Human Generated Data

Title

Canto XII. Circle 7 / The Violent Against Their Neighbors; The Minotaur; The Centaurs; The River of Blood

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5270

Human Generated Data

Title

Canto XII. Circle 7 / The Violent Against Their Neighbors; The Minotaur; The Centaurs; The River of Blood

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5270

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Newspaper 99.9
Page 95.4
Paper 62.6

Clarifai
created on 2019-11-03

page 98
paper 96.6
vintage 96.2
old 95.6
desktop 95
text 94.6
retro 94.1
document 93.7
book bindings 92.7
texture 92.3
antique 91.6
illustration 90
picture frame 88.9
design 88.6
art 88
print 87.9
blank 86.8
manuscript 86.3
ancient 86
no person 85.1

Imagga
created on 2019-11-03

brass 67.8
memorial 53.2
cloud 52.7
cover 41.7
backdrop 41.3
definition 41.3
association 40.5
advertising 39.5
artwork 38.6
associated 38.6
brochure 38.1
creative 38.1
carpet 38
advertise 38
structure 37.9
composition 37.8
advertisement 37.7
decor 36.4
collection 36.2
element 35.7
design 35.5
conceptual 35.4
book 35
decorative 34.3
art 32.8
idea 32.1
newspaper 31.8
decoration 31.2
graphic 30
product 29.8
binding 29.3
information 26.6
letter 25.7
creation 24.9
data 24.7
fabric 24.6
old 23.7
continuity 22.8
text 22.8
drapery 22.7
daily 22
business 21.9
keywords 21.7
copy 21.3
word 18.9
bible 17.7
antique 17.5
collage 16.4
detail 15.3
religion 15.3
paper 14.9
page 14.9
development 14.3
religious 14.1
texture 13.9
holy 13.5
faith 13.4
ancient 13
energy 12.6
prayer 12.6
read 12.5
spiritual 12.5
black 12
communication 11.8
history 11.7
pattern 11.7
god 11.5
writing 11.3
open 10.8
vintage 10.8
church 10.2
life 10.2
chapter 9.9
testament 9.9
modern 9.8
best 9.8
mix 9.6
print 9.5
menu 9.4
mosaic 9.2
city 9.2
gospel 8.9
words 8.8
more 8.8
pages 8.8
analysis 8.8
textured 8.8
study 8.4
company 8.4
retro 8.2
aged 8.2
scripture 7.9
passage 7.9
fare 7.8
king 7.8
grunge 7.7
health 7.7
cross 7.6
document 7.4
day 7.1
surface 7.1

Google
created on 2019-11-03

Text 98.2
Paper 90.8
Document 82.1
Newsprint 81.1
Paper product 77.7
Font 68.6

Microsoft
created on 2019-11-03

text 100
letter 89.7
book 85.1
newspaper 76
handwriting 54.4
plaque 21.2

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image is a page from an old printed book that appears to be an early edition of Dante Alighieri's "Inferno," part of "The Divine Comedy." The page is written in Italian and seems to contain both prose and verse text. The top of the page includes the title "INFERNO" in capital letters. There is a woodcut illustration towards the top-right portion of the page. The illustration depicts a scene with multiple figures, some of whom appear to be in distress or torment, fitting the thematic elements of Dante's infernal landscape. The text includes introductory commentary about the canto followed by the text of Canto XII itself, as indicated by the heading "CANTO DODECIMO DELLA PRIMA CANTICA DI DANTHE." The layout shows different sections of text separated by ornate initial letters and a decorative border around the illustration. The page features a mix of regular and italicized fonts, providing a visual distinction between narrative commentary and the poetic verses of the canto. Overall, the page combines rich literary content with early printmaking and illustrative techniques characteristic of old manuscripts and early printed books.

Created by gpt-4 on 2025-01-31

This image depicts a page from an old book with text in an early form of the Italian language, which suggests it could be a historical print, possibly from the time of the Renaissance or thereabouts. The text is arranged in two columns and features a decorative initial "C" that marks the beginning of a new section or chapter. The page header is titled "INFERNO," indicating that this is a section dealing with the concept of Hell, perhaps from Dante Alighieri's "Divine Comedy." Moreover, the sub-header "CANTO VODECIMO DELLA PRIMA CANTICA DI DANTE." confirms that this is the twelfth canto of Dante's work, specifically from the first part known as the "Inferno" or Hell. Also present on the page is an illustration in the upper right quadrant. This woodcut shows a group of figures in a dense forest or thicket. The clothing and style of the figures suggest a medieval or Renaissance context, consistent with the time Dante wrote the "Divine Comedy." The illustration may depict a particular scene from Canto XII (twelfth canto) of Dante's "Inferno," which involves the punishment of violent individuals within the seventh circle of Hell. The combination of text and illustration indicates that this page most likely comes from an early printed edition of Dante's "Divine Comedy," a critical work of Italian literature and one of the greatest works of world literature. The precise edition cannot be determined from this image alone, but it would be a valuable artifact for historians of literature or collectors of rare books.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from an early printed edition of Dante's Inferno, likely from the 15th or 16th century. The page features both text and a woodcut illustration. The text is in Italian and is formatted in two columns. At the top, there's a prose section, followed by the title "CANTO DVODECIMO DELLA PRIMA CANTICA DI DANTHE" (Canto Twelve of the First Canticle of Dante). The woodcut illustration in the middle of the page shows a dramatic scene with multiple figures in what appears to be a chaotic or violent setting, which would be consistent with the Inferno's themes. The illustration is done in the medieval style with bold lines and relatively simple compositions typical of early printed book illustrations. The text below the illustration continues with what appears to be commentary or explanation of the canto. The overall layout and typography is characteristic of early printed books, with decorated initial letters and dense text blocks. The page shows some age discoloration but appears to be well preserved.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows two pages from what appears to be an old book, likely printed in the late 15th or early 16th century based on the typography and woodcut illustration style. The text is in Italian and discusses the first canto (song) of Dante's Inferno from his Divine Comedy. On the right page is a detailed woodcut illustration depicting a scene from the Inferno. It shows Dante and his guide Virgil encountering tortured souls in one of the circles of Hell. The illustration has intricate linework typical of early printed books from that era. The dense, justified text is printed in an early italic typeface. Certain letters have distinct flourishes and ligatures common in renaissance printing before typefaces became more standardized. The ample margins and woodcut initial capital contribute to the book's classic style and design. Overall, it provides an intriguing glimpse of how Dante's hugely influential work was presented and embellished in printed editions not long after the invention of the printing press in Europe. The craftsmanship in both the typography and illustration is impressive for the time period.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be an illustrated page from a book. It contains a large illustration depicting a scene from what seems to be a literary or historical work, accompanied by a block of text in Italian. The illustration shows a group of figures engaged in some kind of activity or ritual. The text provides additional context and details about the scene depicted. The overall style and presentation suggest this is a page from an older, published work, possibly related to Italian literature or history.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The image presents a page from an old book, featuring a title at the top that reads "INFERNO" in bold, black font. Below the title, a paragraph of text is written in Italian, followed by a smaller section with a decorative border and a heading that reads "CANTO DVOECIMO DELLAPRIMA CANTICA DI DANTE." This section contains more text in Italian, accompanied by a woodcut illustration on the right-hand side. The illustration depicts a scene with several figures, including a man standing at the center, surrounded by flames. The background of the page is off-white, with a darker border around the edges, giving it an aged appearance. The overall design and layout of the page suggest that it is a reproduction of a page from Dante Alighieri's Divine Comedy, specifically the Inferno section. The use of Italian text and the woodcut illustration are consistent with the style of the Divine Comedy, which was written in the 14th century. The page's design and layout also evoke a sense of antiquity, with the off-white background and darker border giving it a worn and aged appearance. Overall, the image provides a glimpse into the visual and literary traditions of the Renaissance period.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

This image presents a page from an ancient book, featuring a poem in Italian. The title "INFERNO" is prominently displayed at the top, followed by a lengthy poem that occupies most of the page. The text is written in black ink on a yellowed paper background, with a decorative border surrounding the page. A notable feature of the page is a woodcut illustration situated in the center-right section. This illustration depicts a scene from Dante's Inferno, showcasing various figures and creatures. The overall design of the page suggests that it is a reproduction of an original work from the Renaissance period, likely created in the 15th or 16th century. The image provides a glimpse into the artistic and literary styles of the time, with its intricate typography, ornate illustrations, and classical themes. The use of Italian as the language of the poem adds to the page's cultural significance, highlighting the importance of the Italian Renaissance in shaping Western literature and art.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image shows a page of a book. The page has a black border around the text and an illustration. The text is written in a cursive font and appears to be in a foreign language. The illustration is a black-and-white drawing of a group of people standing in front of a building. The drawing is placed in the right corner of the page. The page has a watermark in the top right corner.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image is of a page from an old book. The page contains both text and an illustration. The text appears to be in a foreign language, possibly Italian, and is written in a cursive script. The illustration depicts a scene with several figures, one of whom is a man with a beard and a long robe, holding a staff and looking down at the ground. The man is surrounded by other figures, some of whom are holding weapons. The illustration appears to be in a style reminiscent of medieval art, with a dark and dramatic atmosphere. The page is bordered by ornate decorative elements, including a border of small circles and a larger circle in the center of the page.

Text analysis

Amazon

INFERNO
chealchufe
DANTHE.
re
quintadecima
prime
Epefci
re pocta pone
Saliuono
fanno
fuori
pone
pocta
tramontana. prime
giace.
carro
truoua
&feptetrione
lariete
Ma
dixe:&
tutto
accuratamete.
fottoe
fito
ne
dixe:& foprachoro giace.
truoua Epefci fono
quado
tramontana.
orizonte.
wlcimoleenodelzodiaco:&lfonocaladi Glove 8 Ma ne piu
in.
DI
de
RalolocdaecemDELLAPRIMACANTICAD DI DANTHE.
icimcto giorno. fuori tutto elfegno de
Aduque
in. uma chealchufe
accuratamete. .EL
piu
foprachoro
wlcimoleenodelzodiaco:&lfonocaladi Glove 8
elleoneepe
elfegno
giorno.
diridto fanno Aduque quado elleoneepe
zodiaco
zodiaco orizonte. Saliuono alhora
obeche lultima
fono
.EL
ltemone.
icimcto
lcarro
&feptetrione lcarro aocCidente
RalolocdaecemDELLAPRIMACANTICAD
alhora
uma
diridto
INFERNO OraD
aocCidente
OraD

Google

.CMOIO INFERNO OTMAD Sotto e decto orizonte.Et pche el cielo in.xxii.hore fa una interareuolutione conuié fépre che alchú fe gnodelzodiaco falga al noftro orizonte.Saliuono alhora epefci:eqlicõe ho decto durano una hora:8 la quintadecima parte di quella reffera tutti fuoridellorizote:& doppo quegli furgeua lariete col fole el na iciméto delqle fa el giorno.Adúque táto reftaua della nocte quáto duraua a ufcir fuori tutto el fegno de pefci:&áchora tutti quelli gradi dellariete:che erano innázi al grado doue fitruoua el fole. Epefci fono fultimo fegno del zodiaco:&fonocafa di Gioue: &daqfta triplicita. Ma'nel purgatorio ne diremo piu accurataméte.EL Carro tutto foural chorogiace.Quefto e elfecondofegnochelpocta pone adimoftra re che elgiorno fappropinqua.Imphoche fe alhora nafceuono epefciconueniua che elleone fegno oppo fito a quegli andafiiotto.llche accioche meglio fintéda.El carro fono fepte ftelle leqli girono itorno ala tramontana.Etle quatro prime ftáno adue adue & fáno el carro: & tre poiuégono in filo béche lultima alquáto torca & fanno el temone. Quefta ultima e fenapre diricta alleone. Aduque quádo el leone e per tramontare el temone e diricto a occidéte:8le quattroche fanno el carrofono gia uoltate tra occidente &feptétrione ondefpira eluéto choro.Aduque rectaméte dixe:& elcarro tutto foprachoro giace. CANTODVODECIMO DELLA PRIMA Raloloco oue afeender la riua uenimo alpeftro & pquel che ueranco CANTICA DI DANTHE. tal chogni uiftane farebbefchiua Quale equella ruina:che nel fiancho dila da trento ladice percoffe: oper tremoto oper foftegno mácho Che da cima del monte onde fi mofle al pianto efilaroccia difcofcefa: chalchuna uia darebbe a chifu foffe Cotal diquel burrato era lafcefa fula puntadellaropta lacca la infamia di creta eradiftefa: Chefuconcepta nella falfa uacca: &quando uide noife fteffamorfe ficomequeichelira drento fiacca i Nquefto duodecimo cáto difceriue elpoeta la fcefa delfexto cerchionel feptimo: &queilo diuide coe difopra habbiamodecto & pouiefupplici de uioléti pri monel proximo: dipoi i fe medefimo:&ultimaméte ídio:& ponea guardia del luogho emonftruofice tauri:&maxime el minotauro dicreta:8dimoftrach quefta fcefa era uno precipitiodimaffi ropti & ro nata doue e el principio della fcefa era diftefo el minothauro. Elmonte barcho hauédo molto corrofe le fue radici dal fiume:opqucfto:opterremotirouino igrá parte iful ladice fiume iformache qllo pbuo nofpatio fe difcoftare:&pqftarouina la roccia:cioela rocca.i.emaflfi & la ripadel mote e fi difcofcefa da la cima al piano che darebbr alchua uia:béchenon fufi molto facile.ACHI fu fuffe:cioe a chi fuffi in ci púta.i fu la cima.DELla ropta lacca:cioe fcefa da qfto uerbo labor.ERA ditefa.qigiaceua LA INfamia dicreta:cioe el minothauro:elqle natoí creta ifolà hoggi decta cádia era ifamia dela dicta ifola effendo no huomo ma cofa moftruofa.LAqleifamia:cioemottro.FV Concepta: cioe elql minothauro fu coce puto.NELla falla uacca llche accioche piu aptaméte fintéda brieueméte narraremo la fauola. Perche Venerenelladulterio elğlcometteua co Marte fufcopta dalfole:& accufata al fuo marito Vulcano. Di uéto táto inimica a qlloche no potedofiućdicare di lui fiuédicofopra le figluole. Adug effedo Pafiphe moglie di Minos re dicreta:& figluola delfole fu táto difordiatamce icitata a libidie da Venef che fico duxe ad amare un thoro degliarméti delmarito.Alchui dicono che defiderádo Minos nel facrificio elq leuoleua fare a loue fuo padre hauer aial couenicte a táto iddio:ioue gli mádo un molto bello & formo fo thoro.Maminos comoffo da auaritia & cupidita di fibello aiale lo mádo a fuoi arméti:&aioue facri fico un mé belo thoro.Onde irato ioue íduxe Pafiphe ad amar qllo. Maqluque fuffe elthoro: aggiúgo no che Pafiphe richiefe Dedalo che gli moftrafiichemodo fi potefficolamato thorocógiugnef. EtDe dalo fece di legnouna imagie di uaccha:&iqla la rinchiufe:&cofificcgiufe colthoro ftimádo qlla effer uaccha tioe nacque el minothauro moftro horrédo: elğle eramezo huomo & mezo tho
.CMOIO
INFERNO
OTMAD
Sotto
e
decto
orizonte.Et
pche
el
cielo
in.xxii.hore
fa
una
interareuolutione
conuié
fépre
che
alchú
fe
gnodelzodiaco
falga
al
noftro
orizonte.Saliuono
alhora
epefci:eqlicõe
ho
durano
hora:8
la
quintadecima
parte
di
quella
reffera
tutti
fuoridellorizote:&
doppo
quegli
furgeua
lariete
col
fole
na
iciméto
delqle
giorno.Adúque
táto
reftaua
della
nocte
quáto
duraua
a
ufcir
fuori
tutto
fegno
de
pefci:&áchora
quelli
gradi
dellariete:che
erano
innázi
grado
doue
fitruoua
fole.
Epefci
fono
fultimo
del
zodiaco:&fonocafa
Gioue:
&daqfta
triplicita.
Ma'nel
purgatorio
ne
diremo
piu
accurataméte.EL
Carro
foural
chorogiace.Quefto
elfecondofegnochelpocta
pone
adimoftra
re
elgiorno
fappropinqua.Imphoche
nafceuono
epefciconueniua
elleone
oppo
fito
andafiiotto.llche
accioche
meglio
fintéda.El
carro
fepte
ftelle
leqli
girono
itorno
ala
tramontana.Etle
quatro
prime
ftáno
adue
&
fáno
carro:
tre
poiuégono
in
filo
béche
lultima
alquáto
torca
fanno
temone.
Quefta
ultima
fenapre
diricta
alleone.
Aduque
quádo
leone
per
tramontare
temone
diricto
occidéte:8le
quattroche
carrofono
gia
uoltate
tra
occidente
&feptétrione
ondefpira
eluéto
choro.Aduque
rectaméte
dixe:&
elcarro
foprachoro
giace.
CANTODVODECIMO
DELLA
PRIMA
Raloloco
oue
afeender
riua
uenimo
alpeftro
pquel
ueranco
CANTICA
DI
DANTHE.
tal
chogni
uiftane
farebbefchiua
Quale
equella
ruina:che
nel
fiancho
dila
da
trento
ladice
percoffe:
oper
tremoto
foftegno
mácho
Che
cima
monte
onde
fi
mofle
pianto
efilaroccia
difcofcefa:
chalchuna
uia
darebbe
chifu
foffe
Cotal
diquel
burrato
era
lafcefa
fula
puntadellaropta
lacca
infamia
creta
eradiftefa:
Chefuconcepta
nella
falfa
uacca:
&quando
uide
noife
fteffamorfe
ficomequeichelira
drento
fiacca
i
Nquefto
duodecimo
cáto
difceriue
elpoeta
fcefa
delfexto
cerchionel
feptimo:
&queilo
diuide
coe
difopra
habbiamodecto
pouiefupplici
uioléti
pri
monel
proximo:
dipoi
medefimo:&ultimaméte
ídio:&
ponea
guardia
luogho
emonftruofice
tauri:&maxime
minotauro
dicreta:8dimoftrach
quefta
uno
precipitiodimaffi
ropti
ro
nata
principio
diftefo
minothauro.
Elmonte
barcho
hauédo
molto
corrofe
le
fue
radici
dal
fiume:opqucfto:opterremotirouino
igrá
iful
fiume
iformache
qllo
pbuo
nofpatio
difcoftare:&pqftarouina
roccia:cioela
rocca.i.emaflfi
ripadel
mote
difcofcefa
piano
darebbr
alchua
uia:béchenon
fufi
facile.ACHI
fu
fuffe:cioe
chi
fuffi
ci
púta.i
cima.DELla
ropta
lacca:cioe
qfto
uerbo
labor.ERA
ditefa.qigiaceua
LA
INfamia
dicreta:cioe
minothauro:elqle
natoí
ifolà
hoggi
decta
cádia
ifamia
dela
dicta
ifola
effendo
no
huomo
ma
cofa
moftruofa.LAqleifamia:cioemottro.FV
Concepta:
cioe
elql
minothauro
coce
puto.NELla
falla
uacca
llche
aptaméte
fintéda
brieueméte
narraremo
fauola.
Perche
Venerenelladulterio
elğlcometteua
co
Marte
fufcopta
dalfole:&
accufata
fuo
marito
Vulcano.
Di
uéto
inimica
qlloche
potedofiućdicare
lui
fiuédicofopra
figluole.
Adug
effedo
Pafiphe
moglie
Minos
dicreta:&
figluola
delfole
difordiatamce
icitata
libidie
Venef
fico
duxe
ad
amare
un
thoro
degliarméti
delmarito.Alchui
dicono
defiderádo
facrificio
elq
leuoleua
fare
loue
padre
hauer
aial
couenicte
iddio:ioue
gli
mádo
bello
formo
fo
thoro.Maminos
comoffo
auaritia
cupidita
fibello
aiale
lo
fuoi
arméti:&aioue
facri
belo
thoro.Onde
irato
ioue
íduxe
amar
qllo.
Maqluque
fuffe
elthoro:
aggiúgo
richiefe
Dedalo
moftrafiichemodo
potefficolamato
thorocógiugnef.
EtDe
dalo
fece
legnouna
imagie
uaccha:&iqla
rinchiufe:&cofificcgiufe
colthoro
ftimádo
qlla
effer
uaccha
tioe
nacque
moftro
horrédo:
elğle
eramezo
mezo
tho