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Human Generated Data

Title

Canto XIX. The Fourth Cornice / The Slothful; Dante's Dream of the Siren; Ascent to the Fifth Cornice - The Avaricious; Pope Adrian V

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5311

Human Generated Data

Title

Canto XIX. The Fourth Cornice / The Slothful; Dante's Dream of the Siren; Ascent to the Fifth Cornice - The Avaricious; Pope Adrian V

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5311

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Page 99.7
Newspaper 99
Paper 78.9
Label 65

Clarifai
created on 2019-11-03

old 96.8
desktop 96
texture 95.3
vintage 95.1
retro 94.2
paper 93
document 92.3
art 92.1
design 91.1
page 90.1
wall 89.6
antique 89.5
text 89.2
picture frame 87.1
decoration 86.2
book bindings 86.1
blank 85.1
wear 83.4
print 83.4
no person 83.1

Imagga
created on 2019-11-03

cloud 48.4
binding 41.7
definition 39.3
association 38.5
backdrop 37.2
cover 37.1
advertising 36.6
book 36.2
artwork 35.8
associated 35.6
creative 35.4
brass 35.4
brochure 35.2
carpet 35.1
advertise 35.1
composition 35
advertisement 34.8
collection 34.3
element 33.2
decor 32.8
conceptual 32.7
decorative 32.7
design 32.2
art 30.8
idea 30.3
graphic 28.5
decoration 28.3
memorial 27.8
product 27.3
information 26.6
letter 25.7
newspaper 25.3
data 24.7
creation 23.9
old 23.8
text 23.6
fabric 23.6
continuity 21.8
drapery 21.7
business 21.3
structure 21.1
keywords 20.7
journal 19.6
copy 19.5
daily 17.9
antique 17.6
word 17
bible 16.7
religion 16.2
page 15.8
religious 15
detail 14.5
collage 14.5
paper 14.2
prayer 13.6
holy 13.5
texture 13.2
ancient 13
read 12.5
faith 12.5
god 12.5
development 12.4
vintage 11.6
spiritual 11.6
energy 11
communication 10.9
print 10.4
writing 10.4
pattern 10.3
black 10.2
church 10.2
chapter 9.9
open 9.9
testament 9.9
history 9.9
mix 9.6
life 9.4
document 9.3
city 9.2
mosaic 9
gospel 8.9
more 8.8
analysis 8.8
cross 8.5
modern 8.4
study 8.4
map 8.3
rosary 7.9
textured 7.9
passage 7.9
pages 7.8
best 7.8
education 7.8
king 7.8
sepia 7.8
company 7.5
retro 7.4
new 7.3

Google
created on 2019-11-03

Text 97.8
Paper 89.3
Document 78.3
Paper product 76.2
Font 68.6

Microsoft
created on 2019-11-03

text 100
letter 91.4
book 81.3
manuscript 58.8
plaque 30.5

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image depicts an illustrated page from an early printed book featuring a passage from Dante Alighieri's "Purgatorio," which is the second part of his epic poem "The Divine Comedy." At the top of the page, the title "PVRCATORIO CANTO XIX. DELA SECONDA CANTICA DIDANTHE" indicates that this is Canto 19 of the Purgatorio section. The text is arranged in a single column with an illuminated initial “E” starting the passage, indicating the beginning of a new section or chapter. The initial letter is ornately designed, which was a common practice in manuscripts and early printed books to highlight significant parts of the text. On the right side of the page, there is an illustration related to the content of the canto. This woodcut image shows multiple human figures, some standing and some suffering. The scene depicted likely represents a moment within the canto, which could involve moral or spiritual instruction and penance, themes central to Dante's Purgatorio. The lower part of the page continues with dense blocks of text, rich in philosophical and theological discourse, reflecting the nature of the literary work. The text is printed in a Gothic typeface, typical of early European print, with some annotations or marginalia by a reader visible on the left side of the page. Overall, the image captures an intricate blend of text and illustration that characterizes early editions of Dante's works, providing insight into the historical and artistic significance of the book.

Created by gpt-4 on 2025-01-31

The image shows a page from an old book, which appears to be a historical print of Dante Alighieri's "Divine Comedy," specifically the section detailing Purgatory, Canto 19 ("CANTO.XIX.DELA SECONDA CANTICA DI DANTE"). The text is printed in an early typeface resembling those used during the Renaissance in Italy, likely set in a form of the Latin alphabet, though the language is an early form of Italian. At the top right of the page is a woodcut illustration portraying a scene relevant to the text. The illustration contains several figures, who are likely characters from the narrative. It shows a group of people standing and interacting around a structure, possibly a boat, indicative of the style prevalent during the late medieval period or early Renaissance. Below the illustration, the text continues in two columns with an 'A' marking what might be a new section of the canto. The middle and bottom of the page also contain what seems to be commentary or annotations on the text; these smaller sections of text are boxed in and separated from the main canto text. An ornamental initial capital 'E' is visible at the beginning of the main text. Throughout the page, there are also handwritten notes in the margins, indicating that at some point a reader interacted with this book, adding their own thoughts or references. These annotations appear to be in a different hand from the printed text and provide a sense of historical use and study of the material. In terms of typography and printing, the book is representative of the era when manual typesetting and presses were used, prior to the 19th century when modern printing techniques were developed.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historical Italian text, specifically from Dante's "Purgatorio," Canto XIX of the Divine Comedy. The page features both text and an illustration. The layout includes a main block of Italian text at the top, followed by a woodcut illustration in a square frame, and more text below. The woodcut illustration depicts a scene with multiple figures in a hilly or mountainous setting. The figures appear to be arranged in groups, with some standing and others in various poses. The artistic style is characteristic of medieval or early Renaissance book illustrations, with simple line work and minimal detail. The text is printed in what appears to be gothic typeface, typical of early printed books. The title "PVRGATORIO" is clearly visible at the top of the page. The overall document appears to be well-preserved despite its age, with some slight discoloration or aging of the paper visible. The page layout and printing style suggests this is from an early printed edition of Dante's work, likely from the 15th or early 16th century. It represents an important example of early Italian printing and book illustration.

Created by claude-3-opus-20240229 on 2025-01-31

This image depicts an old printed page from a book, likely from the 15th or 16th century based on the typography and woodcut illustration style. The page is titled "PYRGATORIO" at the top, which likely refers to Purgatory, a concept in Catholic theology. The main illustration shows a group of figures, possibly representing souls, gathered together and gesturing upwards. The landscape behind them has trees and rocky cliffs or mountains. The woodcut illustration has the characteristic thick, bold lines and hatching typical of that early printing era. The text is printed in an old typeface with some archaic letter forms and ligatures. It appears to be in Italian or a related Romance language. The dense paragraphs of text wrap around the centered illustration. Overall, this looks to be a page from an early printed edition of Dante's Divine Comedy or a similar work of medieval/early Renaissance literature dealing with the afterlife and Purgatory from a Catholic perspective. The integration of text and illustration on the page is characteristic of book printing from that time period.

Created by claude-3-haiku-20240307 on 2025-01-31

This image appears to be an illustration from the Purgatorio, the second canticle of Dante's Divine Comedy. The image depicts a scene from the 19th canto of the Purgatorio, as indicated by the title "PVRGATORIO / CANTO.XIX.DE LA SECVSDA CANTICA DI DANTE" at the top of the image. The illustration shows a complex and intricate scene with various figures and details. There are numerous people depicted, some of whom appear to be soldiers or warriors. The landscape in the background features hills, valleys, and structures that seem to be part of the Purgatorio setting described in Dante's poem. The text accompanying the image is in Italian and provides a description of the events and figures shown in the illustration. Without being able to identify any specific individuals, the image appears to be a visually rich and detailed representation of a scene from the Purgatorio, capturing the imagination and artistic interpretation of Dante's famous work.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-11

The image presents a page from an old book, featuring a woodcut illustration and text in Latin. The page is yellowed with age, indicating its historical significance. * **Woodcut Illustration** + Located on the right side of the page + Depicts a scene with multiple figures, including men and women + Figures are dressed in clothing consistent with the Renaissance period + Scene appears to be a religious or mythological theme * **Text** + Written in Latin + Occupies most of the page + Includes headings and subheadings + Text is arranged in columns, with some words or phrases underlined or highlighted * **Page Layout** + Page has a rectangular shape with a slight tan color + Text is arranged in a formal layout, suggesting it is from a printed book + Woodcut illustration is framed by a rectangular border * **Age and Condition** + Page is yellowed with age, indicating it is old + Has some minor tears and creases, suggesting it has been handled extensively + Overall, the page appears to be in good condition considering its age The image provides a glimpse into the past, showcasing a page from an old book that has been preserved for centuries. The woodcut illustration and Latin text offer a unique window into the cultural and historical context of the time period in which the book was created.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-11

This image depicts a page from an old book, featuring a combination of text and an illustration. The text is written in Italian and appears to be a passage from Dante Alighieri's Divine Comedy, specifically from the Purgatorio section. The text is presented in black ink on a beige background, with some words and phrases underlined or highlighted. The illustration, situated in the top-right corner of the page, is a woodcut print that depicts a scene from the Purgatorio. It shows a group of people gathered around a figure, possibly representing Dante himself, who is being guided by Virgil through the realms of Purgatory. The illustration is rendered in a simple yet evocative style, with bold lines and minimal shading. Overall, this image provides a glimpse into the artistic and literary traditions of the Renaissance period, when Dante's works were widely studied and illustrated. The combination of text and image creates a rich and engaging visual experience, inviting the viewer to explore the themes and ideas presented in the Divine Comedy.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image shows a page from an old book. The page has a black border and is divided into two sections. The left section contains text, while the right section features a black-and-white illustration. The text is written in a cursive font and appears to be in a foreign language. The illustration depicts a scene with people standing in front of a large rock. The image has a vintage look, with some discoloration and wear.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image is of an old book page with text and an illustration. The book appears to be a religious or philosophical text written in an old language, possibly Latin. The text is written in a decorative, ornate font with large, flowing letters. The illustration depicts a scene with multiple figures, possibly representing different virtues or concepts. The figures are dressed in flowing robes and appear to be engaged in some kind of activity or discussion. The overall tone of the image is solemn and contemplative, suggesting that the book is a work of deep thought and reflection.

Text analysis

Amazon

PVRGATORIO
puolcalor
balba
Elhorachenon puolcalor
CANTO.XIX.DELASECONDACANTICADIDANTHE
luna
daterra
Elhorachenon
bruna.
femina
Hor
fortuna
diabo
Miuenne infogno una femina balba
in
Lalingua
neglochiguercia
infogno
lofmarrito
una
anagloria&accidia. Hor
Iefreddemembrachelanocteagraua
&
uineto daterra othalordafaturno
dhora
Miuenne
Lalingua a &pofciatuttaladrizaua
ldiurno
in puoco dhora lofmarrito uolto.
furger p lifta bruna.
intepidarpiulfreddodela
come amor
puoco
cofilofguardomioglifaccealcorta
anagloria&accidia.
moche
uineto
dicolore
conleman moche & dicolore fcialba.
othalordafaturno
fcialba.
furger p
conleman
a &pofciatuttaladrizaua
uegionneriatilormagiort fortuna
lifta
damalitia.
&comelfolconforta
ino
fpirituali
lici:egjli
uolto.
lici:egjli damalitia. fupbial inuidia
inuidia
Atr.Etato
come amor b Atr.Etato ino de fpirituali & diabo
fupbial
uegionneriatilormagiort
b
de

Google

PVRGATORIO
CANTO.XIX.DELA
SECONDA
CANTICA
DIDANTHE
Elhorachenon
puolcalor
uinfto
daterra
othalordafaturno
egeomátilor
magior
uegioninoriente
inanzilalba
furger
p
uiachepuocho
moche
&
comel
lefreddemembra
che
agraua
puocodhora
uolto,
come
uuol
qttrouitiifpirituali
diabo
aanagloria&acidia.Hora
feguitão
tre
nafcono
dal
la
corporei
ptuoli.Maigitodecionono
cáto
põe
chglapparue
ifogno:&
dipoi
fcala
mota
nelquito
gyree
nelqlfi
prima
difcriue
piul
freddo
da
ter
fu
rifcalda
laria.Dipoiuéuta
notte
comicia
laria
a
del
&prazide
luna:eqifon
riceuelodal
fole:&
effa
rifiecte
ingiue
riceuuti
langiu
fa
el
freddo:pche
calor
ha
luna
e
aiutata
terrache
fredda
fecca.
tai
hora
faturno.Imphocheqndo
uigore
luna:perche
luare.Onde
fcriue
di
faturno.hic
algore
fuo
furatur
gaudia
ueris.Faraturque
pratis
eltépo
matutinoche
epffo
algiorno
tépo
per
loro
lalba
gl
tempo
lanimo
humano
obediente
le
inclination
celefti.Et
dc
itendere
Ihuom
effer
cagioni.primo
nafce
libero
arbitrio
moffa
ouacuita
ftomacho:o
tropparefolutione
inclinatioenaturale:laqle
cagiona
emoti
de
cieli.
quefta
in
diuinatione.Onde
laltre
due
cotro
pria
wole
epundli
fi
faccino
fanza
contargfio
non
fieno
eleggeel
dela
mattina-ne
corpo
fono
fobriine
troppo
pieni
ne
troppouoti.
Geomantia
efpecie
diuinatione:lağle
maxime
citauanocirca
fue
liti.fannofifedici
righinon
linee:ma
puncti
fortuiti
&non
numerati
chigli
partisfiche
ogni
quattro
righi:8
accopiano
epuncti
righo
informache
nellaltimo
rimáe
pari
caffo.Et
traggano
parti:&fanouna
Enomidelle
let
tia.Triftitia:Fortuna
Albus:Ru
beus:Coniunctio.Cancer.Populus:
Via:puer:Puella:Caput:Cauda
MAGGlor
fortuna.Quefta
decta
fopra
fimile
una
figura
ftelle:lequale
fanno
fine
dellaquario:&
elpricipio
pelfe
fole
alhora
co
feguitache
pelce:Ernafce
oriente
circa
auna
inanzi
al
femina
belba.perche
etre
amore
beni
temporali:ET
ueramente
POETA
uifioe
felicita
ha'cingjmácaméti
lağle
diftortaméte
lipche
guercia:&uadda
fimelmente
faccia
lopere
manuali
emonca:&
PVRGATORIO CANTO.XIX.DELA SECONDA CANTICA DIDANTHE Elhorachenon puolcalor diurno intepidarpiul freddo dela luna uinfto daterra othalordafaturno Quado egeomátilor magior fortuna uegioninoriente inanzilalba furger p uiachepuocho liftabruna. Miuenne infogno una femina balba neglochiguercia &fopralpie diftor ta conleman moche & dicolore fcialba. Io lamiraua & comel folconforta lefreddemembra che lanocte agraua cofilofguardomio glifaccea fcorta Lalingua&pofciatutta ladrizaua in puocodhora &lofmarrito uolto, come amor uuol cofilocoloraua Atractato ifino aqdi qttrouitiifpirituali & diabo lici:eqli pcedomoda malitia.Etfono fupbia.inuidia aanagloria&acidia.Hora feguitão tre eqli nafcono piu dal fefo che da la ragioe.&fono corporei & uolu ptuoli.Maigitodecionono cáto põe el poetauna uifioe chglapparue ifogno:& dipoi puienea la fcala che mota nelquito gyree nelqlfi purga lauaritia.ma prima difcriue el tépo dicédo.Neilorache no puol calor diurno intepidir piul freddo de la luna:doue e da notar che la reflexionede razidei fole:eqlipcotédo la ter rariuerberáo i fu rifcalda laria.Dipoiuéuta la notte comicia laria a farfifredda p la ptita del fole &prazide la luna:eqifon freddi.Imphoche la luninon ha lume da fe: ma riceuelodal fole:& effa rifiecte ingiue razi riceuuti dal fole:&ogni riflexiõe a langiu fa freddo:coe.a lanfu facaldo.Niétedimenoinfino a mezanocte piucrefce el freddo:pche el calor diurno no ha piu poffa:8 la luna e aiutata da la terrache e fredda & fecca. & tai hora e aiutata da faturno.Imphocheqndo faturnoda fuo uigore a la luna:perche e pianetta freddo & fecco:molto accrefcie el freddo luare.Onde aláo aftrologo fcriue di faturno.hic algore fuo furatur gaudia ueris.Faraturque decus pratis & fyderaflorum.Difcriue aduque eltépo matutinoche epffo algiorno nel qlecoe dimoftráone la pria eantica efogni fon ueri. Quando egeomanti.Difcriue el medefimo tépo per unaltro modo.Imperhoche egeomanti fanno la loro arte nel tempo mattutino qndo lalba uiere.pche i gl tempo lanimo & el corpo humano e piu obediente a le inclination celefti.Et qui dc bbiamo itendere che Ihuom puo effer moffoda tre cagioni.primo da la ppriauolunta:laql nafce da eletoe del libero arbitrio Secondo da nolunta moffa dalcuna paffione:Come e per troppa repletione ouacuita di ftomacho:o per tropparefolutione dhumori:o defecto di fpiritiuitali.Tertio da inclinatioenaturale:laqle cagiona emoti de cieli. Et quefta fola ha in fe diuinatione.Onde el geomante uolendo excluder laltre due cotro a la pria wole che epundli fi faccino fanza contargfio peníarui:accioche non fieno per noftra cletioc:ma fecodo la inclination celefte.Etcotro a lafecöda eleggeel tempo dela mattina-ne laquale lanima & el corpo fono E fobriine troppo pieni ne troppouoti. Geomantia efpecie di diuinatione:lağle glorietali maxime exer citauanocirca laurorain fue liti.fannofifedici righinon di linee:ma di puncti fortuiti &non numerati da chigli fa.Poi fi diuidono in quatro partisfiche ogni parte ha quattro righi:8 accopiano epuncti del righo informache nellaltimo rimáe pari o caffo.Et ogniquaternario traggano lultime parti:&fanouna figura. Enomidelle figure fono let tia.Triftitia:Fortuna maior:Fortuna minor:Acquifitio: Amiffio: Albus:Ru beus:Coniunctio.Cancer.Populus: Via:puer:Puella:Caput:Cauda LOR MAGGlor fortuna.Quefta figura decta di fopra e fimile a una figura di ftelle:lequale fanno el fine dellaquario:& elpricipio del pelfe Adunque fel fole alhora furgeua fu co lariete feguitache la figura di fortuna maggiore laqle enel pricipto del pelce:Ernafce circa a unhora inanzi alariete:appariffi in oriente allalbache e circa auna hora inanzi al fole.MIVENNE infogno una femina belba.perche etre uiti:che feguitano fono per troppo & immo derato amore ne beni temporali:ET non ueramente beni.MA falfi.Vuole el POETA per quefta uifioe dimoftrar la falfa felicita che idi neuiene.lche fige una feia cb ha'cingjmácaméti & lağle diftortaméte par lipche e balba & tartagla:&diftortamente uegga:perche e guercia:&uadda zoppa:& fimelmente faccia lopere manuali iperfeclaméte pche emonca:& finalméte lia di brutto colore.La falía felicita e in quefte
diurno
intepidarpiul
Quado
fortuna
liftabruna.
Miuenne
infogno
balba
neglochiguercia
&fopralpie
diftor
ta
conleman
dicolore
fcialba.
Io
lamiraua
folconforta
lanocte
cofilofguardomio
glifaccea
fcorta
Lalingua&pofciatutta
ladrizaua
&lofmarrito
amor
cofilocoloraua
Atractato
ifino
aqdi
lici:eqli
pcedomoda
malitia.Etfono
fupbia.inuidia
eqli
piu
fefo
ragioe.&fono
uolu
poetauna
puienea
purga
lauaritia.ma
dicédo.Neilorache
no
puol
intepidir
luna:doue
notar
reflexionede
razidei
fole:eqlipcotédo
rariuerberáo
i
farfifredda
ptita
freddi.Imphoche
luninon
lume
fe:
ma
razi
fole:&ogni
riflexiõe
freddo:coe.a
lanfu
facaldo.Niétedimenoinfino
mezanocte
piucrefce
poffa:8
faturnoda
pianetta
fecco:molto
accrefcie
aláo
aftrologo
decus
fyderaflorum.Difcriue
aduque
nel
qlecoe
dimoftráone
eantica
efogni
fon
ueri.
Quando
egeomanti.Difcriue
medefimo
unaltro
modo.Imperhoche
egeomanti
arte
mattutino
qndo
uiere.pche
qui
bbiamo
puo
moffoda
ppriauolunta:laql
eletoe
Secondo
nolunta
dalcuna
paffione:Come
troppa
repletione
dhumori:o
defecto
fpiritiuitali.Tertio
Et
fola
fe
geomante
uolendo
excluder
peníarui:accioche
noftra
cletioc:ma
fecodo
celefte.Etcotro
lafecöda
laquale
lanima
E
glorietali
exer
laurorain
fa.Poi
diuidono
quatro
parte
o
ogniquaternario
lultime
figura.
figure
maior:Fortuna
minor:Acquifitio:
Amiffio:
LOR
Adunque
fel
furgeua
lariete
maggiore
laqle
enel
pricipto
unhora
alariete:appariffi
allalbache
fole.MIVENNE
uiti:che
feguitano
immo
derato
beni.MA
falfi.Vuole
dimoftrar
falfa
idi
neuiene.lche
fige
feia
cb
par
tartagla:&diftortamente
uegga:perche
zoppa:&
iperfeclaméte
pche
finalméte
lia
brutto
colore.La
falía
quefte