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Human Generated Data

Title

Canto XII. The Fourth Sphere: The Sun / The Doctors of the Church; The Second Garland of Souls; Saint Bonaventura Recounts the Life of Saint Dominic

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5335

Human Generated Data

Title

Canto XII. The Fourth Sphere: The Sun / The Doctors of the Church; The Second Garland of Souls; Saint Bonaventura Recounts the Life of Saint Dominic

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5335

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Newspaper 99.9
Page 70.2

Clarifai
created on 2019-11-03

page 99.4
paper 98.9
document 98.2
text 96.9
vintage 95.9
book bindings 95.3
no person 94.3
old 94
manuscript 92.6
print 91.1
retro 90.8
antique 89.5
book 88.3
education 88.3
blank 87.6
vertical 87.4
number 85.6
illustration 85.5
picture frame 84.1
poetry 83.9

Imagga
created on 2019-11-03

newspaper 59.5
brass 58.4
product 47
memorial 46.3
daily 43.8
cloud 43.2
definition 40.3
creation 37.9
association 36.5
artwork 34
advertising 33.7
creative 33.6
cover 33.4
book 33.2
advertisement 31.9
associated 31.6
structure 31.6
brochure 31.3
carpet 31.2
advertise 31.2
composition 31.2
decorative 31
collection 30.7
backdrop 29.7
idea 29.4
conceptual 29.2
decor 28.4
design 28.2
element 28.2
art 28
business 27.4
graphic 26.3
decoration 25.4
text 25.4
information 24
letter 23
data 22.9
old 20.3
page 19.5
religion 18.9
continuity 18.8
keywords 18.8
drapery 18.7
paper 18.1
word 18
copy 17.7
bible 17.7
prayer 17.4
fabric 17
religious 16.9
holy 15.5
print 15.1
faith 14.4
god 14.4
antique 13.9
collage 13.5
read 13.5
detail 12.9
open 12.6
spiritual 12.5
testament 11.9
development 11.4
ancient 11.3
church 11.1
communication 10.9
gospel 10.9
black 10.8
education 10.4
document 10.2
money 10.2
energy 10.1
words 9.8
pages 9.8
new 9.7
study 9.4
company 9.3
menu 9.1
history 9
scripture 8.9
binding 8.9
mix 8.7
cross 8.5
writing 8.5
chapter 7.9
passage 7.9
day 7.9
life 7.8
more 7.8
mosaic 7.8
analysis 7.8
belief 7.8
best 7.8
king 7.8
pray 7.8
corporate 7.8
ink 7.7
knowledge 7.7
fare 7.6
commercial 7.5
vintage 7.5
close 7.4
economy 7.4
modern 7

Google
created on 2019-11-03

Text 97.9
Paper 90.2
Newsprint 79.7
Document 79.2
Paper product 75.9
Font 75

Microsoft
created on 2019-11-03

text 100
book 88.8
newspaper 88.2
letter 70.8
manuscript 62.3
plaque 36.2

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-01

This image is a page from an old printed book, specifically an edition of Dante Alighieri's "Divine Comedy." The text is in Italian and appears to be a section of the "Paradiso" (Paradise) part of the poem, as indicated by the heading "CANTO DODICESIMO" (Canto 12). The page includes: 1. The title "CANTO DODICESIMO" (Twelfth Canto) at the top. 2. The page number "268" in the upper right-hand corner. 3. Multiple columns of text in a classic font that indicates an older style of printing. 4. An illustrated woodcut image embedded in the text on the right-hand side of the page. The illustration depicts several figures standing, some with halos, indicating a divine or celestial scene relevant to the "Paradiso" portion. 5. The first letter of the passage is a capitalized and elaborately designed "L," characteristic of illuminated manuscripts or early printed works. The woodcut illustration appears to show a group of holy or divine figures, which aligns with the theme of Dante’s "Paradiso," where he describes his journey through the celestial spheres and encounters with blessed spirits. The page exudes historical and literary significance, typical of early editions of Dante's epic poem.

Created by gpt-4 on 2025-02-01

This is an image of an old, printed book page containing text in an early modern typeface, commonly associated with texts from the 15th to 17th centuries. The language appears to be an early form of Italian, based on the use of certain words and typographic conventions typical for the time and region. The page is headed with the word "CANTO DVODECIMO," indicating that this is the twelfth canto, or song, of a larger work, which could be a poetical or epic text. Below the header, there is a block of text in two columns, resembling verses, possibly from a poem, epic, or lyrical composition. In the right margin, there is a small indentation marking where new sections or important plot points may begin. Additionally, there is an illustration at the bottom featuring a row of individuals with various gestures and attire related to the era's context. The illustration is a woodcut, a common method of image reproduction in the printing of this period. The presence of the image along with the text suggests this book may be a literary work that might include visual representations of the story to aid the reader's imagination or to underscore significant events. The style of clothing and the way the figures are depicted help to put this book in some historical context, indicating the Renaissance or the early modern period. Please note that specific content and exact historical details would need more in-depth analysis or access to multiple pages and contextual information.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-01

This appears to be a page from a medieval or Renaissance-era Italian manuscript, specifically from Dante's Divine Comedy. The page contains both text and an illustration. The text is printed in a typical medieval typeface, with the title "CANTO DVODECIMO" (Canto Twelve) visible at the top. The page features a woodcut illustration depicting a religious scene with multiple figures in robes gathered together. The background of the illustration shows stars or celestial objects in the sky. The composition appears to be divided between figures in the foreground and background, with the scene likely representing a moment from the narrative described in the text. The layout is characteristic of early printed books, with dense text blocks and decorative initial capitals. The text is in Italian, and the overall condition of the page suggests it's from an early printed edition, possibly from the 15th or 16th century. The paper has aged to a light beige color, though the text and illustration remain clear and legible.

Created by claude-3-opus-20240229 on 2025-02-01

The image shows a page from an old book or manuscript, likely written in Italian based on the text. The page contains two columns of text with an illustration in the center. The illustration depicts what appears to be a religious scene, possibly the Crucifixion of Jesus Christ. It shows a large central cross with a stylized flower pattern behind it. Two smaller crosses or tree-like shapes flank the central cross on either side. Below the crosses, there are several figures that seem to represent people, drawn in a simple, iconic style typical of medieval or early Renaissance religious illustrations. The text is printed in an old typeface common in early printed books from the 15th-16th centuries. Some decorative capital letters and headings are used to separate sections of the text. Overall, this looks to be a page from an early printed religious book, psalm, or hymnal, with an illustration depicting a scene from the Passion of Christ. The artistic style and typography suggest it was printed sometime in the late 15th to early 16th century, likely in Italy or another part of Southern Europe.

Created by claude-3-haiku-20240307 on 2025-02-01

The image appears to be a page from a book or manuscript. It contains text in Italian and an ornate illustration. The illustration depicts several figures, including what looks like a figure with a crown or headpiece. The text and illustration suggest this may be a musical or poetic work from a historical source.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image presents a page from an old book, featuring a mix of text and illustrations. The page is divided into two main sections: the top section contains a title and a block of text written in Latin, while the bottom section features an illustration of people gathered around a central figure. * **Title and Text** + The title, "CANTO" and "DVODECIMO", is displayed at the top of the page in bold font. + The text below the title is written in Latin and appears to be a passage from a literary work. + The text is arranged in a formal, poetic style with multiple stanzas. * **Illustration** + The illustration depicts a group of people gathered around a central figure, possibly a king or leader. + The people are dressed in robes and appear to be engaged in a ceremony or ritual. + The central figure is surrounded by a halo of light, suggesting a sense of importance or divinity. * **Background** + The background of the page is a light beige color, which provides a subtle contrast to the dark text and illustration. + The edges of the page are slightly yellowed, indicating that the book is old and has been handled extensively. In summary, the image showcases a page from an old book featuring a title, text, and illustration. The text is written in Latin and appears to be a passage from a literary work, while the illustration depicts a group of people gathered around a central figure. The background of the page is a light beige color, with yellowed edges suggesting that the book is old and has been handled extensively.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

This image is a page from an old book, likely from the Renaissance period. The text is written in Italian and features a mix of black and red ink. The page is divided into two columns, with the left column containing a large block of text and the right column featuring a smaller block of text above a woodcut illustration. The illustration depicts a group of people standing in a circle, surrounded by stars and other celestial bodies. The people are dressed in robes and appear to be engaged in some sort of ritual or ceremony. The illustration is rendered in a simple yet elegant style, with clean lines and minimal detail. The text on the page appears to be a passage from a literary work, possibly a poem or a play. The language is formal and ornate, with complex syntax and poetic imagery. The use of red ink adds a touch of luxury and sophistication to the page, suggesting that the book was intended for a wealthy or educated audience. Overall, this image provides a glimpse into the artistic and literary culture of the Renaissance period. The combination of beautiful typography, elegant illustration, and poetic language creates a sense of refinement and sophistication, reflecting the values and tastes of the time.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-01

The image shows a page from a book with an illustration in the middle. The book page is written in Italian. The illustration is a woodcut print, which is a technique where an image is carved into a block of wood and then printed onto paper. The illustration depicts a scene with several people standing in a line, with one person in the middle holding a book. The scene appears to be from a religious context, possibly depicting a sermon or a religious ceremony. The text on the page is in a cursive font and is written in a foreign language, possibly Latin or Italian. The page has a watermark in the top left corner, which is a common feature in old books. Overall, the image shows a page from an old book with a religious illustration and text in a foreign language.

Created by amazon.nova-lite-v1:0 on 2025-02-01

The image appears to be a page from an old book or manuscript. The page contains a mix of text and illustrations. Here is a detailed description of the image: Text: The text on the page is written in a cursive, old-fashioned style. It appears to be in a foreign language, possibly Italian or Spanish. The text is divided into paragraphs, with some paragraphs containing multiple lines of text. Illustrations: The page contains several illustrations, including: - A large, ornate illustration in the center of the page depicting a group of people standing in a circle around a central figure. The central figure appears to be a woman wearing a crown and holding a scepter. The people around her are dressed in various costumes and appear to be performing some kind of ritual or ceremony. - Smaller illustrations interspersed throughout the text, depicting various scenes and objects. These illustrations include: - A sun with rays emanating from it - A group of people standing in front of a building - A bird with a long beak - A crown or headdress The illustrations appear to be hand-drawn and are in a similar old-fashioned style as the text. Overall, the image appears to be a page from an old book or manuscript containing a mix of text and illustrations, possibly depicting a religious or ceremonial scene. The ornate illustrations and cursive text suggest that the book may be from a historical period, such as the Renaissance or earlier.

Text analysis

Amazon

DVODECIMO
CANTO
alatheolo
fioche
fon fioche
fon
che
fano
alle
oue
lilcheggia
fenon
lacontenta
che ale fano
argetoo
pche
piet
c
thologia.
oben limpingua fenon alatheolo
dixe.
dixe. doue
doue
ti
gloria.
ue lapiata oue lilcheggia thologia.
inutiles gloria.
ne
menico
barchadi
lapiata
inutiles
argono
oro
foi
la barchadi
che DVODECIMO z6S
audientia c fuepolefono Atatechiare: &felui
la
piuuote
coftnu
audientia
ale
feguitacarica oro ne
fuepolefono Atatechiare: &felui
fua
limpingua
adug
ffricelcofe
oben
feguitacarica
ue
&fclatua
lacontenta 3i igrar
igrar
z6S
piet O
3i
Vo
rort
O

Google

CANTO DVODECIMO z6s altrabaracheqll poderta.i.nodelideroaltre exeqe &altra honorazi.Hauedo narrato di a frácefco fega ti& dice.PEntaqifucolui che fu degno collega cioe copagno a (an Frácefcho pfoftener la barcha di pietio i.fachiela di dio.Etjfto fu el noftro patriarcha cioe fãodoméico:& dce nfo pche fito Tomafoe qlche parla:lut fu delordie dilá Doenico:&cigli chel feguitano cõe lui comádacioe che feguitano le fua coftnu toni.Impoche faXo do menico no fecce noua regula mapfe qlla di f5to Auguftino. Madette certe côftitu tioni:adique chi lo feguita carica Basamerce.i.boemercatátie.pche co qla no guadagna oro ne argéto o colemonétanee o trálitorie.ma uita imortale.Mael fuo pececulioripréde efrati elı no obferuádo epcepti foi diuecono ghiotti di noun uiuida-i.de fciétie mondane & di prelature:& di grande riccheze. Dixe aduq NOnuiuidpledegnita &plat rep:heiuero molti nefo tariuefcoui & arciuefcou: cardiali.ond filp argono pdiuerfi faltii.pdiuerfe paftur. &qntole fue peccof pia fi (coftonoda lui.i.da fuoipcepti piuuote diíciétia &dicoftuifictieqli fono el nutrimčto delaia cõe Horfele mieparolenon fon fioche &felatuaaudientia e ftata attenta fe cio chodecto alle mente riuoce In partefialatuauogla contenta el lacte élnutriméto del corpo. c Onchiude:che felle fue pole fono ftate chiare: & fe lui eftato attéto audire:la fuauogla faracotetai pte pche diduedubbiuno e abfoluto.Et qito ecbando dixe.doue bilipiguncioe igraffa:fe no fi uiegia.Intefe che laia igraf percheuedrai lapiata oue fifcheggia fauadoptiocibo cioedela facra thologia.Sensfiuáeggia ideft fe no li attédeffiplor ale fcietie leculari che gli fano uedaraiilcorreger che argumenta aanire & ifapbire:oueraméte no attédeffino ala theolo Doben fimpinguafenonfiuaneggia gia per acq nitare fama & inutile gloria. CANTODVODECIMODELA TERTIA CANTICADIDANTHE. Rcoftochomelultimapa la benedecta fiamma per dir tolfe arotar comincio la fancta mola Etnel fuogirotucta non fiuolfe pria chunalcro dun cerchio la chiufe &moto amoto & cáto acáto colfe. Cantoche táto uincenoftre mufe noftrefyrene in quelle dolci tube quatoprio sprédore quelche rifufe: * * c Omenelfupiore capitulo fáto Tomafo ha ripío efratidi fadto domico cofi i qfto duod cimofintroduce nouo (pirito che ripréde qgli ds facto frácefco iduce adunque una ltracorona diie dipoiuna dijllecõenda lauira di fidoméi o.Et dopo qfto uitupera efrati miori. et fialme te decta aia miifeftafe &laltre di qllacorona.Sitoftoche la fiáma benedeata.i.fieto Tomafo tolfe lultima parolapdirla.comicio agiraf el cerchio nelqle epfo era.Nefini di girarfiche apparue iui uno altro cerchio ilale chiufe qto.llche diota che elprio cerchicgiraua piupffo alcetro del fole:&qfto cignédolo piu dilo/ ghi dinotiche laie gia dete erono di miggior beatitu dine & dimaggior dodríache qle dele qli dirapte rea dioftra chl cáto & el moto di qto gia fopradeto & fecodo cerchio lacordaua col cito & moto defpri moadiotar ch nela fcriptara fáta noe difcordia alcua qfto cáto uiceua táto le mufe &le firne nfe.i.tucte lemelodie huane qnto el prío razouíce qllo ch riuerbera daluicoe uerbigratia el razo di fole pcotédonela cqeplo riuerbera.i.rifplediúa pafte manoefi chiara la fuerberatiõe coe el prio razodal qle epfa pcede. c Omepfottilnube fiuolgono due archi paralelli eqdi ftanti &cocolori.i.de medefimi colori.değli el prio Come fi uolgon per tenue nube due archipararelli & concolori quando iunone afua ancilla iube. Nafeendodiquel dentro quel difuori tale reflexise.Etiferice qui el poeta che come nelarcho el aguifa delparlare diquellauagha chamor confunfecomefoluapori: fonacqqllodi bonauentura.Quindoiunone iube.i.co elquale piu fuerfo el fole e piu apparéte:&da gillop reflex ionenafca el fecodo felnuuoloetanto fpaciofo che riceue primo nafce per reflexioe del fecondo:cofi dala docria di qlle prie aie era nataqlla diqfte fecóde:& dal plare di toa
CANTO
DVODECIMO
z6s
altrabaracheqll
poderta.i.nodelideroaltre
exeqe
&altra
honorazi.Hauedo
narrato
di
a
frácefco
fega
ti&
dice.PEntaqifucolui
che
fu
degno
collega
cioe
copagno
(an
Frácefcho
pfoftener
la
barcha
pietio
i.fachiela
dio.Etjfto
el
noftro
patriarcha
fãodoméico:&
dce
nfo
pche
fito
Tomafoe
qlche
parla:lut
delordie
dilá
Doenico:&cigli
chel
feguitano
cõe
lui
comádacioe
le
fua
coftnu
toni.Impoche
faXo
do
menico
no
fecce
noua
regula
mapfe
qlla
f5to
Auguftino.
Madette
certe
côftitu
tioni:adique
chi
lo
feguita
carica
Basamerce.i.boemercatátie.pche
co
qla
guadagna
oro
ne
argéto
o
colemonétanee
trálitorie.ma
uita
imortale.Mael
fuo
pececulioripréde
efrati
elı
obferuádo
epcepti
foi
diuecono
ghiotti
noun
uiuida-i.de
fciétie
mondane
&
prelature:&
grande
riccheze.
Dixe
aduq
NOnuiuidpledegnita
&plat
rep:heiuero
molti
nefo
tariuefcoui
arciuefcou:
cardiali.ond
filp
argono
pdiuerfi
faltii.pdiuerfe
paftur.
&qntole
fue
peccof
pia
fi
(coftonoda
lui.i.da
fuoipcepti
piuuote
diíciétia
&dicoftuifictieqli
fono
nutrimčto
delaia
Horfele
mieparolenon
fon
fioche
&felatuaaudientia
e
ftata
attenta
fe
cio
chodecto
alle
mente
riuoce
In
partefialatuauogla
contenta
lacte
élnutriméto
del
corpo.
c
Onchiude:che
felle
pole
ftate
chiare:
eftato
attéto
audire:la
fuauogla
faracotetai
pte
diduedubbiuno
abfoluto.Et
qito
ecbando
dixe.doue
bilipiguncioe
igraffa:fe
uiegia.Intefe
laia
igraf
percheuedrai
lapiata
oue
fifcheggia
fauadoptiocibo
cioedela
facra
thologia.Sensfiuáeggia
ideft
li
attédeffiplor
ale
fcietie
leculari
gli
fano
uedaraiilcorreger
argumenta
aanire
ifapbire:oueraméte
attédeffino
ala
theolo
Doben
fimpinguafenonfiuaneggia
gia
per
acq
nitare
fama
inutile
gloria.
CANTODVODECIMODELA
TERTIA
CANTICADIDANTHE.
Rcoftochomelultimapa
benedecta
fiamma
dir
tolfe
arotar
comincio
fancta
mola
Etnel
fuogirotucta
non
fiuolfe
pria
chunalcro
dun
cerchio
chiufe
&moto
amoto
cáto
acáto
colfe.
Cantoche
táto
uincenoftre
mufe
noftrefyrene
in
quelle
dolci
tube
quatoprio
sprédore
quelche
rifufe:
*
Omenelfupiore
capitulo
fáto
Tomafo
ha
ripío
efratidi
fadto
domico
cofi
i
qfto
duod
cimofintroduce
nouo
(pirito
ripréde
qgli
ds
facto
iduce
adunque
una
ltracorona
diie
dipoiuna
dijllecõenda
lauira
fidoméi
o.Et
dopo
uitupera
miori.
et
fialme
te
decta
aia
miifeftafe
&laltre
qllacorona.Sitoftoche
fiáma
benedeata.i.fieto
lultima
parolapdirla.comicio
agiraf
nelqle
epfo
era.Nefini
girarfiche
apparue
iui
uno
altro
ilale
qto.llche
diota
elprio
cerchicgiraua
piupffo
alcetro
fole:&qfto
cignédolo
piu
dilo/
ghi
dinotiche
laie
dete
erono
miggior
beatitu
dine
dimaggior
dodríache
qle
dele
qli
dirapte
rea
dioftra
chl
moto
qto
fopradeto
fecodo
lacordaua
col
cito
defpri
moadiotar
ch
nela
fcriptara
fáta
noe
difcordia
alcua
uiceua
&le
firne
nfe.i.tucte
lemelodie
huane
qnto
prío
razouíce
qllo
riuerbera
daluicoe
uerbigratia
razo
fole
pcotédonela
cqeplo
riuerbera.i.rifplediúa
pafte
manoefi
chiara
fuerberatiõe
coe
prio
razodal
epfa
pcede.
Omepfottilnube
fiuolgono
due
archi
paralelli
eqdi
ftanti
&cocolori.i.de
medefimi
colori.değli
Come
uolgon
tenue
nube
archipararelli
concolori
quando
iunone
afua
ancilla
iube.
Nafeendodiquel
dentro
quel
difuori
tale
reflexise.Etiferice
qui
poeta
come
nelarcho
aguifa
delparlare
diquellauagha
chamor
confunfecomefoluapori:
fonacqqllodi
bonauentura.Quindoiunone
iube.i.co
elquale
fuerfo
apparéte:&da
gillop
reflex
ionenafca
felnuuoloetanto
fpaciofo
riceue
primo
nafce
reflexioe
fecondo:cofi
dala
docria
qlle
prie
aie
era
nataqlla
diqfte
fecóde:&
dal
plare
toa