
qifti
emoftri
portéti:eqliuégono
contro
anatura.On
denelexercito
dixerxe
pche
caualla
partori
una
lepre
annuciorono
timida
fugga
diquello
exercito.Aftrologia
predice
future
uariicorfi
ftelle
ne
coniuchoni
oppofi
tioni.fextili.trin.qdrature
altri
afpecti.&di
uoglonoche
fia
fperie
geomátia
laqle
tracteremo
purgatorio.Etforte
trouate
fecondoglátichinella
citta
preneite
hoggi
decta
Peleftrina.
Epiroma
tia
factachol
fuoco.Negromáta
cho
corpimorti
reuoca
lanima.Hydromátia
con
lacq.Chy
romitia
confidera
linee
mano.Tutte
qite
richiedercbbeno
plipfa
oratione
feuo
leffimop
fuo
ordine
explicarle.Mano
bafta
tépo
achi
ppone
lugha
diuerfa
materia.
DINVO
ua
pena.Quafi
iufitata
iaudita
&maggior
laltre:&fa
lauditore
attéto
pmettedoglicofe
iufitate
non
piccole.ETDAR
uigefimocáro.cioe
capitulo.
DELLA
priacázone
cioe
cantica.Sono
cantiche.Inferno
purgatorio:&paradifo.Etlofernocontiene.xxxiii
cáti.
lalere
due
contengonociafcuna.xXxi.canti.Adunque
in
cento
canti
diuifi
itre
cátiche:
CHE
fommerfi.cioelaquale
tuffai
centro
terra:Non
fommerge
cantica.
Madifcrue
í
qlla
lon
ferno
fommerfo.Alchuni
texti
hanno
Delle
prime
canzone
fommerfi:
damnati
equali
fon
fommerfinel
cétro
terra.Et
fequitache
gia
era
difpoftoauedere
fondo
terra
fcoperto.cioe
elquale
poteua
ponte
doue
era.
Sibagnauadi
quegli
uerono
puniti.
dinmarioe
A
penadiqti
pone
efler:che
habbinouolto
uol
todidrieto.
puoler
ueder
doueuanno
bifogna
uadino
alindrieto.Quefto
fupplicio
contuenéte
Etuidigente
perlo
uallon
tondo
come
fannoletanie
quefto
mõdo
lutoueder
troppo
auáriuegga
folo
drieto.
Etchie
fta
tofi
temerario
habbi
uoluto
futuro.
Ilche
idio
dinega:oalhomocome
cofa
laquale
nogleutile
mirabilmente
apparue
effer
trauolto
neeuerifimile
potédo
dio
darci
uera
cognitione
Comeluifo
mifcefe
lor
piu
baffo