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Human Generated Data

Title

Canto XVIII. Ascent to the Sixth Sphere: Jupiter / The Just and Temperate Rulers; The Vision of the Flashing Lights

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5341

Human Generated Data

Title

Canto XVIII. Ascent to the Sixth Sphere: Jupiter / The Just and Temperate Rulers; The Vision of the Flashing Lights

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5341

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.3
Page 96.6
Paper 85.1
Newspaper 84.9
Advertisement 84.4
Poster 84.4
Brochure 82.5
Flyer 82.5
Word 56.3
Label 55.6

Clarifai
created on 2019-11-03

page 98.8
paper 96.8
text 96.8
vintage 96.4
document 96.3
old 94.6
book bindings 93.6
desktop 91
picture frame 90.9
print 90.6
illustration 90
manuscript 89.8
retro 89.2
texture 86.7
antique 86.6
no person 85.8
number 85.7
blank 85.6
poetry 82.4
art 81.5

Imagga
created on 2019-11-03

brass 64.2
memorial 51.1
cloud 44.1
daily 41.5
definition 38.4
structure 34.8
association 34.6
newspaper 33.7
book 33.6
artwork 32.1
creative 31.9
advertising 31.8
cover 31.6
advertisement 31
associated 29.7
brochure 29.3
decorative 29.3
composition 29.3
carpet 29.3
advertise 29.3
backdrop 28.9
collection 28.9
idea 27.7
design 27.7
conceptual 27.4
decor 26.6
element 26.5
menu 26.4
text 26.3
art 26.1
product 26
graphic 24.9
decoration 24
business 23.2
creation 22.5
old 22.4
letter 22.1
fare 21.9
continuity 20.8
drapery 20.7
information 20.4
word 19.9
page 19.6
fabric 18.9
religion 18.9
data 18.3
bible 17.7
prayer 17.4
paper 17.3
religious 16.9
keywords 16.8
antique 15.6
holy 15.5
copy 15.1
faith 14.4
print 14.2
detail 13.7
read 13.5
god 13.4
spiritual 12.5
testament 11.9
open 11.7
development 11.4
church 11.1
energy 11
gospel 10.9
words 10.8
pages 10.8
food 10.7
education 10.4
ancient 10.4
study 10.3
new 9.8
collage 9.7
black 9.6
day 9.4
money 9.4
company 9.3
communication 9.3
vintage 9.1
history 9
scripture 8.9
language 8.8
best 8.8
life 8.6
cross 8.5
writing 8.5
binding 8.4
document 8.4
close 8
chapter 7.9
passage 7.9
analysis 7.8
belief 7.8
king 7.8
pray 7.8
corporate 7.8
ink 7.7
knowledge 7.7
texture 7.7
good 7.5
city 7.5
world 7.1

Google
created on 2019-11-03

Text 97.8
Paper 88.8
Paper product 76.1
Document 76
Font 75
Newsprint 55.8

Microsoft
created on 2019-11-03

text 100
letter 86.8
book 83.2
manuscript 59.1
plaque 27.7

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 30-46
Gender Female, 50.4%
Happy 49.5%
Surprised 49.6%
Confused 49.5%
Calm 49.6%
Angry 49.7%
Fear 49.5%
Disgusted 50.1%
Sad 49.5%

Feature analysis

Amazon

Book
Book 100%

Categories

Imagga

text visuals 99.7%

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-01

This image is a page from an old manuscript, specifically Canto XVIII from a cantica of Dante Alighieri's "Divine Comedy". The text is printed in an elegant, old-style font in Italian and is organized into two columns for the main text and footnotes. At the bottom right corner of the page, there is an illustration. The illustration shows celestial figures and angels directed towards a group of human figures, likely depicting a scene from heaven. The heavens are adorned with stars and ornate patterns. On the ground, figures are gathered, some of them also looking upwards, emphasizing a celestial or divine event or vision. Additionally, there is an elaborately designed initial letter "G" embellishing the starting word of the main text at the bottom left section of the page indicating the beginning of a particular verse. The page number "280" is printed at the top right corner. The manuscript is visually enriched with these detailed illustrations, contributing to its historical and artistic value.

Created by gpt-4 on 2025-02-01

The image depicts a page from an old book, featuring both text and a woodcut illustration. The page is labeled "CANTO XVII" at the top, indicating that this is likely from a literary work divided into cantos, a form often used in long poems. The text is in two columns and is written in an old style of font resembling early printing found in books from the Renaissance era. It is likely in Italian given certain recognizable words and the historical context of the page design. The woodcut illustration at the bottom shows a complex scene with multiple figures: 1. The central section of the image portrays nine individuals being immersed in what appears to be a flaming pit or fire, with flames enveloping them. This scene likely represents some form of punishment or purgation. 2. Above the central scene is an array of stars or sparks, possibly symbolizing the heavens or divine presence overseeing the scene below. 3. On the left side of the illustration, there's a depiction of a character standing with what might be a book or a scroll, indicative of a narrator or a person of authority, perhaps the poet or a guide. 4. The bottom part of the illustration shows a group of individuals standing or walking in a landscape. There are trees in the background, and two boats are visible in the water, with figures rowing or guiding them. The themes present in the text and illustration suggest that this might be a page from an edition of "The Divine Comedy" by Dante Alighieri, specifically from "Inferno," where he describes the various circles of Hell. The numbered canto and the imagery would correspond to the classic content of this work.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-01

This appears to be a page from an early printed edition of Dante's work, likely from the late medieval or early Renaissance period. The page contains text in Italian and features a decorative woodcut illustration at the bottom. The illustration shows several figures in a scene with stars above them, divided into sections. The text is laid out in a typical manuscript style with different sized sections and what appears to be both verse and prose portions. The page is numbered "280" at the top and is labeled as "CANTO XVIII." There's a large ornamental capital letter "E" at the beginning of one section. The overall condition of the page appears aged but well-preserved, with slight browning of the paper typical of documents from this era.

Created by claude-3-opus-20240229 on 2025-02-01

The image shows a page from an old book or manuscript, likely from the medieval period based on the aged appearance and style of the text and illustrations. The text is in Italian and appears to be a poem or song, with the title "CANTO XVIII 280" at the top. The main body of text is printed in an old-style serif font. Below the text is an illustration depicting several human figures, possibly gathered for some kind of ritual or ceremony. The figures are drawn in a simplistic, woodcut-like style typical of early printed books. The page has a weathered, yellowed appearance indicating its age. Some handwritten notes or markings are visible in the margins. Overall, the image provides an intriguing glimpse into a historical text, perhaps a work of early Italian literature or a religious document, adorned with folk art style illustrations of the time period.

Created by claude-3-haiku-20240307 on 2025-02-01

The image appears to be a page from an old book or manuscript. It contains text written in Italian as well as an illustration depicting various figures and symbols. The illustration shows several human-like figures surrounded by stars or other celestial-like motifs. The text on the page seems to be a poetic or literary work, though I cannot discern its exact meaning or content without being able to fully read and understand the Italian language.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image is a page from an old book, likely a manuscript or printed book from the Renaissance period. The page is written in Latin and features a decorative initial letter at the top, accompanied by a woodcut illustration of a group of people. * **Text:** * The text is written in Latin and appears to be a passage from a literary work, possibly a poem or a play. * The text is divided into two columns, with the left column containing the main body of the text and the right column containing a smaller section of text. * The text is written in a formal, cursive script, with intricate flourishes and decorations. * **Illustration:** * The illustration is a woodcut of a group of people, possibly depicting a scene from a play or a historical event. * The illustration is simple and lacks detail, but it appears to show a group of people standing in a courtyard or a public square. * The illustration is surrounded by a border of stars and other decorative elements. * **Decorative Elements:** * The page features several decorative elements, including a decorative initial letter at the top and a border of stars around the illustration. * The decorative elements are simple and lack detail, but they add to the overall aesthetic of the page. * **Page Layout:** * The page is laid out in a traditional format, with the text divided into two columns and the illustration placed below the text. * The page has a simple, symmetrical design, with the text and illustration balanced on either side of the center of the page. Overall, the image provides a glimpse into the design and layout of a Renaissance-era book page, highlighting the use of decorative elements and traditional page layouts.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image depicts a page from an old book, featuring a mix of text and illustrations. The top section is filled with Italian text, while the bottom section contains a drawing of people in various poses, accompanied by additional text. **Key Features:** * **Text:** The majority of the page is occupied by Italian text, which appears to be a passage from a literary work. * **Illustration:** A drawing at the bottom of the page shows people in different poses, including some standing, sitting, or lying down. * **Additional Text:** Below the illustration, there is more text that seems to be a continuation of the passage above. **Overall Impression:** The image suggests that the book is an old, possibly rare, edition of a literary work. The combination of text and illustrations creates a visually appealing and engaging page that invites the reader to explore the content further.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-01

The image depicts a page from an old book. The page is numbered XVII, and the text is written in an ancient language. The page has a border, and the text is written in a cursive font. The text is divided into two columns, with the left column containing the words "CANTO" and "XXVII," and the right column containing the words "280" and "LA FILOSOFICA DIFFERENZA DELLA TERRA." The page also has a watermark in the bottom right corner.

Created by amazon.nova-lite-v1:0 on 2025-02-01

The image is a page from a book, featuring a poem titled "Canto" in an old-fashioned language. The text is written in a cursive, elegant style, and the page is adorned with decorative elements, including a large letter "C" at the top and a series of illustrations below the text. The illustrations depict various scenes, such as people, animals, and landscapes, rendered in a simple yet charming style. The page appears to be from a historical or literary work, possibly a collection of poems or a literary anthology.

Text analysis

Amazon

CANTO
mio
uento
trouaili
theforo
Lalucein
cheridealo
pora
chomel
parola
diquelnon
Mano
ifamanoto.
CANTO XVIIl z8o
Lalucein cheridealo mio theforo quando fara adigefta
prima tuo chomel uento
lanimo
prima
uergogna
z8o
tuauifion
gumento
quando
cbio
Mano fon di ifamanoto.
fadhonor
cridofara
famanifelta
poco
altrui
cbio trouaili ife corufca uefto cridofara
brufca.
altrui uergogna Pero
primo
uefto
piu
piu perchuote.
fon
perchuote.
tua parola brufca. nelmonte&1
adigefta
XVIIl
per
primo uital
Indigporepriaodella fadhonor poco gumento
tutA tuauifion famanifelta lanimo diquelnon pora
fara
tua
di
tuo
&afcofa.
uital
&lafcia per exemplo
Pero
corufca
exemplo
&lafcia
ife
nelmonte&1
tuafaramolefta
Indigporepriaodella
tutA

Google

CANTO
A
cheridealo
mio
theforo
chio
trouailifi
fe
prima
corufca
delfole
lofpecchio
Indirifpofeconfcientia
fufca
odellapropriao
Manodimeorimoffaognimézogna
tucta
tuauifion
&
la
guftouital
nutrimento
XVIII
zSo
quando
digefta
uefto
fara
uento
chele
piu
altetorri
piuperchuote.
dhonor
poco
argumento
dolorofa
che
lafuaradice
Neperaltroargumento
qual
rifpondeffila
luce
inche
el
lo
di
fi
feccie
corrufco.
ideft
fplendido
lucentecome
doralrazo
fole:Et
finge
quefto
poeta
perche
fcriuendo
lecofe
trouate
in
fuo
fama
reftaua
lucente.
lui
dimoftra
glipiacque
difcorfo
hauea
facto
poeta.ET
dipoirifpofe
al
dubbio
propoftogli
quefta
forma.
TV
danthe
fcri
uerai
cioche
hai
ueduto
accioche
fufca:cioe
nera
confcientia.ideft
glhominiequalinon
hanno
puraconfcientia:mamaculata
o
dala
propría
uergogna:cioe
da
peccatida
lun
commeffi
laltrui
uergo
gna.ideft
peccati
de
parenti
propinquiequali
tu
difcriuerrai.
SENTINO
tua
parola
brufca.ideft
infamia
darai
lorone
tuoi
uerfi.ma
acioche
fcriui
fia
fanza
menzogna
bugia.et
lafcia
purgrat
tare
douela
rogna.i.
pur
dolerfi
achi
ha
dolerfi:perche
non
e
cofa
iufta
ma
degntffima:fparge
re
perpetua
famia
a
chie
ftato
fcelerato.FINGE
prudentiffimamente
dubitare
bene
fcriuere
tale
operanela
quale
dia
chigia
morto
laquale
poi
ritorna
ne
fuoi
anchora
fon
uiui:
&reta
mente
conchiude
debbafcriuer
quefti
fieno
exemplo
achiudira:per
ciafcuno
gna
operare
formache
infamia:
&efuoi
propinqui
dilcendenticon
molte
lor
uirtu
Eaccino
indegnideffer
percoffi
infamia.
ET
pero
dice
le
uoce.ideft
faramolefa.
NEL
primo
gufto
come
qualche
cibo
amaro
fida
per
conofer
uare
fanita
efa
riprenfione
corregera
fanera
lanimo:come
quel
poche
digefto
&ímaltito
nutriméto
cor
po&rendegli
CANTO.XVII.DELA
TERTIA
CANTICA
DIDANTHE
lafigodeafolo
del
uerbo
Squello
fpecchio
beato
io
guftaua
lomiotéprando
con
dolce
lacerbo
Etquelladonnachadio
mi
menaua.
dixemuta
penfier
penfachiofono
preffo
acolui
chognitorto
difgraua
Io
miriuolfi
allamorofo
fono
delmio
coforto
qualeio
alhor
uidi
neglocchifanctiamore
qui
labádono
diffidi
maperlamente
puo
ridire
fourafetantofaltrinon
laguidi.
**
*
lopimo
CANTO A Laluce in cheridealo mio theforo chio trouailifi fe prima corufca qualearaggio delfole lofpecchio doro Indirifpofeconfcientia fufca odellapropriao della altrui uergogna purfentira la tua parola brufca. Manodimeorimoffaognimézogna tucta tuauifion famanifefta & lafcia poigrattardoue la rogna Che fe la uoce tua faramolefta nel primo guftouital nutrimento XVIII zSo la ferapoi quando fara digefta Q uefto tuocrido fara chomel uento chele piu altetorri piuperchuote. &ciono fa dhonor poco argumento Pero tifon moftrate inquefteruote nelmonte& nellaualle dolorofa purlanime che fon di famanoto. Che lanimo diquel non pora nefermafedeper exemplo chaia lafuaradice incognita & afcofa. Neperaltroargumento che non paia. ob h AVEA propofto el fuo odubbio el poeta al qual prima che rifpondeffila luce inche rideua el fuo the foro.ideft lo fpirito di cacciaguida fi feccie corrufco. ideft fplendido & lucentecome diuéta lofpecchio doralrazo del fole:Et finge quefto el poeta perche fcriuendo lecofe trouate in quefto fuo uiaggio la fama dicacciaguida reftaua piu lucente. ET per quefto fplendore che era letitia in lui dimoftra che glipiacque el difcorfo che hauea facto el poeta.ET dipoirifpofe al dubbio propoftogli in quefta forma. TV danthe fcri uerai cioche hai ueduto accioche la fufca:cioe nera confcientia.ideft accioche glhominiequalinon hanno puraconfcientia:mamaculata o dala propría uergogna:cioe da peccatida lun commeffi o da laltrui uergo gna.ideft da peccati de parenti & de propinquiequali tu difcriuerrai. SENTINO la tua parola brufca.ideft la infamia che tu darai lorone tuoi uerfi.ma acioche tu fcriui fia fanza menzogna & bugia.et lafcia purgrat tare douela rogna.i. lafcia pur dolerfi achi ha da dolerfi:perche non e cofa in iufta ma degntffima:fparge re perpetua in famia a chie ftato fcelerato.FINGE prudentiffimamente di dubitare fe e bene fcriuere tale operanela quale fi dia infamia a chigia e morto laquale poi ritorna ne fuoi che anchora fon uiui: &reta mente conchiude che fi debbafcriuer acioche quefti fieno exemplo achiudira:per laquale ciafcuno finge gna operare in formache non fia in tale infamia: &efuoi propinqui & dilcendenticon molte lor uirtu fi Eaccino indegnideffer percoffi di tale infamia. ET pero dice che le la uoce.ideft la parola tua faramolefa. NEL primo gufto come qualche cibo amaro che fida per conofer uare la fanita efa fara tale riprenfione che corregera & fanera lanimo:come quel cibo amaro poche e digefto &ímaltito da tale nutriméto al cor po&rendegli la fanita CANTO.XVII.DELA TERTIA CANTICA DIDANTHE lafigodeafolo del fuo uerbo Squello fpecchio beato & io guftaua lomiotéprando con dolce lacerbo Etquelladonnachadio mi menaua. dixemuta penfier penfachiofono preffo acolui chognitorto difgraua Io miriuolfi allamorofo fono delmio coforto & qualeio alhor uidi neglocchifanctiamore qui labádono Nonpchio pur delmio parlar diffidi maperlamente che non puo ridire fourafetantofaltrinon laguidi. ** * lopimo
Laluce
qualearaggio
doro
della
altrui
uergogna
purfentira
brufca.
famanifefta
poigrattardoue
rogna
Che
uoce
faramolefta
nel
ferapoi
Q
tuocrido
chomel
&ciono
fa
Pero
tifon
moftrate
inquefteruote
nelmonte&
nellaualle
purlanime
famanoto.
lanimo
diquel
pora
nefermafedeper
chaia
incognita
afcofa.
paia.
ob
h
AVEA
propofto
odubbio
rideua
the
foro.ideft
fpirito
cacciaguida
diuéta
uiaggio
dicacciaguida
fplendore
era
letitia
Nonpchio
parlar