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Human Generated Data

Title

Canto XV. The Second Cornice / The Envious; The Angel of Caritas; Ascent to the Third Cornice

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5307

Human Generated Data

Title

Canto XV. The Second Cornice / The Envious; The Angel of Caritas; Ascent to the Third Cornice

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5307

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.7
Page 99.3
Newspaper 91.7
Paper 73.1
Poster 59.5
Advertisement 59.5
Brochure 57.7
Flyer 57.7
Word 57.2
Label 56.9
Letter 55.4

Clarifai
created on 2019-11-03

page 98.6
document 97.7
paper 97.2
text 96.6
old 96.1
vintage 95.9
book bindings 95
retro 93.2
manuscript 92
print 91.4
antique 90.1
desktop 89.8
book 88.7
no person 86.6
ancient 86.1
texture 84.2
picture frame 84.1
poetry 84.1
blank 83
art 82.3

Imagga
created on 2019-11-03

book 42.3
cloud 42.3
definition 35.4
product 34.6
association 34.5
artwork 33
creative 32.7
newspaper 31.9
advertising 31.7
cover 31.5
decorative 31
backdrop 29.7
creation 29.7
design 29.3
composition 29.3
advertisement 29
collection 28.9
art 28.9
associated 28.7
binding 28.6
brochure 28.3
carpet 28.3
advertise 28.3
idea 27.6
decor 27.5
graphic 27.1
brass 26.9
element 26.5
conceptual 26.5
decoration 25.4
text 24.5
old 23.8
daily 21.6
business 21.3
memorial 20.8
continuity 20.8
drapery 20.7
bible 20.6
information 20.4
fabric 19.8
religion 19.8
letter 19.3
page 18.6
antique 18.6
data 18.3
prayer 16.5
holy 16.4
religious 16
paper 15.7
faith 15.4
keywords 14.8
structure 14.7
detail 14.5
god 14.4
word 14.2
read 13.5
copy 13.3
spiritual 12.5
vintage 12.4
map 12.3
ancient 12.1
testament 11.9
gospel 11.9
communication 11.8
open 11.7
journal 11.2
document 11.2
church 11.1
print 10.4
menu 10.2
energy 10.1
book jacket 10
chapter 9.9
history 9.9
pages 9.8
new 9.7
education 9.5
development 9.5
cross 9.4
writing 9.4
life 9.4
rosary 8.9
scripture 8.9
words 8.8
belief 8.8
ink 8.7
collage 8.7
money 8.5
company 8.4
texture 8.4
retro 8.2
covering 8.1
passage 7.9
analysis 7.8
king 7.8
pray 7.8
jacket 7.8
drawing 7.8
fare 7.7
binder 7.6
human 7.5
city 7.5
study 7.5
close 7.4
bookmark 7.4
global 7.3
world 7.1
day 7.1

Google
created on 2019-11-03

Text 97.2
Paper 90.7
Document 81.4
Paper product 77.9
Newsprint 76.8
Font 68.6

Microsoft
created on 2019-11-03

text 100
book 92.3
letter 89.8
handwriting 54.8
plaque 36.8

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image depicts a page from an ancient printed book, specifically an edition of Dante Alighieri's "Divine Comedy." The text is in Italian and appears to be part of "Purgatorio," the second canticle of Dante's work. The page is labeled "CANTO XII" and "CANTO XV" indicating the chapters.

At the top, the text is printed in a classic serif typeface common to early printed books. The main body of the text is densely packed and justified, with some capitalized sections probably indicating the beginning of new cantos.

Midway down the page, there is a woodcut illustration. The illustration shows multiple human figures, including what seems to be a central group of three standing figures, with one of them, possibly Dante, being confronted by or guiding others. In the background, other figures are interacting, possibly depicting a scene of penitence or suffering which is a common theme in Purgatorio. The image is enclosed in a rectangular border.

Beneath the illustration and text of "CANTO XV," a short explanatory paragraph is provided, denoted by the word "ISCRIVI." This might be a summary or commentary on the illustration above.

The overall condition of the page suggests that it is an old document, as indicated by the slightly aged and yellowed paper.

Created by gpt-4 on 2025-01-31

The image shows a page from an old book or manuscript, presenting both text and an illustration. The page is slightly yellowed and appears to have wear marks, consistent with significant age.

On the left-hand side, there is a block of text composed in an antiquated typeface that resembles fonts used in early printed books. This suggests that the document could be from the Renaissance or the early modern period. The text is laid out in two columns with a clearly visible margin, and there seems to be a decorative capital letter at the beginning of the top paragraph, indicating a new section or chapter.

The right side of the page features a further block of text in the same antiquated style, along with a line drawing illustration near the center. The drawing depicts a scene with several figures. One figure is seated on a throne-like chair, appearing to be in conversation or judgment over the standing figures in front of them. It looks like there may be a narrative or allegorical element to the image, possibly representing a historical, biblical, or mythological scene.

The overall composition of the page, the style of the illustration, and the quality of the paper suggest that the book could be an early print edition of a historically significant literary or philosophical work. The language of the text is not immediately discernible from the image, but given the age and styling, it could be in Latin or an early vernacular European language.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from an early printed edition of Dante's Divine Comedy, specifically from Canto XV. The page features both text and a woodcut illustration. The text is in Italian, laid out in a single column with some commentary or notes. The woodcut illustration in the middle of the page shows multiple figures in a medieval scene, likely depicting an episode from the narrative. The illustration uses simple line work characteristic of early printing techniques. The page appears aged, with slight discoloration typical of old paper, and includes what looks like page numbering (186) at the top right corner. The overall layout and typography is characteristic of early Renaissance printing, probably from the late 15th or early 16th century.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows an old printed page containing text in Italian. The text is arranged in two columns, with the left column taking up the majority of the page. At the bottom right of the page, there is a black and white illustration depicting several human figures interacting in an outdoor setting with trees and hills visible in the background. The text appears to be a poem or song lyrics based on the structure and formatting. The aged appearance of the paper suggests this is an antique or historical document.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from an old book or manuscript. It contains text in what looks like Latin or Italian, as well as an illustration depicting various figures and a landscape scene. The text appears to be from a literary or poetic work, while the illustration seems to be related to the content of the text. Without being able to identify any specific individuals, the image gives the impression of a historical or classical work of literature or art.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15

The image presents a page from an old book, featuring a mix of text and illustrations. The page is divided into two main sections: the top section contains text written in Latin, while the bottom section showcases an illustration accompanied by additional text.

  • Top Section:
    • The top section of the page is filled with text written in Latin.
    • The text is arranged in columns, with each column containing multiple lines of text.
    • The font used for the text is ornate and decorative, with intricate details and flourishes.
    • The text appears to be a passage from a literary work or a historical document.
  • Bottom Section:
    • The bottom section of the page features an illustration accompanied by text.
    • The illustration depicts a scene with several figures, including a woman and a man, engaged in various activities.
    • The text surrounding the illustration provides context and description of the scene.
    • The illustration style is reminiscent of medieval art, with bold lines and detailed depictions of clothing and accessories.
  • Overall:
    • The page exudes a sense of antiquity and historical significance, with its ornate typography and detailed illustrations.
    • The text and illustrations work together to convey a sense of narrative and storytelling.
    • The page appears to be a rare and valuable artifact, offering a glimpse into the past and the cultural heritage of the time period in which it was created.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15

The image depicts a page from an old book, featuring a combination of text and an illustration. The text is written in Italian and appears to be from the 15th century, with the page number "XIV" at the top center and the year "1486" in the upper right corner.

The text is divided into two columns, with the left column containing a poem or passage that begins with the word "CANTO." The right column features a continuation of the text, which includes a heading that reads "CANTO.XV.DELA SECONDA CANTICA DIDANTHE."

Below the text, there is a black-and-white illustration that depicts a scene of people gathered around a figure lying on the ground. The illustration is surrounded by a border, and the overall design suggests that it may be a woodcut or engraving.

The background of the page is off-white, with visible signs of aging and wear, including yellowing and tears along the edges. Overall, the image provides a glimpse into the aesthetic and literary styles of the Renaissance period.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image shows a page from an old book with text and an illustration. The text is written in a foreign language, possibly Latin, and is divided into two columns. The left column has a larger font size, while the right column has a smaller font size. The illustration depicts a scene with several people, possibly a group of people gathered around a table. The illustration is in black and white and has a vintage look.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image depicts a page from a historical book or manuscript, likely from the Renaissance period, based on the ornate typography and illustrations. The page is divided into two main sections. The upper section contains text written in an early form of Italian, possibly a translation or commentary on a classical work. The text is written in a cursive, elegant script, characteristic of the Renaissance humanist style.

The lower section of the page features an illustration. The illustration depicts a scene with several figures, possibly from a classical myth or story. The figures are rendered in a detailed and intricate style, with attention to anatomical accuracy and clothing that reflects the fashion of the time. The scene appears to be a narrative moment, with figures engaged in various activities, possibly a confrontation or a moment of revelation.

The page is bordered with decorative elements, including a border at the top and bottom and possibly some initial letters or flourishes. The paper is of high quality, suggesting that this is a significant or valued text.

Overall, the image represents the intersection of text and illustration in Renaissance manuscripts, where visual elements are used to enhance the understanding and appreciation of the written word.

Text analysis

Amazon

186
Mauo
&elmidixequelfudurocam
Gia
tener
g
pmeffodi
CANTO
CANTO XN 186
Veltochea
freno
freno orichiamo.
LOFREN
orichiamo.
drerafuometa
dellatichaduerfaroad
prendetel
chitutto
uitira
dellatichaduerfaroad uitira exepli
Gia eralaer da g Veltochea pfentedice Virgilo:giahauea pmeffodi
eralaer da
exepli
elcircuito
XN
chdourelhuomt
meta
&elmidixequelfudurocam fquadodi LOFREN uoleerdicotrariofono
la meta elcircuito
Ma
entorno
che
&locchio
monftradouileluebellezeeterne
chitutto difcerne. pucire. Ma
Incamo
la
pdono.
Mauo prendetel chelhamo pfalmiata. Incamo & .durof reo.
FV
chdourelhuomt tener drerafuometa mio paflo del
uoleerdicotrariofono
pucire.
chelhamo
Chiamauilciclo
pfalmiata.
Virgilo:giahauea
difcerne.
pfentedice
&
mio
uoce
paflo
pdono. QuEl FV uoce
fquadodi
monftradouileluebellezeeterne Goncilaqualeouolscheamielpconlmocomeremedclio
reo.
.durof
Goncilaqualeouolscheamielpconlmocomeremedclio
QuEl
del

Google

Xн CANTO 186 q Veftochea plente dice Virgilo:giahauea pmeffodi dif quádo dixe. LOFREN Vuoleér dicotrario fono Credocheludirai per mio auifo átiche uegni al paffo del chdourelhuom tener drétafuo meta pdono.&elmidixe. QuEL FV duro camo. ql.i.la uoce dicain:&qlladaglauro tudurocamo.i.duro fréo.öde el plalmita. In camo & fréomaxillas eorúcotrige pcbtalt exépli debbono raffréaf ciafchúo:chenotrafcorra iqfto &peropochoual freno orichiamo. uitio.iperoche per Caifidimoftra la morte:& paglauro che fu faxo laobítinatioe.Debbaadunque tal freno tener ihuomodrentoa fua meta:ideft drento a termini della ra gione:laqualeuuol:cheamiel proximocome te medefio metailatino ela extremita delcorfo de cauagliala qleno folaméte háno a puéire. Ma peruéuti debbonocircuirla cotáta arte:& igegno:che o no fappreffio táto che ui pco tino:o táto fidiloghi:che glaltri cauagli étrino tra loro:& la meta &pría habbifacto elcircuito.MA VOIPRédete lefca:Interuiene alhomocoe alpefce.ipoche coe elpefcatof porge lefca al pefce nel hámo 8cofi l6gána.Cofi eldiauolo noftro áticho aduerfario ciefcha co ggli modai piaceri:neqtienafcofto eluitio:cb coe hamo cipigla:& tira adánatiõe:i forma che nouale fréo o richião.cioe coforto orepréfiõe:CHIAMAVIAL CIELO.Certaméte decte idio alhuomoglocchi ele uati:che poteffi mirafgleterni corfi dcieli:Sle loro mirabile beleze &ornaméti.Accioche deiideraffino falif a qli. Etnoifepre riguardiáo le cofe terrene.ONDEVIBATte.ilpche idio:che tutto difcerneuipu Gia eralaer da ogni parte queta &elmidixequel fudurocamo Mauoprendetelefcha fiche lhamo dellatichaduerfaro adfe uitira Chiamauilcielo entorno uiligira monftrádouilefuc bellezeeterne &locchio uoftro pureaterramira Onde uibacte chitutto difcerne. nilce.perche iuftaira lomuoue:non ui mouédo uoi per le belleze che ui moftra. CANTO.XV.DELA SECONDA CANTICA DIDANTHE Vanto tralultimar delho raterza elprincipio deldi par dela Грera chesempraguifa di fanciullo fcherza Tanto pareagia inuer lafera effere alfoldel fuo corfo rimafo uefprerala &quimeza noctera, Eraggineferien permezolnafo perhepernoigittato era filmonte chegia dritiandauan inuer loccafo: Quandofentiadmegrauar lafronte alo fplendor affai piuche di prima &ftupor meralecofenonconte. Ondioleualemani in uer la cima delemia cigla & feccemifolecchio chedel fouerchio uifibile lima. d ISCRIVeel poetacõe dal fecodo girone dela faida fale alterzo:doue fi purga lica.Erpria dilcriue lagelia, cb glapparifce:& purgalo dalliuidia.Etdirizalo al cerchio dellira.Dipoi dichiara una fetétia pofla nel cape tolopcedete:Et a qita aggiugne una fua uifiõe:& falméte Virgilio laiterpta.QuANto cra.Difcriue lhori. uefptia:dalaqle ifino aloccalo del fole quádo ua fotto e táto fpatio di téposquatoedalnafcimento del fola ifino aterza, Aduque nelequinoctio fecodo enoftri horiuoli farcbbe lhora uigefima prima. DELASPerae cioedel fole:elquale nel fuo continuo moto fcherza a fimilitudine di fanciullo.elquale fubito che e nato fi muoue fempre acquiftando infino a mezo delleta. Dipoi cala:cofi fa ei fole:&inqto & nellaltro hemi fperio.VESPROera la nellhemifperio.doue e el purgatorio.& quiinitalia era mezinote.Efecondo el poeta el monte det purgatorio oppofito a linea ad Hierufalem. lperche fe lui in quelhora: che quefto nar raua:fuffi ftato in hieruíalem mezanoste:i purgitorio farebbe ftato mezo giono.mi percb ers in italia quido qfto fcriuea:pho dice chquádo laera ueipo:i italia era meza nocte:pche nofi fa di &nocte eméte fogni parte.ERAGGI neferié p mezo el nafo:&affegna la ragiõe. iperoche ádádo loro falédo icircuito: couciua che nofépre fuffin uolti i una partc.E:alhora accade ch fulliouoltiaponéte.GRAVAR la frote
CANTO
186
q
Veftochea
plente
dice
Virgilo:giahauea
pmeffodi
dif
quádo
dixe.
LOFREN
Vuoleér
dicotrario
fono
Credocheludirai
per
mio
auifo
átiche
uegni
al
paffo
del
chdourelhuom
tener
drétafuo
meta
pdono.&elmidixe.
QuEL
FV
duro
camo.
ql.i.la
uoce
dicain:&qlladaglauro
tudurocamo.i.duro
fréo.öde
el
plalmita.
In
camo
&
fréomaxillas
eorúcotrige
pcbtalt
exépli
debbono
raffréaf
ciafchúo:chenotrafcorra
iqfto
&peropochoual
freno
orichiamo.
uitio.iperoche
Caifidimoftra
la
morte:&
paglauro
che
fu
faxo
laobítinatioe.Debbaadunque
tal
ihuomodrentoa
fua
meta:ideft
drento
a
termini
della
ra
gione:laqualeuuol:cheamiel
proximocome
te
medefio
metailatino
ela
extremita
delcorfo
de
cauagliala
qleno
folaméte
háno
puéire.
Ma
peruéuti
debbonocircuirla
cotáta
arte:&
igegno:che
o
no
fappreffio
táto
ui
pco
tino:o
fidiloghi:che
glaltri
cauagli
étrino
tra
loro:&
&pría
habbifacto
elcircuito.MA
VOIPRédete
lefca:Interuiene
alhomocoe
alpefce.ipoche
coe
elpefcatof
porge
lefca
pefce
nel
hámo
8cofi
l6gána.Cofi
eldiauolo
noftro
áticho
aduerfario
ciefcha
co
ggli
modai
piaceri:neqtienafcofto
eluitio:cb
hamo
cipigla:&
tira
adánatiõe:i
forma
nouale
fréo
richião.cioe
coforto
orepréfiõe:CHIAMAVIAL
CIELO.Certaméte
decte
idio
alhuomoglocchi
ele
uati:che
poteffi
mirafgleterni
corfi
dcieli:Sle
loro
mirabile
beleze
&ornaméti.Accioche
deiideraffino
falif
qli.
Etnoifepre
riguardiáo
le
cofe
terrene.ONDEVIBATte.ilpche
idio:che
tutto
difcerneuipu
Gia
eralaer
da
ogni
parte
queta
&elmidixequel
fudurocamo
Mauoprendetelefcha
fiche
lhamo
dellatichaduerfaro
adfe
uitira
Chiamauilcielo
entorno
uiligira
monftrádouilefuc
bellezeeterne
&locchio
uoftro
pureaterramira
Onde
uibacte
chitutto
difcerne.
nilce.perche
iuftaira
lomuoue:non
mouédo
uoi
belleze
moftra.
CANTO.XV.DELA
SECONDA
CANTICA
DIDANTHE
Vanto
tralultimar
delho
raterza
elprincipio
deldi
par
dela
Грera
chesempraguifa
di
fanciullo
fcherza
Tanto
pareagia
inuer
lafera
effere
alfoldel
fuo
corfo
rimafo
uefprerala
&quimeza
noctera,
Eraggineferien
permezolnafo
perhepernoigittato
era
filmonte
chegia
dritiandauan
loccafo:
Quandofentiadmegrauar
lafronte
alo
fplendor
affai
piuche
prima
&ftupor
meralecofenonconte.
Ondioleualemani
in
uer
cima
delemia
cigla
feccemifolecchio
chedel
fouerchio
uifibile
lima.
d
ISCRIVeel
poetacõe
dal
fecodo
girone
faida
fale
alterzo:doue
fi
purga
lica.Erpria
dilcriue
lagelia,
cb
glapparifce:&
purgalo
dalliuidia.Etdirizalo
cerchio
dellira.Dipoi
dichiara
una
fetétia
pofla
cape
tolopcedete:Et
qita
aggiugne
uifiõe:&
falméte
Virgilio
laiterpta.QuANto
cra.Difcriue
lhori.
uefptia:dalaqle
ifino
aloccalo
fole
ua
fotto
e
fpatio
téposquatoedalnafcimento
fola
aterza,
Aduque
nelequinoctio
enoftri
horiuoli
farcbbe
lhora
uigefima
prima.
DELASPerae
cioedel
fole:elquale
continuo
moto
fimilitudine
fanciullo.elquale
fubito
nato
muoue
fempre
acquiftando
infino
mezo
delleta.
Dipoi
cala:cofi
fa
ei
fole:&inqto
nellaltro
hemi
fperio.VESPROera
nellhemifperio.doue
purgatorio.&
quiinitalia
mezinote.Efecondo
poeta
monte
det
purgatorio
oppofito
linea
ad
Hierufalem.
lperche
fe
lui
quelhora:
quefto
nar
raua:fuffi
ftato
hieruíalem
mezanoste:i
purgitorio
farebbe
giono.mi
percb
ers
italia
quido
qfto
fcriuea:pho
chquádo
laera
ueipo:i
meza
nocte:pche
nofi
&nocte
eméte
fogni
parte.ERAGGI
neferié
p
nafo:&affegna
ragiõe.
iperoche
ádádo
falédo
icircuito:
couciua
nofépre
fuffin
uolti
i
partc.E:alhora
accade
ch
fulliouoltiaponéte.GRAVAR
frote