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Human Generated Data

Title

Canto XIX. Circle 8: Bolgia 3 / The Simoniacs, Their Heads Downward in Pits

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5277

Human Generated Data

Title

Canto XIX. Circle 8: Bolgia 3 / The Simoniacs, Their Heads Downward in Pits

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5277

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Newspaper 99.8
Page 94.5
Paper 57.8

Clarifai
created on 2019-11-03

page 98.3
old 96.7
paper 96.6
text 96.1
vintage 95.8
document 95
desktop 94.9
retro 94.1
antique 92.8
texture 92.6
ancient 90.7
book bindings 90
art 89.1
manuscript 88.4
print 88
picture frame 87.7
blank 87.1
design 87.1
wall 85.5
no person 84.9

Imagga
created on 2019-11-03

newspaper 67.4
product 54.4
daily 51.8
cloud 46.7
creation 43.7
definition 36.4
association 34.6
cover 32.5
backdrop 32.3
artwork 32.2
creative 31.9
advertising 31.8
brass 31.1
book 31.1
associated 30.7
brochure 30.3
carpet 30.3
advertise 30.3
composition 30.2
advertisement 30
design 29.9
collection 29.8
decorative 29.3
decor 28.4
conceptual 28.3
art 28.1
idea 27.7
element 27.4
graphic 25.6
text 25.4
decoration 24.7
memorial 24.5
old 24.5
letter 23
fabric 22.7
continuity 21.8
word 21.7
drapery 21.7
business 21.3
information 21.3
antique 20
data 19.2
page 18.6
structure 18
detail 17.7
keywords 16.8
paper 16.5
religion 16.2
binding 16.1
bible 15.7
religious 15
holy 14.5
faith 14.4
copy 14.2
ancient 13.9
prayer 13.6
read 13.5
spiritual 13.5
print 13.2
texture 12.5
god 12.5
development 12.4
energy 11.8
open 11.7
vintage 11.6
writing 11.3
church 11.1
communication 11
testament 10.9
words 10.8
pages 10.8
history 10.8
menu 10.3
study 10.3
document 10.2
gospel 9.9
collage 9.7
chapter 8.9
scripture 8.9
passage 8.9
best 8.8
king 8.8
education 8.7
life 8.6
fare 8.6
money 8.5
cross 8.5
black 8.4
city 8.3
pattern 8.2
new 8.1
rosary 7.9
language 7.9
analysis 7.8
belief 7.8
saint 7.7
health 7.7
human 7.5
company 7.5
close 7.4
closeup 7.4
symbol 7.4
retro 7.4
aged 7.3
world 7.1
day 7.1

Google
created on 2019-11-03

Text 96.9
Newsprint 91.4
Paper 90.2
Paper product 76.9
Document 75.5
Newspaper 53.6

Microsoft
created on 2019-11-03

text 100
letter 89.6
book 86
newspaper 60.8
handwriting 54.5
plaque 18.6

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 36-54
Gender Male, 50.4%
Disgusted 49.5%
Angry 50.4%
Surprised 49.5%
Calm 49.5%
Happy 49.5%
Fear 49.5%
Confused 49.5%
Sad 49.5%

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

This image shows an old page from a book, laid out in a traditionally dense typographical style and printed in black ink on white or yellowed paper, suggesting considerable age. The text is organized into several columns and is in Italian. The page is from a canto, specifically "Canto XIX," part of "La Divina Commedia" by Dante Alighieri, as indicated by the segment "Canto XIX DELL PRIMA CANTICA DI DANTHE" (referring to the first cantica or book, the "Inferno").

Within the text, a woodcut illustration depicts a scene from the canto. It shows several figures seated on a platform, with another group of figures standing around and possibly addressing those seated. One figure appears to be gesticulating or issuing a directive, lending a solemn or instructive mood to the scene. The illustration is surrounded by text on all sides.

On the left margin, the word "De simonia" (referring to Simon Magus, a character associated with the sin of simony) is handwritten, providing context to the canto's theme. The page is carefully laid out, with detailed attention to maintaining equal margins and balanced text lines, typical of early printed books. The paper edge shows some roughness and signs of wear, reinforcing its antiquity.

Created by gpt-4 on 2025-01-31

The image displays a page from an antique book, possibly from the Renaissance period, judging by the style of the printing and the language used. The book is written in an early form of Italian, consistent with texts from Dante Alighieri's time, which might indicate that this is a page from "La Divina Commedia" or another classic work.

On the left side of the page is the main body of text, comprising two columns with a dense arrangement of lines, a right-justified layout, and no apparent paragraph indentations, which is typical for books of that era. The characters are printed in a Gothic or blackletter typeface, which was commonly used in Europe before the 18th century.

On the right side of the page, along with the text, there are marginal notes, which are common in scholarly or annotated editions to provide explanations or commentary on the main text.

In the center-bottom of the page, there is a small illustration engraved directly onto the page. It depicts two figures facing each other; one figure looks like he might be handing something to the other, suggestive of an interaction or transaction. These types of woodcut illustrations were typical in books from the Renaissance period for depicting scenes related to the text.

The page is numbered "94" at the top right corner, indicating it's part of a larger bound work. The top of the page also has a header, "CANTO XIX", suggesting it is the nineteenth canto, or chapter, of the work.

Overall, the image conveys a strong historical tone and gives insights into early bookmaking, Renaissance art, and literature.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historic Italian manuscript, specifically from Dante's Divine Comedy (Canto XIX). The page features both text and an illustration. The layout includes multiple text blocks in Italian, with the main title "CANTO XIX DELA PRIMA CANTICA DI DANTE" visible. There's a decorated initial letter 'O' with an ornate design in the lower left. The central illustration shows a medieval scene with figures around what appears to be a pit or hole, with flames or decorative elements visible. The image has the characteristic style of early printed books, likely from the Renaissance period, with woodcut-style illustration techniques. The page shows some age with slight discoloration but is generally well-preserved.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows two sections of text from an old book or manuscript, likely written in Italian based on the recognizable words. The top section is printed text, while the bottom section includes an illustration.

The illustration depicts what appears to be an outdoor scene with plants, trees, and a well or fountain in the center. The artistic style seems characteristic of woodcut illustrations often found in early printed books from the 15th-16th centuries.

While I cannot translate the full Italian text, some key words stand out like "canto" (song/chant), "prima" (first), and references to Dante, suggesting this may be an excerpt from or commentary on Dante Alighieri's famous work "The Divine Comedy". However, without further context or translation of the full passage, the exact content remains unclear from this partial view.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be an old printed page, likely from a book or document. It contains text in an ornate, historical script as well as an illustration depicting a scene with figures in what seems to be a fiery setting. The text discusses various topics, though without being able to read the language, I cannot provide specific details about the content. The illustration shows multiple people, but I will not attempt to identify or name any individuals depicted.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image depicts a page from an old book, featuring a mix of text and illustrations. The page is divided into two columns of text, with the left column containing a heading that reads "CANTO" and the right column featuring a heading that reads "XIX." The text is written in Latin and appears to be from a 16th-century book.

In the center of the page, there is a small illustration of a man standing in front of a fire, surrounded by various objects such as a pot, a pan, and a bowl. The illustration is accompanied by a caption that reads "CANTO XIX DELA PRIMA CANTICA DI DANTHE."

The background of the page is a light beige color, with a subtle texture that suggests it may be a scan or photocopy of an original document. Overall, the image provides a glimpse into the contents and layout of an old book, showcasing the typography, illustrations, and language of the time period.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

This image is a page from an old book, featuring a mix of text and illustrations. The page is divided into two sections: the top section contains text written in Italian, while the bottom section features an illustration accompanied by additional text.

The top section of the page is filled with text written in Italian, which appears to be a passage from a literary work. The text is printed in black ink on a yellowed paper background, giving it an aged appearance. The font used is serif, with varying sizes and styles throughout the passage.

In the center of the page, there is a rectangular illustration that depicts a scene from the text. The illustration is rendered in black and white, with intricate details and shading that add depth and texture to the image. The scene appears to show a group of people gathered around a fire, engaged in conversation or storytelling.

Below the illustration, there is additional text that provides context and explanation for the scene depicted above. This text is also written in Italian and is printed in a smaller font size than the main passage at the top of the page.

Overall, this image presents a fascinating glimpse into the world of Renaissance literature and art. The combination of text and illustration creates a rich and engaging visual experience that invites the viewer to explore the story and themes presented on the page.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image shows a page from a book, possibly a historical document or an old manuscript. The page is divided into two sections. The top section contains text written in a foreign language, possibly Latin or an ancient script. The text is printed in a black font on a white background, with some words highlighted in bold. The bottom section features an illustration of a person standing in front of a building, possibly a church or a castle. The illustration is in black and white, with some shading and details added to give it depth and dimension. Overall, the image appears to be a page from an old book or manuscript, possibly related to history, religion, or art.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image is a page from a book with an old-fashioned appearance, featuring handwritten text and illustrations. The text is written in an ornate, cursive style typical of medieval manuscripts. The page is divided into two main sections. The upper section contains the title "CANTO XIX" in bold letters, indicating that this is the nineteenth canto of a larger work. Below the title, there is a mix of Latin and Italian text, suggesting that the book is a literary or historical work, possibly a poem or a historical narrative.

The lower section of the page includes an illustration. The illustration depicts a scene with several figures, possibly representing a historical or mythological event. The figures are depicted in a style consistent with medieval art, with detailed clothing and expressions. The scene appears to be set in an outdoor environment, possibly a garden or a field, with some elements of architecture visible in the background.

The page also includes a watermark or stamp in the upper right corner, which reads "De Simonia." This suggests that the book may be related to the historical figure Simon Magus or the concept of simony, which refers to the buying or selling of spiritual things.

Overall, the image is a glimpse into a historical text, likely from the medieval period, with a combination of literary and artistic elements.

Text analysis

Amazon

CANTO
XIX
ondio
midixe
Haisemeretrice teritiana:
quagiumhanofomerlolelulinghe
auante
&hor
&hor horain
poco
gracie.
midixe uifo un auante
horain
iuiupato
D
Gnatoe
ondiononhebbimailaliguaafciua
Apprehlocio
Ecquincifienolenoftreuiltefatie
fichela
dipoi
uifo
moine
duca
grandiapudteanzimarauiglole
un
quagiumhanofomerlolelulinghe dono trafoehomilira D
fichela faccial poco piu
ondio ondiononhebbimailaliguaafciua madoto fchiauett: domidado dipoi
laiciaf
Apprehlocio duca afachepinghe gracie. ladula
piu
chelafigraffiaconlunghiemerdolc
afachepinghe
odorich
ldono Gnatoe era ftato
fchiauett:
dono
madoto
era ftato
faccial
trafoehomilira
glocchiattinghe
Thaydelaputanacherifpole
Diquellalozafcapiglatafante
ldono
Et
horafuli
ladula
facofciafTi
grandiapudteanzimarauiglole jexgiti odorich facofciafTi
Ecquincifienolenoftreuiltefatie &oraite fua laiciaf iuiupato
domidado
&oraite
explicar:
glocchiattinghe la moine
jexgiti
fua
la
s

Google

traföe
dono
ácilla:o
fchiauerta:&
domádádo
dipoi
D
gnatõe
pelqle
glhauea
mádoro
licilla
fe
el
era
ftato
grato
a
thaide:&
leigli
referiua
gráde
gratie.
Gnatõe
p
adularlo
rifpofeno
gradi.magrádiffime.Fu
adung
laduia
tore
gnatone:Mael
poeta
pone
qthaide:&
pcb
diuolúta
diqla
luiufo
ladulatice.
Erpche
ogni
meretrice
pche
no
fichela
ben
amão
Ma
pecunia
afciua
Appreffociolo
duca
fachepinghe
uifoun
piu
gencratioi
dadulatori
Achi
di
chenoe
&dignita:béche
cofuileuitio
la
tutto
ifimi:&
aifimo
guadagno
itéti.
Adunq
po
&horfaccofcia:&
hora
in
piediftate
fealexo
pe
primi:&
thais
pefecodi.
SCAPIglata
fantela
péna
delluxuriofo
ornatadcapegli
e
cb
fuffi
lcapig
ta:&la
péa
della
ritrofa
fupbia
iuerfoglamatori
fuoi
chlia
Thaydelaputana
cherifpofe
al
drudo
fuoquando
dixe
hoigratic
fite
&chiaua
del
torméto
&
ligia
lorddi
fecia
punifcono
grandiapudteanzimarauiglole
Etquinci
lienolenoftreuifte
fatie
etropiexqfiti
odori
clb
iuita
ipie
ha
fua
alegoria
mamegloalaíciaf
iufupato
nela
obicurita
qllochoneftaméte
nofi
puo
explcaf.
CANTO
XIXDELAPRIMA
CANTICADIDANTHE
fequaci
chele
cofedidiochedi
bontate
debon'cffere
fpofe.
uoirapaci
Peroro
perargento
adulterate
horcouieche
per
uoifóni
latromba
pero
chenellaterzabolgiaftate.
Gia
alla
fequente
tomba
montatidelofcoglo
quellaparte
chappútofouralmezo
dlfofopioba.
Smonn
Quefoeldecionono
cantó
heldle
terza
bolgia
elimo
aci
Efioniauendita
o
copera
dele
cofe
tualico
cocofe
egualeti
déari.aduq
uede
facrameti
prezo
orone
factita
uita
dotrina
fimoniaco.elquaie
urene
Simo
magho:elqle
fu
prio
ch
této
qita
fcelleratezanel
nuouo
teftaméto.lche
apertaméte
fitéda
fcripto
ne
glacti
delappoftoli
che
dopo
morte
prothomartyre
StepháoPhilippo
predicaua
uerbú
deii
Samaria
couertiua
molti
pergliincredibili
miracholiche
feccea.
ERA
nelmedelio
fimoe
philofopho
magho
elquale
perlecofe
faccea
co
fue
artimaghe
i
föma
auctorita
reputatiõe.Coftui
infieme
coglaltri
credecte
Philippo
fpirito
mauenuti
quegli
riceuettono
lofpirito
fito.llperche
parédo
gran
cofa
Simoneche
pel
porre
dela
máo
factouenili
offerfe
glapoftoli:&
loro
adoffo
baptezato
ofpirito
hauere
non
forte
quefto
tuo
edirito
conípecto
dio.
tua
priegha
poffibile
quefta
fi
parta
cuor
perche
ti
efferenel
quegliche
con
lecofe
teftamentouecchio
eronodenominati
da
GIEziferuo
dhelifeo
propheta.Curo
HELlfco
propheta
dala
lebra
NAaman
principedela
militia
uirtu
lui:béche
arrechati
affai
thefori.Ma
Gieziferuo
partitoli
gia
Namagiádodrieto
raggulelo:et
fixe
dued
figluoli
de
pfeni
fuffio
uenuti
allui
dal
mote
ephraim
domádo
taléto
ueftemutatorie.Naamágli
decte
le
uefte
due
taléti.Conobbe
CANTO XIX quagiumhano fomerfolelufinghe t Haisemeretrice terétiana: Alağle traföe ho mitiaf dono una ácilla:o uuoi fchiauerta:& domádádo dipoi D gnatõe pelqle glhauea mádoro licilla fe el dono era ftato grato a thaide:& fe leigli referiua gráde gratie. Gnatõe p adularlo rifpofeno gradi.magrádiffime.Fu adung laduia tore gnatone:Mael poeta pone qthaide:& pcb diuolúta diqla luiufo ladulatice. Erpche ogni meretrice pche no fichela faccia ben coglocchiattinghe amão lhas Ma la pecunia fua tépre fono piene dimoine & ondio nonhebbimaila ligua afciua Appreffociolo duca fachepinghe midixeel uifoun poco piu auante Diquellafozafcapiglata fante adulatioi Etpcbfono due gencratioi dadulatori Achi di chelafigraffiaconlunghiemerdofe chenoe &dignita:béche cofuileuitio la macchino. Et alcunial tutto ifimi:& aifimo guadagno itéti. Adunq po &horfaccofcia:& hora in piediftate fealexo pe primi:& thais pefecodi. SCAPIglata fantela péna delluxuriofo ornatadcapegli e cb hora fuffi lcapig a ta:&la péa della ritrofa fupbia iuerfoglamatori fuoi chlia Thaydelaputana cherifpofe al drudo fuoquando dixe hoigratic fite &chiaua del torméto & ligia lorddi fecia punifcono grandiapudteanzimarauiglole Etquinci lienolenoftreuifte fatie etropiexqfiti odori clb iuita cercaua &cb hora facofciaffi &ora ftefi ipie ha fua alegoria mamegloalaíciaf iufupato nela fua obicurita qllochoneftaméte nofi puo explcaf. CANTO XIXDELAPRIMA CANTICADIDANTHE Simon maghoomiferi fequaci chele cofedidiochedi bontate debon'cffere fpofe. & uoirapaci Peroro & perargento adulterate horcouieche per uoifóni latromba pero chenellaterzabolgiaftate. Gia erauamo alla fequente tomba montatidelofcoglo in quellaparte chappútofouralmezo dlfofopioba. De Smonn e Quefoeldecionono cantó heldle diioftra che nela terza bolgia fono puiti elimo aci Efioniauendita o copera dele cofe facre & fpiri tualico déari& cocofe egualeti a déari.aduq chi uede o copera e facrameti dela chiefia.oalchia degnita fpirituale.o benefici.o altre cofe fimih:dele qlieluero prezo eno orone argéto:ma factita di uita &dicoftumi:&uirtu:& dotrina e fimoniaco.elquaie nome urene da Simo magho:elqle fu el prio ch této qita fcelleratezanel nuouo teftaméto.lche accioche piu apertaméte fitéda e fcripto ne glacti delappoftoli che dopo la morte del prothomartyre StepháoPhilippo predicaua uerbú deii Samaria & couertiua molti pergliincredibili miracholiche feccea. ERA nelmedelio tépoiquellacitta fimoe philofopho & magho F elquale perlecofe che faccea co fue artimaghe era i föma auctorita & reputatiõe.Coftui infieme coglaltri credecte a Philippo & baptezofi.Maáchora ne baptezati di famaria no era lo fpirito facto: mauenuti poi Pietro & louáni ororono pe baptezati:& dopo loratiõe pofono loro lemái adoffo: & quegli riceuettono lofpirito fito.llperche parédo gran cofa a Simoneche pel porre dela máo lofpirito factouenili offerfe pecunia a glapoftoli:& loro glideffino tale potefta: che ponendo la mano adoffo al baptezato gliuenefi ofpirito anctoalquale rifpofe Piero.La pecunia tua fia teco inperditione.Etcerto perche tu ftimafti che eldono di dio fi poeffi hauere per pecunia tu non hai parte ne forte in quefto fermoe.ETelcuor tuo non edirito nel conípecto di dio. TIENTIla tua pecunia:& priegha idio fe poffibile e che quefta cogitatione fi parta del cuor tuo: perche io ti ueggo efferenel fiele dellamaritudine:&neluinculo dela iniquita. DA quefto SIMOne adunque fono decti fimoniacinel nuouo teftamento quegliche contractano con prezo lecofe lacre.COMEnel teftamentouecchio eronodenominati da GIEziferuo dhelifeo propheta.Curo HELlfco propheta dala lebra NAaman principedela militia del redi Syria in uirtu di dio. NEVOLLE riceuere alchupremio da lui:béche glhaueffi arrechati affai thefori.Ma Gieziferuo dhelifeo partitoli gia Namagiádodrieto & raggulelo:et fixe che dued figluoli de pfeni fuffio uenuti allui dal mote ephraim & domádo ploroun taléto dargéto:& due ueftemutatorie.Naamágli decte le uefte & due taléti.Conobbe
XIX
quagiumhano
fomerfolelufinghe
t
Haisemeretrice
terétiana:
Alağle
ho
mitiaf
una
uuoi
faccia
coglocchiattinghe
lhas
tépre
fono
piene
dimoine
ondio
nonhebbimaila
ligua
midixeel
poco
auante
Diquellafozafcapiglata
fante
adulatioi
Etpcbfono
chelafigraffiaconlunghiemerdofe
macchino.
Et
alcunial
cercaua
&cb
facofciaffi
&ora
ftefi
Simon
maghoomiferi
erauamo
De
diioftra
puiti
facre
fpiri
déari&
chi
chiefia.oalchia
degnita
fpirituale.o
benefici.o
altre
fimih:dele
qlieluero
eno
argéto:ma
&dicoftumi:&uirtu:&
nome
accioche
tépoiquellacitta
F
baptezofi.Maáchora
baptezati
famaria
lo
facto:
poi
Pietro
louáni
ororono
baptezati:&
loratiõe
pofono
lemái
adoffo:
glideffino
tale
potefta:
ponendo
mano
gliuenefi
anctoalquale
rifpofe
Piero.La
fia
teco
inperditione.Etcerto
tu
ftimafti
eldono
dio
poeffi
hai
parte
fermoe.ETelcuor
nel
TIENTIla
pecunia:&
idio
cogitatione
tuo:
io
ueggo
fiele
dellamaritudine:&neluinculo
iniquita.
DA
SIMOne
adunque
decti
fimoniacinel
teftamento
contractano
lacre.COMEnel
redi
Syria
NEVOLLE
riceuere
alchupremio
glhaueffi
ploroun
dargéto:&