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Human Generated Data

Title

Canto XVI. Circle 7 (Round 3) / The Violent Against Nature

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5274

Human Generated Data

Title

Canto XVI. Circle 7 (Round 3) / The Violent Against Nature

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5274

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.6
Page 98.5
Newspaper 95.5
Paper 77.5
Advertisement 67.6
Poster 67.6
Brochure 60.5
Flyer 60.5
Letter 58.7

Clarifai
created on 2019-11-03

text 97.6
page 95.2
print 93.8
old 93.6
vintage 93.3
no person 93.1
paper 91.5
document 91.4
retro 89.4
book bindings 89.2
desktop 87.6
art 85.6
illustration 84.8
bill 84.3
antique 84.3
picture frame 83
vertical 82.9
poetry 82.2
manuscript 81.9
people 79.7

Imagga
created on 2019-11-03

book 42.9
binding 40.1
cloud 39.7
product 38.6
newspaper 36.8
definition 32.4
brass 32.4
creation 32.4
association 31.6
cover 30.6
artwork 30.3
creative 30.1
advertising 28.9
associated 27.7
composition 27.4
brochure 27.3
carpet 27.3
advertise 27.3
backdrop 27.3
collection 27.1
advertisement 27.1
decorative 26.8
design 26.5
text 26.3
art 26.2
decor 25.7
conceptual 25.6
memorial 25.4
idea 25
element 24.9
graphic 24.1
decoration 23.9
old 23.8
business 21.9
daily 21
fabric 20.8
information 20.4
continuity 19.8
religion 19.8
drapery 19.7
page 19.5
bible 18.7
prayer 18.4
letter 18.4
data 18.3
structure 17.7
antique 17.5
religious 16.9
paper 16.5
holy 16.4
read 15.4
faith 15.4
god 15.4
word 15.1
keywords 14.8
menu 14.7
detail 14.5
print 14.2
open 13.5
spiritual 13.5
copy 13.3
testament 12.9
book jacket 12.6
fare 12.2
ancient 12.1
church 12.1
gospel 11.9
document 11.2
communication 10.9
words 10.8
new 10.6
chapter 9.9
scripture 9.9
history 9.9
jacket 9.8
pages 9.8
education 9.5
development 9.5
cross 9.5
writing 9.4
money 9.4
study 9.4
energy 9.3
journal 9.2
vintage 9.1
rosary 8.9
passage 8.9
belief 8.8
king 8.8
collage 8.7
company 8.4
texture 8.4
close 8
analysis 7.8
best 7.8
pray 7.8
ink 7.7
saint 7.7
wrapping 7.5
black 7.2
map 7.2
day 7.1

Google
created on 2019-11-03

Text 96.8
Paper 89.3
Newsprint 79.3
Document 76.8
Paper product 74
Font 68.6

Microsoft
created on 2019-11-03

text 100
letter 92.2
book 83.3

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Imagga

text visuals 99.1%

Captions

Clarifai
created by general-english-image-caption-blip on 2025-05-03

a photograph of a book with a picture of a man in a suit and tie -100%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image depicts a page from an old book, which appears to be from Dante Alighieri's "Divine Comedy," specifically from the section labeled "INFERNO." The text is printed in a classic serif font, typical of early printed manuscripts. The page is divided into two columns of text, with sections highlighted using large, bold initial letters.

On the left column, the text is organized into clearly defined paragraphs, some of which contain notable capitalized words. The left column also features larger, ornate initial letters that begin significant sections.

The right column contains more densely packed text, describing various aspects of the narrative. Towards the middle of the page, there is a bold, black-and-white illustration that depicts a scene from Dante's "Inferno." The illustration appears to show several figures engaged in a dramatic scenario, likely illustrative of one of the punishments described in Dante's vision of Hell.

The page shows some signs of age, such as slight discoloration and minor stains, which adds to its historic charm. The overall layout is typical of early printed books, combining text with illustrative elements to enhance the reader's understanding of the narrative.

Created by gpt-4 on 2025-01-31

This image features a page from an old printed text, most likely a historical book or a reproduction thereof. The text is printed with a black, now slightly faded ink and features a column format, with each line justified to create a neat block of text.

Two columns of text occupy the majority of the page. The language appears to be an older form of Italian, indicated by some recognizable words and the general character of the script, which suggests it might be a page from Dante's "Divina Commedia," possibly the "Inferno" given the word at the top right of the page.

In the bottom right corner, there is an illustration in the style typical to woodcut prints from the Renaissance period. The image depicts a group of human figures in a bleak and possibly tormented scenario, which further implies that this may be illustrating an event from "Inferno," a section of Dante's epic where souls are punished in hell according to their sins on earth.

The text is heavily annotated with a smaller script commenting on or explaining parts of the main text, likely offering interpretations or scholarly notes. These annotations surround the body text, filling the available margins. The header of the page, in larger, bold type, indicates this is a major section or chapter, utilizing capitalized lettering.

The specific content of the text and illustration would require translation to discern more detailed information about the subject matter being discussed or represented on this particular page.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from an early printed edition of Dante's Inferno, likely from the late 15th or early 16th century. The page contains text in Italian/Medieval Italian, formatted in two columns, with a woodcut illustration at the bottom. The illustration depicts a scene from the Divine Comedy, showing several figures in a landscape. The page appears to be from Canto XVI of the first cantica (Inferno). The text includes both the main poem and what appears to be commentary or explanatory notes. The page is aged but well-preserved, with some slight discoloration typical of old paper. There's an ornate decorated initial letter "G" visible in the text. The overall layout and typography are characteristic of early Renaissance printing practices in Italy.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows a page from an old book, likely Dante's Divine Comedy based on the text and illustration. The text is in Italian and appears to be discussing part of the story, the "Inferno" section. On the right side is a black and white illustration depicting a scene from Inferno, showing figures in a hellish landscape with flames and rocky terrain. The drawing style looks medieval or Renaissance era.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be an illustration from what looks like an old text or book. The text is written in Italian and the illustration depicts a rather dark, ominous scene. There are several figures or silhouettes in the image, which appears to be a depiction of some kind of underworld or hellish landscape. The text surrounding the image provides additional context, though without being able to fully understand the language, I can only describe the visual elements I observe in the image itself.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image is a page from an old book, likely printed in the 16th century. The page is written in Latin and features a woodcut illustration of a scene with people and animals.

  • Text
    • The text is written in a formal, cursive script.
    • It appears to be a passage from a literary or historical work.
    • The text is divided into sections, with headings and subheadings.
    • The language is Latin, which was commonly used for formal writing during the Renaissance period.
  • Illustration
    • The illustration is a woodcut, which was a common printing technique during the 16th century.
    • The scene depicts a group of people and animals, possibly in a landscape or a market setting.
    • The illustration is detailed and intricate, with many small figures and objects.
    • The style of the illustration suggests that it may have been created by a skilled artist or craftsman.
  • Page Layout
    • The page is formatted with a wide margin on the left side.
    • The text is arranged in columns, with headings and subheadings in larger font sizes.
    • The illustration is placed at the bottom of the page, below the text.
    • The page has a decorative border around the edges, which adds to its formal appearance.
  • Overall Impression
    • The page gives the impression of being a rare and valuable document.
    • The use of Latin and the formal script suggest that it may have been intended for a specific audience or purpose.
    • The illustration adds a touch of elegance and sophistication to the page.
    • Overall, the page appears to be a well-crafted and beautiful example of Renaissance-era printing and illustration.

The image is a page from an old book, likely printed in the 16th century. The page is written in Latin and features a woodcut illustration of a scene with people and animals. The text is divided into sections, with headings and subheadings, and the illustration is detailed and intricate. The page has a decorative border around the edges and gives the impression of being a rare and valuable document.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image depicts a page from an old book, featuring a passage of text in Italian and an illustration. The text is written in black ink on a beige background, with the title "INFERNO" at the top. The passage appears to be from Dante Alighieri's Divine Comedy, specifically from the Inferno section.

The illustration is located below the text and depicts a scene from the Inferno, showing people being punished in hell. The illustration is done in black and white and features intricate details, including flames, demons, and suffering souls.

The page also includes a decorative border around the edges, which adds to the overall aesthetic of the image. The border is made up of intricate designs and patterns, which are typical of medieval manuscripts.

Overall, the image provides a glimpse into the artistic and literary style of the medieval period, showcasing the beauty and complexity of illuminated manuscripts.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image shows a page from an old book. The page has a large black-and-white illustration at the bottom. The illustration shows a scene with several people. The text is written in a language that is not English. The text is in a cursive style and is written in black ink. The page has a watermark in the top right corner. The watermark is a small image of a person.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image is a scanned page from a book, featuring a text and an illustration. The text appears to be from an old book, written in a language that is not English, likely Italian or another Romance language. The text is divided into sections with headings such as "INFERNO" and "CANTO XVI. DEL PRIMO CANTICA DIANTE." The text is written in a cursive, old-fashioned style, and it is accompanied by an illustration on the right side of the page. The illustration depicts a scene with people in medieval attire, possibly representing a story or a scene from the text. The page has a vintage look, with a yellowed, aged appearance.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-04-29

Here's a description of the image based on the provided OCR and visual elements:

Overall Impression:

The image is a page from an old printed book. It's clearly a historical text, likely dating back several centuries. The style of the font, the use of black ink on aged paper, and the woodcut illustration all point to a period before modern printing techniques. The language seems to be Italian.

Textual Content:

  • The text appears to be a section of a longer narrative, likely a poem or historical account.
  • The OCR identifies the words "INFERNO" and "CANTO. XVI. DELA PRIMA CANTICA DIDANTHE", suggesting that it's from "Inferno," the first part of Dante Alighieri's Divine Comedy.
  • The text itself contains a mix of narrative, description, and commentary, typical of Dante's work. It discusses various figures, themes, and ideas that reflect the time the book was published.

Visual Elements:

  • Woodcut Illustration: There is a woodcut illustration at the bottom of the page. It depicts a scene with several figures. They appear to be walking in a harsh landscape. There are flames surrounding the people.
  • Text Layout: The page's layout is typical of early printed books: a single column of text with the woodcut illustration is surrounded by text. The ornate "G" marks the beginning of a new section.

In summary, it's a page from an early printed edition of Dante's Inferno, combining the textual richness of the poem with a woodcut illustration depicting a scene from the infernal journey.

Created by gemini-2.0-flash on 2025-04-29

Here's a description of the image based on the provided information:

Overall Impression:

The image is a page from an old, possibly medieval or early Renaissance book. It combines text with a small woodcut illustration, typical of early printed materials.

Text:

The majority of the page is filled with dense text, printed in a serif typeface. The text is likely Italian, given the words "INFERNO", and phrases, like "CANTO. XVI. DELA PRIMA CANTICA DIDANTHE." The text is formatted in two columns.

Illustration:

At the bottom right of the text area, there's a woodcut illustration. This depicts a scene with several figures, likely related to the text above it. It appears to show individuals in draped clothing, possibly from a religious or historical context. The art style is simple and reminiscent of early printing techniques.

Ornamental Element:

On the left of the illustration, there's an ornamental letter "G" with ornate internal patterns, likely an initial for a section or chapter.

Overall Feel:

The image evokes a sense of history, scholarship, and the transition from manuscript culture to print culture. The contrast between the dense text and the simple illustration is characteristic of early printed books.

Text analysis

Amazon

poteui
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INFERNO.
bacchillone
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lafurger nuoud
.1713
efler no
co.Etpchetalihonasponciaprcaanop
in2aculatod
'Fra

Google

efer
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v2 INFERNO. отило fhaueffihauuto di tal tigna brama fileggache prifciáo fufi maculato di tal uitio.ma credo Colui poteui chi dal feruo deferui fu trafmutato darno in bacchillone co.Et pche tali homini fonocomuneméte maculatipha doue lafcio li mal protefi nerui Dipiu direimal uenire el fermone piu logo efler no popho chio ueggio noifieme col texto.DAL feruo de ferui.Dal papa:elqle lafurger nuouo fumo del fabione titulo phumilita truouo papa Gregorio prio.FV TRA checome nel purgatorio el poeta pofe catone pia hber ta:cofi i quefto luogho poneffi prifcianopognagrámati uer copia di giouenetti:pho lo pone i qto luogho. Erá cefco fu iuriicofulto notabiliffimo figliolodiqllo accor fo fiorétino:elqle fcripfe le iofe a le leggi :leğle fe fcriuo- Gente uien conlaqual effer no deggio mutato darnoibacchilone. Miler Andrea de mozi fieti racomandato el mio theforo nel qliuiuo áchor & piu no chieggio ta:mifer thomafo caualiere fiorétno fuo fratello curo G fuuefcouo di firéze: elquale &pche era di molto puoca prudétia:& al tutto fanza alcu fale &difnonefto fodomi iformapallontanarloda feche fu pmutato pNicolao orfino fumo pontifice al uefcouado di Vicétia. Adúque pche arno fiume pafla pelmezo di Firenze.& bacchilone corre lúgho le mura di uicentia.Pone efiumip acitta.Coftui morédo a Vicétia ui lafcio el corpo.LI MAli ptefi.cioe diftefi nerui. imphoche era qfico tradoplegotti.Oueraméte ítéde cofa obfcena &baft.& dixe male ptefi-pchecontro anatura glexer citaua.GENtecon laqle effer nondeggio.Qui dinotache béchep tutto qftogyrone fieno puniti e pec catoricontro a natura:niétedimeno pche uarie fono le fpecie di tal peccato:pche puo cffere mafchio con mafchio & femina con femina. lche dimoftra fancto Paulo ad romanos. Perhonarra che qigliche lui ue denon fono di fua gregge. SIETI racomádato el mio theforo. Dicémo difoprache fer Brunetto fcrife due ope.La pría íligua fiorétina &iuerfi:ne laqle tracta de coftumi de glhuomini: &de cafi & mutatioe della fortuna:&dello ftato humano.&intitolollo Theforeto.laltra emaggiore:&chiamala theforo.&e fcrittai ligua frázefe &i profa.&diuifai tre libri.Elprimo e qficronica de tépi & delle cole fatte neluec chio &nuouo teftaméto:&de regni de gétili.de ppheti.de glapoftoli.della adoptione della chiefia & de loperio romano tráflato a greci a frázen & alamáni.Ité de glelemétidel fitodelle regione. de glanimali Nelfecondo tractadi philofophia morale. Nel terzo da precepti rhetorici: 8fcriue de ladminiftratione dellecitta.El primo chiamo moneta ufuale. El fecodo pictre preciofe.elterzo oro puriffimo.Secodo al cunialtrieáchora fua opa qla che chiamano le chiaui del theforo. NEL qleiouiuo. Non douea lhuomo danato domádare cofa alcua appartenéte al corpo:pche priuato della uita corporalenon gli fono utili in alcua parte.Neáchora appertenéte a lanima:pche neldanato none redéptione. Reftaua aduque che cer cafliche la fama fua durafi.et qifto poteua efer fel fuo libro non piffi.Etpgfto lo racomáda a Dathe.lm phoche edocilodádo alcio librogli dáno reputatióe:& elibrireputati fon fcripti da molti:&ital modo uiuono. d Poifiriuolfe &parue di coloro che correno a uerona el palio uerde Etto leparole fi ruolfe idrieto prignugnere la fiza brigata:&corfecon quella uelocito che corrono a Veronael palio didrappouerde:elqle la pria domeni per la capagna & parue dicoftoro Coluicheuice & non colui che perde ca di quarefima glhuomini correnoa pie a Verona. CANTO. XVI.DELAPRIMA CANTICA DIDANTHE. Ia era iloco oue fudiel rim bombo de lacqua che cadea ne lal tro gyro fimila quel che larnic fano rombo Q uando tre ombreifieme fi partiro correndo duna torma che paflaua fotto la pioggia de lafpromartyro. Venien uernoi:& ciafcuna cridaua foftati tu challabito naffembri effer alcun dinoftra terra praua b Enche fiamutato el cato:niétedimeno an chora tracta el poeta della medefima ma seria laqle:ha tractato nel fupiore.xv.cáto.Po necome preffo al fine diqfto cerchio fcontro una fchiera di uioléticontro a natura:eqi furo no homini militari.era aduque arriuato a la ex
v2
INFERNO.
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