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Human Generated Data

Title

Canto XX. The Fifth Cornice / The Avaricious; Hugh Capet

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5312

Human Generated Data

Title

Canto XX. The Fifth Cornice / The Avaricious; Hugh Capet

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5312

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 100
Page 99.7
Newspaper 99.7
Paper 65.5

Clarifai
created on 2019-11-03

page 99.1
text 97.5
paper 97.3
document 97.1
vintage 96.8
book bindings 96.4
old 96
manuscript 93.6
retro 93
texture 91.9
antique 91.7
print 91.2
desktop 90.7
art 89.8
illustration 89.4
picture frame 88.6
blank 86.9
ancient 86
no person 85.9
design 82.3

Imagga
created on 2019-11-03

brass 87.2
memorial 69.5
structure 47
cloud 44.9
definition 39.3
association 37.5
book 37.4
cover 35.2
artwork 34.9
advertising 34.6
creative 34.5
associated 33.6
brochure 33.2
carpet 33.2
advertise 33.1
composition 33
advertisement 32.9
collection 32.5
decorative 31.8
backdrop 31.4
conceptual 30.9
idea 30.3
decor 30.1
element 29.8
art 29.4
design 29.3
graphic 27.8
decoration 27.6
information 24.9
newspaper 24.6
product 24.4
business 24.3
data 23.8
text 23.6
letter 23
old 21.7
creation 21.4
fabric 20.8
binding 19.8
continuity 19.8
keywords 19.7
drapery 19.7
religion 18.9
bible 18.7
copy 18.6
page 18.6
antique 16.6
paper 16.5
daily 16.3
word 16.1
religious 16
faith 15.4
god 15.4
detail 15.3
prayer 14.5
collage 14.5
read 14.5
holy 13.5
ancient 13
church 13
open 12.6
print 12.3
spiritual 11.6
communication 10.9
testament 10.9
gospel 10.9
history 10.8
development 10.5
black 10.2
energy 10.1
texture 9.7
cross 9.4
writing 9.4
document 9.3
new 8.9
chapter 8.9
scripture 8.9
pages 8.8
analysis 8.8
education 8.7
mix 8.7
study 8.4
company 8.4
city 8.3
vintage 8.3
menu 8.1
map 8
rosary 7.9
passage 7.9
words 7.8
more 7.8
mosaic 7.8
belief 7.8
best 7.8
king 7.8
money 7.7
close 7.4
life 7.1
modern 7

Google
created on 2019-11-03

Text 97.5
Paper 88.3
Paper product 73.6
Document 72.5
Font 68.6
Newsprint 57.8

Microsoft
created on 2019-11-03

text 100
letter 95
book 85.7
manuscript 62.2
plaque 61.4

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

This image depicts a page from an early printed book, likely a renaissance period work judging by the typography, layout, and woodcut illustration. At the top of the page, it is titled "CANTO XX DELA SECUNDA CANTICA DI DANTHE," which translates to "Canto 20 of the Second Cantica of Dante," indicating it is from Dante Alighieri's "Purgatorio," the second canticle of "The Divine Comedy."

the page features a decorative black and white initial letter 'O' adorned with intricate designs. Below the main header, the text is presented in a two-column layout with clear margins and a well-structured block of text.

At the upper right section of the page, there is a detailed woodcut illustration depicting a scene from Dante's "Purgatorio." The woodcut shows several figures, possibly Dante and his guide, interacting with others in the afterlife. There are also bannered words "VOS QUI PIAETA," likely part of the illustration.

The text itself is in Italian and discusses themes related to Dante's poetic exploration of penance and ascension in purgatory. The style of this book, with its blend of text and illustration, is characteristic of early printings of classical and medieval literature.

Overall, the page reflects the historical and literary significance of the era, combining visual artwork with literary text to convey the narrative of Dante's journey through purgatory.

Created by gpt-4 on 2025-01-31

This image displays a page from an antique book. Notably, it features the following characteristics:

  1. Text block: The majority of the page is filled with text arranged in two columns. The text appears to be written in an older form of Italian, given specific letterforms and language elements consistent with Renaissance-era Italian. The script typeface resembles early print fonts used in European print presses during the 15th and 16th centuries.

  2. Format: Each column of text is marked by a Roman numeral at the top, with "CANTO" on the left column designating the section or chapter and "XX" on the right, suggesting this is the 20th part of the text. Separate bands of text are denoted by uppercase characters with bigger typeset, indicating divisions or paragraphs within the text.

  3. Page organization: The typographic layout includes indents that mark new sections or emphasize specific lines, resembling a formatting style used in poetic or structured texts.

  4. Illustration: At the top right corner of the page, there is a rectangular woodcut print illustration, which depicts several figures in a setting that could be interpreted as celestial or mythological. Given the attire and the instruments in their hands (like a laurel wreath and a book), these figures could signify a connection to academic or divine themes.

  5. Annotations: On the margin at the bottom right, there are handwritten notes, indicating that previous readers or owners might have studied this text and added their thoughts or references. The handwriting appears to be in iron gall ink, typical of handwritten documents from the Renaissance and later periods.

  6. Physical condition: The page has aged over time, shown by the yellowing of the paper and the spots that suggest foxing -- a typical age-related degradation in antique paper documents.

Given the Gothic script and linguistic characteristics, this page is likely from a printed work that dates back several centuries, possible from the Renaissance period in Italy. This book could be a historical piece of literature, possibly poetry or a philosophical treatise, as suggested by the antiquated Italian language, chapter divisions, woodcut illustration, and the overall presentation on the page.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from an early printed edition of Dante's Divine Comedy, specifically Canto XX of the Second Cantica (Purgatorio). The page features both text and a woodcut illustration at the top. The illustration shows several figures in a landscape setting, with what appears to be a procession or gathering of people on different levels of terrain. The text is printed in Italian using early Renaissance typography, with decorative initial letters. The page layout includes the main text, some marginal notes, and the illustration is integrated into the upper portion of the page. The woodcut style is characteristic of early Renaissance book illustration, with simple line work and minimal detail. The title "CANTO XX" is clearly visible at the top of the page. The overall condition of the page appears to be well-preserved, with some slight aging visible in the paper.

Created by claude-3-opus-20240229 on 2025-01-31

This image shows a page from an old printed book, likely from the 15th or 16th century based on the typography and illustration style. The text appears to be in Italian or a related Romance language.

The main illustration depicts a rural landscape with figures engaged in various agricultural activities. In the foreground, a group of people seem to be planting or harvesting crops. The middle ground shows people tending to livestock like sheep or goats. The background has hills or mountains.

The heading at the top reads "CANTO XX", indicating this is Canto 20 of a longer work, possibly an epic poem. A few stanzas of text in an early italic font follow below the illustration.

The aged paper has a yellowish tint and some staining or foxing marks typical of antique books. The woodcut illustration uses hatched lines to create shading and depth. Overall, it's an interesting example of early book printing, illustration and layout from the late medieval or early Renaissance period in Europe.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from an old book or manuscript. It contains decorative text and illustrations depicting people and animals in a pastoral or rural setting. There are several figures, including what seems to be a group of people gathered together in the center of the image. The text appears to be in Italian or another European language.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The image presents a page from an old book, likely printed in the 15th or 16th century. The page is divided into two columns of text, with the left column featuring a large heading and several lines of text in Latin. The right column contains a woodcut illustration of a group of people gathered around a table, accompanied by additional text below the image.

Key Features:

  • Text: The text is written in Latin, with the left column featuring a large heading and several lines of text. The right column contains a woodcut illustration of a group of people gathered around a table, accompanied by additional text below the image.
  • Illustration: The woodcut illustration depicts a group of people gathered around a table, with some individuals standing and others seated. The scene appears to be a gathering or meeting of some sort.
  • Page Layout: The page is divided into two columns of text, with the left column featuring a large heading and several lines of text. The right column contains the woodcut illustration and additional text.
  • Language: The text is written in Latin, suggesting that the book may have been intended for an audience familiar with the language.
  • Printing Style: The printing style appears to be from the 15th or 16th century, with the use of woodcuts and a traditional font.

Overall:

The image provides a glimpse into an old book from the 15th or 16th century, featuring a woodcut illustration and text written in Latin. The page layout and printing style suggest that the book may have been intended for an audience familiar with the language and the cultural context of the time.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

The image depicts a page from an ancient book, featuring a mix of text and illustrations. The page is divided into two sections: the top section contains a woodcut illustration, while the bottom section is filled with text.

Illustration:

  • The woodcut illustration at the top of the page showcases a scene with multiple figures.
  • The figures are dressed in robes and appear to be engaged in various activities.
  • The illustration is rendered in black and white, with intricate details and textures visible.

Text:

  • The text on the page is written in an archaic language, likely Latin or Italian.
  • The font is ornate and decorative, with flourishes and embellishments throughout.
  • The text is arranged in paragraphs, with headings and subheadings indicated by larger font sizes and bolding.

Page Layout:

  • The page has a cream-colored background, with a subtle texture that suggests it may be a scan or reproduction of an original document.
  • The edges of the page are worn and frayed, giving it a sense of age and authenticity.
  • The overall layout of the page is formal and structured, with clear headings and sections that guide the reader through the content.

Conclusion:

  • The image presents a fascinating glimpse into the past, offering insights into the language, art, and culture of a bygone era.
  • The combination of text and illustration creates a visually appealing and engaging experience for the viewer.
  • The page's worn and weathered appearance adds to its charm, suggesting that it has been handled and studied by many people over the years.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image shows a page from an old book. The page has a watermark and the number 200 in the top right corner. The page is divided into two sections. The left section has a large block of text, while the right section has a smaller block of text and an illustration. The illustration shows a group of people, possibly a family, with a man holding a baby. The text on the right section is in a smaller font and appears to be a caption or description of the illustration.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image appears to be a page from an old book or manuscript. It contains both text and illustrations. Here is a detailed description:

Text:
The text is written in an old style of handwriting, possibly from the Renaissance or Baroque period. It is in a foreign language, likely Italian or Latin. The text is divided into paragraphs and contains both prose and verse.

Illustrations:
There are two illustrations on the page:

  1. A woodcut image depicting a scene with multiple figures. It appears to be an allegorical or mythological scene, possibly related to the text. The figures are shown in a dynamic pose, with some standing and others interacting with each other.

  2. A smaller woodcut image in the upper right corner, depicting a few figures in a more stylized manner. It seems to be a separate illustration, possibly illustrating a different concept or idea.

Layout:
The text and illustrations are arranged in a structured manner, with the main text occupying the left side of the page and the illustrations placed on the right side. The illustrations are framed within decorative borders, adding to the overall aesthetic of the page.

Overall, the image appears to be a page from an old book or manuscript, containing both text and illustrations in an old style of handwriting and woodcut illustrations. The content seems to be related to mythology, allegory, or philosophical concepts, possibly from the Renaissance or Baroque period.

Text analysis

Amazon

malpugna
migloruoleruoler
Ontra
SECVNDA
CANTO
Ontra migloruoleruoler DIDANTHE
CANTICA
DIDANTHE
.piacerli
miop
lecondition
CANTO.XX.DELA SECVNDA CANTICA
ondiocontral piacer miop
amerli.
piacer
ondiocontral
CANTO XX ZOO
tuo
XX
dudir
laroccia
quando
traimurarg
CANTO.XX.DELA
luoghiexpeditipurlongholaroccia laroccia
tuo famefanza finecupa.
Chelagetechefondaagocciaagoccia
finecupa.
come ftreeto amerli.
luoghiexpeditipurlongholaroccia
re
famefanza
acomiatato.
gyrar
mal
ftreeto
cheglaltranimali
dalaltra
due
due mal Icobatte re
quando uerra per diiceda chebechet dudir
ZOO
dalaltra ifuor
lui
ch
come
raffidellacquanonfatialalpugna
per
ifuor
lecondition traimurarg f lauaritia lpricipio dioftra
chebechet
dioftra
uerra
Icobatte
diiceda
lauaritia
.Cotroamilgior
acomiatato. .Cotroamilgior et
lpricipio
f
Gitecotro:
et

Google

piacer
piacerli
fatia
Moffimiel
come
fiuaperluogho
ftrecto
amerli.
Chelagéteche
fondaagocciaagoccia
fappecia
Maladeetafie
tuanticalupa
chepiu
cheglaltranimalihaiipreda
perla
tuo
fine
difceda
vGo
EGVitaitractare
de
lauaritia
&nel
pricipio
dioftra
che
béche
fuffi
cupido
dudir
piu
ff
dalo
(pirito
hauea
uoleruoler
due
uoluta:qila
chemé
male
pugna.i.mal
côbatte
re
la
migiore.Et
pho
cui
spirito
qlio
adúque
qfto
precepto.Etqualunche
uolta
uici
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nnglior
fitibudo
partédo
lofpirito.Elduca
elqle
maspettaua
mofe.pcedédomi.PER
li
luoghi
expediti.i.no
cbiacceuáo.LVNgho
roccia
el
maffo.ftretto
maffo
ua
ftretto
merlichi
per
perche
lanime
piangeuano
occupa
tutol
mondo
I
íapproximauano
troppo.Maladezta
fia
tuantica
lupa.Lauaritia
comincio
nel
modo
infin
Cain.
fui
fecondo
maeftro
chiedeua.Et
nelle
ch
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dio
antichiflima
lupa
q.hauendone
e
peggiore
piunucce.Et
queto
ha
in
glaltri
animali
reuolutioni.PArcheficreda.
Voglono
emoti
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mouimento
8&influentia
tutte
le
loro.
Adunque
noftrecreate
fanza
dele
feconde
caufe
libere
tranfimutare
&
a
forma
QuANdo
perchi
elueltro
ne
prima
cantica.
ONVENIENTISSIMA
purgarfi
del
uitio
glexempli
quegliche
ftati
dimoftrache
glifpiri
diquefto
luoghoadun
tempo
elnome
fa
tionel
purgation
di
quefti
peccati
pone
commune
quato
ala
loro
religiõe.Preterea
potrebbe
pec
cator
fcufarfi
dipoffibilita:pche
&fcarfi
io
piagnere
Etper
uentura
parturir
fia.
pouera
pofafti
fandto:
Sequentemente
intefio
fabritio
&molti
fäcti
quale
fcufanon
puo
produrre
exemplo
CANTO XX Zoo CANTO.XX.DELA SECVNDA CANTICA DIDANTHE Ontra migloruoleruoler malpugna ondiocontral piacer miop piacerli traffidellacquanon fatia lafpugna Moffimiel ducamio fimoffiper li luoghiexpeditipurlongholaroccia come fiuaperluogho ftrecto amerli. Chelagéteche fondaagocciaagoccia peglocchiemal chtuttolmodo occupa dalaltraparte ifuor troppo fappecia Maladeetafie tuanticalupa chepiu cheglaltranimalihaiipreda perla tuo famefanza fine cupa. Ocielnelcuigyrarpar cheficreda lecondition diquaggiu tráimutarfi quando uerraper chiquefta difceda vGo CIAPETA f EGVitaitractare de lauaritia &nel pricipio dioftra che béche fuffi cupido dudir piu cofe:nietedimeo ff parti dalo (pirito elğl hauea acomiatato. Cotro amilgior uoleruoler malpugna.Quádo fono due diuerfe uoluta:qila chemé buoa male pugna.i.mal côbatte & re fifte cotro a la migiore.Et pho lui la cui uogla era di fapere da lo spirito qlio che non iportaua molto.uolle cedere a la uolunta de lo fpirito:lagual eramiglore.pche deideraua purgarfi daluitio de lauaritia.Seguita adúque qfto precepto.Etqualunche uolta farco uici da nnglior ragioe fepre farco ogninoftrauogla de ogla daltri.TRAMfi de lacqua nofatia la spugna. Optima trálatioa dioftrare che huomo fi parta áchora et aMAuet fitibudo diqlochdefiderafapere. MOffimi partédo da lofpirito.Elduca mio elqle maspettaua nanzi.Si mofe.pcedédomi.PER li luoghi expediti.i.no occupati dalaie cbiacceuáo.LVNgho la roccia lungho el maffo.ftretto adeflo maffo come ua ftretto a merlichi ua fu per lemura.8quefto facceuano: perche lanime che piangeuano el peccato de lauaritia:clquale occupa tutol mondo íapprocciauanosideft I íapproximauano troppo.Maladezta fia tuantica lupa.Lauaritia comincio nel modo infin da Cain. Co, fui fecondo el maeftro de le hiftorie trouo epefi &le mifure.et fu piu intento al guadagno che non fi ri chiedeua.Et nelle primitie ch offeriua a dio fi dimoftraua lauaritia fua.Adúchee antichiflima lauaritia.ne diremode la lupa q.hauendone detto a fufficiencia ne la prima cantica:doue dimoftra che de tre animali Leonza.Leõe & lupa quefta e la peggiore & piunucce.Et per queto ci ha in preda piu che glaltri animali Ocielonelcui gyrare.i.ne le cui reuolutioni.PArcheficreda. Voglono emathematici che emoti celefti dieno mouimento 8&influentia a tutte le cofe create fotto di loro. Adunque lanime noftrecreate da dio fanza el mezo dele feconde caufe fole reftono libere da tali influentie. Nientedimeno poffono glinfluxi celefti inclinarcia iufticia:& tranfimutare eregi & gimperii a debita forma dadminiftratione. QuANdo uerra perchi quefta difceda.quandouerra elueltro detto ne la prima cantica. ONVENIENTISSIMA cofaechechiecu pido purgarfi del uitio de lauaritia:laquale nie te altro eche cupidita di thefori fipropongáo ne la mente glexempli di quegliche fono ftati contentialpocho.Adunque prima dimoftrache glifpiri ti diquefto luoghoadun medefimo tempo inuocauono elnome di maria:come fa la dona: che fiapparturire.Et ricordauonfi quanto allegramente fopporto la pouerta: dinanzianoichiamar cofinel pianto &diceuano tu fufti tanto pouera quanto dimoftra lholpi tionel quale partorifti noftra falute.OBuon Fabricio.in tutte le purgation di quefti peccati pone exempli no fola mente chriftiani:magétili:perche el morale e commune quato ueder fipo perquello hofpitio &lanoftra & ala loro religiõe.Preterea potrebbe el pec cator fcufarfi dipoffibilita:pche ogniúonoe foleuatoa la Noiandauan copaffilenti &fcarfi & io attento allombre chio fentia piatofamente piagnere & lagnarfi Etper uentura udidolce maria comedadonnache in parturir fia. Etfeguitar pouera fufti tanto doue pofafti el tuo portato fandto: Sequentemente intefio buo fabritio gratia a che fu folleuata MAria &molti fäcti haomini:la quale fcufanon puo produrre ne lo exemplo de genti
CANTO
XX
Zoo
CANTO.XX.DELA
SECVNDA
CANTICA
DIDANTHE
Ontra
migloruoleruoler
malpugna
ondiocontral
miop
traffidellacquanon
lafpugna
ducamio
fimoffiper
luoghiexpeditipurlongholaroccia
peglocchiemal
chtuttolmodo
dalaltraparte
ifuor
troppo
famefanza
cupa.
Ocielnelcuigyrarpar
cheficreda
lecondition
diquaggiu
tráimutarfi
quando
uerraper
chiquefta
CIAPETA
f
cofe:nietedimeo
parti
elğl
acomiatato.
Cotro
amilgior
malpugna.Quádo
fono
diuerfe
buoa
fifte
cotro
lui
uogla
era
fapere
lo
non
iportaua
molto.uolle
cedere
uolunta
fpirito:lagual
eramiglore.pche
deideraua
daluitio
lauaritia.Seguita
farco
ragioe
fepre
ogninoftrauogla
ogla
daltri.TRAMfi
lacqua
nofatia
spugna.
Optima
trálatioa
dioftrare
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fi
parta
áchora
et
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mio
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occupati
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intento
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guadagno
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detto
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cantica:doue
dimoftra
tre
Leonza.Leõe
quefta
ci
preda
Ocielonelcui
gyrare.i.ne
emathematici
cofe
create
fotto
mezo
fole
reftono
tali
influentie.
Nientedimeno
poffono
glinfluxi
inclinarcia
iufticia:&
eregi
gimperii
debita
dadminiftratione.
uerra
difceda.quandouerra
cofaechechiecu
pido
lauaritia:laquale
nie
te
altro
eche
cupidita
thefori
fipropongáo
mente
contentialpocho.Adunque
ti
medefimo
inuocauono
maria:come
dona:
fiapparturire.Et
ricordauonfi
quanto
allegramente
fopporto
pouerta:
dinanzianoichiamar
cofinel
pianto
&diceuano
tu
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noftra
falute.OBuon
Fabricio.in
exempli
no
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chriftiani:magétili:perche
morale
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fipo
perquello
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&lanoftra
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foleuatoa
Noiandauan
copaffilenti
attento
allombre
chio
fentia
piatofamente
lagnarfi
udidolce
maria
comedadonnache
Etfeguitar
doue
portato
buo
gratia
folleuata
MAria
haomini:la
genti