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Human Generated Data

Title

Canto XVIII. The Fourth Cornice / The Slothful; Abbot of San Zeno

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5310

Human Generated Data

Title

Canto XVIII. The Fourth Cornice / The Slothful; Abbot of San Zeno

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5310

Machine Generated Data

Tags

Amazon
created on 2023-10-05

Page 100
Text 100
Book 100
Publication 100
Person 94.5
Person 94.4
Person 91.5
Person 90.6
Newspaper 83.1
Person 67.2
Head 67.1
Person 64.6
Advertisement 56.5
Poster 55.4
Document 55.1

Clarifai
created on 2023-10-22

text 99.8
page 99.8
print 99.1
paper 99
no person 98.5
poetry 97.9
document 97.9
manuscript 97.6
scripture 96
art 95.9
retro 95.7
writing 94.4
antique 93.7
vintage 93.2
book bindings 93.1
old 92.1
testament 91.4
book 90.9
booklet 89
sepia pigment 88.3

Imagga
created on 2023-10-05

newspaper 50.4
cloud 43.2
brass 40.9
menu 40.6
product 40
definition 37.3
book 35.1
fare 33.8
association 33.5
creation 33.3
cover 32.5
memorial 32.4
advertising 31.8
artwork 31.2
creative 31
advertisement 31
associated 30.6
brochure 30.3
carpet 30.2
advertise 30.2
composition 30.2
collection 29.8
backdrop 28.9
decorative 28.5
conceptual 28.3
daily 27.9
decor 27.5
element 27.4
design 27.1
idea 26.8
text 26.3
art 26.1
graphic 24.1
decoration 23.9
business 23.7
structure 22.4
information 22.2
letter 21.1
old 21
continuity 20.8
drapery 20.7
page 20.5
data 20.1
religion 19.8
word 18.9
fabric 18.9
paper 18.9
bible 18.7
binding 18.3
keywords 17.8
prayer 17.4
food 16.1
print 16.1
religious 16
holy 15.5
faith 15.4
god 15.4
copy 15.1
antique 14.8
read 14.5
open 12.6
spiritual 12.5
church 12.1
testament 11.9
gospel 11.9
detail 11.3
ancient 11.3
energy 11
collage 10.6
development 10.5
study 10.3
communication 10.1
pages 9.8
cross 9.5
money 9.4
vintage 9.1
black 9
new 8.9
chapter 8.9
rosary 8.9
scripture 8.9
words 8.8
belief 8.8
best 8.8
education 8.7
day 8.7
life 8.6
writing 8.5
company 8.4
city 8.3
history 8.1
close 8
passage 7.9
analysis 7.8
king 7.8
pray 7.8
mix 7.7
document 7.4
world 7.1

Microsoft
created on 2023-10-30

text 100
plaque 74
manuscript 62.5
newspaper 54.7
letter 51.7

Color Analysis

Feature analysis

Amazon

Book
Person
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

This image is a page from an old book, likely an early printed edition given the style of typography and the illustration. The text is written in Italian, indicated by the languages used, and it appears to be a literary or religious text discussing themes related to "Purgatorio", which translates to "Purgatory."

The layout includes two columns of text with relatively dense printing, adorned with a small amount of decoration visible in the capital letter at the beginning of one section. The top of the page has a header that reads "PVRGATORIO".

In the lower right quadrant, there is a woodcut illustration depicting a scene related to the content of the text. The woodcut features a group of people, possibly showing scenes of biblical or religious events, suggested by the labeled figures "S. ANCTORI" and "ABATHIE" and the presence of a labeled structure or place. The figures seem to be in a communal or ceremonial setting, potentially illustrating a scene from Dante's "Purgatorio."

Below the main body of text, there is an additional heading in a similar typeface labeled "CANTO. XVIII. DELA SECONDA CANTICA DI DANTHE", indicating a specific section or chapter of a poem or narrative, further identifying it with Dante Alighieri's "Divine Comedy," specifically the second cantica, which is Purgatorio. Notably, the paragraphs begin with large, ornate initial letters, a common feature in early printed books. The overall aesthetic and design, including the woodcut, suggest this page is from an early printed edition of Dante's "Divine Comedy."

Created by gpt-4 on 2025-01-31

This is an image of an old printed page with text and an illustration. The text is in an antique style of typesetting, closely resembling old Italian, with some words in uppercase letters for emphasis. It suggests the content might be historical or literary in nature. The top of the page is labeled "PVRGATORIO," which indicates that the text relates to Purgatory, a concept from Christian theology.

The illustration at the bottom of the page is a line drawing depicting several human figures in what appears to be a scene from the Christian afterlife. You can see figures within a landscape of trees, with one apparent central figure seeming to interact with or plead with the others. This central figure might represent a soul undergoing purification, consistent with the Purgatory theme.

Above the illustration is the text "CANTO.XVIII. DELA SECONDA CANTI CA DI DANTE," which identifies the text as Canto XVIII from the second part (possibly referring to Purgatory) of the "Divine Comedy" by Dante Alighieri. The text addresses themes of love, reason, and moral philosophy, which are key subjects in Dante's work.

The page has retained good legibility despite its age, with only slight discoloration. The physical condition of the paper and the style of printing suggest that this page likely comes from an early printed edition of Dante's "Divine Comedy," possibly from the 15th or 16th century, representing an early example of European book printing.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historic Italian text, specifically from Dante's "Purgatorio." The page contains text in Italian/medieval Italian, with two distinct sections. In the middle of the page, there's a small woodcut illustration depicting several figures in a landscape setting. The text is laid out in a traditional manuscript style with decorated capital letters, particularly noticeable in one section marked "CANTO.XVII.DELA SECONDA CANTI CA DI DANTHE." The overall document appears to be aged, with a yellowed or beige paper color typical of historic documents. The woodcut illustration shows figures in what appears to be an outdoor scene with some architectural or landscape elements in the background. The text surrounding the illustration provides commentary or narrative related to this section of Dante's work.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows a page from an old book or manuscript, likely from the late medieval or early Renaissance period based on the typography and illustration style. The text is in Italian and discusses the "Purgatorio" or Purgatory, which suggests this may be an excerpt from Dante's Divine Comedy.

On the right side of the page is a black and white illustration depicting a group of figures gathered outdoors. The figures appear to be having a discussion or interaction of some kind. Trees and hills can be seen in the background of the scene.

The aged appearance of the paper, with discoloration and wear around the edges, indicates this is a historical document that has survived for many years. It provides an interesting glimpse into how this famous literary work was presented and illustrated in much earlier printed editions or manuscripts.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from an old book, likely a text on Purgatory. The page contains both text and an illustration. The text is in Italian and describes aspects of Purgatory. The illustration depicts a detailed, complex scene with numerous human figures engaged in various activities. The scene seems to represent the concept of Purgatory, with the text providing further explanation and context. Overall, the image appears to be an artistic and textual representation of the theological concept of Purgatory from a historical Italian source.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image presents a page from an old book, likely printed in the 15th or 16th century. The text is written in Latin and features a mix of black letter and italic fonts, with the majority of the page dedicated to the main text. A smaller section at the bottom of the page contains additional text, accompanied by a decorative initial letter "D" and a small illustration.

Key Features:

  • Text: The main text is written in Latin, with a mix of black letter and italic fonts.
  • Fonts: The majority of the page is dedicated to the main text, which is written in black letter and italic fonts.
  • Illustration: A small illustration is located at the bottom of the page, featuring a decorative initial letter "D" and a small image.
  • Page Layout: The page is divided into two sections: the main text and the smaller section at the bottom, which contains additional text and the illustration.

Overall Impression:

The image appears to be a page from an old book, likely printed in the 15th or 16th century. The use of black letter and italic fonts, as well as the decorative initial letter and illustration, suggests that the book is a work of art and literature from this period.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

This image presents a page from an old book, featuring a mix of text and illustrations. The page is divided into two main sections: the top section contains text in Italian, while the bottom section features a drawing accompanied by more text.

The top section of the page is dominated by a large block of text in Italian, which appears to be a passage from a literary work. The text is written in a formal, antiquated style, with intricate lettering and ornate flourishes. The language is likely Italian, given the presence of Italian words and phrases throughout the text.

Below the text, a small drawing depicts a scene of people gathered around a table. The drawing is rendered in a simple yet elegant style, with clean lines and minimal detail. The figures in the drawing are engaged in various activities, such as eating, drinking, and conversing. The overall atmosphere of the drawing is one of conviviality and camaraderie.

At the bottom of the page, additional text is written in a smaller font. This text appears to be a caption or commentary on the drawing above it. The language is also Italian, and the tone is informative and descriptive.

Overall, this image suggests that the book from which it was taken is a literary or historical work that explores themes of community, social interaction, and cultural heritage. The use of Italian language and the formal, antiquated style of the text suggest that the book may be a classic or a historical document. The drawing adds a visual element to the page, providing a glimpse into the lives and customs of people in the past.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image depicts a page from a historical book. The page is divided into two main sections. On the left side, there is a large block of text written in a language that appears to be Latin or another classical language. The text is printed in a serif font and is arranged in justified lines. The text block is bordered by a decorative frame that includes some ornamental elements, such as fleur-de-lis and other intricate patterns.

On the right side of the page, there is an illustration. The illustration is a woodcut, a type of printmaking technique that was common in the early days of book printing. The woodcut depicts a scene with several human figures. In the foreground, there are two figures, one of whom appears to be a man holding a scroll or a piece of paper, while the other figure is a woman. They are engaged in what seems to be a conversation or an exchange of information. In the background, there are more figures, some of whom are standing or walking, and others are sitting or reclining. The scene appears to be set in a pastoral or rural environment, with trees and a rolling landscape visible.

At the top of the page, there is a title or a heading that reads "PVRGATORIO," which suggests that the content of the page is related to the concept of purgatory, a place or state of suffering inhabited by souls in need of purification before entering heaven, according to certain Christian beliefs.

The page also includes some smaller text blocks and illustrations that seem to be related to the main content. For example, there is a smaller illustration of a man with a beard and a woman with a crown, possibly representing a king and queen or other important figures.

Overall, the image depicts a page from a historical book that combines text and illustrations to convey information about a religious or philosophical concept. The use of woodcut illustrations and the classical language suggest that the book is from a period before the widespread use of modern printing techniques and languages.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image depicts a page from a historical manuscript, possibly from the 15th or 16th century. The page is divided into two main sections: the upper section contains text written in an ornate, serifed typeface, and the lower section includes an illustration. The text is written in Latin, a common language for scholarly works during this period. The illustration features a scene with several figures, possibly representing a biblical or mythological story. The figures are depicted in a stylized manner, with exaggerated proportions and simplified forms, characteristic of medieval and Renaissance art. The background of the illustration is plain, with no visible landscape or context, focusing the viewer's attention on the figures themselves. The manuscript page shows signs of aging, with some discoloration and wear, indicating its historical value and the passage of time.

Google Gemini

Created by gemini-2.0-flash on 2025-04-30

Here's a description of the image:

This is a page from an old, possibly 15th or 16th century book printed in Italian. The page features a combination of dense text in a serif typeface and an illustration. The text is arranged in columns and blocks, with various headings and indentations, making it clear that the document contains various distinct points or sections.

The illustration, created through woodcut or engraving, shows a group of people within a landscape. Several figures, some dressed in robes, are moving or interacting within this setting. The details are relatively simple, using lines and shading to define the shapes and forms. There are architectural elements or structures visible in the background.

The overall impression is that the page is from a literary or religious text, potentially a commentary or interpretation of some kind. The visual style and layout are typical of early printed books.

Created by gemini-2.0-flash-lite on 2025-04-30

Here's a description of the image, based on the provided OCR and the visual elements:

Overall Description:

The image is a page from a medieval or Renaissance-era book. It features both text and a woodcut illustration, common in early printed works. The text is in Italian, likely from a religious or philosophical text. The visual style of the woodcut is characteristic of the period, with detailed but somewhat stylized figures and a focus on the narrative content.

Textual Content:

  • Title: The main title is "PVRGATORIO," which translates to "Purgatory" in English. This indicates that the text is likely an excerpt from Dante Alighieri's Divine Comedy, specifically the second canticle.
  • Chapter/Canto: There is a reference to "CANTO. XVIII. DELA SECONDA CANTI CA DI DANTHE," specifying the chapter or canto number.
  • Content: The text describes the concept of Purgatory, particularly the sins of the souls, and how to purify themselves.

Illustration:

  • Scene: The illustration depicts a scene from Purgatory. There are various figures in the illustration, that appear to be souls, walking or toiling in a barren landscape. There is one main figure standing in the middle, the "Labate de Sam-Zem da Verona", whom Dante is likely referring to.
  • Style: The woodcut style is characterized by clear lines, a focus on human figures, and a sense of depth created through the arrangement of the figures and the use of perspective (though simplified). The faces are somewhat expressive.

Overall Interpretation:

The image is a page from a very early printed edition of Dante's Purgatorio. The illustration directly relates to the subject matter of the text, depicting a scene of purification within Purgatory. The style of the woodcut and the typography are typical of the time period, and it serves as a window into the visual and literary culture of the Renaissance.

Text analysis

Amazon

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Google

PVRGATORIO & per qfto ama el fuo male.Etcofi dioftra:cblamore delmale e cagiõe della fupbia:fuidia:&ira.Per tutte gite cole fi conofce:che lauoluta no puo amare fipliceméte el male.Ma lomale del pxio a fie del fuo bene P Oiche hatractato dellamore:che torce ncl male del proximo:elquale era tripartito i fupbia:iuidia:& ira Q ueftotriformeamor agiu difotto fipiage horuo chetu delaltro intede Ponelamore che ua albene comé uigore:cheno debba. El primo:che e tripartito fipunifce ne tregyroigia deati che correalbenecon lordinecoropto Quefto fecodo pche mácha del fuo feruor:fa laccidia:8 Ciafchucofufameteun bene apprede purgafiiqftoqto gyréequefto triforme aggiu fipiáge: difotto neqttro gia paffatigyrot. LALTROCorre albe necolordine corropto:cifuperiore tripartito torceua al nelqual fichieralanima.& difira perchdigiugnerlui ciafchun cotéde. male.laltro:cioe gtono torce almale.Macorre alfomo bene dio:&alle uirtu coordine corropto:pche no lama quato ficonuiene:& pregogline!lamore lutilita et elpia cere.CIASCHVNcofuiaméteun beneappréde.E nel la mête di ciafchuno huomo una inata cupidita dicogno fcere el fomo bene.quale troua fi lultimo fine:che iquel Selicito amor aluiueder uitira oaluiacquiftarqueftacornice dopoiuftopentireuenemartira: lofappaga et iforma ficotena:che non cerchi piu auanti adunque ognimenteCONTENDE.i.fifforza dicogiugnerfi coqllo SELICITO amore uitira a uedere o acquiftare lui-fe lamore mácha del debito fuo feruore:onde nafce laccidia:QUESTA cornice:qftogyrone martira.i. uenepunifce dopo iufto pétira. c Omemáchare damof iuerfo el fomo bene fa accidia Cofiel troppo amore iuerfo e bémodani fa auaritia luxuria 8 gola eqlitre peccati fipurgão necerchi piu alti ALTRObeneechnofa lhomo felice. Queftocotiene tutte le cofe create:leali fono bene. Mafono bene imp fecto:&no elabuona effétia:perche quella e idio:elgle e fruto dogni bene.Imphoche el fructo& el premio delle noftre buone operationi e fruire effo idio:& e radice do Altro beneechenon falhuom felice nonefelicita non e labuona eflentiadogni ben fructo & radice Lamorcha effo troppo fabbandona difopranoifipiange per tre cerchi ma cometripartito firagiona Tacciolaciochetuper tenecerchi. gni bene:Lamor cb fabbádoa aeffo.i.ch corfi efla abbádoataméte.i.faza fréo 8 mifura di ra giõe p qfto e troppo &exced elmodo p trecer purga lauaritia:laqlee difordíato amore iuerfo ebenidella fortua.Nel fecodo:ch efexto fi pur galagolofita:Nel tertio:cbefeptio fipurga lalu xuria.TACciol accio cb tupte necerchi.Hadi moftro Virgilio el bene fomo & pfecto: elqle nocade fe none lötellecto.Horanel bene fenfi bile puo pfe medefio pceder Dáthe:& pero al lui lafcia tale iquifitioe. LABATE DE SAM-ZEM DAVERONA CANTO.XVIIlt.DELA SECONDA CANTI CA DIDANTHE i Eguitaí qfto cap.idichiaraf lamof & dipoi dimoftra coefi purga laccidia.Mağlpadre:dimoftraql debba effer el preceptor iuerfo eldifcipulo.Etfimilméte lotel lecto iuerfo la féfualita:ma di qto molte uolte habiá gia dedo:ne fáza cagiće lo chiama alto doclof:dipoi padre Et fialméte maeftro:chiamalo afto dođoř adioftrafch puodioftraf ogni grácola maeftro pcheufato moftrar ia.Padre pcb deba eflédogli lui filuolodel timido plar ch non fapriua.perche temendo io non gle leflere molefto nel parlare non apriua la miauolunta &lui con leparole mi porfe ardif di parlaf el mio ucder fauiua fi nei tuo lu me per quefto dimoftrache la parte fenfitiua: & laragi lotroppoadimandar chio fo ligraua: oneinferiore pigla uiigore:ETfaffiinteligente pel lume Otohauca fineal fuora gionamento laltro doctore &attento Iguardaua nella mie uifta fio parea contento Etiocuinuouafete anchorfrugaua difuortaccea & drento dicea forfe
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